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Lot Numbers, Descriptions and Estimates
   1. Exceptional Newcomb College vase, tapered and shouldered shape with a finely carved and painted landscape with moss laden trees, executed by Sadie Irvine, #IR73, 4”w x 7.5”h, a beautifully crafted vase 5500-7500
2. Nice Goberg box, attribution, bronzed metal with elaborate cut-out and applied decorations, monogram over a green marble on lid, original patina, unmarked, 10”w x 3.5”h 400-600
3. Fine Handel boudoir lamp, bronzed metal base supporting an obverse painted shade with a landscape scene, base and shade are signed, #5624, excellent original patina, 14.5”h 2000-3000
4. Very nice Roycroft bowl, large footed form in hammered copper, good original patina, impressed mark, 10.5”w x 4”h 500-700
5. Arts & Crafts candlesticks, pair, brass, original patina, unmarked, 11”h, slight bend to foot of each 250-350
6. Roycroft vase, hammered copper with tooled flowers and a green band, original patina, marked, 2.5”w x 5”h 250-350
7. Arts & Crafts candlesticks, pair, brass with original patina, unmarked, 3.25”w x 7.25”h 200-300
8. Gorham chamberstick, hammered copper with original red patina, marked, #Y1, 4.5”w x 3.5”h, slightly bent 200-300
9. Handel Tam O'Shanter lamp, stylized floral design to shade over a bronzed metal base, minor wear to original patina, base and shade signed, 12”dia x 21”h, very good condition 700-900
10. Jarvie chamberstick, Eta form, hammered copper, original patina, removable bobesche, signed, 6”w x 2.5”h 400-600
11. Gorham oil lamp and tray, hammered copper, original red patina, marked, #Y50 and Y65, 5.5”w x 2.5”h 200-300
12. Handel shade, Tam O'Shanter form with floral motif, signed and numbered 3342, chips to rim, 12”dia x 6.75”h, very good condition 300-400
13. Dirk Van Erp blotter, hammered copper with monogram, original patina, impressed mark, 5.5”w x 2.75”h 100-200
14. Good Newcomb College vase, carved and painted landscape with moss laden trees and a moon, artist unknown, impressed marks, #SM52, 3.5”w x 4”h 2750-3750
15. Gustav Stickley chamberstick, hammered copper with original patina, impressed mark, 7”w x 9”h 450-650
16. Nice Newcomb College vase, carved and painted landscape with moss laden trees, executed by Anna Frances Simpson, marked, #OT4-12, 3”w x 3.25”h 2250-3250
17. Dirk Van Erp lamp, hammered copper base supporting a cone-shaped copper and mica shade, original patina, impressed mark, 11”dia. x 11.5”h, small hole to one mica panel 4000-6000
18. Fine Marblehead vase, bulbous form covered in a yellow matt glaze, marked, 5”w x 6.25”h, nice glaze 500-700
19. Rookwood Faience tile, deeply carved organic design under a red and green matt glaze, impressed marks, in an Arts & Crafts oak frame, 6”sq. 500-700
20. Good Marblehead vase, bulbous form covered in a rare purple matt glaze, marked, 5”w x 6.25”h 500-700
21. Good L & JG Stickley daybed, #292, four wide vertical slats at each end, supported by reverse tapered posts with thru-tenon construction, recovered original spring cushion, branded signature, fine original finish, 80”w x 30”d x 28”h, excellent condition 2500-3500
22. Arts & Crafts Morris chair, adjustable back with two vertical slats at each side, nicely recovered leather seat and back, refinished, 29”w x 32”d x 36”h, very good condition 700-900
23. Arts & Crafts rocker, four vertical slats to back over a recovered cushion, light recoat to original finish, 29”w x 29”d x 37”h, very good condition 300-500
24. Teco planter, #506, matt green glaze with applied decorative details, 21”dia x 12”h, very good condition 700-900
25. Arts & Crafts armchair, four vertical slats to back over a recovered cushion, light recoat to original finish, 29”w x 23”d x 40”h, very good condition 300-500
26. Arts & Crafts settle, drop-arm form with five vertical slats under each arm and fifteen to back, recovered cushion, original finish, 72”w x 26”d x 40”h, very good condition 800-1000
27. Brooks Morris chair, attribution, heavy form with an adjustable back and spindle sides, nicely recovered leather seat, cleaned original finish, 33”w x 36”d x 44”h, very good condition 1200-1500
28. Rookwood Faience tile, large form with a finely executed landscape design, impressed mark, held in an Arts & Crafts oak frame, 12”sq. 3500-4500
29. Rare Valentien Pottery vase, broad form with deeply carved geometric designs covered with a good matt glaze, marked, #Z48, 7”w x 5.5”h 3500-4500
30. Good Newcomb College vase, tapered form with a carved and painted landscape with moss laden trees and a moon, executed by Francis Ford, #UN62, 4.5”w x 7”h 3500-4500
31. Unusual Van Briggle vase, ca. 1902, large shouldered form covered in a rare charcoal matt glaze, incised marks, 6.5”w x 10.5”h, a very nice example of early Van Briggle 1500-2500
32. Nice Newcomb College vase, shouldered form with deeply carved and painted daffodils, executed by Anna Frances Simpson, #RD88, 4”w x 7”h 3500-4500
33. L & JG Stickley footstool, #394, recovered leather top over arched side rails, good original finish, signed with Handcraft decal, 19”w x 15”d x 16”h, very good condition 300-500
34. L & JG Stickley footstool, #394, recovered seat over arched side rails, original finish, signed with paper label, 19”w x 15”d x 16”h, very good condition 300-500
35. Stickley Brothers desk chair, low back form with a single slat and cut-out design over a saddle seat, 14”w x 15”d x 27”h, original finish, paper label, very good condition 200-300
36. Stickley Brothers tabouret, #2585 1/2, square top with original finish, branded signature, 12”w x 12”d x 18”h, very good condition 200-300
37. Stickley Brothers magazine stand, #4600, notched gallery over three shelves with two vertical slats at sides, original finish, signed with Quaint tag, 15”w x 13”d x 31”h, very good condition 500-700
38. L & JG Stickley library desk, similar to #503, single blind drawer with bookshelves at sides, original finish, signed, “The Work of...” 48”w x 28”d x 30”h, very good condition 900-1200
39. Arts & Crafts footstool, original finish with a replaced leather top, 16”w x 16”d x 15”h, very good condition 100-200
40. Arts & Crafts footstool, original leather drop-in cushion over an inverted “V” rail and thru-tenon construction, fine original finish, 19”w x 15.5”d x 16”h, very good condition 300-400
41. Arts & Crafts Thebes stool, curved seat over turned legs with spindle detail at sides, recoated original finish, some veneer damage, 17”w x 17”d x 14”h, good condition 300-500
42. Arts & Crafts fire screen, in oak, with applied brass Egyptian motif, original finish, 16.5”w x 5.5”d x 24”h, very good condition 300-400
43. Gustave Baumann woodblock, colorful print titled “Grandma Battin’s Garden,” No. 33 of 125, signed, laid down on board, unframed, 14” x 14.5” overall 4000-6000
44. Gustave Baumann woodblock, colorful print titled “Spring-New Mexico,” No. 49 of 120, signed, laid down on board, unframed, 11” x 12.5” overall 4000-6000
45. E.T. Hurley (American, 1869-1950), “Forest Clearing”; colorful pastel on paper, 19” x 15”, signed, in an Arts & Crafts oak frame 1200-1700
46. Early Gustav Stickley settle, #171, unusual low form with a new dark finish, nicely replaced cushions, unsigned, 78"w x 33”d x 28”h, very good condition 5000-7000
47. Good Marblehead tile, basket of flowers, impressed mark, nicely framed, 6”sq., great glaze in numerous hues 900-1200
48. Handel boudoir lamp, bronzed metal base supporting a reverse painted landscape shade, shade signed #6701, base marked, original patina, 7”w x 14”h, damaged shade 400-600
49. Rookwood trivet, stylized geometric design in pink, blue and purple, 1922, #1212, held in an Arts & Crafts oak frame, 6”sq. 400-600
50. Heintz vase, sterling on bronze, applied design, lightly cleaned patina, impressed mark, #3621, 4”w x 11”h 250-350
51. Heintz vase, flaring and footed form, sterling on bronze, applied floral design, original patina, impressed mark, #3722, 5”w x 15”h 500-700
52. Heintz vase, sterling on bronze, applied floral design, cleaned original patina, impressed mark, #3681, 4.5”w x 12”h 350-550
53. Rookwood vase, tapered form with a flaring yellow rim covered in a green matt glaze, 1926, #2786, 6”w x 11.75”h 300-400
54. Good Heintz frame, silver with applied designs, #2354-12, 11.5”w x 14.5”h 400-500
55. Nice Marblehead vase, graceful tapered form covered in a rare purple matt glaze, marked, 4”w x 8.25”h 600-800
56. Good L & JG Stickley side chairs, #800, set of six, ladder-back form with three horizontal slats to back, original drop-in spring cushion, original finish, signed with Handcraft decal, 18”w x 18”d x 37”h, excellent condition 2000-3000
57. Good L & JG Stickley sideboard, #735, series of drawers flanked by cabinet doors with strap hardware, all over one full drawer, fine original finish, signed with Handcraft decal, 56”w x 23”d x 46”h, excellent condition 4000-5000
58. Good L & JG Stickley dining table, #713, circular top with four original leaves supported by a corbeled column and a cruciform base, 48”dia x 29”h, four 12” leaves, signed with Handcraft decal, fine original finish, one spot to top, excellent condition 2500-3500
59. Good L & JG Stickley china cabinet, #746, two door with divided windows at top and original copper hardware over an arched toe-board, singed with Handcraft decal, fine original finish, 44”w x 16.5”d x 62”h, very good condition 5000-7000
60. Arts & Crafts bookcase, three-door form with pierced design at gallery and original copper hardware, three adjustable shelves, recoated original finish, signed with Grand Rapids Furniture Co. metal tag, 54”w x 12”d x 58”h, very good condition 1000-1500
61. L & JG Stickley armchair, #818, four horizontal slats at back over recovered original spring cushion, refinished, signed with Handcraft decal, 27.5”w x 24”d x 36”h, very good condition 300-400
62. Stickley Brothers side chairs, pair, #378 1/2, three vertical slats at back over a saddle seat, refinished, branded signature, 19”w x 17”d x 38”h, minor roughness, very good condition 400-600
63. Arts & Crafts bookcase, two door form with divided glass and replaced hardware, refinished, 40”w x 17”d x 55”h, very good condition 800-1000
64. Stickley Brothers china cabinet, #8842, large two-door form with hammered strap hinges, original hammered copper pull, mirrored section at back, original finish, 58”w x 15”d x 62”h, very good condition 1500-2000
65. L & JG Stickley armchair, similar to #404, four horizontal slats to back over a recovered original cushion, refinished, some stains to arm, unsigned, 29”w x 32”d x 39”h, good condition 400-500
66. Unusual Jarvie trophy bowl, footed form in sterling, from the Oregon State Fair, 1915, signed, 8.5”w x 4.5”h 1200-1700
67. Clewell vase, copper-clad pottery, bulbous form with a flaring rim, original patina, marked, #292-2-6, 4”w x 9.5”h 900-1200
68. Marshall Fields vase, Colonial line, footed and handled form in hammered sterling, impressed mark, #1080, 5.5”w x 3.5”h 200-300
69. Cellini Craft compote, sterling silver with a cut-out foot, impressed mark, #S17, 5.5”w x 2.75” 300-400
70. Exceptional Mulholland handled vessel, hand wrought sterling with an intricately tooled design, impressed marks, #552, 8.5”w x 7.5”h, great Prairie design 2000-3000
71. Cellini Craft gravy boat and tray, hammered sterling with tooled designs, impressed marks, 9”w x 4”h 900-1200
72. Sedlacek & Co. vase, flower form in hammered sterling, inscriptions, impressed mark, base weighted, 5”w x 10”h 500-700
73. Fine Petterson Studio candlesticks, pair, large forms in hammered sterling, marked, 5”w x 12”h 3000-4000
74. Thet. V. Allen Co. compote, sterling silver with an applied enameled emblem, inscribed, impressed mark, #277, 5.25”w x 7.25”h, a few minor dents 400-600
75. Lakeside Craftshop cellarette, slatted door over a cabinet door with a leaded glass panel, pipe holders at sides, sliding flip-top opens to a copper surface, signed, 14”w x 14”d x 34”h, minor roughness, very good condition 500-700
76. L & JG Stickley library table, attribution, rectangular top over a lower stretcher supported by key and tenon construction on a shoefoot base, two replaced keys, two missing keys, 48”w x 28”d x 30.5”h, some roughness, good condition 900-1200
77. Gustav Stickley stock certificate, dated 1914, framed, overall: 16”w x 12.5”h, very good condition 100-200
78. Stickley Brothers tabouret, square top over four flared legs with a cross-stretcher base, worn original finish, signed with metal tag, 12”w x 12”d x 19”h, good condition 200-300
79. Arts & Crafts smoking stand, copper top with original tacks over a lower shelf having corbelled supports and a single door with an overlaid brass design, original finish, 16”w x 9”d x 28”h, very good condition 300-400
80. Stickley Brothers trestle table, #2580, unusual form with rectangular top over flaring slab sides with double key and tenon construction on a shoefoot base, original finish, numbered and signed with metal tag, 54”w x 30”d x 30”h, very good condition 1200-1500
81. Arts & Crafts textile, c. 1910, unusual floral design in green and gold, 50”w x 78”l, very good condition 400-500
82. Limbert table, #240, square top with rounded corners over an open shelf, refinished, branded signature, 20”w x 20”d x 30”h, very good condition 2000-2500
83. Arts and Crafts tray, in copper and oak, 18”w x 7.5”d x 4”h, very good condition 200-300
84. Good Limbert armchair, #575, large form with square cut-outs at back slat and side slats, recovered seat, good original finish, signed with paper label, numbered, 27”w x 26”d x 41”h, very good condition 2000-3000
85. Art Crafts Shop tray, attribution, round, bronze with an applied silver geometric design, unmarked, 6.25”w; with a Heintz tray, attribution, round, sterling on bronze, applied pinecone design, both with original patina, impressed #412, 6”w 100-200
86. Roycroft tray, hammered copper, impressed mark, 7”l x 4.5”w; with a Roycroft paper clip, hammered copper, impressed mark, 3”l x 2.5”w 50-100
87. Art Crafts Shop trays, two, bronze with a colorful enameled design, both with original patina, impressed mark, #402A and #425, largest is 6”w 100-150
88. Heintz tray and two pens, attribution, sterling on bronze, applied poppy design, original gold patina, pens have bronze and mother-of-pearl shafts, unmarked, 3”w x 6”l 150-250
89. Roycroft handled tray, hammered copper, original patina, impressed mark, 17”w, dent to edge 150-250
90. Dirk Van Erp bowl, sculpted hammered copper, original patina, impressed mark, 10.5”w x 3”h 500-700
91. Dirk Van Erp fireplace ash pan, copper with a highly polished finish, letter P finial, impressed mark, 7” x 11” 250-350
92. Roycroft bookends, pair, with tooled designs, 2.25”w x 3.25”h; with a Roycroft tray, with tooled designs, 5.75”w, all in hammered copper, all marked, all with original patina 150-250
93. Heintz necklace, geometric design, sterling on bronze, original patina, unmarked, pendant: 2”l, chain: 17”l 300-500
94. Heintz hat pins, attribution, six, sterling on bronze, assorted applied designs, original patina, all unmarked, largest is 11”l 200-300
95. Heintz watch fob, Dutch woman design, sterling on bronze, original patina, unmarked, pendant: 4”l, chain: 3.5”l 300-400
96. Heintz necklace, bell design, sterling on bronze, original patina, unmarked, pendant: 1.5”l, chain: 18”l 300-500
97. Pewabic vase, flaring hand-thrown form with a multi-toned blue glaze with surface iridescence, marked, 3.5”h 300-400
98. Good Fulper vase, double handled form with a Leopard Skin glaze, marked, 6”w x 4.75”h 250-350
99. Nice Marblehead vase, decorated with an organic incised and painted design, green matt, impressed mark, 7.5”h, small line at rim 2500-3500
100. Exceptional Rookwood plaque, large rectangular form in a Vellum glaze with a finely painted landscape scene, nicely executed by Fred Rothenbusch in 1918, held in an Arts & Crafts oak frame, 12.5” x 9.5” 5500-7500

LOTS