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Lot Numbers, Descriptions and Estimates
801. Carl Antonio Longi (Italian, 1921-1980), “Woman in Pink”, c.1960; oil/canvas, 32” x 23.5”, signed, nicely framed; Phillips Galleries (Dallas) label verso. 2000-3000
802. Paris School, (French, mid 20th century), “Paris Scene”, c. 1960; oil/canvas, 27” x 39”, signed indistinctly, “Henri S...?" 500-700
803. Lilly Steiner (Austrian, 1884-1962), “Trees beside a Road”, c. 1933; oil/canvas, 36" x 29", signed and dated. 1000-2000
804. Nicola Simbari (Italian, b. 1927), “Noon in Ischia”, c. 1965; oil/canvas, 28” x 40”; signed and dated; Wally Findlay Gallery label. 6000-8000
805. Paul Strisik (American, 1918-1998), “Folly Cove, Rockport”, c.1970; oil/canvas, 20” x 30”, signed. 3000-4000
806. Rowena C. Fry (American, 1895-1989), “The Philosophical Pigeon”, woodblock print, 7.75” x 5.5”, titled; artist’s stamp on verso, lot of eleven works, one pictured; also including four pencil drawings by the artist. 400-600
807. Rowena C. Fry (American, 1895-1989), lot of ten works by the artist, one pictured; “Coffee Break”, c. 1940; color print, 8” x 6”, signed and titled; with nine other woodblock prints. 400-600
808. Rowena C. Fry (American, 1895-1989), lot of eight works by the artist, one pictured; “Man with Buckets”, c. 1940; watercolor/paper, 10” x 14”, signed and titled; with seven other comparable works by the artist. 500-700
809. Rowena C. Fry (American, 1895-1989), lot seven works by the artist, one pictured; “The Stuff of Dreams”, c. 1940; woodblock, 6” x 5”, signed and titled; with six other woodblock prints. 500-700
810. Rowena C. Fry (American, 1895-1989), lot of seven works by the artist, one pictured; “Looking East from 218 E. Huron”, c. 1940; drawing, 11” x 16”, signed and titled; with six other works. 600-800
811. Fritzi Brod (Czech/American, 1900-1952) and Rowena C. Fry (American, 1895-1989), lot of six works, one pictured; “On the Terrasse”, c. 1940; color lithograph, 9.5” x 13”, edition of ten; with five other comparable works. 300-500
812. Rowena C. Fry (American, 1895-1989), "Spring”, c. 1940; color woodblock, 7.25” x 9”, signed and titled; lot of six works, one pictured; also includes “Wedding Gifts”, c. 1940; color woodblock, 7.5” x 10.5”, signed; “The Pond” and “The Fountain”, c. 1940; color woodblock, 4.5” x 5.75”, 5” x 4”, Lorraine Husky, “At Dock’s Motel, Townsend, Tennessee", watercolor, 9” x 12", signed and titled; F. Faija, “Poise”, gouache/paper, 14” x 11”, signed and titled. 400-600
813. Rowena C. Fry (American, 1895-1989), “Wedding Gifts”, c. 1940; color woodblock, 7.5” x 10.5”, signed and titled; lot of eight works, one pictured; also includes, "Coffee Break”, c. 1940; color woodblock, 6.5” x 8.25”, signed and titled; Florence Faija, “Portrait Sketch of Rowena Fry”, c. 1930; 20” x 15.5”, titled on verso; Mary Bornarth, “Sketch for a Portrait”, gouache/paper, 15” x 10.75”, signed and titled; and four other works of comparable size. 400-600
814. Henri-Claude Obin (Haitian, 1934-2000), “L’Acte De Ces Chefs Marque Le Vrai Commencement de la Guerre De L’Independance En 1803”, c. 1975; gouache and ink/paperboard, 24” x 30”, signed and dated; inscribed Cap-Haiten. He is the son of Philome. 1000-2000
815. Leo Politi, (American 1908-1996), “Cock Fight”, c. 1935; watercolor, 12.5” x 8.5”, signed and dated; with a Leo Politi, (American, 1908-1996), “Pulling Donkey”, c. 1935; watercolor, 12.5” x 8.5”, signed and dated. 1000-2000
816. D. Duclair, (Haitian, mid 20th century), “Dancers; Hayti”, c. 1965; watercolor, 11.5” x 15.5”, signed; label verso, Bergstrom Art Center and Museum; Provenance: Estate of Karl Priebe (inscribed verso). 600-800
817. Serge Jolimeau (Haitian, b. 1952), “Angel and Serpent”, c. 1990; recycled steel oil-drum, 17” x 17”; signed verso. Born 1952 in the village of Croix des Bouquets, the home to such great Haitian sculptors as the late Georges Liautaud and Murat Brierre, the brothers Louisjuste, and Gabriel Bien-Aime. Jolimeau worked for two years as apprentice to Seresier Louis-Juste. He is one of Haiti’s two (along with Bien-Aime) leading metal sculptors. 500-700
818. Arturo Nieto (Equadorian, 20th Century), lot of two works, one pictured: “Man with Flute”, c.1950, 9” x 6.5”, signed; with another depicting a woman and child. 400-600
819. Hector Felipe Ortega (Chilean, 20th Century), lot of three woodblock prints, one pictured, “Profile”, “11.5” x 8”, signed. 200-300
820.  Arturo Nieto (Equadorian, 20th Century), lot of four similar works by the artist, one pictured: “Mother and Child “, c. 1965; pastel, 4” x 5”, all signed.  600-800
821. J. Ortiz Tajonar, (Mexican, 20th century), “Mexican Boy”, c. 1950; oil/canvas, 24” x 18”, signed, unframed. 800-1200
822. Richard Florscheim (American, 1916-1979), “Energy From Below”, c. 1960; oil/board, 24” x 18”, signed and titled. 400-600
823. Glenn Gant (American, 1911-1999), “Figure”, c. 1950; ink and watercolor on brown paper, 22” x 18”, signed, unframed. 400-600
824. Frank Ashley (American, b. 1920), “Scrum #2 (Stanford vs Monterey)”, c. 1960; watercolor, 22” x 30”, signed. 600-800
825. Eli Levin (American, b. 1938), “Serenade”, c. 1982-86; tempera/board, 12” x 16”, signed and dated. Levin exhibited at the Jamison Galleries, Fenn’s Gallery, Realist Gallery, Zaplin-Lampert Gallery, and the Ernesto Mayans Gallery (all in Santa Fe, New Mexico). 1000-2000
826. Frank Perri (Italian-American, 1918-1999), “Figures(Religious)”, c. 1950; oil/masonite, 24” x 30”, signed, unframed, with another comparable work. 250-350
827. Frank Perri (Italian-American, 1918-1999), “Blue Landscape with Buildings”, c. 1950; oil/masonite, 18” x 30”, signed, unframed, with another comparable work. 250-350
828. Frederick Hart (American, 1943-1999), “Eye of the Flame”, c. 1986; lucite, 24"w x 6"d x 17"h, signed and numbered; edition of 300. 3000-5000
829. Alexander Calder, (American, 1898-1976), “Geometric Shapes”, c. 1975; color lithograph, 26” x 20”, signed and numbered in pencil, 80/125. 600-800
830. Modernist School, c. 1970; “Woman on Sofa”, iron and stone, 16” x 7” x 11"h, initialed, “F.F.”. 300-500
831. Lou Kousens (American, 1899-1997), “The Towers, LaSalle and Schiller, Chicago”, oil/board, 17.5” x 23”, signed; titled verso. 300-500
832. Alexander Calder (American, 1898-1976), “Sun”, c. 1975; color lithograph, 22” x 30”, signed in pencil. 600-800
833. Martyl Schweig (American, 1918), “Greek Series XXXV”, c. 1955; oil/masonite, 30” x 48”, signed, label verso: Kovler Gallery, Chicago. 2000-3000
834. Saul Steinberg (American, 1914-1999), “Niagara”, c. 1970; color lithograph, 16” x 20”, signed, numbered 30/75, and titled. 800-1200
835. Joseph Pierre Nuyttens (American, 1885-1960), “Fountain”, c.1960; 10” x 13.5”, signed. 300-500
836. Gary Komarin (American, b. 1951), “They Do the Can Can”, c.1982; oil/canvas, 60” x 71.5”, signed and dated. 700-900
837. American School, "City Scene" c. 1950; oil/board, 22" x 28", signed indistinctly, "Artiorn?". 500-700
838. Werner Drewes, (German/American 1899-1985), “Mountain Lake”, c. 1961; oil/linen, 24” x 18”, signed, dated, artist device; title on stretcher verso. 2000-3000
839. Marc Chagall (Russian/French, 1887-1985), "Angel", c 1950; color lithograph, 13" x 9", unsigned (from a portfolio of prints), edition unknown. 300-500
840.    Pablo Picasso (Spanish, 1881-1973), “Peintre et Modèle Tricotant”, c.1927 (impression c. 1931), etching, 7.6” x 11”, unsigned; pl.4 (from Le Chef-d’oeuvre inconnu by Honoré de Balzac), edition 340, publisher: Ambroise Vollard.   1000-2000
841. Salvador Dali (Spanish, 1904-1989), “Espainia”, 27” x 17”, pencil signed, H.C, numbered 36/45. 800-1200
842. H. Kramer, “Swimmer”, c. 1987; 72” x 72”, signed, dated, and titled verso. 700-900
843. Sheila Elias (American, b. 1945), “Purple Light”, c. 1981; oil/canvas, 71.5” x 60”, signed, dated, and titled verso. 700-900
844. Hermann Albert (German, b. 1937), “Nymph’s Spring”, c. 1984; oil/canvas, 76” x 76”, signed and dated. 4000-6000
845. Robert Goodnough, (American, b. 1917) “Four Clusters”, c. 1974; acrylic and oil/canvas, 48" x 132"; label verso Andre Emmerich Gallery, NYC. 3000-5000
846. Adele Lemm (American, 1904-1977), “Abstract”, oil/canvas, 32” x 44”, signed. Working in the Post Modernist era, Lemm approached traditional subjects with a contemporary perspective. Her landscapes and seascapes are idyllic, imbued with light and lightheartedness. An essentialist who omitted unnecessary details, she insisted on representation, on her strokes revealing a specific object that could be recognized as a flower, house or harbor. Lemm was an instructor at the Memphis Academy of Art. She exhibited at the National Academy of Women Artists’ annual show, winning five prizes, and at many galleries and museums throughout the East, including the Ward Eggleston Gallery in New York City, the Pennsylvania Academy of Fine Arts, the Memphis Brooks Museum of Art and the Delgado Museum in New Orleans. 3000-5000
847. Adele Lemm (American, 1904-1977), “Abstract”, oil/canvas, 34” x 28”, signed, unframed. 3000-5000
848. Adele Lemm (American, 1904-1977), “Abstract”, oil/canvas, 34” x 42”, signed. 3000-5000
849. Jorge Sanchez (Dominican, b. 1938), “Surrealist Composition”, c. 1970; oil/masonite, 4.5” x 3.5”, signed. 400-600
850. Jorge Sanchez (Dominican, b. 1938), “Surrealist Composition”, c. 1970; oil/masonite, 4.5” x 3.5”, signed. 400-600
851. Jorge Sanchez (Dominican, b. 1938), “Surrealist Composition”, c. 1970; oil/masonite, 4.5” x 3.5”, signed. 400-600
852. Jorge Sanchez (Dominican, b. 1938), “Surrealist Composition”, c. 1970; oil/canvas laid down on masonite (original), 4.5” x 3.5”, signed. 400-600
853. Jorge Sanchez (Dominican, b. 1938), “Surrealist Composition”, c. 1970; oil/masonite, 4.5” x 3.5”, signed. Sanchez studied at the National Academy of Fine Arts with Robert Philipp and Rene Bouche. He began exhibiting in Florida in the mid-1960s. He is in the collections of numerous museum collections, including the Museum of Modern Art France (and Tokyo), Museum of Contemporary Art (Madrid), and the Palace of Fine Arts, Havana. 400-600
854. Rockwell Kent (American, 1882-1971), “Starry Night”, c. 1933; wood engraving, 7” x 5”, signed. 600-800
855. Karl Gasslander (American, 1905-1997), “Two Houses, Provincetown”, c. 1932; watercolor, 16” x 20”, inscribed; exhibition label verso; AIC - Twelfth International Exhibition of W.C.S. 500-700
856. Benjamin Benno (American 1901-1980), “Modernist Composition”, c. 1933; 12” x 16”, watercolor and ink/paper, signed and dated. 600-800
857. Willard Grayson Smythe (American, 1906-1995), “Composition”, c. 1950; gouache and mixed media/paperboard, 14” x 7.5”, signed. 600-800
858. Benjamin Benno (American, 1901-1980), c. 1936; watercolor and ink/paper, 12” x 16”, signed and dated. 600-800
859. Aaron Bohrod (American, 1907-1992), “Boat in a Harbor”, c.1932; watercolor/paper, 10” x 13”, signed and dated. 2500-3000
860. Daniel Massen (American, 1896-1979), “52.1 (E)”, c. 1952; oil/masonite with reverse painted glass overlaid; 30 x 24”, artist’s name and title on exhibition card verso.   3000-5000
861. Eduardo Chillida (Spanish, 1924-2002), “Souffle”, c. 1970; top is irregularly shaped, 38” x 24”, signed, numbered 79/500; also signed by Edmund Jabes. 1000-2000
862. Medard Klein (American, 1905-2002), “Avolonte”, c. 1950; collage, 16.75” x 12.75”, signed, artist’s label/ exhibition label Temple University. 1000-2000
863. Medard Klein (American, 1905-2002), “Arrangement #18”, c. 1939; oil/canvas, 36” x 30”, signed and dated, artist label verso. This is an excellent, early example by Klein. 6000-8000
864. Medard Klein (American, 1905-2002), “Moulad”, c. 1946; lumiprint, 9.75” x 12”, signed, dated, titled; edition 4/12. 600-800
865. J. Jay McVicker (American, b. 1911), “Untitled”, c. 1970; collage, 22” x 30”, signed. 1500-2500
866. Claude Buck (American, 1890-1974), “Lovers”, c. 1925; oil/canvas, 20” x 24”, signed and dated. 2500-3500
867. Mary Emma Schwarz (American, 20th Century), “Great Plains”, c. 1940; oil/canvas, 16” x 20”, signed, good contemporary carved frame. 600-800
868. Igor Pantuhoff (American, b. 1911), "Interpretive Dance ", c. 1960; oil/canvas, 36" x 16", signed indistinctly. 600-800
869. Robert Douglas Goldman (American, b.1908), “Bustling City”, c. 1940; watercolor/paper, 15” x 22”, signed. Goldman studied with Boardman Robinson and worked primarily in Philadelphia in the 1930s-40s. 300-500
870. Frank Perri (Italian-American, 1918-1999), “Suburban Rooftops”, c. 1950, oil/masonite, 24” x 18”, signed, unframed, with another comparable work. 250-350
871. May Early, (American, 20th century), “Town Scene”, c. 1940; oil/canvas, 20” x 24”, signed. 500-700
872. Lou Krugman, “The Picnic”, c. 1950; oil/canvas, 24” x 30”; signed and dated on stretcher verso, unframed. 600-800
873. Carlo Baruffaldi, (Italian, b. 1930), “Impressioni Misteriche”, c.1971; oil/canvas, 39.5” x 32”, signed and dated. Important Italian Surrealist. Baruffaldi was influenced by Dali and Chagall. He exhibited extensively in the early 1970s, and was included in an exhibition with Picasso, Braque, and Miro (in Venice). An extensive file regarding the artist and his work accompanies the lot, including a copy of the illustration from the Galleria Giorgi catalog. 3000-5000
874. Murdoc (American, b. 1963), “Prisoner of Mars”, c. 2005; tempera/canvas, 20” x 24”, signed with monogram; titled and dated verso. 800-1200
875. Daniel Celentano (American, 1902-1980), “The Riveters”, c. 1940; ink, 9.5” x 9.5”, signed. 1500-2500
876. James Henry Daugherty (American, 1887-1974), “Two Men in Forest”, c. 1931; color woodcut, 9.5” x 7.25”, signed, dated.  400-600
877. Ernest Hamlin Baker (American, 1889-1975), “Men Pulling”, c.1930; pen and ink, 6.5” x 6”, signed in pencil. 800-1200
878. James Barre Turnbull (American, 1909-1976), “Railroad Depot”, c.1940; ink and watercolor/paper, 12” x 17.5”, identified verso, signed lower right in pencil. 500-700
879. German Modernist School , portfolio of twelve color woodblock prints, one pictured, c.1966, average size is 12” x 18”, stamp on print reads “Zollant Stgt. Flughfen”. Each print is pencil signed and appears to read, “Pavil Arnold”, and numbered. The prints are contained in an artist’s portfolio, which is hand signed on the front. Very high quality prints. 200-300
880. Richard Loving (American, b. 1924), lot of two similar works by the artist, one pictured; “Flowers”, c. 1965; drawing/mixed media, 14” x 18”, signed; also including one other work, 13” x 16”, signed. 300-500
881. Frank Perri (Italian-American, 1918-1999), "Nude", c. 1940; oil/canvas, 20" x 16", signed, unframed, with three other unframed works. 250-350
882. Frank Perri (Italian-American, 1918-1999), lot of four works, one pictured; “Chicago Landscape”, c. 1940; watercolor and ink/paper, 13” x 18”, signed. 300-500
883. Lynton Wells, (American, b. 1940), “Untitled”, 1972; oil/photo sensitized linen, 20” x 45”, signed, dated, inscribed (unframed, the image wraps around stretcher); label verso. 500-700
884. American School, Cochran, lot of two works, 20” x 16” oil/canvas laid down, 16” x 13”, one signed on front; both signed verso. 300-500
885. George Colin (American, contemporary), “Farmyard”, c. 2000; pastel, 15” x 22”, signed. Colin is a contemporary folk artist from Salisbury, Illinois who has a significant following in Chicago and the Midwest. 400-600
886. Stanley Tasker (American, 20th Century), “Portuguese Landscape”, c. 1960; oil/canvas, 22” x 34”; signed and titled on verso stretcher; partial St. Louis label. 250-350
887. Vaxon (American, 20th Century), “Sunbathing”, c. 1940; oil/masonite, 27.5” x 32”, signed, unframed. 500-700
888. Eduard Buk Ulreich (Austrian-American, 1889-1962), “Glittering Stripes”, c. 1950; gouache/board, 20” x 24” overall (image is 14” x 17”), signed; titled verso. Buk exhibited in the Vienna Secession, Dudensing Galleries, and Galerie Bernheim-Jeune. 800-1200
889. Eduard Buk Ulreich (American, 1889-1962), “Stalwart Gelding”, c.1950; 14” x 16.5” - 18” X 22”, signed. 800-1200
890. Frank Perri (Italian-American, 1918-1999), lot of two works, unframed, one pictured; “Portrait of a Man”, c. 1940; oil/canvas, 24” x 15”. 300-500
891. Frank Perri (Italian-American, 1918-1999), lot of four works, one pictured; “Portrait of a Lady”, c. 1940; mixed media, 13.75” x 11”, signed, unframed. 300-500
892. Fay Peck (American, 20th Century), lot of two works, one pictured: “Portrait”, oil/board, 20” x 14”, with another comparable figurative work, both signed. 500-70
893. Frank Perri (Italian-American, 1918-1999), lot of three works unframed, one pictured; “Farmhouse”, c. 1940; tempera/paper, 18.5” x 24”, signed. 300-500
894. Louise Woodroofe (American, 1892-1996), “Abstract”, c.1950; paintstick/paper, 5.5” X 8”, initialed; from the artist’s estate, matted, unframed. 250-350
895. Louise Woodroofe (American, early 20th century), “Abstract Composition”, c.1950; oilstick/paper, 7" x 10”, signed. 350-550
896. Ray Speers (American, 20th century), “Op-Art Nude”, c. 1960; oil/canvas, 28” x 34”, identified verso; provenance: the estate of the artist, East St Louis, Illinois. 500-700
897. Ray Speers (American, 20th century), “Standing Nude (Op-Art)”, c. 1960; oil/masonite, 47” x 23”, identified verso; provenance: the estate of the artist, East St Louis, Illinois. 500-700
898. Peter Keil (German, 20th century), “Self-Portrait with Flowers”, c.1975; oil/canvas, signed, titled with Berlin. 400-600
899. Ray Speers (American, 20th century), “Op-Art Nude”, c. 1968; lot of two, one pictured: silkscreen print, , 20” x 15” , signed, dated and numbered 2/16; with another similar print, 20” x 10”, signed; both unframed. 200-300
900. Ray Speers (American, 20th century), “Op-Art Nude”, c. 1960; oil/canvas, 32” x 32”, identified verso; provenance: the estate of the artist, East St Louis, Illinois. 500-700

LOTS