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Lot Numbers, Descriptions and Estimates
401. Shoshoni lidded basket, polychrome stepped geometric design, 8.75”dia x 5.5”h 1500-2000
402. Washo burden basket, miniature form with a polychrome geometric design, 6”dia x 5.5”h; with a Hopi basketry wall hanging, polychrome geometric design, 12.25”dia x .75”h 200-250
403. Eskimo lidded basket, double handled shape with a polychrome floral design, 12”dia x 10.5”h 1000-1500
404. Mission basketry bowl, polychrome double serpent and insect design, 15”dia x 4”h 2000-3000
405. Northern California basket, polychrome geometric design in devil's claw and open-weave bands, 9.5”dia x 8.25”h 300-400
406. Pima wall hanging, polychrome geometric design, 7.5”dia x 2.5”d ; with a Hopi basketry plaque, polychrome design, 11”dia x 1”h 200-300
407. Washo/Paiute winnowing tray, polychrome design, 10”w x 10.5”d x 3”h 150-200
408. Panamint basketry olla, polychrome geometric designs, 5.75”dia x 3.75”h 1000-1500
409. Plains Indians rattle, buffalo hide and red trade cloth to handle, 8”l 300-400
410. Shoshoni basket, polychrome geometric design, 13”dia x 9”h 1000-1500
411. Dawson Dawson-Watson (American, 1864-1939), “Desert Landscape,” oil/board, signed, framed, 5.5” x 8.5”. Dawson-Watson was well known for his scenes of the West. 3000-4000
412. Sioux child's vest, ca. 1915-1920, colorful beaded designs on canvas with ribbon accents, 13"w x 13"h, mint, unused condition 1500-2000
413. Fred H. Kiser photograph, ca. 1910, black and white print titled "Blackfoot Mountain Pow Wow, Blackfoot Montana," 20"h x 28"w, framed, label verso. Brothers Fred and Oscar Kiser began a photography studio and became official photographers for The Great Northern Railway. They photographed scenes of Glacier National Park. 1000-1500
414. Santa Clara vase, tapered and ribbed shape covered in a red slip, signed Alvin Baco, 4.5"w x 6"h 500-600
415. Kauba sculpture, bronze figure of Native American warrior, good original patina, signed, mounted on a marble base, 5”w x 3.5”h 500-1000
416. Hopi vase, tapered shape in a tan slip with painted faces and geometric designs in black, red and brown, painted mark, 5.5”w x 12”h 800-1200
417. Lyman Byxbe, “Long’s Peak from Long’s Peak,” etching, matted, framed, signed, 7” x 5.25” 200-300
418. Plains Indians breastplate, late 19th Century, restrung with brass beads, pony beads and saddle leather, 23”l 900-1200
419. Lyman Byxbe, “Junipers,” etching, matted, framed, signed, 7” x 5.25” 200-300
420. Plains Indians pipe, Catlinite bowl with quill wrapped stem, stem length: 24”, pipe length: 7, repair to pipe” 3000-4000
421. Exceptional Apache basketry olla, large and broad form with polychrome figural designs of deer, 11”w x 12”h 12,000-15,000
422. Good Apache basketry olla, early 20th Century, large and wide form with polychrome crucifix designs, 15.5”w x 20”h 12,000-15,000
423. Plains Indians club, double-pointed and engraved Catlinite head on a hide wrapped wooden handle, 22”l 300-400
424. Zavaleta (20th Century), “Portrait of a Native American,” oil/canvas, signed, framed, 29.5” x 23” 500-1000
425. Plains Indians ceremonial spear, stone point on a wooden handle with braided tassels and a leather strap, 19”l 100-200
426. Navajo saddle blanket, c. 1940, striped design with diamond details in red and gray on a cream field, 32”w x 37”l, very good condition 200-300
427. Navajo rug, c. 1910, Pictorial with stylized diamond and whirling log design on a gray field, clean, 44”w x 56”l, excellent condition 400-600
428. Joe Ben (American, 1958-), “Night Rainbow,” sand painting, signed, framed, 12.5” x 48”; with a Native American sand painting, colorful Yei figures and feathers, matted, framed, 11.5” x 23.5” 300-500
429. Santa Clara olla, flaring polished shape with a carved avanyu design, signed Mida Tafoya, Santa Clara, Pueblo, 5”w x 5.25”h 800-1000
430. Ida Barbour Carmichael (American, b. 1884), “Kalevala Theme, Songs in Praise of the Bride,” oil/board, 16” x 12”, signed, framed 500-700
431. Contemporary Pueblo vase, bulbous form with three carved figures and geometric designs in red and brown on a tan ground, signed Tom Wacca, 7”w x 7”h 500-700
432. Hopi vase, attribution, bulbous shape in a tan slip with painted designs in black and red, signed Les Namingha, 6.5”w x 4”h 500-700
433. Hopi vase, large broad shape with painted designs in brown and red, signed Mark Tahbo, 11.5”w x 5.5”h 800-1100
434. Jody Naranjo “Kids and Pots” vase, Santa Clara, Pueblo, carved designs of women and children in brown against a tooled bisque with incised pottery and geometric designs on bottom, signed, dated 1998, 5.5”w x 5”h 400-600
435. Hopi seed jar, bulbous shape in a tan slip with painted geometric designs in black and red, signed S. Lucas, 9”w x 6”h 600-800
436. Ed Defender (American, 1953-2000), “The Last Ones,” ink and watercolor/paper, signed, matted, framed, 21” x 17” 900-1200
437. Jemez vase, bulbous polished shape in a red with painted brown, tan and red designs, signed B.J. Fragua, 6”w x 6.25”h 300-500
438. Ed Defender (American, 1953-2000), “In No Hurry,” ink and watercolor/paper, signed, matted, framed, 20.5” x 21.5” 900-1200
439. Santa Clara pot, carved avanyu design covered in a polished red finish, signed Teresita Naraujo, “Apple Blossom,” Santa Clara Pueblo, 7”w x 3.75”h 1000-1500
440. Plains-style pipe tomahawk, contemporary, wooden stem with tack decorations, 8.5"w x 22.5”l 150-250
441. Navajo vase, flaring factory produced shape with incised geometric designs in several tones of blue, green and brown, signed Helen Watchman, 10”w x 5”h 200-300
442. Zia vase, attribution, large bulbous form in polished red with organic designs, unmarked, 11”w x 11.5”h 3000-4000
443. Hopi vase, attribution, bulbous shape in a tan slip with painted designs in brown, signed Les and Jocelyn Namingha, 5.5”w x 3”h 300-400
444. Acoma vase, huge shape with painted designs in black and red, signed Barbara & Joseph Cerno, 14”w x 14”h 1500-2000
445. Paiute baby cradle, ca. 1900, brain-tanned hide with colorful glass beads and fringe on a wooden frame, willow sunshade, 12.5”w x 36"l, excellent condition 2000-2500
446. Plains-style pipe tomahawk, contemporary, brass head and steel insert blade, wood stem wrapped with beaded hide, feather drops, 17.5” 300-500
447. Hopi olla, attribution, squat form in polished red with a painted complex design in black, signed Roberta Youvella Silas, 6”w x 4.5”h 300-500
448. Plains-style pipe tomahawk, contemporary, brass head and steel insert blade, wood stem wrapped with beaded hide, black feather drops, 17.5” 300-500
449. Navajo rug, c. 1900, Crystal with stylized diamond and geometric design on a tan field, some wear and border loss, fading, 40”w x 67”l, very good condition 400-600
450. Jim Prindiville (American, 1941-), “Canyon,” signed, matted, framed, 22” x 16” 300-400
451. Navajo rug, c. 1915, geometric design in beige, gray, and cream, Greek key pattern to border, 50”w x 84”l, very good condition 800-1000
452. Santo Domingo handled vessel, painted polychrome organic design, unmarked, 8”w x 7.5”h, crack to handle, chip to rim 200-300
453. Acoma vase, large shape in white with a painted stylized feather design in black and red, signed Chino, 9”w x 11.25”h 2000-2500
454. Santo Domingo basket, pottery form with a painted polychrome organic design, unmarked, 4”w x 4”h 200-300
455. Navajo rug, c. 1890, Transitional with stylized diamond pattern in red, orange and purple on a beige field, clean, minor restoration, 32”w x 40”l, very good condition 700-900
456. Jim Prindiville (American, 1941-), “Cactus Garden,” watercolor, signed, matted, framed, 11.75” x 15.75”; with another watercolor, titled “Desert Sunrise,” signed, matted, framed, 11.75” x 15.75” 300-400
457. Navajo rug, c. 1920, eyedazzler with stylized diamond design in red, brown, gray and cream, some staining, nubby, coarse weave, 38”w x 50”l, very good condition 400-600
458. Acoma bowl, painted designs in black and red, signed L. Elwood, Acoma, NM, 8”w x 6”h 300-500
459. Zia vase, flattened shape with a painted design, signed Claudina Lomakema, 5.5”w x 2”h, minor hairline to rim 200-300
460. Acoma bowl, painted designs in black and red, unsigned, 8”w x 6”h 300-500
461. Zuni olla, c. 1900, bulbous shape with painted geometric designs in brown and red, unsigned, 9”w x 7.5”h 1000-1500
462. San Ildefonso charger, carved avanyu design to center with applied turquoise beads, signed, John Gonzalez, 14.25"dia. 900-1200
463. Acoma olla, painted designs in black and red, signed “Lupe Concho,” 9”w x 8”h 500-700
464. Plains-style pipe tomahawk, contemporary, wooden stem with tack decorations, 11"w x 24.5”l 150-250
465. Cheyenne pipe bag, sinew sewn colorful beaded design on brain-tanned hide with yellow ocher, 27”l 200-300
466. Plains-style pipe tomahawk, wooden stem with tack decorations, 13.5”l 300-400
467. Karok basket, polychrome geometric design, 11.5”w x 7”h 1000-1500
468. Karuk basketry hat, stepped geometric design, 6.5”w x 4”h 500-700
469. Hupa basketry bowl, polychrome geometric design, 7.25” x 4”h 700-900
470. Contemporary Native American sculpture, Eagle Kachina, carved and painted wood, signed Raymond Chae, 17”h 700-900
471. Acoma sculptures, two, “corn sisters” in terra cotta with painted black hair and designs to clothing, signed Angelina Medina, dated 10/90, largest is 2”w x 9.25”h; with a Contemporary Native American sculpture, Hopi Maiden, carved and painted wood, signed Wilmer Kaye, 15.5”h 700-900
472. Contemporary Native American sculpture, Hopi Kachina, carved and painted wood, signed L. Honyouti, 11”h 700-900
473. Acoma olla, painted geometric designs in black and red, signed J.G. Acoma, 8.5”w x 8”h 500-700
474. Acoma water pitcher, painted geometric designs in black on white, unsigned, 9”w x 9”h 800-1100
475. Hopi olla, attribution, painted organic and geometric designs in black and red, unsigned, 9”w x 9”h 500-700
476. Acoma olla, painted designs in black and red, signed Acoma, NM, 9.5”w x 13”h 1200-1700
477. San Ildefonso vase, bulbous form in polished black, geometric design, signed Santana, Adam, 6”w x 4.5”h 2000-3000
478. Santo Domingo vase, painted bird and flowers designs in black and red, unsigned, 9” x 6.5” 500-700
479. Acoma olla, painted designs in black and red, signed Mayie, 8.5”w x 6.5”h 700-900
480. Osage vase, broad factory produced form with painted faces and geometric designs in red, white and black, signed Lynda, Osage, 8”w x 5”h 300-500
481. Acoma olla, painted designs in black and red, signed Acoma, New Mexico, 8”w x 7”h 500-700
482. Pueblo drums, three, colorfully painted wooden bodies with leather heads, largest is: 9.5”w x 9”h 600-800
483. Native American drum, square pine frame with leather heads and leather carrying strap, 14”sq. 300-500
484. Algonquin moccasins, pair, brain-tanned hide with a colorful beaded design, 12”l x 4.5”h 200-300
485. Sioux moccasins, ca. 1890, hide with a colorful beaded geometric design, 11”l x 4”h 300-500
486. Nez Perce/Plateau rifle scabbard, attribution, leather body with beaded and trade cloth cuffs at each end, leather strap fringe at each end, 6"w x 44”l 3000-5000
487. Exceptional Sioux “Possible” bags, pair, sinew sewn colorful beaded designs on brain-tanned hide with horsehair suspensions and beaded side panels, 23”w x 13.5”h 15,000-20,000
488. Navajo rug, ca. 1900, early Teec with stylized diamond design in red and brown on a creme field, minor scattered edge cord replacement, fine weave, 35"w x 52"l, very good condition 700-900
489. Pueblo vase, attribution, intricately carved designs, Yei figure playing an instrument with applied turquoise stone for the eye, marked, 3”w x 5.5”h; with a Hozoni Pottery covered vessel, factory produced form with incised and painted fetish bear, sun and eagle feathers, unknown artist signature to side, paper label, card included, 5”w x 6”h 300-500
490. Navajo rug, c. 1930, central diamond design in red with brown, beige, and cream, 35”w x 50”l, very good condition 400-600
491. San Ildefonso olla, highly polished finish, signed Marie & Julian, 4.5”w x 3.5”h 700-900
492. Joy Navasio vase, attribution, bulbous shape in a tan slip with painted designs in brown, signed by frog woman, 6:w x 7"h 300-500
493. San Ildefonso olla, highly polished finish with a black-on-black design, signed Marie, 5.5”w x 3.5”h, minor flake to rim 800-1100
494. Joe Hilario Herrera (American, 1923-2001); “Two Parrots,” lithograph, signed, 72/300, matted, framed, 20” x 16”. 900-1200
495. Nice Plains Indians ration bag, sinew sewn colorful beaded design on saddle leather with brass tacks, tin cones and twisted hide drops, 6”l 2000-2200
496. Jean Juhlin (American, late 20th Century), “Earth Woman,” embossed paper sculpture, signed, artist proof 10/17, framed, 25” x 21” 300-500
497. Pima basket, attribution, polychrome geometric design, 12”w x 6.75”h 1500-2000
498. Hupa basketry bowl, polychrome geometric design, 9”w x 6”h 900-1200
499. Apache basket, polychrome geometric design with attached carrying strap, 7.75”w x 3”h 500-700
500. Navajo pillow, ca. 1890, Germantown wool with a color geometric design, with a different design on each side, 17”sq. 200-300

LOTS