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Lot Numbers, Descriptions and Estimates
301. Teekee rug, c. 1940, stylized floral design on a tan field, minor edge loss, 68”w x 80”l, very good condition 1200-1500
302. Persian Malyar rug, c. 1920, paisley design to center on a blue field, minor dye inconsistencies, 55”w x 73”l, very good condition 500-700
303. Northwest Persian runner, c. 1920, stylized diamond design, some wear, minor edge loss, 41”w x 109”l, very good condition 700-900
304. English Arts & Crafts tapestry, elaborate floral design on a tan field, 54”w x 107”l, very good condition 300-500
305. Baluchi rug, c. 1940, two holes and one patch, diagonal striped pattern with a red and blue border, 40”w x 68”l, fair condition 200-300
306. Caucasian rug, c. 1930, stylized floral design in muted tones with light blue accents, minor edge loss, 33”w x 54”l, very good condition 400-600
307. Baluchi rug, c. 1930, geometric design with a red border, 42”w x 66”l, some wear, very good condition 300-400
308. Steuben handled vessel, green ribbed glass with a topaz handle, unmarked, 6”w x 5”h; with a Steuben handled vessel, topaz ribbed glass with a green handle, unmarked, 6”w x 5”h 150-250
309. Steuben vase, geometric shape in ribbed amber glass, unmarked, 4”w x 7.5”h; with a Steuben vase, double handled form in indented Celeste blue glass with applied yellow threading, unmarked, 8.5”w x 6.25”h 250-350
310. Steuben candlesticks, pair in amber, sculpted stem with applied prunts, marked, 4”w x 4”h; with Steuben candlestick, amber glass with blue at top and bottom, unmarked, 8”h 100-150
311. Steuben vase, flaring six-sided form in green ribbed glass, unmarked, 3.75”w x 8.25”h; with a Steuben vase large flaring shape in clear glass with applied pink threading at top, unmarked, 7.25”w x 8”h 250-350
312. Steuben vase, flaring and ribbed shape in ivory glass, unmarked, 5.5”w x 5.25”h; with a Steuben centerpiece bowl, scalloped shape in ivory glass, unmarked, 12.25”l x 3.5”h, minor chip to rim 200-300
313. Steuben covered vessel, topaz ribbed glass with a green foot and finial, unmarked, 4”w x 9.5”h 200-300
314. Art Glass compote, deep red glass with applied colorful fruit on stem, unmarked, 5.5”w x 7.5”h; with a Steuben vase, footed and flaring form in ribbed green glass, unmarked, 5.5”w x 7.75”h 200-300
315. Steuben bowl, broad form in opalescent glass, unmarked, 12”w x 2”h 150-250
316. WITHDRAWH
317. Steuben vase, bulbous form in clear ribbed glass with Celeste blue accents, unmarked, 8”w x 7”h 250-350
318. Steuben Silverina vase, flattened form in clear glass with applied handles and a silver diamond pattern, unmarked, 7.5”w x 9.5”h, a couple of minor cracks and chips; with a Steuben vase, six-sided form in amethyst glass with a swirling design, unmarked, 3.5”w x 8”h 250-350
319. Steuben glasses, seven, small form in Bristol yellow glass, marked, 2.5”w x 4”h, chips to three; with a Steuben lemonade set, six pieces, pitcher and five glasses, green glass body with applied threading and topaz foot and handle, unmarked, pitcher: 7.5”w x 11.25”h, glasses: 4”w x 6”h 500-700
320. Steuben covered box, round form in Bristol yellow glass, unmarked, 6”dia. x 5”h, chip to rim; with a Steuben vase, footed form with a ruffled rim in opal glass with overall iridescence, unmarked, 4.5”w x 8”h 150-250
321. Steuben vase, rectangular form in crackled clear glass with two applied lion head medallions in green glass, unmarked, 9”w x 5.5”h 200-300
322. Steuben vase, footed form in black glass, unmarked, 8.5”w x 6.25”h 150-250
323. L.C. Tiffany bowl, pinched shape in gold favrile glass with overall iridescence, signed L.C.T., 4.5”w x 2.25”h 300-400
324. Unusual Tiffany Furnaces compotes, pair, bronze with an original gold doré patina, two colorful enameled medallions on each, marked, #513, 7.5”w x 9”h 500-1000
325. L.C. Tiffany bowl, pinched shape in gold favrile glass with overall iridescence, signed L.C.T., 4.5”w x 2.25”h 300-400
326. L.C. Tiffany candlestick, twisting shape in gold favrile glass with overall iridescence, signed L.C.T., 3.75”w x 5.25”h 450-550
327. L.C. Tiffany bowl, miniature form with a crimped rim in gold favrile glass with overall iridescence, signed L.C.T., 2.75”w 100-150
328. L.C. Tiffany bowl, gold favrile glass with overall surface iridescence, signed L.C.T. Favrile #1247, 4”w 100-200
329. L.C. Tiffany vase, footed miniature form in gold favrile glass with platinum and purple iridescence, signed L.C.T. Favrile, 2.5”w x 1.5”h 150-200
330. L.C. Tiffany bowl, miniature form with a crimped rim in gold favrile glass with overall iridescence, signed L.C.T., 2.75”w 100-150
331. L.C. Tiffany bowl, gold favrile glass with overall surface iridescence, signed L.C.T. Favrile #1247, 4”w 100-200
332. L.C. Tiffany vase, footed miniature form in gold favrile glass with platinum and purple iridescence, signed L.C.T. Favrile, 2.5”w x 1.5”h 150-200
333. L.C. Tiffany candlestick, twisting shape in gold favrile glass with overall iridescence, signed L.C.T., 3.75”w x 5.25”h 450-550
334. Exceptional L.C. Tiffany glasses, set of ten, beautiful favrile glass with various colors and pulled designs, unusual faceted accents to flaring foot and stem, two are signed L.C.T., 3”w x 5”h 3500-4500
335. Persian Hamadan rug, c. 1930, camel hair with stylized floral design, red and blue border, some edge loss, 46”w x 76”l, very good condition 400-600
336. Baluchi rug, c. 1940, stylized design on a red field, minor overall wear, 34”w x 57”l, very good condition 200-300
337. Caucasian rug, c. 1940, stylized floral design in blue, red and tan, 50”w x 78”l, very good condition 200-300
338. Persian saddle cover, c. 1930, paisley design on a navy blue field, loss to one corner, 28”w x 36”l, good condition 200-300
339. Turkoman rug, c. 1930, repeating geometric pattern with wide borders, some minor overall wear, 40”w x 42”l, very good condition 200-300
340. Baluchi bag, c. 1930, geometric design on a red field, some wear, 11”w x 14”l, very good condition 100-200
341. Fine Persian Lilihan rug, c. 1920, central medallion on a red field, minor wear, 36”w x 55”l, very good condition 500-700
342. Sumak mat, c. 1930, stylized design in red, blue and tan, 15”w x 42”l, some edge loss, good condition 100-200
343. Caucasian rug, c. 1930, stylized floral design in olive green and cream on a dark blue field, minor edge loss, 46”w x 61”l, very good condition 500-700
344. Le Verre Francais vase, large form in cameo cut glass with a design on red roses against a mottled yellow ground, signed, 8”w x 12”h 1000-1500
345. Loetz vase, bottle form in green glass, unmarked, 4.5”w x 7.25”h 200-300
346. G. Argy-Rousseau vase, mottled yellow, brown and frosted pate-de-verre glass with two ram’s horn handles and a cut geometric design, signed, 7.5”w x 8”h 5000-7000
347. French Art Glass vase, frosted glass with colorful inclusions held in a bronzed metal base of sculpted leaves and branches, illegible signature, 9.5”w x 8.5”h 300-500
348. René Lalique vase, mold blown thistle design in opalescent glass, signed, 7”w x 8.5”h, minor rim chips 900-1200
349. French Art Glass and Majorelle vase, attribution, flaring glass vase in blue, yellow, green and white encased in sculpted wrought iron, unmarked, 9.5”w x 9.25”h, very decorative 500-1000
350. Fine L.C. Tiffany vase, swollen stem between a broad bowl and foot in gold favrile glass with purple and green iridescence; signed L.C. Tiffany Favrile, Inc., #2485N, 6”w x 9”h, excellent example of favrile glass 1200-1700
351. Loetz vase, shouldered form in favrile glass with platinum, blue and green iridescence, 4.5”w x 7”h; with an Art Glass vase, flattened and ribbed shape in blue iridescent glass, both are falsely signed L.C.T. Favrile, 5”w x 2”h 200-300
352. Exceptional L.C. Tiffany vase, graceful flaring in gold favrile glass with a beautiful blue, green and red iridescence, signed L.C. Tiffany Favrile, #1885, partial paper label, 5.75”w x 10.5”h 1500-2000
353. L.C. Tiffany bowl and under plate, gold favrile glass with an etched design and overall surface iridescence, 6”w x 2.5”h; with a L.C. Tiffany bowl, favrile glass, both signed L.C.T, 10”w x 3.5”h, repaired 600-700
354. L.C.Tiffany vase, footed form with ruffled rim in gold favrile glass with overall iridescence, signed L.C.T., 4.5”w x 3.25”h 500-700
355. Steuben bowl and under plate, flaring forms with ruffled rims in gold aurene glass with overall iridescence, marked, 5”w x 3”h 300-500
356. Daum vase, bulbous form in mottled orange and yellow glass, signed, 5.5”w x 3.5”h, possible grinding to top; with a Daum vase, squat form in clear and pink glass with a cameo and enameled design of leaves, signed, 3.5”w x 2”h, missing lid 300-500
357. Gallé vase, cameo cut orange flowers and leaves on a yellow ground, 3”h; with a Gallé vase, cameo cut amber organic design on a pink and green ground, 3”h; with a Gallé vase, cameo cut purple flowers and leaves on a yellow ground, 6”h, all signed, height reduced on the two smaller vases 700-900
358. Steuben candlestick, broad form in ribbed Celeste blue glass and an etched fountain design on its stem, marked, 5”w x 7”h; with a Steuben candlestick, broad form in ribbed topaz glass and a clear stem with an etched floral design, unmarked, 5”w x 7”h 250-350
359. Steuben candlestick, clear glass with a spiral stem with black accents, unmarked, 4.75”w x 10”h; with a Steuben candlestick, unusual shape in clear glass with a black rim and foot and applied black prunts to stem, unmarked, 5.25”w x 12.25”h 250-350
360. Steuben flower frogs, eight, turquoise blue: 3.75”w x 2.25”h; dark green with design: 4.5”w x 2.5”h; amber with design: 4.5”w x 2.5”h; cobalt blue: 5”w x 3”h; black: 3.75”w x 2.25”h; dark green: 4”w x 2.5”h; green: 4”w x 3”h; topaz: 4”w x 3”h, all unmarked, all with minor chips; with a Steuben candlestick, low form in green glass with a decorated stem, unmarked, 4.25”w x 4”h; with a Steuben candlestick, low form in clear glass with a bubble design and green threading at top, unmarked, 4.5”w x 3.5”h; with a Steuben candlestick, low form in clear to green ribbed glass and decorated stem, marked, 4.5”w x 3.75”h; with a Steuben candlestick, low form in ribbed light green glass with a decorated stem, marked, 4”w x 3.75”h, minor chip to foot 350-450
361. Steuben candlestick, sculpted and ribbed two-toned yellow glass, unmarked, 5”w x 9.75”h; with a Steuben candlestick, classic shape in ribbed yellow glass, unmarked, 4”w x 7.75”h 250-350
362. Steuben candlestick, tall from with a blown-out stem in yellow glass with a blue rim and foot, unmarked, 5.25”w x 10.25”h; with a Steuben candlestick, tall from with a blown-out stem in amber glass with a blue rim and foot, unmarked, 5.5”w x 10”h 250-350
363. Steuben candlestick, dark green glass with a twisted stem, marked, 4.5”w x 10”h; with a Steuben candlestick, light green glass with a twisting stem, unmarked, 3.5”w x 8”h 250-350
364. Steuben candlestick, tall form with blown-out stem and swirling ribs in amber glass, marked, 4.5”w x 10”h; with a Steuben candlestick, tall form with a blown-out stem in amber glass, unmarked, 4”w x 10.25”h 250-350
365. Heriz rug, c. 1930, stylized floral design with a central medallion, some overall wear, 118”w x 164”l, good condition 1200-1500
366. Kashan rug, c. 1920, stylized floral design with a central medallion on a red and dark blue field, some wear, 124”w x 171”l, very good condition 2000-3000
367. Caucasian prayer rug, c. 1920, directional design on a red field, 42”w x 72”l, very good condition 300-500
368. Persian Kashan rug, c. 1920, stylized floral design on an ivory field with red border, 50”w x 80”l, minor wear, very good condition 700-900
369. Heriz rug, c. 1940, stylized floral design on a red field, 20”w x 42”l, edge loss and some wear, good condition 100-200
370. Caucasian mat, c. 1940, stylized floral design in red and pink, 24”w x 32”l, some wear and edge loss, good condition 100-200
371. Persian rug, c. 1940, stylized floral design on a red field, minor wear, 43”w x 58”l, very good condition 400-600
372. Acoma olla, shouldered form in white with painted birds in black and red, signed Rachel Aragon, 9”w x 7.5”h 500-700
373. Plains Indians cuffs, pair, sinew sewn colorful beaded design on brain-tanned hide, 9.5”l 600-800
374. Acoma vase, large shape in a tan matt glaze with painted geometric designs in red and black, unsigned, 10”w x 8.5”h, hairline 1200-1500
375. Grycner Studio vase, designed and executed by R.C. Gorman, large form titled “Meeting”, incised and painted female figures with a stylized landscape, signed, #54/200, 10.5”w x 16.25”h 1500-2000
376. Tlingit basket, polychrome geometric design in devil's claw, 8”dia x 6”h 1500-2000
377. San Ildefonso vase, unusual shape with a carved avanyu design with an applied turquoise stone for the eye, signed Dora of San Ildefonso, dated ‘91, 5.5”w x 6.5”h 800-1100
378. Jemez vase, flaring shape with a cut-back rim in a tan slip with a carved and painted geometric design, signed B.J. Fragua, 9”w x 6.5”h; with a Jemez olla, swirling ribs covered in a tan marbleized slip with painted black arrow design, signed Juanita Fragua Jemez Pue, N.M, 6”w x 5”h, chip to rim 500-700
379. San Ildefonso vase, round form in polished black with a stylized design, signed Ruymalda de Lopez, 4.5”w x 4.25”h 800-1100
380. Santo Domingo vase, large form in red with a painted geometric design in black and white, signed Paulitia Pacheeo, 14”w x 12”h 2000-2500
381. Navajo rug, c. 1930, geometric pattern in red, purple, gray and brown on a cream background, 39”w x 68”l, very good condition 600-800
382. Washo/Paiute bottle, basketry covered with a polychrome design, 3.25”dia x 7.5”h; with a Washo/Paiute bottle, basketry covered glass with a polychrome geometric design, 5.5”dia x 12”h 300-500
383. Navajo rug, c. 1940, cornstalk design on a gray field, 34”w x 69”l, very good condition 400-600
384. Navajo rug, c. 1930, gray and beige with pyramid design at border, 48”w x 96”l, very good condition 900-1200
385. Northwest Coast-style totem, carved and painted wood, 1.5”w x 9”h 550-750
386. Navajo rug, c. 1930, zig- zag pattern in brown, cream, and red, 42”w x 72”l, very good condition 500-700
387. Karuk basket, polychrome geometric design, 6”w x 4.5”h 150-250
388. California basket, attribution, unusual form, polychrome insect designs, 13”dia x 1”h; with a Papago basket, polychrome geometric design, 11.5”dia x 2”h 250-350
389. Papago lidded basket, polychrome geometric design, 6.25”dia x 4.25”h; with a Papago basket, polychrome crucifix design, 7.25”dia x 6”h 200-300
390. Bobby Hicks, (American, b. 1934), "Indian Dancers", c. 1962; oil/canvas, 24" x 36", signed, dated, and nicely framed. Hicks is an important contemporary Native American painter. 2000-3000
391. Vintage colored lithographs, lot of three comparable works, one pictured, "Paddy-Carr, Creek Interpreter," c. 1930, 9" x 6" 300-500
392. Alma Jordon Knauber (American, b. 1893), “Southwestern Scene,” watercolor/paper, 10.5” x 13.5”, signed, matted, framed 500-700
393. Kevin Red Star (American, b.1943), “Native American,” 1980; 20” x 22”, etching, signed, 13/60 600-800
394. John Jones (American, 1943-), “Horse and Rider,” oil/canvas, signed, framed, 20” x 16” 500-700
395. Bert Dail Seabourn (American, b.1931), “Portrait of a Native American,” c. 1970; watercolor/ink on paper, 20” x 10.5”, signed 700-900
396. Plains Indians bag, sinew sewn colorful beaded design on brown hide, 16”l 600-800
397. Plains Indian child’s vest, colorful beaded geometric design on fabric, 11” x 11” 1000-2000
398. Cheyenne pipe bag, age unknown, sinew sewn colorful beaded design on brain-tanned hide with yellow ocher, 27”l 500-700
399. Nice Gene Kloss (American, 1903-1996), etching, “Stalwart Cypress,” signed, matted, framed, 6” x 7” 1000-2000
400. Hopi water jar, possibly done by Frog Woman, intricate painted designs in black and red, unusual mark, 13.5"w x 13"h 3500-4500

LOTS