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Lot Numbers, Descriptions and Estimates
201. Stickley Brothers armchair, #506 1/2, four vertical slats at back with a recovered leather seat and back, original finish, signed with metal tag, 30”w x 29”d x 43”h, very good condition 400-600
202. Stickley Brothers rocker, early form with four horizontal slats to back and thru-tenon construction, original rope foundation, refinished, 28”w x 31”d x 35”h, very good condition 300-500
203. L & JG Stickley armchair, #450, six vertical slats to back and under each arm, recovered original spring cushion, branded signature, 29”w x 29”d x 40”h, original finish, very good condition 500-700
204. Arts & Crafts pie stand, three octagonal shelves supported by splayed legs with hand-hold cut-out at top, refinished, 13”w x 13”d x 34”h, very good condition 200-300
205. Lifetime hall tree, #535, single pole with original iron hooks, supported by flaring feet, original finish, unsigned, 24”w x 24”d x 68”h, very good condition 500-700
206. Arts & Crafts plant stand, tall form with pierced and carved design at top over a lower shelf, worn original finish, some stains and looseness, 13”w x 13”d x 42”h, good condition 200-300
207. Gustav Stickley side chair, #306 1/2, ladder-back form with three horizontal slats to back, replaced leather seat, original finish, signed with red decal, 17.5”w x 17”d x 36”h, very good condition 300-400
208. Limbert Morris chair, similar to #515, adjustable back with three vertical slats under each arm, refinished, some restoration to feet, branded signature, 29.75”w x 35.75”d x 37.75”h, very good condition 900-1200
209. Stickley Brothers desk chair, #604 1/2, hand-hold cut-out over a saddle seat and Mackmurdo foot, original finish, signed with Quaint tag and remnant of paper label, 17”w x 16”d x 39”h, very good condition 300-400
210. Arts & Crafts fire fender, brass with curled design and claw feet, 42”w x 15”d x 11”h, very good condition 300-400
211. Arts & Crafts fire fender, in brass, rope design to top with crest motif in center, 47”w x 13”d x 12”h, very good condition 400-500
212. Limbert partner’s desk, #160, four drawers on each side with original copper hardware, corbels at legs, some roughness, needs gluing, three locks missing, refinished, branded signature, lower shelf missing, 60”w x 40”d x 29”h, good condition 1000-1500
213. T.C. Shop serving set, knife and fork in hammered sterling with an applied “B,” impressed mark, knife: 1.25”w x 14”l 200-300
214. Kalo tongs, hammered sterling, impressed mark, #6045, 1.25”w x 7”l; with a Novick baby spoon, hammered sterling with a looping handle, impressed mark, 1.5”w x 4”l; with a Marshall Fields ladle, Gothic line, hammered sterling, impressed mark, #300, 1.75”w x 5”l 300-400
215. Gorham spoons, seven, by John O. Bellis, hammered sterling with applied “S,” impressed mark, 1”w x 5.5”l 200-300
216. Arts & Crafts andirons, unusual curled wrought iron design with separate cross bar, original patina, 46”w x 25”d x 27”h, excellent condition 600-800
217. Arts & Crafts andirons, twisted and curled wrought iron design with original patina, each: 12”w x 26”d x 30”h, very good condition 500-700
218. Arts & Crafts umbrella stand, slatted sides with brass corner brackets, original drip pan, original finish, 10”w x 10”d x 27”h, very good condition 200-300
219. Arts & Crafts framed tapestries, pair, rural scenes in original oak frames, each: 39”w x 15”h, very good condition 200-300
220. Arts & Crafts book trough, in the manner of Rose Valley, "V" trough over an open shelf supported by slab sides with an intricately carved design, recoated original finish, 24”w x 9”d x 33”h, very good condition 300-400
221. Arts & Crafts beds, pair, unusual twin-size form with arched top and pyramidal posts over a paneled design, original green finish, 42”w x 59”h x 82”l, very good condition 1000-1500
222. Anita Munman woodblock, contemporary, colorful print of hills and trees, signed, 7” x 10.5”, matted, held in an Arts & Crafts oak frame 200-300
223. Louis LeGrand etching, reclining semi-nude, image is 14” x 21”, framed, has a swan and fleur-de-lis watermark, very good condition 300-500
224. Arts & Crafts chandelier, leaded glass with stylized floral border, original chain and ceiling cap, single socket, 25”dia x 12”h, overall: 30”h, very good condition 300-500
225. Royal Doulton jardinière and pedestal, high-glaze floral design on a dark green background, signed “E.P.,” chips to pedestal, 11”dia x 40.5”h, good condition 400-500
226. Handel chandelier, leaded glass grape vine pattern at border, signed “Handel,” three sockets, original chain and ceiling cap, 22”dia x 13”h, very good condition 2000-3000
227. Arts & Crafts hanging lantern, flaring form in copper with caramel slag glass panels, original patina, unmarked, 8”w x 21”h overall, includes original chain and ceiling cap 250-350
228. Arts & Crafts sconce, in brass, with caramel slag glass inserts, original patina and chain with a riveted back plate, 4.5”w x 4.5”d x 11.5”h, very good condition 300-400
229. Arts & Crafts player piano, stained glass inserts depicting landscape scene flanked by leaded glass shades, original finish, marked “Armstrong, New York, Cabinet Grand,” numbered on the back “70260,” complete interior, lot includes six rolls of music, shades have one cracked panel and cracks to leading, 64”w x 28.5”d x 55.5”h, very good condition 2000-3000
230. European chandelier, c. 1940, wrought iron with grape vine motif, original central bowl and three hanging shades in frosted glass with grape decoration, 24”dia x 45”h, very good condition 1000-1500
231. Art Deco letter opener, bronzed metal with a tooled floral design, original patina, fake Tiffany Studios mark, 1.25"w x 8.5"l 100-200
232. Unusual Art Deco lamp, carved figure over a circular marble top supported by a deeply carved base, original finish, some separation, 22”dia x 67”h, very good condition 800-1000
233. Art Nouveau bookplates, lot of four various colorful illustrations by George Barbier and others, German text, unframed, 10” x 14” 250-350
234. Christopher Dresser handled vessel, attribution, glass vessel with applied silver and a wooden handle, etched designs near top, marked, 5.5”w x 8.5”h 900-1200
235. French style modernist carpet, probably Turkish, geometric border design in gold and a gray/green solid field, 96” x 117”, excellent condition 400-600
236. French armchair, bentwood arms in beech with original leather seat and back, some wear to leather, 26”w x 32”d x 31”h, very good condition 400-600
237. French club chairs, pair, upholstered leather on ball feet, overall roughness to leather, 30”w x 31”d x 32”h, fair condition 800-1000
238. Maxfield Parrish print, cover of Colliers, December 1936, unsigned, held in an Arts & Crafts oak frame, 13” x 9.5” 250-350
239. European woodblock, colorful print titled “Goldfische,” artist initials JM, matted, held in an Arts & Crafts oak frame, 28” x 24” 250-350
240. Arts & Crafts wicker floor lamp, natural woven rattan with replaced liner to shade, some breaks, two re-wrapped shade supports, 20”w x 20”d x 72”h, very good condition 900-1200
241. Arts & Crafts chandelier, green slag glass with overlaid diamond design in polished brass finish, original chain and ceiling cap, 22”w x 22”d x 44”h, very good condition 600-800
242. Arts & Crafts floor lamp, hexagonal stitched mica shade supported by a hammered copper base with original patina, 18”w x 18”d x 64”h, very good condition 900-1200
243. Handel lamp, bronzed metal base with an original patina supporting a reverse painted shade with a design of stylized roses, impressed mark to base, shade signed Handel #6180, 14”w x 22”h, shade with secured cracks 500-700
244. Good Gustav Stickley library table, #649, small single drawer form with original iron hardware, 36”w x 24”d x 29”h, fine original finish, unsigned, minor stains to top, very good condition 1500-2000
245. Handel lamp, bronzed metal base with an original patina supporting a reverse painted shade with a detailed landscape, impressed mark to base, shade signed Handel - 6311, 15”w x 22”h, shade with secured crack 800-1100
246. Fine Amphora vase, intricately painted and detailed portrait of a woman against a banded landscape and floral design, signed Turn Teplitz Bohemia, R St K, made in Austria, impressed Amphora and numbered, 4”w x 6.5”h, similar vases shown in "Ceramics from The House of Amphora," by Richard L. Scott, pgs. 82-95 3000-4000
247. Rare and exceptional Amphora vase, intricately painted and detailed portrait of a woman on one side and a landscape with roses on the other, signed Turn Teplitz Bohemia, R St K, made in Austria, impressed Amphora and numbered, 3.5”w x 6” h, similar vases shown in "Ceramics from The House of Amphora," by Richard L. Scott, pgs. 82-95 3500-4500
248. L.C. Tiffany vase, floriform in pink and white favrile glass, signed L.C.T. Favrile, #897P 1182, 3.25”w x 9”h 1000-1500
249. Unusual Quezal vase, white glass with a pulled leaf and vine design in green and gold, overall iridescence, signed, 8”h, excellent example 2000-3000
250. Tiffany Studios candlestick, sculpted bronze with an original gold patina, signed Tiffany Studios New York, #1201, 4”w x 11.5”h 500-1000
251. Rozenberg vase, ca.1900, bulbous form in delicate eggshell porcelain with a stylized floral design, artist initials, #1542, 4”h 4500-5500
252. Amphora vase, tapered form with a finely detailed portrait of a woman, impressed and stamped marks, #468, 6”w x 10.5”h, similar vases shown in "Ceramics from The House of Amphora," by Richard L. Scott, pgs. 82-95 4500-6500
253. Good Amphora vase, intricately painted and detailed portrait of a woman and landscape with roses, signed Turn Teplitz Bohemia, R St K, made in Austria, impressed Amphora and numbered, artist initials, 5.5”w x 5.75” h, great Art Nouveau shape, similar vases shown in "Ceramics from The House of Amphora," by Richard L. Scott, pgs. 82-95 3000-4000
254. Tiffany Studios inkwell, bronze, abalone pattern, original patina, signed Tiffany Studios New York, #1157, 3.5”w x 3”h, original glass insert 500-700
255. Maurice Denis poster, printed in Paris by Edw. Ancourt, 11" x 14.5", Maîtres issue 35, October 1898, framed; with a Félix Vallotton poster ca. 1895, printed in Paris by Pajol, 11" x 14.5", Maîtres issue 30, May 1898, framed 250-350
256. Tiffany Studios inkwell, large form in a bronze grapevine pattern over green and white slag glass, original patina, signed Tiffany Studios New York, #25, 4”w x 3.5”h, original glass insert, a few cracks to glass, minor dent to top 300-400
257. Tiffany Studios desk set, inkwell, tray, blotter ends and vase, bronze pine needle pattern over green and white glass, all signed Tiffany Studios New York, some pieces numbered, largest is 12”l, some polishing to patina 900-1200
258. Quezal shades, pair, white and gold glass with a pulled design in green, signed, 4.5”w x 6”h 300-400
259. Ovide Vencesse plaque, miniature form in bronzed metal with a tooled portrait of a child, original patina, signed, 1.25"w x 2"h 100-200
260. L.C. Tiffany shade, attribution, gold favrile glass with overall iridescence, 3”w x 4.5”h, top ground down, minor crack to top; with a L.C. Tiffany shade, lily shade in favrile glass, signed L.C.T., 2.5”w x 4.5”h 1000-1500
261. Handel table lamp, slag glass shade with metal overlay featuring a landscape motif over a bronze base with original patina, base and shade signed, 17”dia x 20.5”h, very good condition 1200-1500
262. Steuben lamp, acid cut glass, original carved and gold leaf fitters, chip to original finial, 32”h, very good condition 800-1200
263. Handel table lamp, slag glass shade with rose trellis overly supported by a bronze base, original patina, shade and base signed, 16.5”dia x 22”h, very good condition 1500-2000
264. Georges Fay poster, ca. 1899, printed in Paris by P. Vercasson, 14.5" x 11", Maîtres issue 46, September 1899, framed; with a Jules Chéret poster printed in Paris by Chaix, 11.5” x 14.5”, Maîtres issue 35, October 1898, framed 400-600
265. Handel lamp, obverse painted shade with a colorful Persian design supported by a bronzed metal base with an original patina, shade signed, #6751, base marked with cloth tag, 18”w x 24”h 3500-5500
266. Tiffany Studios lamp, counter balance bronze base holding a glass shade with a pulled spiral design in green and yellow, overall iridescence, original gold doré patina to signed bronze base, 7"dia. shade, adjustable height, obscured marks, shade with large chips at fitter rim unseen when joined to base 3500-5500
267. Dalpayrat vase, bottle form covered in a mottled red and green matt glaze, signed, 5”w x 8.5”h, drill hole in base 1000-1500
268. Mettlach vase, tapered form with an incised and painted poppy tree design in red, green and ivory, marked, #2976, 6”w x 14.5”h 1500-2000
269. Baudin vase, handled organic form covered with a blue, red and yellow matt glaze, signed, 4.75”w x 7”h 350-450
270. Osiris bowl, hammered pewter with an organic design to interior, original patina, marked, 6”w x 10.25”l; with a Kayserzinn tray, hammered pewter with an organic design, original patina, marked, 6”w x 7.75”l 250-350
271. WMF cigarette case, pewter with a tooled design, original patina, impressed hallmark, 2.5” x 3.75”; with an Austrian stamp box, bronzed metal with tooled designs, original patina, impressed mark, 3.25”l x .75”h 200-300
272. Massier vase, two applied fishtail handles covered with an iridescent glaze with an etched design of birds and waves, signed, 4.75”w x 8.5”h 1000-1500
273. Striking P. Moreau-Vauthier sculpture, man and woman kissing, bronze with its excellent original patina, signed, mounted on a marble base, 11.25”h 800-1200
274. Denbac vase, twisting form covered in a multi-toned brown crystalline glaze, signed, 8.5”h 200-300
275. L.C. Tiffany vase, bulbous form with two applied handles, iridescent gold favrile glass, signed L.C. Tiffany-Favrile, #1063-493K, 4.5”w x 4.5”h 800-1100
276. Good L.C. Tiffany vase, floriform in gold favrile glass with nice surface iridescence, signed L.C.T. #Y5532, 7.5”h 900-1200
277. Nice Quezal vase, flaring form with a pulled feather design in green, white and gold, signed, K312, 8.75”h 1200-1700
278. Tiffany Studios paperweight, bronze bulldog with original gold doré patina, signed Tiffany Studios, #880, 2.25"w x 1.25"h 400-600
279. Good L.C. Tiffany vase, shouldered bulbous shape in gold favrile glass with a nice overall iridescence and a leaf and vine design, signed L.C. Tiffany-Favrile, #417K, 3”w x 2.75”h 1200-1700
280. Tiffany Studios paperweight, bull dog in bronze, original patina, signed Tiffany Studios New York, 1”w x 2.25”l 400-600
281. Rare Imperial vase, opalescent glass with a pulled leaf and vine design in pink and green, unsigned, 11”h, nice iridescence, unusual coloration 1200-1700
282. Dramatic Hector Guimard vase, monumental four-handled Art Nouveau form covered in a multi-toned green and blue glaze, cut-out and carved design, marked with a gold K, 18”w x 10.5”h, minor chip to rim 2500-3500
283. Good Imperial vase, cobalt glass with a pulled leaf and vine design in white, unmarked, 5”w x 11.5”h 900-1200
284. Steuben glasses, three, clear glass with applied black threading at bottom, all marked, 2.5”w x 2.75”h; with a Steuben glass, clear glass with applied clear threading at bottom, marked, 2.5”w x 2.5”h, minor loss to threading; with a Steuben candlestick, turquoise glass with a clear stem, unmarked, 5.25”w x 10”h, repaired; with a Steuben candlestick, clear glass with an interlocking stem with turquoise accents, unmarked, 4.75”w x 10”h, part of stem missing 250-350
285. Steuben vase, footed bulbous shape in cobalt blue glass, unmarked, 5.5”w x 7”h 150-250
286. Steuben bowls, attribution, pair, broad shape with folded rim in topaz glass, unmarked, 11”w x 3”h; with a Steuben compote, green glass with an etched grapevine design, unmarked, 8.25”w x 3.75”h 250-350
287. Steuben basket, double handled shape in green glass, unmarked, 8”w x 4”h 200-300
288. Steuben Cluthra vase, tall geometric shape with a design of pink and white cascading bubbles, marked, 5.25”w x 12.5”h 300-400
289. Steuben bowl, clear indented glass with applied black threading to top, unmarked, 9”w x 4.5”h; with Steuben flower frogs, five, one cobalt, one Bristol yellow, one clear with rose highlights and two clear, all with applied leaves at top, three are marked, 4”w x 4”h; with a Steuben vase, flaring shape in clear indented glass with applied green threading at top, marked, 5.25”w x 6”h 300-400
290. Steuben compote, large shape in clear indented glass with applied black threading and prunts, unmarked, 10.25”w x 6.25”h 200-300
291. Good Steuben vase, large bulbous and broad form in gold aurene glass, unmarked, 10”w x 10.25”h 1000-1500
292. Steuben iced tea glasses, set of eight, flaring shape in topaz glass, unmarked, 4.5”w x 6.5”h 250-350
293. Steuben compote, green base with sculpted leaves supporting a clear plate with an etched organic design, unmarked, 8.5”w x 6”h; with a Steuben compote, low form in French blue ribbed glass, marked, 7”w x 3”h 250-350
294. Steuben vase, flaring form in Bristol yellow glass with applied alabaster reeding at top, unmarked, 4”w x 6”h; with a Steuben vase, tapered form in topaz glass with two applied dripping handles, unmarked, 6.5”w x 8”h 250-350
295. Steuben bowl, hammered light turquoise glass with applied green threading at top, marked, 8”dia. x 2.5”h; with a Steuben bowl, hammered clear glass with applied ruby reeding at top, unmarked, 8”dia. x 2.5”h 150-250
296. Steuben glasses, set of four, large shape in yellow glass with a clear ball in center of shaft, unmarked, 4”w x 6”h 150-250
297. Steuben vase, wisteria glass with a round foot and two vases jutting out to different heights, marked, 6”w x 10”h; with a Steuben vase, green base supporting a flower-like body in topaz with twisting ribs, unmarked, 5”w x 8”h 250-450
298. Steuben vase, twisting shape with a ruffled rim in amethyst glass, unmarked, 6.5”w x 8”h 200-300
299. Persian Durdish runner, c. 1930, stylized floral design on a blue field with a red border, some fading, minor wear, 31”w x 175”l, very good condition 600-800
300. Turkish prayer rug, c. 1930, directional design in red, blue and ivory, some overall wear, 53”w x 75”l, very good condition 400-600

LOTS