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Sale Date:
Sept. 11, 2005
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Lot Numbers and Descriptions
701. Frank Perri (American, early 20th century), “Scaffolding”, c. 1940; colored drawing, 9.5” x 8”, signed. 250-350
702. Frank Perri (American, early 20th century), “Football Players”, c. 1940; oil pastel/paper, 13.5” x 16.5”, signed. 250-350
703. Harold Cohn (American, b. 1908), “Grapes”, c. 1940; oil/board, 6” x 10”, signed. Detroit modernist painter. 600-800
704. Joseph Meert (American, 1905-1989), “Blue/White”, c. 1960; oil/canvas, 20” x 16”, signed. Meert painted social realist works early in his career before turning to abstraction. 2000-3000
705. Harold Cohn (American, b.1908), “Grass on Sandy Hill”, c. 1940; oil/board, 11” x 14”, signed. Detroit modernist painter. 600-800
706. Harold Cohn (American, b.1908), “Cherries and Apricot”, c. 1940; oil/board, 10” x 14”, signed. Detroit modernist painter. 600-800
707. Harold Cohn (American, b. 1908), “Nude”, c. 1940; oil/board, 16” x 12”, signed. Detroit modernist painter. 600-800
708. William Corasick (American, 1907-2002), “Black and White Abstract”, c. 1975; oil/canvas, 24” x 36”, signed. Philadelphia modernist painter. Corasick studied at Temple University and at the University of Pennsylvania. He was a member of the Philadelphia Art Alliance, and exhibited at the Pennsylvania Academy of Fine Art, National Academy of Design, and the Butler Art Institute (1930s-50s). 2000-3000
709. Matthew Ziegler (American, b. 1897), "Nude", c. 1940; oil/canvas, 32" x 14.5", signed. St. Louis modernist painter. Studied at the Art Institute of Chicago, and exhibited at the 48 States Competititon (1939), St. Louis Artist Guild, and the St. Louis Art Museum. He was a WPA artist. 300-500
710. L. Mas (French, 20th century), “Paris”, c. 1950; oil/canvas, 19.5” x 25”, signed, “Place De La Concorde...” on verso. 400-600
711. Jean Calogero (Italian, 1922-2001), “At the Circus”, c. 1950; oil/canvas, 36” x 30”, signed. 800-1200
712. Monte (French School), "Head of Boy", c. 1960; oil/board, 10" x 8", signed. 200-300
713. Karl Zerbe (German/American, 1903-1972), “City Scene”, c. 1950; oil/canvas, 25" x 30", signed. Known as an expressionist painter, Zerbe along with Hyman Bloom and Jack Levine, received national recognition in the 1940s as the first generation of Boston Expressionists. 600-800
714. Moser (American School), lot of three watercolors of similar subjects, one pictured: “Fishing”, c. 1960; watercolor/paper, 10” x 8”, signed and dated. 250-350
715. Eduoard Buk Ulreich (American/Austrian, b.1889), “Figure in Middle”, c. 1960, oil/board, 24” x 30”, signed. Painter and designer during the Art Deco period. WPA artist. Ulreich exhibited at the Art Institute of Chicago, Dudensing Gallery (N.Y.C.), Vienna Secession, and the Pennsylvania Academy of Fine Art. 1000-1500
716. Eduoard Buk Ulreich (American/Austrian, b.1889), “Untitled”, c. 1960, gouache/paper, 22” x 29”, signed. 600-800
717. Eduoard Buk Ulreich (American/Austrian, b.1889), “Horses and Fish”, c. 1960, casein, 13” x 16”, signed. 500-700
718. Eduoard Buk Ulreich (American/Austrian, b.1889), “In Him We Live and Move and Have Our Being...”, c.1960; casein, mixed media, signed. 700-900
719. Kim D. Wiggins (American, b.1960), “Skyscrapers”, c. 1970; 5/75, tempera/paper, 42” x 20.5”, signed. New Mexico based artist known for his expressionistic landscapes. 1800-2200
720. D.S. Lopiccolo (American, 20th century), "Abstracted Landscape", c. 1950; oil/canvas, 9” x 12”, signed. 300-500
721. Charles Vignon (French, 20th century) “View of Place de la Concorde “, c. 1940; oil/canvas, 28.25” x 38.25”, signed. 1500-2500
722. Hugo J. Pieper (American, early 20th Century), “Dock Scene”, c. 1950; oil/canvas, 23” x 29”, signed. Chicago artist. Pieper exhibited at the Art Institute of Chicago in the late 1940s - 1950s. He also exhibited in the Upper Mississippi Vallley Expo in 1951 and the Magnificent Mile Exhibition (1950s). 800-1200
723. Eli Levin (American, b. 1938), “Serenade”, c. 1982-86; tempera/board, 12” x 16”, signed and dated. Levin exhibited at the Jamison Galleries, Fenn’s Gallery, Realist Gallery, Zaplin-Lampert Gallery, and the Ernesto Mayans Gallery (all in Santa Fe, New Mexico). 1000-2000
724. Gabriel Marc Louis Ferro (French, 20th century), "Solitude Hivernale", c. 1947; oil/canvas, 24" x 29", signed and dated; title verso. 600-800
725. American School, "Juke Joint", c. 1960; oil/masonite, 48" x 36", unsigned. Well done and amusing depiction of an American scene. 400-600
726. Esther Silber Reed (American, b.1900), “Jamaica”, c. 1950, crayola resist/paper, 7” x 9”, signed. St. Louis artist. Exhibited at the St. Louis Artist Guild, and worked as a painter and illustrator. 300-500
727. Lee Chubb (American, 20th century), "Abstract", c. 1960; paper collage and mixed media, 24" x 18", signed. 200-300
728. Peter Keil (German, 20th century), “Three Faces”, c. 1995; oil/paper on board, 39” x 39”, signed, titled and artist biography on verso. Keil is with Elvira Bach, Rainer Fetting, and Georg Baselitz in the Grossen Wilden of Berlin. He studied with Otto Nagel, Berlin Academy of Fine Art, and with Miro on Mallorca. 2000-3000
729. Lee Chubb (American, b. 1904), “Amateur Chancellor”, c. 1960; oil/board, 24" x 18", unsigned, St. Louis Artist Guild label and portrait on verso. 250-350
730. Peter Keil (German, 20th century), “Nude”, c. 1995; oil/board, 22” x 15”, signed. 1500-2000
731. Lee Chubb (American, 20th century), “Blue/Pink Collage”, c. 1960; mixed media/ collage, 24” x 30”, signed. 250-350
732. Lee Chubb (American, b. 1904) “Abstract”, c.1960; oil/board,27" x 19", unsigned. 250-350
733. Mexican School (20th Century), “Mother and Child”, c.1960s, pastel/paper, 13.25” x 9”, signed. 1000-2000
734. Mexican School (20th Century), “Young Girl”, c.1960s; pastel/paper, 9.25” x 6.5”, signed. 1000-2000
735. Mexican School (20th Century), “Young Woman”, c.1960s, pastel/paper, 9.25” x 6.5”, signed. 1000-2000
736. Carl Hepp (American, 20th century), "Still Life with Flower", c. 1990, oil/canvas, 31.75" x 35.5", signed. St. Louis Modernist painter. Hepp worked with Werner Drewes, Max Beckmann, and Siegfried Reinhardt at the St. Louis School of Fine Art (1940s-50s). 400-600
737. Copeland Charles Burg (American, b.1895), “Forest Landscape”, c.1940; oil/board, 16.5" x 20.5", signed. Chicago modernist painter. He studied at the University of Washington before moving to Chicago, and exhibited throughout the 1930s-40s, at the Art Institute of Chicago, Portland Art Museum, Pennsylvania Academy of Fine Art, San Francisco Art Association, Carnegie Institute, Whitney Museum, Metropolitan Museum of Art, and the Santa Barbara Museum of Art. His work is in the collections of the Art Institute of Chicago and the Pennsylvania Academy of Fine Art. 800-1200
738. Michael Gloeckner (American, 1915-1989), “Martinique”; c.1976; oil/canvas, 16” x 20”, initialed; dated and titled on verso. Gloeckner painted in Connecticut in the mid-20th century, and specialized in fragmented compositions that affirmed rational subjects in light and color sections. His style represented a transition from early abstract works to colorfield paintings. 600-800
739. WITHDRAWN
740. WITHDRAWN
741. Kenneth Ness (American, b.1903-2004), “View of the Chicago River from the Michigan Avenue Bridge”, c.1933; oil/canvas, 24” x 30”, signed. Ness exhibited at the Art Institute of Chicago, San Diego Museum and the Pennsylvania Academy. Ness studied at the Art Institute of Chicago under Boris Anisfeld. Throughout the Thirties his work evolved from urban expressionism to pure abstraction. He moved to North Carolina at the end of the decade where he had a long career at UNC Chapel Hill. A catalogue of a retrospective exhibition accompanies the painting. 1500-2500
742. Norman Macleish (American, b.1890), lot of two, one pictured: "Western Town", c. 1937; watercolor/paper, 14.5" x 20", signed and dated, unframed. Chicago WPA painter. Studied at the Art Institute of Chicago, and exhibited there in the 1930s-40s. He also exhibited at the Worlds Fair New York (1939); Golden Gate Exhibition (1939); and the Corcoran Biennial (1941). His work is in the collection of the Detroit Institute of Art. He was the WPA supervisor in Chicago. 800-1200
743 Norman Macleish (American, b.1890), lot of two, one pictured: "Town with Hill", c. 1936; watercolor/paper, 15.5" x 19", signed and dated, unframed. 800-1200
744. Norman Macleish (American, b.1890), lot of three, one pictured: "Power Plant", c. 1933; watercolor/paper, 10.5" x 14.5", signed and dated, unframed. 800-1200
745. Tikashi Fukushima (Japanese, b. 1920), “Composition”, c.1960; oil/canvas, 14" x 11", signed. Fukushima left Japan in 1940 and went to Brazil where he continued to paint. He exhibited at the First Biennial International of Sao Paulo and the National Hall of Modern Art. 8000-12,000
746. Kazuya Sakai (Japanese/Argentine, 1927-2001), “Abstracted Landscape”, c, 1962; oil/canvas, 39.5” x 32”, signed and dated verso; titled indistinctly, “Tierra…”. Sakai was born in Argentina, and studied in Japan from 1935-1951 before returning to Argentina. He eventually worked in the United States in New York and in Texas. He taught and exhibited at the University of Texas, and exhibited at the Pan-American Gallery. He also worked in Mexico. 2000-4000
747. Nobu Fukui (Japanese-American, b.1942), “Study for Orange Ginestra”, 1992; oil/canvas (two parts), 32” x 24”, signed, dated and titled on verso. 700-900
748. Tadashi Asoma (Japanese/American, b. 1922), “Black Bathing Suit”, c. 1966; oil/canvas, 65” x 47”, signed and dated. 3000-5000
749. Jules Rene Herve (French, 1887-1981), “City Fountain”, c. 1950; oil/canvas, 12.5” x 15.25”, signed. Herve studied at the Ecole des Arts Decorative and the Ecole des Beaux Arts. He exhibited as early as 1910 at the Salon des Artistes Francais, and captured the Silver Medal there in 1914, and the Gold Medal in 1925. He also was awarded the Gold Medal for Painting at the International Paris Exhibition (1937). His works are in the collections of The Art Institute of Chicago; The Petit Palais, Paris; and the Dahesh Museum, New York. 5000-7000
750. Albert Zavaro (French, b.1925), “La Guitare”, 1962; oil/canvas, 39.25” x 19.5”, signed. 6000-8000
Sale Date:
Sept. 11, 2005