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Sale Date:
Sept. 11, 2005
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Lot Numbers and Descriptions
551. Nash vase, attribution, flaring form in green and blue glass with enameled designs in platinum, unsigned, 8”h 400-600
552. Austrian vase, clear glass with enameled design in red, green and black, unmarked, 6.5”h, probably from the Weiner Werkstätte 250-350
553. Otto Prutscher stemmed vessel, burgundy chain stem supporting a cylindrical top with burgundy and yellow designs, 8"h 1000-1500
554. Loetz vase, Pampas design under applied sterling silver overlay with an Art Nouveau design, 3.75”h 1000-1500
555. Dramatic Rosenthal sculpture, woman with out stretched arms, marked, 9.5”h, beautifully made 500-700
556. Hutschenreuther sculpture, woman playing volleyball in porcelain, marked, 9”h 500-700
557. Fine German Porcelain sculpture, woman covered in an ivory glaze holding a snake in gold, marked, 7.5”w x 7.75”h 550-750
558. Greber tray, lizard figural under a blue, brown and tan glaze, signed, 5”w 250-350
559. Amphora sculpture, bust of a woman with roses, marked, 16”h 550-750
560. G.H. Lantman sculpture, lizard in copper, original patina, signed and dated 8 Sept. 1927, 4”w, quite rare 200-300
561. R. Milles sculpture, bust of a young girl in bronze, original patina, signed, 10.5”h, excellent quality 500-700
562. Denbac vase, twisting form covered in a multi-toned brown crystalline glaze, signed, 8.5”h 300-400
563. Important Dalpayrat sculpture, busts of two men in relief covered in a brown matt glaze, artist signed, 21”h, very rare piece of this French Ceramist 2500-7500
564. Mettlach clock and candelabra set, elaborate brass mountings on ceramic bases in a deep blue with floral decoration, candelabra 12”w x 12”d x 27”h, clock: 10”w x 10”d x 25”h, lightly cleaned patina, very good condition 4000-5000
565. French mirror, copper frame with silver wash, fruit and drape design, original beveled mirror, 31”w x 20”h, very good condition 600-800
566. Muller chandelier, hammered iron fixture with central circular dome surrounded by four fluted shades, original patina, damage to metal work, shades signed, 30”dia. x 51”h, very good condition 700-900
567. Durand lamp, gourd form in glass with pulled iridescent design, original metal fixtures, 28.5”h overall 500-1000
568. Revere lamp, attribution, geometric and claw footed base and flaring shade, all with green slag panels under bronzed metal overlay, intricate design with its original patina, 12”w x 20”h 2000-3000
569. Rococo style gilt bronze candelabras, pair, flower form each with six candle holders on a three foot base, 17”dia. x 22”h, very good condition, repair to one 300-400
570. Good Pairpoint lamp, reverse painted with parrots amid elaborate jungle foliage, bronze base, signed, 17"dia x 23"h 4000-6000
571. Exceptional L.C. Tiffany lamp, Arabian design in amber favrile glass with pulled iridescent designs, base signed L.C. Tiffany Favrile, shade signed L.C.T. Favrile, 14”h, very nice example 3500-5500
572. Dramatic Daum lamp, unusual shape in clear and frosted glass with etched geometric designs, signed, 19.5"h, large and decorative lamp 3500-5500
573. Good L.C. Tiffany candle lamp, gold favrile glass base and shade with a nice overall surface iridescence, glass insert shaft with pulled green feather design, rare favrile glass chimney, base and shade signed L.C.T., 15.5”h, minor chips to top rim of shade 1500-2500
574. Fine Gallé vase, tapered form with a polished cameo design of deep purple and light blue flowers against a yellow ground, cameo signature, 11”h 1200-1700
575. Good Gallé vase, bulbous bottom with a long neck, cameo design of purple flowers on a pink ground, cameo signature, 12.25”h, unusual shape 900-1200
576. Large Gallé vase, tapered form with a cameo design of grapevines and grapes against a frosted and rosé ground, cameo signature, 13"h 2000-3000

Session Two - Fine American & European Paintings/Watercolors/Drawings - Approx. 4:00 (cst)
577. Gene Pressler (American, early 20th century), “Young Woman with Lantern”, c. 1921; pastel/canvas, 33” x 25”, signed. Pressler was an illustrator working in New York in the first decades of the 20th century. An excellent example of the Art Deco-inspired illustration that was popular at that time. This was the original artwork for the Peters Shoe Company 1921 calendar. 6000-8000
578. Channel Pickering Townsley (American, 1867-1921), "California Landscape", c. 1915; oil/board, 12" x 16", signed in pencil; unframed. 800-1200
579. Francis Focer Brown (American, 1891-1971), “Landscape”, c.1930; oil/masonite, 20” x 24”, signed. Well known Indiana painter. Brown painted traditional landscape subject matter in a colorful, post-impressionist palette. 1000-2000
580. Mariko (Japanese/American, 20th century), “Coastal Scene”, c. 1930; oil/canvas, 24" x 19.75", signed on verso; back of canvas bears some Japanese stamps and writing. 300-500
581. Victor J. Harles (American, early 20th century), "Coastal Scene", c. 1920; oil/board, 16" x 12", signed , artist-carved frame. St. Louis painter. Harles studied with R.E. Miller and John Carlson, and painted a wide variety of subject matter. He traveled extensively throughout Europe, as well as the U.S. 300-500
582. Marshall D. Smith (American, early 20th century), “Venice Sailboat”, c.1930; oil/canvas (it is a loose, flat canvas that is not stretched, which could be mounted or matted and framed), 9.5” x 8", initialed. 500-700
583. WITHDRAWN
584. George Howell Gay (American, b. 1858), "Autumn Landscape", c.1900; watercolor/board, 14" x 26", signed. Gay was a well known watercolorist from New York. This is a very fine example of his work, typifying the tonalist aesthetic. 400-600
585. Hans Ranzoni (Austrian, 1868-1956), "Residence Belvedere", c. 1917, oil on board, 6" x 8". Ranzoni studied at the Ecoles des Beaux-Arts in Venice and the Munich Academy with Carl von Marr. In 1918, he was the president of the Society of Artists in Venice. 800-1200
586. WITHDRAWN
587. Hudson Mindell Kitchell (American, 1862-1944), “A Figure in an Autumn Landscape”, 1919; oil/canvas, 10” x 14”, signed and dated. Kitchell's address in 1924 was New York City, but he painted across the entire nation. His style is strikingly similar to R.A. Blakelock's, and the results were very successful. He exhibited at the Society of Independent Artists in the 1920s. 1000-2000
588. L. Clarence Ball (American, 1858-1915), “Hay Piles”, c.1890, watercolor/paper, 8" x 10", signed. Ball worked in northern Indiana, especially around South Bend. He was a member of the Chicago Society of Artists and the Cliff Dwellers. 500-700
589. American School, "Autumn River Landscape", c.1910; oil/canvas, 18" x 15", initialed M.C. 250-350
590. Spitzler (Dutch School, 20th century), "Skaters in a Winter Landscape", c. 1940; oil/canvas, 27" x 40", unsigned, identified on label verso. 800-1200
591. John Olson Hammerstad (American, 1842-1925), “ Lake Scene”, c. 1880; oil/canvas, 14" x 20", signed. Expatriate Norwegian painter. Hammerstad studied in Oslo at J.F. Eckersberg's Academy of Painting. He emigrated to the U.S. in 1869 and settled in Chicago. 500-700
592. Tom Milton Wilder (American, b.1876), “Spring Landscape”, c.1930; oil/canvas board, 10” x 11”, signed. 300-500
593. Laura Hoernig (American, 20th century), “Foot Bridge”, c.1940; oil/canvas , 14” x 18”, unsigned. Hoernig was a Kansas City painter, but also worked in Taos, New Mexico. Provenance: the estate of the artist. 200-300
594. Glen Cooper Henshaw (American, 1885-1946), “Portrait of a Woman in a Blue Dress”, c.1912; pastel, 22” x 17”, signed and dated. 800-1200
595. Lawrence McConaha (American, b.1894), “Summer Landscape with River”, c.1930; oil/board, 20” x 24”, signed. 1000-2000
596. Humphrey Woolrych (American, b. 1868), "Woman in a Spring Landscape", c. 1900; oil/canvas, 34" x 18", signed indistictly. 800-1200
597. Arnold Turtle (American, 20th century), "Autumn Phantasy", c. 1920; oil/board, 10" x 14", signed and dated 1928 on verso. Turtle worked in Chicago and specialized in impressionist views and figure paintings. He studied at the Art Institute of Chicago, and exhibited at the Chicago Gallery Association, Palette and Chisel Club, New Orleans Art League, and the Delgado Museum (New Orleans). 500-1000
598. Hiroshi Yoshida (Japanese, 1876-1950), “Village Street Scene”, c. 1918; watercolor/paper, 10" x 14.5", signed. Yoshida was most famous for his woodblock prints he made after 1920, but these early original works in watercolor are rare and exceptional. 800-1200
599. Gene Miles (American, early 20th century), "Figures by the Lake" c. 1940; oil/canvas, 16" x 20", signed. Cleveland area painter. Miles was a member of the Cleveland Society of Artists. 600-800
600. Yamamoto (Japanese, 19th-20th century), lot of four (suite) watercolors, 6” circumference, signed; very well framed as a set. 2500-3500
Sale Date:
Sept. 11, 2005