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Sale Date:
Sept. 11, 2005
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Lot Numbers and Descriptions
351. Copper plaque, profile of a young woman in high relief, original patina, unsigned, 12.5" x 16", well made 450-650
352. Jarvie vase, hammered copper with its original patina, signed, 4.25"h 550-750
353. L & JG Stickley settle, #738, from the Onondaga Shops, even arm form with four slats under each arm and thirteen slats at back, restored finish, nicely recovered leather cushion with three back pillows, unsigned, 76”w x 30”d x 39”h, very good condition 5000-7000
354. Arts & Crafts mirror, inlaid floral design at top with cut-out floral design at sides, original beveled mirror, refinished, some filled holes, 32”w x 23”h, very good condition 600-800
355. L & JG Stickley hall mirror, #65, arched top with thru-tenon construction, original glass mirror, missing hooks, added holes, refinished, 40”w x 27”h, fair condition 200-300
356. Secessionist-style fabric batik designed by Tanasko Milovich (Yugoslavian/American, b.1900), c.1925; depicting spring maidens, 14.5” x 9”. Milovich studied at the St. Louis School of Fine Art and in Paris with Jean Marechal. He was a member of the St. Louis Artist Guild and the St. Louis Society of Independent Artists. He exhibited extensively during the 1920s-40s, at the Salon d’ Automne, Denver Art Museum, Milwaukee Art Institute, Kansas City Art Institute, and the Spring Salon, Paris. 700-900
357. Valerius de Saedleer print, Arts & Crafts style winter scene, numbered 119/250, 22” x 24”, framed, very good condition 400-600
358. Helen Hyde print, pencil signed, copyright 1901, original frame, 12” x 4.5”, very good condition 300-400
359. G. von Trier print, rural landscape in original oak frame, 23” x 34”, very good condition 200-300
360. Bertha Lum woodblock, untitled, signed, original frame, 13”w x 9”h, very good condition 800-1000
361. Muller von Seil Arts & Crafts print, scenic landscape in original frame, 9” x 12.5”, very good condition 150-200
362. Weller Souevo vase, bulbous form, marked, 7”h, minor chip to rim 150-250
363. Clifton vase, terra-cotta clay with painted black geometric design, marked, #88, 5.5"h, minor chip to rim; with a Weller Ivory vase, unmarked, 13"h, tight hairline 300-400
364. RV Carnelian vase, double handled form in blue and pink, unmarked, 8”h, excellent matt glaze 400-600
365. RV Early Velmoss vase, tapered form in multiple shades of green, unmarked, 6”h 400-600
366. RV Early Velmoss vase, shouldered form in green and brown, unmarked, 8”h 600-800
367. RV Early Velmoss vase, flaring form in green and yellow, unmarked, 8”h 500-700
368. Prang vase, bulbous form covered in a red matt glaze, stamped mark, 8”h; with a Rookwood vase, tapered form in a pink matt glaze, dated 1921, #900D, 7”h 200-300
369. Prang vase, double handled form covered in a brown matt, stamped and impressed marks, 4.5”h; with a Fulper vase, flaring with a red and purple drip, vertical mark, 6”h 200-300
370. Fulper vase, tapered form covered with a pink, purple, green and brown flambé glaze, unmarked, 5.75"h; with a Fulper vase, small form covered with a blue and brown drip glaze, stamped vertical mark, 3.5”h, hairline to rim 200-300
371. Fulper bowl, bulbous form covered with a blue and green flambé glaze, impressed vertical mark, 7.5"w; with Fulper candlesticks, (not shown), pair, unusual form covered in a purple and tan matt glaze, incised vertical mark, 5”w x 3”h 300-400
372. RV Sunflower vase, double handled form, unmarked, 5”h 400-600
373. Fulper bowl, large form covered in a multi-toned blue flambé glaze, unmarked, 13"w; with a Prang vase, nice form covered with a green crystalline glaze, stamped and impressed marks, 7.5”w 250-350
374. Bigelow, Kennard & Co. bowl, two handled form with cut-back designs, 10.5”w; with a Lebolt bowl, hand-hammered and footed form, 7”w; with a Whipple tray, round form with cut-back design to handle, 7”w, all in sterling silver; with a Arts & Crafts compote, faceted and etched glass with sterling rim and handle, 5.25”h, all marked 300-500
375. Rare Dirk Van Erp bowl, flaring form in hammered brass with its original patina, impressed mark, 11”w 700-900
376. Roycroft bookends, hammered copper with tooled floral designs, original patina, impressed mark, 5.25”h 150-250
377. Arts & Crafts vase, hammered copper with three applied handles, unmarked, original patina, 5.75”h; with an Heintz nesting bowls, four pieces, copper with applied silver design to largest bowl, original patina, marked, 4”w 150-250
378. Joel Hewes bowl, handmade broad and footed form in sterling silver, original patina, impressed mark, 11”w 500-700
379. Silver Crest desk set, inkwell, frame, blotter, letter holder, paper holder and pen tray, all in hammered bronze with applied silver designs, original patina, marked, largest piece is 7”l; with a Heintz chamberstick, attribution, copper with applied silver decoration, original patina, unmarked, 5”h 250-350
380. Henri Husson tray, hand hammered sterling silver with monogram, marked, 11.5”l, nicely made 200-300
381. Bradley & Hubbard candlestick, bronze with palm leaf design, original patina, marked, 23.5”h, removable bobeche 500-700
382. Gorham tray, attribution, bronze oval form with nicely sculpted faces at each end, excellent original patina, 9.5"l 250-350
383. George Ohr tokens, two, unglazed clay with messages, 1.25”dia., includes a brass and glass box 200-300
384. RV Aztec vase, four-sided flared form with a blue and white squeezebag design on a gray ground, unmarked, 10.5”h 500-700
385. George Ohr vase, double gourd form in a red matt glaze, signed, 4.25”h, reglazed, a couple of glaze flakes 1000-1500
386. Clement Massier vase, slender form with flaring bottom covered with an iridescent floral design, signed, 10.5”h, minor flakes to rim 600-800
387. George Ohr bowl, covered with a red and blue matt glaze, impressed mark, illegible inscription to side, 4.5”w 1000-1500
388. George Ohr teapot, interesting form with a sculpted serpent at top and hole in base for filling, does not include stopper, covered with a mottled green, brown and black glaze, impressed marks, 8”w, serpent has been added and glazed, glaze flakes and firing line to base 1000-2000
389. Muncie vase, Rombic, shape #312, matt green over rose, unmarked, 5”h 300-500
390. Large Marblehead bowl, footed form covered in a blue matt glaze, impressed mark, 9”w 200-300
391. Rookwood vase, tapered form in a matt glaze with several storks in a landscape, executed by E.T. Hurley in 1922, #925C, 10.5”h, drilled hole to base 1000-1500
392. Native American bowl, ca. 1930s, black with a serpent design, paper label reads San Ildefonso, N. Mex, 8”w 500-700
393. Rookwood vase, Standard glaze with finely painted leaves and berries, executed by Lenore Asbury in 1899, #496C, 9.5”h, minor lines to rim and side 300-400
394. Rookwood tray, Light Standard glaze with floral design, executed by Harriet Wilcox in 1889, #431, 6.5”w; with a Rookwood vase, double handled form in a green matt, 1931, #63, 4.25”h 250-350
395. Rookwood jug, early form and glaze with painted scene of owls, bat and rabbit in red, unsigned, dated 1882, #61, 4.5”h 500-700
396. WITHDRAWN
397. Arts & Crafts tile top table, four high glaze tiles with incised floral decoration on a wrought iron three leg base, original finish, 9”w x 9”d x 20”h, very good condition 300-500
398. Stickley Brothers library table, #184, rectangular top with two vertical slats at sides over a lower stretcher with thru-tenon construction, notched feet, refinished, 36”w x 24”d x 30”h, good condition 400-600
399. Arts & Crafts tile top table, wrought iron base with gold paint, top revealing two colorful fish and ocean plants, 8.5"sq. x 19.5"h 200-300
400. Handel floor lamp, brown shade with an etched design supported by a bell-shaped bronzed metal base, signed Handel Brown #6068 1/2, 54”h 1200-1700
Sale Date:
Sept. 11, 2005