On-Line Condition Reports
Session 2 & 3
Sale Date:
September 12, 2004
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Lot Numbers and Descriptions
Estimate
601. WITHDRAWN
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602. WITHDRAWN
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603. WITHDRAWN
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604. L.C. Tiffany glass, flaring form in clear favrile glass with a purple and white stripe design, signed L.C. Tiffany Favrile, 8.5"h
600-800
605. L.C. Tiffany vase, flower form in gold favrile glass with overall surface iridescence, signed L.C.T. #Y1825, 10"h
1500-2500
606. L.C. Tiffany glass, flaring form with twisted stem in clear favrile glass with a yellow and white stripe design, signed L.C.T. Favrile, original foil label, 7"h
600-800
607. Exceptional L.C. Tiffany glasses, set of eight, gold favrile glass with iridescent highlights, beautiful set of glasses, all 8.5"h
5000-7000
608. Steuben shades, set of four, ribbed and flaring form in gold aurene glass with overall surface iridescence, 5”h, small chip to fitter rim of one
400-600
609. Nice Tiffany Studios tray, round form in bronze, original gold dore patina and red enameled design at edge, impressed Tiffany Studios New York #1612A, 10"dia.
250-350
610. Tiffany Studios tray, bronze with geometric design at edge, impressed Tiffany Studios New York #1855, original patina, 7"w
200-300
611. Good Tiffany Studios tray, round form in bronze, original gold dore patina and enameled grape design at edge, impressed Tiffany Studios New York #1675, 7.5"dia.
250-350
612. Nice Tiffany Furnaces trivet, attribution, favrile glass with brilliant iridescent highlights surrounded by a copper footed frame, original patina, 6"sq.
1000-1500
613. Interesting Houbigant box, cardboard with colorful printed Art Nouveau floral design, marked, 3”l, a couple of minor stains
100-150
614. Tiffany Studios leaded glass panel, attribution, multi-colored glass segments with detail at center, 6.5"sq., minor flakes
800-1100
615. Steuben shades, attribution, pair, ribbed form in gold aurene glass with overall surface iridescence, 5”h
200-300
616. Steuben shades, pair, ribbed form in gold aurene glass with overall surface iridescence, 5”h, minute flake to rim of one
200-300
617. Steuben shades, set of three, ribbed form in gold aurene glass, overall iridescence, all with stamped silver mark, all 4.5”h
300-400
618. L.C. Tiffany vase, large jack-in-the-pulpit form in gold favrile glass with veining and overall iridescence, signed L.C.T., paper label and Y5168, 17.5”h, crack to foot
5500-7500
619. L.C. Tiffany watercolor, attribution, study for a stained and leaded glass window, signed Louis C. Tiffany, matted and framed, 5.5” x 11”
500-1000
620. George Omerth ceramic sculpture, male and female figures atop a deeply carved volcanic design, signed, 15”w x 13”d x 31”h
2500-3500
621. Tiffany floor lamp, leaded glass geometric shade supported by gold dore five footed base, original patina, both base and shade are signed, 16”dia. x 23”h, excellent condition
12,000-15,000
622. Exceptional Massier vase, large twisting Art Nouveau form with three finely sculpted female figures at top, all covered with a green to mauve high glaze, paper label, 19”h, a couple of minor chips to base
2500-3500
623. Unusual L.C. Tiffany kerosene lamp, favrile glass, center shaft carrying a pulled green feather design, shade with green and purple iridescence and veining, signed L.C.T. and paper label on base, impressed The Twilight on fitter rim, 13.75”h, complete with the original glass chimney
2000-3000
624. Tiffany Studios lamp, bronze base with Zodiac pattern, original red and green patina, favrile glass shade, with iridescent highlights, shade signed L.C.T., base signed Tiffany Studios New York 664, 17.5”h, minor chips to fitter rim of shade
1500-2500
625. Tiffany Studios candelabras, pair, two holders to each, favrile glass shades with pulled feather design, bronze base with original patina, one base signed Tiffany Studios New York 1233, two shades are numbered, 9”w x 8.5”h
5000-7000
626. Excellent Tiffany Studios desk lamp, bronze base with its original gold doré patina, favrile glass shade with pulled design in gold with overall iridescence, shade signed L.C.T. Favrile, base signed Tiffany Studios New York 416, 12”h, very nice lamp in excellent original condition
8000-11,000
627. Tiffany Studios lamp, three light lily, bronze base with its original gold doré patina, favrile glass shades with nice iridescence, one shade signed, base signed Tiffany Studios New York 306, 16.5”h
5000-7000
628. Cassilly Adams (American, 1843-1921), Winter Trail”, watercolor/paper, 14.25” x 18.25”, signed. Adams was born in Zanesville, Ohio, and studied under Thomas S. Noble at the Cincinnati Art School. He fought in the Civl War and was wounded at Vicksburg. Adams executed his most famous work, Custer’s Last Fight in 1884-1885. This painting was exhibited across the country and gained Adams recognition as a historically important artist of the American West. The painting was formally presented to the Seventh Regiment of the United States Calvary, and hung at Fort Bliss until it was destroyed by a fire in 1946. Adams maintained a studio in St Louis from 1878-1885. Anheuser-Busch Brewing Company reproduced this image as a chromolithograph and released it widely to the public. Native American culture was Adam’s favorite and also most successful subject matter. He painted compelling portrayals of the Cheyenne, Sioux, and Plains tribes. His work is included in the collections of the Amon Carter Museum, Buffalo Bill Historical Society, Woodcock Museum, and the Shelburne Museum.
4000-6000
629. Louis Pastour (French, 1876-1948) “Fishing Boats”, c. 1920; oil/canvas, 13" x 18", signed, unframed.
300-500
630. George Drew (American, b. 1875), “Landscape with a Lake”, c. 1910; oil/canvas laid down on board, 12" x 16", signed. New York City painter. Drew studied with Henry Pember Smith, who had a profound influence on his work.
600-800
631. Kreigh Collins (American, 1908-1974), “Beach at Cannes”, c. 1929; oil/canvas laid down on board, 8" x 13.5", signed; letter from Collins Fine Art (Chicago) on verso. Collins studied at the Cincinnati Academy of Fine Art. He worked as an illustrator, muralist, and fine artist.
1000-1500
632. Sarah E. Bender DeWolfe (American, 1852-1955), “Still Life of Roses”, c. 1900; oil/board, 13" x 28", signed. San Francisco painter, known for still lifes.
1000-2000
633. American School, early 20th century, “Woman in a Kimono”, c. 1930; oil/canvas, 40" x 28", unsigned. Very well done. We feel it is possibly the work of Takuma Kajiwara (Japanese/American, 1876-1960).
600-800
634. Joseph Lane (American, b. 1900), “Water Lilies”, c. 1940; oil/canvas, 34" x 36", signed. Lane was born in Austin, Texas. He studied and exhibited at the Art Institute of Chicago in the 1930s.
1000-2000
635. Felice Giordano (Italian, 1880-1964), “Waters off Capri”, c. 1930; oil/canvas, 30" x 42", signed, good original frame. Painted landscapes and coastal scenes of Italy.
2000-4000
636. Edward J. Finley Timmons (American, 1882-1960), “Figures in an Expansive Landscape”, c. 1930; oil/canvas, 31" x 41", signed. Chicago painter. Timmons studied at the Art Institute of Chicago. He exhibited there, as well as the Pennsylvania Academy of Fine Art and the Carmel (California) Artist Association.
1000-2000
637. Karl C. Brandner (American, 1898-1961), “Floral Still Life”, c. 1930; oil/canvas, 24" x 20", signed, unframed.
1000-2000
638. Joseph Birren (American, 1864-1933), “An Unsympathetic Ear”, c. 1890; oil/canvas laid down on board, 24" x 16", signed; label verso from Mellors Fine Arts, Toronto. California/Chicago painter. During the 1920s, Birren maintained a studio in Laguna Beach, CA and in Chicago. In 1927, he moved to Santa Fe. His works are in the collections of Monterey Peninsula Museum, L.A. County Museum, Pasadena Museum, and Washington University (St. Louis).
3000-5000
639. Chauncey Foster Ryder (American, 1868-1949), “Trees by a Path”, c. 1910; oil/canvas, 18" x 14", signed. Ryder worked in Old Lyme, Connecticut.
1500-2500
640. William Hurd Lawrence (American, 1866-1938), “House at Twilight”, c. 1910; oil/canvas, 24" x 30", signed. Lawrence exhibited at the Pennsylvania Academy of Fine Art, Art Institute of Chicago, and the Corcoran Gallery (all in the 1890s-1910s). He was also a leading illustrator for magazines.
1000-2000
641. Joseph Tomanek (American, b. 1889), “Nude in a Landscape”, c. 1920; oil/board, 18" x 24", signed. Chicago area artist, well known for his nudes. He was a member of the Bohemian Artist Club, Association of Chicago Painters and Sculptors, and the Chicago Gallery Association. He exhibited from the 1910s-40s.
3000-5000
642. Henri Farre (French/American, died 1934), “Floral Still Life with Blue Vase”, c. 1925; oil/canvas, 29" x 39.5", signed and dated, unframed. Farre exhibited at the Paris Salon and the Salon des Artistes Francois, and in the United States. The still life paintings in this auction are the finest works by this artist we have seen.
2500-3500
643. O. Hullenkremer (American born 1888-), “Resting”, c. 1920; oil/canvas, 10" x 14", signed. Hullenkremer was a mural painter in Sante Fe, NM.
3000-5000
644. Carl Von Marr (German/American, 1858-1936), “Bathers”, c. 1900; oil/canvas, 24" x 18", signed, good new carved frame. Von Marr spent most of his career in Munich, painting and teaching at the Bavarian Academy of Arts, returning to Milwaukee periodically to see his family. He was a very successful expatriate painter.
5000-7000
645. Henri Farre (French/American, died 1934), “Flowers on a Glass Top Table”, c. 1926; oil/canvas, 26" x 39", signed and dated; original (probably Newcomb-Macklin) frame.
2500-3500
646. Paul Baudry (French, 1828-1886), “Nude”, c. 1870; oil/panel, 7.5" x 14.5", signed.
2000-4000
647. Lee Woodward Zeigler (American, 1868-1952), “Nude by the Water”, c. 1910; oil/canvas, 26" x 19", signed. Zeigler worked as a fine artist and muralist, primarily in Baltimore. Much of his subject matter related to the “Age of Chivalry”.
1000-1500
648. Sydney Jones Yard (American, 1855-1909), “Sunset”, watercolor, 10.5" x 15", Thurber Fine Arts label verso, excellent original Arts and Crafts carved frame, signed.
2500-3500
649. Sydney Jones Yard (American, 1855-1909), “Landscape with Stream”, watercolor, 16" x 20", excellent original Arts and Crafts carved frame, signed. Early California painter. Yard specialized in watercolors and painted the Monterey Peninsula.
3000-5000
650. Jean Schultze (European, late 19th Century), “Winter Stream”, c. 1898; oil/canvas, 36" x 46", signed and dated.
2000-3000
Sale Date:
September 12, 2004