574. Oscar H. Gieberich (American, b.1886), "French Village", c. 1940; oil/canvas, 29" x 36", signed. Gieberich worked in New York and in Boston. He studied with Charles Hawthorne and at the Art Students League. His work is in the collection of the Boston Museum. Gieberich married Richard Miller's widow, and this work comes from the estate of Miller's niece. 1000-1500

572. Gerald A. Frank (American, b. 1889), "Still Life", c. 1925; oil/ board, 22" x 25", signed, fine original frame. Chicago painter. Frank studied with Ufer, Reynolds, and Charles Hawthorne. He was a member of the Chicago Painters and Sculptors and the Chicago Gallery Association. He exhibited at the Pennsylvania Academy of Fine Art, Chicago Gallery Association, and the Art Institute of Chicago 1910s-30s). 600-800

573. J. Young Hunter (American, 1874-1955), "Portrait of a Woman", c.1920; oil/board, 15" x 12", signed. Hunter studied at the Royal Academy and the University of London with John Singer Sargent. He was a member of the Salmagundi Club, and exhibited at the Royal Academy of Art, London, 1900-1913; Paris Salon, 1910-1914. His work is included in the collections of the National Gallery, London; Harvard University; Musee de Luxembourg, Paris; etc. 500-700

575. American School, "Fishing on the Seine near Argenteuil", c.1890; oil/canvas, 23" x 32", bears a signature of Joseph DeCamp, and although it is most likely not his work, it probably is the work of an expatriate painter working at the same time. Argenteuil was a small town not far from Paris where the French Impressionists worked, as did many American painters visiting France. This is a very high quality early impressionist work. 2500-4500

576. Charles P. Appel (American b.1857), "Landscape at Sunset", c. 1900; oil/canvas laid down on board, 18" x 40", signed, original ornate frame. Appel studied with Chase and Mora and was a member of the Salmagundi Club. He exhibited at the Society of Independent Artists. 2500-4500