644. Glen Cooper Henshaw (American, 1885-1946), "New York", c.1916; pastel/paper, 8.5" x 11", signed and dated. Born in Windfall Indiana, Henshaw studied at the Ecole des Beaux-Arts Academy in Paris. He exhibited at the Art Institute of Chicago, the Addison Gallery of American Art, and the Herron Art Institute. 1000-1500

645. Svend Svendsen (Norwegian/American, b. 1864), "Winter Stream", c. 1900; oil/ canvas, 38" x 30", signed, excellent period frame. Studied at the Ed. Ertz at Academie Delecluse, Paris, 1890s. He exhibited at the Art Institute of Chicago (1895-1920), Nashville Expo (1897), Pennsylvania Academy of Fine Art (1898-1900), and the Milch Galleries , NY (1920s). This is the finest landscape we have seen by this artist, and an excellent example of the tonalist aesthetic.
3000-5000

646. Paul Turner Sargent (American, b. 1880), "Illinois Landscape" c. 1936; oil /board, 14" x 17", signed and dated, original frame. Illinois landscape painter. Sargent painted in Charleston, IL, and specialized in colorful, impressionist landscapes. He also worked in Indiana, and exhibited at the Hoosier Salon and the Brown County Art Association. Sargent painted in Los Angeles for a time in the 1920s. 1000-2000

647. Glenn Cooper Henshaw (American, 1885-1946), "Michigan Avenue, Chicago", c. 1930; pastel/paper, 28" x 22", signed. Born in Windfall Indiana, Henshaw studied at the Ecole des Beaux-Arts Academy in Paris. He exhibited at the Art Institute of Chicago, the Addison Gallery of American Art, and the Herron Art Institute.
1500-2500

648. Arnold Turtle (American, 20th century), "Afternoon, Gloucester", c. 1930; oil/canvas, 28" x 32", signed, original frame. Turtle worked in Chicago, and specialized in impressionist views and figure paintings. This is the finest example we have seen by this artist. 2000-3000