Sale Date:
Sept. 10, 2006
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Lot Numbers, Descriptions and Estimates
901. Pierre Guariche chairs, four, by Steiner, France, c. 1950, molded plywood seat with black chenille fabric covering over steel legs, metal tag “Siege Steiner”, reupholstered, 20”w x 18”d x 31”h, very good condition 700-900
902. Henry Glass lounge chair, c. 1942, plywood base with four curved sections supports a brown and white cowhide sling seat, 30”w x 30”d x 32”h, very good condition 2000-3000
903. Lightolier table lamp, 1950s, curved enameled metal base and black enameled shade connected by a brass arm with wood trim, plastic diffuser, impressed Lightolier mark, 11”w x 18”d x 18”h, very good condition 400-600
904. McKay Spring chair, attribution, upholstered in Angelo Testa “Campagna” upholstery, cantilevered form in wood and steel, 25”w x 28”d 43”h, very good condition 600-800
905. Henry Glass Swingline cabinet, by Fleetwood Furniture Company, USA, c.1952 lacquered colorful masonite and birch, (shown open and closed), 32” w x 17.5” d x 42.5” h, original finish, very good condition 3000-4000
906. Norman Cherner side chairs, three, by Plycraft, 1950s, walnut, all with labels, some plastic glides missing, wear to finish, chip to front edge of one, original finish, 17”w x 22”d x 31”h, good condition 400-600
907. Pablo Picasso “Sketchbook” fabric, 1959, three pieces, screen print on cotton, marked on selvedge, each piece hemmed, largest piece: 69" x 80", stains, good condition 200-300
908. Norman Cherner armchairs, pair, by Plycraft, 1950s, walnut with birch arms, each with Bernardo label, original finish, 25”w x 24”d x 31”h, very good condition 2000-2500
909. Norman Cherner chairs, set of six, by Plycraft, two armchairs and four side chairs, original gold vinyl upholstery, dated 1964, original finish, paper labels with date, plastic glides intact, armchair: 25”w x 24”d x 31”h, side chair: 17”w x 23”d x 31”h, excellent condition 1500-1800
910. Paul Evans inspired coffee table, rectangular glass top supported by a textured metal base, six legs connected by horizontal stretchers, unmarked, no chips, glass is _” thick, 60”w x 35.5”d x 16.5”h, excellent condition 600-800
911. Marcello Fantoni sculpture, brazed copper form of bottles over a wood base, impressed mark “Fantoni Firenze Italy”, 13”w x 3.75”d x 24.75”h, excellent condition 400-600
912. Marcello Fantoni table lamp, Italy, abstract form of welded steel pieces over a marble base, matching finial, 12”w x 10”d x 30”h, no shade, very good condition 400-600
913. Gino Sarfatti chandelier, by Flos, brass, 18 radiating brass arms, original wiring, 42”, some restoration needed, good condition 400-600
914. Laverne coffee table, fluted edge and legs with block corners, depicts Moses and The Ten Commandments, signed in top “Kelvin & Philip Laverne”, marked with paper label which reads “Biblical table”, 50”w x 36”d x 17”h, excellent condition 2000-3000
915. Philip and Kelvin Laverne “Chan” coffee table, 1960s, pewter, bronze and enamel top with acid-etched and carved Asian motif over four legs, signed in surface of top, 47.25”dia. x 17.75”h, excellent condition 3000-3500
916. James Mont table lamp, attribution, green leatherette over wood with brass stud detail, black painted wood base, silk cord shade, 9.5”w x 7”d x 29”h, excellent condition 600-800
917. Curtis Jeré hanging fixture, attribution, large tiered form in brass with brazed construction, 45”dia. x 57”h, very good condition 1500-2000
918. Danny Ho Fong chairs, set of six, by Tropi-Cal, USA, woven rattan forms with upholstered seat and back cushions, several marked with metal plaque to back, original finish, 23”w x 23”d x 27”h, very good condition 1500-1800
919. T.H. Robsjohn-Gibbings nesting tables, three, by Widdicomb, mahogany, square tops with flared edges over tapered legs, “Widdicomb Modern Original” label, refinished, 20”w x 20”d x 26”h, very good condition 600-800
920. Edward Wormley chaise lounge, by Dunbar, L-shaped backrest, tufted seat cushion and down-filled loose cushion over a dark mahogany frame with brass caps to feet, reupholstered in blue fabric, unmarked, 54”w x 28”d x 27.5”h, seat height 16.5”h, very good condition 1200-1500
921. Marshall Field & Co. artist’s rendering of an interior featuring Dunbar and other period furnishings, watercolor on board, marked in pencil “Living Room Mrs. F.W. Fitzgerald N. Dearborn Parkway Marshall Field & Co.”, 30”w x 31.75”h, water stain to edge, some wear, good condition 100-200
922. Harvey Probber console, attribution, bleached rosewood top with tapered sides over reverse tapered legs and lower curved stretcher in dark mahogany, some wear to top, original finish, unsigned, 44”w x 17”d x 26”h, very good condition 1500-1800
923. Edward Wormley occasional table by Dunbar, (two views shown), walnut, top folds and swivels to double surface and to conceal a storage compartment, brass feet, marked with brass D and paper label, original finish, closed: 27”w x 18”d x 18”h, open: 36”w x 27”d, very good condition 700-900
924. Edward Wormley coffee table, by Dunbar, long form in ash with white laminate top and lower shelf, marked with rectangular brass tag, original finish, 86”w x 16”d x 15”h, very good condition 700-900
925. Edward Wormley Shell console, by Dunbar, 1940s, pine, carved form with wave detail to edge of top and large fan-shaped shell to center, original finish, 32”w x 12”d x 29.75”h, very good condition 2000-2500
926. Edward Wormley sofa, by Dunbar, 1960s, armless form with loose back cushions and three down-filled throw cushions, original geometric patterned upholstery, dark mahogany legs, marked with Dunbar fabric in decking, very good condition 1500-1800
927. Edward Wormley desk and chair by Dunbar, 1940s, mahogany and off-white leather, curved form with three swinging drawers per side with original metal and leather pulls, one central drawer, open shelving on opposite side, 58”w x 28”d x 29.5”h, matching chair with leather upholstery, beautifully restored, 20”w x 22”d x 30”h, very good condition 4500-5500
928. Modernist sculpture, artist unknown, cantilevered carved cherry wood form over a block base, beautifully executed, signed illegibly [Jerry K. D…] and dated 1980, 26”w x 26.5”h, very good condition 500-700
929. Russel Secrest cufflinks and tie tacks, set of six pieces, two sets of cufflinks and two tie tacks, all in sterling silver, each with stamped mark “Sterling Secrest”, largest 1.25”w x .5”d, excellent condition 300-400
930. 1950s Modern sculpture, artist uknown, carved fir wood, unsigned, 8” x 5”, very good condition 300-500
931. Russel Secrest pendant, sterling silver with inset stone, stamped mark “Secrest Sterling”, 1”w x 2.5”h, excellent condition 600-800
932. Jens Risom armchairs, by Jens Risom, Inc., 1960s, eight, walnut frames with curved arms and exposed wood trim to backs, unsigned, stains to upholstery, original finish, 23”w x 20.5”d x 32”h, very good condition 1500-2000
933. Usonian Style cabinet, USA, 1950s, designer unknown, from a Wisconsin estate, plywood cabinet over V-shaped legs, drop-front door with shelf for blueprint storage over two doors and four drawers, original finish, 44.25”w x 24”d x 30”h, excellent condition 1500-1800
934. Usonian Style cabinet, USA, 1950s, designer unknown, from a Wisconsin estate, plywood cabinet over V-shaped legs with two doors, original finish, 32.75”w x 24”d x 30”h, excellent condition 1200-1500

935. Rude Osolnik candlesticks, set of four, three shown, turned walnut, marked “OO” on base, 15”h, 12”h and 8.75”h, (one not shown is 6”h and has damage to the finish), original finish, items shown in excellent condition 400-600
936. James Prestini bowl, turned wood with original black finish, stamped “Prestini” 12.5”w x 5.75”h, some crazing and wear to finish, good condition 1000-1500
937. Rude Osolnik bowl, turned walnut, signed on bottom “Osolnik Originals Walnut”, original finish, 11.5”dia. x 3”h, excellent condition 1200-1500
938. Clarence Teed candlesticks, two, USA, solid walnut, one with paper label and one with carved signature, original finish, 6”h and 3.5”h, excellent condition 200-300
939. Jens Risom globe stand, by Jens Risom, Inc., solid walnut frame on casters with suspended globe, original finish, unmarked, authenticated, 20”dia. x 36”h, very good condition 700-900
940. Jens Risom dining table, by Jens Risom, Inc., walnut, large top with slight taper at each end over solid walnut legs with angled stretchers, two 18” leaves, unmarked, 76”w x 42”d x 30” as shown (without leaves), original finish, very good condition 2000-2500
941. Jens Risom sofa, by Knoll, 1950s, slab seat and tufted back with flared armrests nicely reupholstered in black wool, tapered birch legs, original finish, 77”w x 34”d x 32”h, very good condition 1800-2200
942. Art Deco wall sconces, pair, designer unknown, large gilded bronze forms with faceted crystals, unmarked, 15.5”w x 11”d x 38”h, very good condition 1000-1500
943. French Art Deco settee, ca. 1930s, curved wood frame, nicely reupholstered in Donghia fabric, frame refinished, 50”w x 26”d x 30.5”h, very good condition 1500-1800
944. French Art Deco lounge chairs, pair, ca. 1930s, curved wood frames, nicely reupholstered in Donghia fabric, frames refinished, 24”w x 26”d x 30.5”h, very good condition 3000-4000
945. Massimo Vignelli “Fungo” hanging fixture, by Venini, Italy, c.1955, cased glass with vertical canes, 13.75”h, mint condition 900-1200
946. Cenedese planter, Italy, blue glass form in a brass frame with swagged chain decoration, paper label “Cenedese Glass Murano Made in Italy OCA/6”, 6.5”sq. x 6.5”h, mint condition 300-400
947. Massimo Vignelli “Fungo” hanging fixture, by Venini, Italy, c.1955, cased glass with vertical canes, 13.75”h, mint condition 900-1200
948. Antonio Da Ros vase, by Cenedese, footed form in smoked and clear glass, etched “Cenedese”, 4.5”dia. x 11.5”h, mint condition 300-400
949. Barbini bowl, pink and clear glass, acid stamp “Barbini Murano”, 17.75”d x 4.75” h, mint condition 1200-1500
950. Fulvio Bianconi pezzato vase, attribution, Venini, Italy, green, black yellow and clear glass with free-form shape, unmarked, 8.5”h. 600-800
951. Lino Tagliapietra sculpture, Murano, Italy, 1984, large round form with a spiral design in purple and red glass, held by a metal stand, etched date, signed “Tagliapietra/Angelina F31 Murano” and numbered 23/400, 19”dia. X 20.5”h, mint condition 4000-5000
952. Dale Chihuly Coral Basket with Golden Wrap glass sculpture, Portland Press edition, bulbous organic form in pink, yellow and purple glass, etched signature “Chihuly PP98”, 8.5”w x 8”h, mint condition 3500-4000
953. Verner Panton heart chair, by Plus-Ligne, upholstered metal shell with removable seat cushion over a four point chromed steel base, original black nylon glides, reupholstered, 39.5”w x 25”d x 35.5”h, very good condition 1800-2200
954. Ludwig Mies van der Rohe MR occasional table, by Knoll, attribution, tubular and rectangular stainless steel frame with round glass top, 27”dia. x 20.5”h, condition 300-400
955. Piet Hien coffee table, by Fritz Hansen, Denmark, oak veneer top over removable chrome-plated legs, original finish, stamped mark “Piet Hien Fritz Hansen Denmark”, 71”w x 47.5”d x 19”h, very good condition 1000-1500
956. Swiss floor lamp, c.1970s, white enameled metal base supports nine frosted glass shades which screw into place, marked with “Made in Switzerland” label, 19”dia. X 63”h, excellent condition 600-800
957. Fritz Haller cabinet, Switzerland, large two-sided form with bright red enameled metal structure connected by chromed steel fittings, unit consists of two file drawers, two magazine racks, a planter, one drop-down door and one open storage area, can be reconfigured as desired, original finish, 89”w x 15”d x 43”h, excellent condition 1000-1500
958. Verner Panton hanging fixture, ten enameled metal shades in orange and blue mounted to a wooden disk, 36”dia. x 40”h, marked with Louis Poulsen paper labels, very good condition 900-1200
959. Fritz Haller cabinet, Switzerland, two-sided form with bright red enameled metal structure connected by chromed steel fittings, unit consists of three file drawers, a magazine rack, and a drop-down door, can be reconfigured as desired, original finish, 59”w x 15”d x 43”h, excellent condition 600-800
960. Vernor Panton rug, by Mira X, colorful concentric squares on a cream field, signed “V.P” in corner, Mira X paper label on back, 71” x 107”, stains, good condition 1500-1800
961. Fritz Haller coffee table, Switzerland, square chromed steel frame supports a black ebonized wood top, 39.5”w x 39.5”d x 15”h, top refinished, very good condition 300-500
962. Fritz Haller cabinet, Switzerland, two-sided form with white enameled metal structure connected by chromed steel fittings, unit consists of one file drawer, two drop-down doors, and three open storage areas, can be reconfigured as desired, original finish, 60”w x 20.5”d x 43”h, very good condition 700-900
963. Abbott L. Pattison (American, b. 1916), sculpture, c.1950; bronze over a marble base, 13.5”h, signed “A. Pattison Firenze”. A well-known Chicago sculptor, Pattison studied at Yale, and exhibited at the Art Institute from the 1940s-60s; Pennsylvania Academy of Fine Art; Whitney Museum, and the Metropolitan Museum. He taught at the Art Institute of Chicago from 1946-52 and was the sculptor-in-residence at the University of Georgia (1954). 600-800
964. 1960s Modern sculpture, artist unknown, bronze, two intertwined figures, unsigned, includes Lucite platform, sculpture 16”w, platform 10” x 15”. 300-500
965. Mies van der Rohe BRNO chairs, eight, by Knoll, polished steel cantilevered frames with original dark brown leather upholstery to seats, several signed with Knoll International labels, dated 1982, 23”w x 23.5”d x 31”h, excellent condition 3000-3500
966. 1970s Modern light fixture, in the style of Carlo Nasson’s I Numerati Soffiato, probably Italian, opaque white glass shade with chromed steel fitting, unmarked, 20”dia. x 18”h, excellent condition 200-400
967. Marcel Breuer Wassily chairs, pair, maker unknown, black leather sling seats and armrests in tubular chromed steel frames, 30.75”w x 26”d x 28.5”h, very good condition 200-300
968. Phillipe Starck, “Ed Archer” chair, by Driade, Italy, black leather seat, aluminum rear leg, impressed mark, “Aleph by Starck”, 18.5”w x 22”d x 38.75”h, light scratches, very good condition 900-1200
969. Phillipe Starck, “Ed Archer” chairs, pair, by Driade, Italy, black leather seats, aluminum rear leg, impressed mark, “Aleph by Starck”, 18.5”w x 22”d x 38.75”h, very good condition 1800-2200
970. Pace chromed steel and Italian marble side table, round form with wedge-shaped cutout lined with marble, hidden castors, 24.5”d x 24.5”h, excellent condition 600-800
971. Cini Boeri “Lunario” desk/dining table, by Gavina, two-part weighted, chromed steel base with interior weights supports the original elliptical tempered glass top with dimples to edge, Gavina label, small chip to edge, 59”w x 43.25”d x 27.25”h, very good condition 1200-1500
972. Elio Martinelli table lamp, by Martinelli Luce, Italy, model 643, one-piece molded white plastic form, marked on bottom, 18”dia. x 16.5”h, excellent condition 400-600
973. Gianni Colombo “Gea” lamp, by Arredoluce, Monza, Italy, c.1970, molded white plastic form with sliding diffuser to control light emission, impressed mark “Design G. Colombo GEA R2S srl monza mod. dep. Italy Montare la lampina smerigliato o chiara massimo 25 Watt”, original wiring, 5.5”dia. x 5.5”h, very good condition 3000-4000
974. Joe Colombo “Boby” storage cart, by Bieffeplast, Padova, Italy, c.1970, molded white plastic form with swing-out trays on five castors, marked on bottom and with “Joe Colombo” on surface of one shelf, discoloration, 16" x 17" x 21", very good condition 150- 200
975. Gae Aulenti “Pileo-Mezzo Pileo” floor lamp, by Artemide, Italy, molded white plastic form with adjustable diffuser, marked on bottom, 14.5”dia. x 53”h, very good original condition 600-800
976. Sergio Mazza “Bacco” coffee table, by Artemide, Italy, molded white plastic form on casters, glass insert missing, stamped marks, 24.5”w x 24.5”d x 16.5”h, very good condition 400-600
977. 1970s Modern storage unit, Italy, 1970s, white molded plastic unit designed to be configured as desired, 49.5”w x 12”d x 81”h, some discoloration, good condition 600-800
978. Giancarlo Piretti “Plana” coat rack and “Pluvium” umbrella stand, by Castelli, Italy, 1970s, molded brown plastic, weighted bases, coatrack with drop-down arms and lower umbrella holder, 14”dia. x 65”h, umbrella stand with swiveling disks with round cutouts, 12”dia. x 19.5”h, each marked on base, very good condition 400-600
979. Geoffrey Harcourt lounge chairs, pair, by Artifort, removable black leather cushions in a white fiberglass shell over a swiveling enameled metal base, “Artifort” stamp, 28”w x 26”d x 26.5”h, some wear to leather, good condition 700-900
980. Casalino child’s chair, molded white plastic, made in West Germany, dated 1971, 14”w x 14”d x 20.75”h, with a Stacy Dukes “Efebino” stool, by Artemide, Italy, brown plastic, 13.5”w x 13”d x 16”h, very good condition 100-200
981. Mario Bellini “Amanta” table, by C&B Italia, Italy, molded white plastic form, stamped marks and AI paper label, 47”w x 23”d x 14”h, very good condition 200-300
982. Mario Bellini “Amanta” chair, by B&B Italia, 1976, white plastic shell on castors with removable brown tufted cushions, signed with impressed marks, 35”w x 32”d x 28”h, wear to fabric, very good condition 600-800
983. Sergio Mazza “Toga” chair, by Artemide, Italy, molded white plastic form, signed with impressed marks, 30”w x 31”d x 25”h, some discoloration, good condition 400-600
984. 1970s Modern storage units, two, Italy, brown molded plastic units designed to be configured as desired, also includes 4 quarter round sections and one straight section (not shown), small: 17.5”w x 12”d x 32”h, large: 49.5”w x 12”d x 41”h, very good condition 600-800
985. Elio Martinelli Cobra table lamp, by Martinelli Luce, Italy, c.1969, red plastic form with swiveling shade, model 629, marked on base, 16”dia. x 16”h, very good condition 400-600
986. Input 6 Crayonne dish designed by Conran Associates, green plastic with black removable top with three indentations, original box, stamped mark and label, 6”d x 2”h, very good condition 100-150
987. Crayonne lamps, three, made in England, two piece molded yellow plastic forms with metal trim to sides, marked “Crayonne Made in England”, 8”d x 13”h, very good condition 200-300
988. 1960s Modern lamps, pair, molded opaque plastic forms can be used in two positions, unmarked, 9.75”w x 3.75”d x 8.5”h, very good condition 300-400
989. 1950s poster, advertisement for Brazilian Constructs, Mary Vieira at Zurich Art Business Museum, marked Mary Vieira, printed by Lithographie & Cartonnage Zurich, dated 1954, linen backed, 36” x 50” 300-500
990. 1950s poster, advertisement for The Placards, Gérard Miedlinger, Zurich Art Business Museum, marked Gérard Miedlinger, printed by Bollmann, dated 1953, linen backed, 36" x 50" 300-500
991. Enzo Mari molded green plastic vase, by Danese, marked in Interior, 7.75”dia x 11.75”h, very good condition, with a Giotto Stoppino vase, by Heller, two interlocking pieces, molded green plastic, 15”h, marked on bottom, very good condition 200-300
992. Harry Bertoia Diamond chairs, pair, by Knoll, white plastic-coated wire seats over black bases, original orange wool seat pads, each with “H.G. Knoll Products” tag, 34”w x 29”d x 31”h, excellent original condition 300-500
993. Massimo Vignelli dish set, by Heller, molded bright yellow plastic, 2 dinner plates, 2 salad plates, 4 bowls, covered dish and platter, marked “Heller Max 1 Designed by Massimo Vignelli”, very good condition; with a French molded orange plastic pitcher and cup set, pitcher and six cups, 2 original plastic stirrers, marked “France”, 8.5”w x 10.25”h, very good condition; with a Guzzini ice bucket, Italy, molded white plastic with chrome handle, label, 8.5”dia. x 8.5”h, very good condition 200-300
994. Richard Sapper and Marco Zanuso Grillo phone, one white and one orange, Italy, c.1965, molded plastic “flip-phones”, each 7”l, in good condition, with an Ericsson telephone, 1960s, Sweden, molded red plastic, marked “Ericsson Sweden”, 8.25”h, good condition 100-200
995. Elio Martinelli Cobra table lamp, by Martinelli Luce, Italy, c.1969, white plastic form with swiveling shade, model 629, marked on base, 16”dia. x 16”h, tight hairlines, good condition 200-300
996. Mario Bellini Amanta table, by C&B Italia, Italy, distributed by AI, molded orange plastic form with slight lip to edge, signed with impressed marks, 27.5”w x 27.5”d x 14”h, very good condition 200-300
997. Joe Colombo Coupe floor lamp, by Oluce, Italy, adjustable white enameled metal shade on a chrome standard, 58”h, very good original condition 800-1000
998. Interdesign swiveling storage box, removable lid, four trays, made in USA, 5”d x 5”h, some fading, marked on bottom, with a molded white dish, unmarked, 6”d x 3”h, very good condition, with a Makio Hasuike pencil holder, by Gecly, molded orange plastic with removable top, 6”h, with an Interdesign white organizer, 13 round compartments, removable top, 14”dia., some discoloration, very good condition 300-400
999. Peter Ghyczy Garden Egg chair, by Reuter Products, attribution, red fiberglass-reinforced plastic shell, black internal upholstery, shown open and closed, 30”w x 34”d x 18”h, some scratches, very good condition 500-700
1000. Italian Modernist light fixture, possibly by Arredoluce, brass form with three hanging lights with green lacquered fittings, unmarked, 25”h, excellent condition 400-600
Sale Date:
Sept. 10, 2006