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Sale Date:
Sept. 10, 2006
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Lot Numbers, Descriptions and Estimates
801. Dorothy Bartholemy (American, 1914-2005), “Supper Time”, c.1942; oil/canvas, 30 x 24”, initialed, dated; titled verso.

Exhibited: St. Louis Artist Guild, 1946, First Prize

Bartholemy lived in East St. Louis, and studied at the St. Louis School of Fine Art (now Washington University) with Edmund Wuerpel. In 1937, she was awarded the John T. Milliken Prize for her painting, “Slave Market, 1850”. This award included a year of study in Europe. Bartholemy regularly exhibited at the St. Louis Artist Guild, St. Louis Art Museum, and the Society of Independent Artists; as well as the Carnegie Institute (Directions in American Painting) and the Metropolitan Museum of Art (New York). Bartholemy exhibited with other well known American Scene painters, Joe Jones, Joseph Vorst, and Charles Quest. Her work is highly indicative of this unique brand of American painting, revealing the influence of pioneer Midwestern artists in this movement, such as Jones, Benton, Wood, and Curry. 6000-8000
802. Dorothy Bartholemy (American, 1914-2005), “Practice”, c. 1949; oil/canvas, 30” x 24”, initialed, dated; titled verso.

Exhibited: St. Louis Artist Guild, 1949 (label verso). 6000-8000
803. Peter W. Ostuni (American, 1908-1992), “Untitled”, c. 1960; oil/canvas, 16” x 24”. 500-700
804. Louise Woodroofe (American, 20th century), “Circus Collage”, c.1960; 14" x 18", signed. 400-600
805. Myron Kozman (American, 1916-2002), “Abstraction #174”, c. 1940; oil/board, 8" x 15", signed verso. 400-600
806. Edward E. Niemann (American, 20th century), “Still Life on Yellow”, c.1957; gouache/mixed media, 10” x 12”, signed and dated. 300-500
807. Medard Klein (American, 1905-2002), “Arrangement 37”, c. 1942; oil/board, 20” x 26”, signed and dated; titled verso, label from Temple University. 6000-8000
808. Medard Klein (American, 1905-2002), "Lithograph #11", c. 1945; lithograph, 10" x 12", signed, dated, and numbered: 5/12. 300-500
809. Myron Kozman (American, 1916-2002), “Abstraction #198”, c. 1940; oil/board, 8" x 15", signed verso. 400-600
810. Louise Woodroofe (American, 20th century), “Abstract Composition”, c. 1960; paper collage, 7.5" x 10", signed. 400-600
811. A. Smith (American, 20th century), “The Count”, c. 1950; casein/board, 10” x 8”, initialed. 300-500
812. A. Smith (American, 20th century), “The Count”, c. 1950; casein/board, 8” x 10”, initialed. 300-500
813. J. Jay McVicker (American, b. 1911), “Untitled”, c. 1960; welded metal sculpture, 12”h; provenance: artist’s estate. 700-900
814. Angelina Donaldson (American, contemporary), "Hellcat", c. 1984; welded steel, 16"h x 11" x 20", applied initials and date to base, "A.D. 84". 400-600
815. James Rosati (American, 1912-1988), “Untitled”, c.1970; construction, 9” x 12”, identified verso. 300-500
816. American Modernist School, lot of four painted ceramic sculptures, the largest one pictured, 8”h, initialed, artist unknown; three smaller ones are abstract forms. 200-300
817. Ray Speers (American, 20th century), “Strange City”, oil/canvas, 30” x 20”, signed. 300-500
818. Ray Speers (American, 20th century), “Abstract Cross”, oil/canvas, 38.5” x 30”, signed. 300-500
819. Graciela Rodo- Boulanger (Bolivian, b. 1935) “Cat and Bird”, c.1960; colored etching, 7” x 9”, signed; #42/120. 250-350
820. William Henry (American, 20th century), “Image of a King”, c. 1960; gouache/paper, 26.75” x 21.75”, signed. 250-350
821. J. Jay McVicker (American, b. 1911), “Geometric Composition”, c.1970; polymer/board, 31” x 31”, signed and dated. 1000-2000
822. Jim Dine (American, b. 1935), “Wall (The Wolfman)”, c.1967; etching with colors, 31” x 22”, 32/120, signed, dated, and numbered in pencil. 300-500
823. Robert Mangold (American, b. 1937 ), “Series of Three”, c. 1984; this lot consists of a series of three sets of three prints each (nine images total), one set of three pictured; colored lithographs, each print measuring 12” x 27” (one framed object measures 36” x 27”), and only one signed and dated. There were 300 of these series produced. 1000-2000
824. Siegfried Reinhardt (German/American, 1925-1984), “Sketch of a Woman Walking”, c. 1947; ink drawing, 18” x 14”, signed and dated, unframed. 300-500
825. Siegfried Reinhardt (German/American, 1925-1984), Reclining Nude”, c. 1947; ink drawing with watercolor, 11” x 7”, signed, unframed. 300-500
826. Siegfried Reinhardt (German/American, 1925-1984), “Pearl Necklace”, c. 1947; ink drawing with watercolor, trapezoid shape, 11” x 8” (at widest), unsigned, unframed. 300-500
827. Emil Bisttram (American, 1895-1976), “Geometric Composition”, c.1937; mixed media and pastel/paper, 11.25” x 8.25”, signed and dated. 2000-3000
828. Emil Bisttram (American, 1895-1976), “Geometric Composition”, c.1940; mixed media and pastel/paper, 14” x 11”, signed and dated. 2000-3000
829. Emil Bisttram (American, 1895-1976), “Geometric Composition”, c.1944; mixed media and pastel/paper, 14” x 11”, signed and dated. 2000-3000
830. Leo Gluck (American, 20th century), “Young Woman”, c. 1964; watercolor, 21” x 15”, signed and dated. 500-700
831. J. Hanke (American, 20th century), “Doves”, c. 1950; oil/canvas, 18” x 24”, signed. 250-350
832. Gyula Zilzer (Hungarian/American, 1898-1969), “Fisherman”, c.1956; watercolor/paper, 16” x 13”, signed and dated. 300-500
833. Frank Perri (American, 20th century), “Mother and Child”, c. 1940; oil/board, 13” x 9”, signed. 200-300
834. Mario de Ferrante (Italian/American, 1898-1992) and others, lot of three prints, one pictured: “Grecian Dance”, c.1960; serigraph, 16” x 31”, signed (by de Ferrante); with two additional modern prints. 250-350
835. Lee Chubb (American, 20th century), lot of three works by the artist, one pictured: “Abstract Composition”, c. 1965; mixed media/collage/board, 20” x 16”, signed; with two comparable works. 200-300
836. Russian School (20th century), “Nude in an Interior”, c. 1972; oil/canvas, 20” x 16”, signed and dated indistinctly. 300-500
837. Leo Dusso (D'usseau) (American, 1918-1991), lot of two works, one pictured: “The King”, c. 1960; oil/board, 30” x 12”, signed; with a similar work of abstracted female form mask and gloves. Dusso studied with Archipenko and lived in Los Angeles. 500-700
838. Maris (American, 20th century), “Portrait of a Young Black Girl”, c.1940; oil/canvas, 30” x 24”, signed; Maris-Ex-Sackeroff Collection. 800-1000
839. Frank Perri (American, 20th century), “Figures in a Landscape”, c.1950; oil/canvas, 36” x 47”, signed. 300-500
840. Frank Perri (American, 20th century), “Nude”, c. 1940; oil/canvas, 40” x 30”, signed verso. 300-500
841. Frank Perri (American, 20th century), “Young Girl”, c. 1940; oil/board, 24” x 18”, unsigned. 300-500
842. Frank Perri (American, 20th century), “Young Mexican Girl with Flower”, c. 1940; oil/canvas, 34” x 18”. 300-500
843. Frank Perri (American, 20th century), “Young Mexican Boy”, c. 1940; oil/board, 24” x 14.5”, signed. 300-500
844. Stanley Tasker (American, mid 20th century), “Reclining Nude”, c.1963; oil/canvas, 15” x 20”, signed and dated. 300-500
845. Onesimo Colin Delgado (20th century), “Puerto Rico”, c. 1950; 9” x 12”; initialed, artist’s signature on verso indistinct. 200-300
846. J. Jay McVicker (American, b. 1911), “Still Life”, c. 1950; watercolor/paper, 14.5” x 22”, signed. 600-800
847. H. C. Christy (American, 1873-1952), "Navy Girl", c.1906; gouache/paperboard, 29.5" x 20.5", bears signature and date. 600-800
848. Eduoard Buk Ulreich (Austrian/American, b. 1889), lot of two works, “Mural Studies”, c. 1930; watercolor/mixed media, 6.5" x 18" each, one work is initialed. 300-500
849. Esther Silber Reed (American, b.1900), “Jamaica”, c. 1950, crayola resist/paper, 7” x 9”, signed. St. Louis artist. Exhibited at the St. Louis Artist Guild, and worked as a painter and illustrator. 300-500
850. Lee Wallas (American, 20th century), “Vashti”, c. 1960; oil/board, 36” x 24”, signed; titled verso. St. Louis painter. 300-500
851. Gabriel Marc Louis Ferro (French, 20th century), "Solitude Hivernale", c. 1947; oil/canvas, 24" x 29", signed and dated; title verso. 300-500
852. Lee Chubb (American, b. 1904) “Abstract”, c.1960; mixed media/board, lot of two works by the artist, 27" x 19". 250-350
853. Ray Speers (American, 20th century), “Op-Art Nude”, c. 1960; oil/canvas, 30” x 48”, unsigned. 400-600

Provenance: Estate of the artist.
854. Ray Speers (American, 20th century), “Nude on a Beach”, c. 1960; oil/canvas, 36” x 34”, signed. 300-500
855. Ray Speers (American, 20th century), “Op-Art Nude”, c. 1960; oil/canvas, 30” x 48”, signed on verso "Ray Winston" which is the artist's first and middle name. 400-600
856. Wharton Esherick stool, 1962, solid walnut top over three ash legs and stretchers with thru-tenons, carved initials and date, “W.E. 1962”, original finish, 14.5”w x 11.75”d x 19”h, excellent condition 2500-3500
857. George Nakashima cabinet, by Widdicomb, c. 1958, long bowed top over twelve drawers with cutout pulls with brass trim, all in laurel wood veneer on a solid walnut base, branded signature, dividers in six drawers, original finish, burned mark “George Nakashima” and partial Widdicomb label, 89.5”w x 22”d x 32”h, veneer losses, good condition 2000-2500
858. Charles and Ray Eames DCW, by Herman Miller, c.1950s, molded birch plywood with original red aniline dyed finish, unmarked, original finish,19.5”w x 21”d x 29”h, back shock mount needs to be replaced, otherwise very good original condition 400-600
859. George Nelson Meridian wall clock, ceramic, made in Italy by Raymor, green and blue hi-glaze with impressed decoration, white enameled hands, battery operated, paper label, 14.5”dia., very good condition 200-300
860. George Nelson Meridian wall clock, ceramic, made in Italy by Raymor, black matte glaze with green and blue hi-glaze starburst, white enameled hands, red second hand, paper label, cord, 13”dia., very good condition 200-300
861. Charles and Ray Eames RAR (rocking chair), by Herman Miller, 1950s, molded orange fiberglass shell over a black wire base with birch runners, impressed mark and paper label, original finish, 25”w x 27”d x 28”h, excellent condition 1000-1500
862. George Nelson cabinet by Herman Miller, walnut case with sliding glass doors and one wood shelf over walnut wood legs, unmarked, original finish, 34”w x 18.5”d x 30”h, excellent condition 300-400
863. George Nelson desk, by Herman Miller, walnut form with drop side and three drawers with original curved metal pulls on a brushed steel frame, foil label, 40”w x 24”d x 29.75”h, original finish, some fading to top, very good condition 400-600
864. George Nelson cabinet by Herman Miller, walnut case with three drawers and one door and original curved metal pulls, walnut legs, foil label, original finish, 56.6”w x 18.5”d x 30”h, excellent condition 400-600
865. George Nelson table clock, by Howard Miller, round birch wood case with curved glass over a brass-plated ring base, original finish, Howard Miller label, 5.5”w x 4.5”d x 6.5”h, excellent condition 300-400
866. Charles and Ray Eames red LCM, by Herman Miller, c.1954, original red aniline-dyed molded plywood seat and back over a solid chromed solid steel frame, original shock mounts, clear recoat to finish, color is entirely original, 22”w x 26”d x 25.5”h, feet/glides that are pictured, are NOT included, very good condition 1000-1500
867. Charles and Ray Eames LCW, by Herman Miller, 1996, rosewood, molded plywood seat, back and legs, no. 463 from a limited edition of 500, marked with Herman Miller metal tag with edition number, 22”w x 25.5”d x 26.75”h, original finish, excellent condition 900-1200
868. Charles and Ray Eames LCW, by Herman Miller, 1996, rosewood, molded plywood seat, back and legs, no. 458 from a limited edition of 500, marked with Herman Miller metal tag with edition number, 22”w x 25.5”d x 26.75”h, original finish, excellent condition 900-1200
869. Alexander Girard Environmental Enrichment panel, 1972, for Herman Miller, screen-print on linen of a four-leaf clover, printed signature and date, 45”w x 57”h, very good condition 300-400
870. Florence Knoll sofa, by Knoll Associates, c.1954, upholstered slab seat and back supported by a brushed chrome frame with exposed structure, original glides intact, marked with Knoll Associates labels, 73”w x 26”d x 29”h, foam hard, good original condition 700-900
871. George Nelson side chair, by Herman Miller, model 4671, c.1947, aluminum rod frame with original Alexander Girard upholstery, 20”w x 22”d x 32”h, very good condition 200-300
872. Alvar Aalto occasional table, by Artek, c.1940, birch top over bentwood legs, stamped “Alvar Aalto Made in Sweden”, original finish, 24”w x 24”d x 22”h some wear to top, very good original condition 400-600
873. Jacques Adnet mirror, France, 1950s, black leather-covered frame with strap and brass buckles, strap broken, 12”dia., good condition 800-1200
874. Piero Fornasetti umbrella stand, 1990s, black and white screened design over metal, marked with paper label and on front “Fornasetti – Milano 6/96”, 20”w x 29.25”h, very good condition 300-400
875. Alvar Aalto bookcase, attribution, cherry case with two fixed shelves over birch bentwood legs, unmarked, original finish, 16.5”w x 15”d x 52.25”h, very good condition 400-600
876. Abel Sorenson coffee table, by Knoll, 1950s, walnut top over birch legs and supports with birch thru-tenon detail to top, 59.75”w x 23.5”d x 17.5”h, top nicely refinished, original finish to legs, very good condition 900-1200
877. Pastoe cabinets, pair, attribution, birch, each with four drawers in an open frame with banded drawer pulls, masonite to backs, unmarked, original finish, 35.5”w x 20.5”d x 29.5”h, very good condition 800-1000
878. Rare Alvar Aalto lounge chair, by Artek, c. 1940, bentwood birch frame with original leather wrapping to armrests, reupholstered seat and back, original finish, 28”w x 31.5”d x 31”h, very good condition 4500-5500
879. Good Alvar Aalto cabinet, by Artek, c.1940, two-door form in birch over a platform base, interior consists of 5 drawers and one adjustable shelf, stamped mark “Aalto Design Artek Made in Sweden”, key included, original finish, 47.25”w x 18.5”d x 35”h, excellent original condition 2500-3500
880. French Art Deco carpet, c.1930s, wool, geometric design in burgundy, orange and gray, unmarked, 80” x 54”, excellent condition 1000-1500
881. 1950s wall sconces, pair, faceted glass disks around a curved chromed metal support, unmarked, 13.5”w x 6”d x 6.5”h, very good condition 300-400
882. 1950s chandelier, faceted glass disks arranged in a tiered fashion around a chromed metal support, 24”dia. x 25”h, very good condition 500-600
883. Gilbert Rohde Paldao desk, by Herman Miller, c. 1940, mahogany, leatherette fabric wrapped drawer bank and single support under a biomorphic top, two shallow drawers under top, pull out work surface, three drawers with original metal pulls, 52”w x 27.5”d x 29”h, very good condition 1800-2200
884. Gilbert Rohde occasional table, by Herman Miller, square glass top over lower wood shelf, brass caps, fluted legs, unmarked, 20”w x 20”d x 27”h, refinished, good condition 400-600
885. Gilbert Rohde Formal Dining Group china cabinet, by Herman Miller, c.1940, Maidou burl and mahogany, upper portion with glass sides and shelves, lower portion with two doors with round cutouts with horizontal nickel bar, one adjustable wood shelf, Herman Miller paper label, 36”w x 16.5”d x 58”h, nicely refinished, very good condition 2500-3500
886. Gilbert Rohde Formal Dining Group table, by Herman Miller, c. 1940, rectangular top with checkerboard veneer pattern of Maidou burl and mahogany over two curved plinth bases, 4” apron, includes one 24” replaced leaf, 72”w x 40”d x 30”h, refinished, very good condition 1500-2000
887. Gilbert Rohde dining chairs, set of six, by Herman Miller, c.1940, two armchairs and four side chairs with upholstered seats and backs over tapered maple legs, seats reupholstered, original finish to legs, unmarked, armchairs: 24”w x 22”d x 31.5”h, side chairs: 21”w, very good condition 1800-2200
888. Gilbert Rohde Formal Dining Group sideboard, c.1940, Maidou burl and mahogany, four doors with round cutouts with horizontal nickel bar, far left and far right doors conceal one adjustable shelf each, center doors have drawers, some with cork lining and dividers, rosewood platform base, original finish, 72”w x 21”d x 33”h, excellent condition 4000-6000
889. Felix Agostini table lamp, attribution, flattened tube sections of gilded welded bronze, gold-leafed shade, 28”h, excellent condition 1200-1500
890. 1950s Dutch table lamp, coiled bronze base in the manner of a cobra, foil "Regina" label, base: 12"h, with shade: 32"h, excellent condition 300-400
891. Daum table lamp, France, blue, green and clear glass base, incised “Daum, France”, silk shade, base: 12"h (with shade 20"h), excellent condition 500-700
892. Chemold lounge chairs, possibly by Greta Grossman, pair, c.1951, molded fiberglass seats and backs attached to black rod frames via rubber shock mounts, each with Chemold paper label, 22”w x 24”d x 28”h, one back mount no longer attached, good condition 400-600
893. Modernist rug, India, 100% wool, handwoven, round form with blue and green decoration on a cream field, cloth label “Khamania India”, 107”dia., very good condition 500-700
894. Borek Sipek sconces, pair, by Driade, Italy, c.1980, seven light non-electrified sconces in steel and patinated metal, 21”w x 20”h, excellent condition 1500-1800
895. Emilio Bergamin “Computer” china, by Taitu, set of 49 pieces, consists of 8 dinner plates, 8 salad plates, 8 bowls, 8 cups and 10 saucers, 7 bread plates, mint condition 400-600
896. Ettore Sottsass candleholder, by Swid Powell, Italy, silver-plate, signed with stamped marks, 12.75”h, excellent condition 200-300
897. Sergio Bustamante cat sculpture, colorful hand-painted ceramic form with applied decoration of owls, parrots, lizards and faces, signed “Sergio Bustamante 89”, 24”h, excellent condition 700-900
898. Jean Cocteau terracotta charger, glazed center with painted decoration bordered by an unglazed rim, marked on back “Edition originale do Jean Cocteau Atelier Madeline-Jolly 19/25”, 12”dia., mint condition 1800-2400
899. 1960s Modern coffee table, maker unknown, deco-inspired round form with two surfaces, the upper surface swings open to double the area of the top, opaque glass tops with chrome banding to edges, wood platform base with coated fabric covering, on casters, unmarked, very well-made, closed: 36”dia. x 17.25”h, excellent condition 1200-1500
900. Kittinger “Mandarin” chest, three drawers with carved wood pulls that form a geometric decoration, original gray and white lacquer finish, branded label in drawer, wear to top, 39”w x 21”d x 33.5”h, good condition 300-500
Sale Date:
Sept. 10, 2006