.
Sale Date:
Sept. 10, 2006
Click thumbnail for larger image. Use Back button to return.
Lot Numbers, Descriptions and Estimates
701. A. Secola (Italian, 19th-20th century), “The Proposal”, c. 1890; oil/board, 16” x 11.5”, signed; old Findlay Gallery label verso, good barbizon style frame. 2000-4000
702. Edward Charles Williams (British, 1807-1881), “River Landscape”, c. 1877; oil/canvas, 20” x 30”, signed and dated. 2000-3000
703. Jacques Eugene Feyen (French, 1815-1908), “Along the Shore”, c.1870; oil/canvas, 24” x 16”, signed. 1000-2000
704. Alexander H. Wyant (American, 1836-1892), “Woodland Interior”, c.1867; oil/canvas, 16” x 12”, signed, fine frame. 2500-3500
705. Alexis Jean Fournier (American, 1865-1948), “Sunset”; oil/board, 9.5” x 13.5”, signed, framed. 2000-3000
706. Henry Mosler (American, 1841-1920), “Portrait of an Elderly Woman”, ca. 1863; oil/canvas, 9.5” x 7.5”, signed, framed. 1000-1500
707. K. Freitag (German, 20th century), “Holzfallen”, c. 1920; woodblock print, 11.5” x 8”, signed and titled. 200-300
708. Paul Herzel (American, 1876-1956), “Difficult Subject Matter”, c. 1911; oil/canvas laid down, 25” x 35”, signed and dated. 500-700
709. Harry Fanckboner (American, b. 1890), “The Actress”, c. 1930; watercolor, 13” x 10”, signed. 250-350
710. Leslie Cope (American, 1913-2002), “Covered Bridge Newark Ohio” c. 1950; oil/board, 9” x 12”, signed and dated 1969; titled verso. 500-700
711. Svend Svendsen (Norwegian/American, b. 1864), “Winter Scene”, c. 1910; oil/canvas, 20” x 14”, signed. 600-800
712. Harold Harrington Betts (American, 1881-1951), “Olentangy River”, c. 1930; oil/canvas, 20” x 24”, signed. 600-800
713. James M. Dennis (American, 1840-1918), “Landscape”, c. 1910; pastel/paper, 10” x 13”, signed. 250-350
714. Giovanni Castano (American, 1896-1978), "Figures in a Small Boat", c.1940, oil/board, 8.5" x 10.25", signed; Raydon Gallery label verso. 250-350
715. Ethel Tucker (British, 1874-1962), “Bermuda”, c. 1947; watercolor/paper, 8.5” x 11.25”, signed. 400-600
716. Henry Charles Hannig (American, early 20th century), “Gypsies”, c. 1930; oil/canvas, 20” x 16”, signed verso. 600-800
717. Frances Milam (American, 20th century), “Morning Shadows on the Dunes”, c.1950; oil/canvas, 28” x 30”, signed, titled verso. 600-800
718. Andre Gisson (American, 1921-2003), “Summer”, c. 1960; oil/canvas, 9” x 12”, signed. 1500-2500
719. E. Etienne (French, 20th century), “Nude with Hat”, c. 1950; watercolor, 15” x 11”, signed and dated, inscribed, “Paris”. 250-350
720. Nelly Day (French, 20th century), “Paris in Winter”, c. 1960; oil/canvas, 28” x 36”, signed. 400-600
721. Enrico Campagnola (Italian, 20th century), “Head of Woman”, c. 1950; oil/canvas, 13” x 16”, signed. 300-500
722. Haydee (American, 20th century), “Woman Walking”, c. 1960; oil/canvas, 34” x 48”, signed. 400-600
723. Mily Possoz (French, 1888-1967), “At the Beach”, c. 1920; colored etching, 17.25” x 14”, signed, #10/50. 300-500
724. J. Chappell (French, 20th century), "Girl with Basket of Fruit", c.1970; oil/canvas, 30" x 40". 300-500
725. French School, “Ballerina”, c. 1940; oil/canvas, 30" x 24", signed indistinctly. 300-500
726. Karl Priebe (American, 1914-1976), “Girl and Bird”, c. 1954; gouache and mixed media/paper, 11” x 8”, signed and dated. Provenance: the artist’s estate. 1000-2000
727. Gertrude Abercrombie (American, 1909-1977 ), “Doris Lee’s Birthplace”, c. 1945; oil/board, 4” x 5”, signed and dated; Associated American Artists label verso. 3500-5500
728. John Wesley Hardrick (American, 1891-1968), “Portrait of a Young Girl”, c. 1930; oil/board, 34” x 28”, signed, African American painter. 2000-3000
729. Charles Sebree (American, b. 1914) “Still Life”, c. 1940; casein/board, “6.75” x 6.5”, signed, African American painter. 1500-2000
730. Purvis Young (American, b.1943), “Line of Dancing Figures”, c.1980; oil/canvas laid down on board, 15” x 19”, signed on front and verso, African American painter. 800-1200
731. William Carter (American, b. 1909), “Nude”, c. 1950; oil/canvas, 36” x 28”, signed on verso, African American painter, provenance. 3000-5000
732. Fred Gardner (American, 1880-1952), “The Zulu Bob”, oil/canvas, 14” x 10”, signed. 2500-3500
733. Fred Gardner (American, 1880-1952), “Nude”, c. 1940; oil/canvas, 12” x 18”, signed and dated. 2500-3500
734. Fred Gardner (American, 1880-1952), “Still-Life”, oil/board, 18” x 12”, unsigned, provenance. 2000-3000
735. J. Jay McVicker (American, b. 1911), “Horses in a Moonlit Landscape”, c. 1940; watercolor/paper, 27" x 23", signed, unframed. 2000-3000
736. WITHDRAWN
737. Claude Buck (American, 1890-1974), “The Kiss”, c. 1930; oil/canvas, 14” x 20”, signed. This is an important example of American Symbolism. 5000-7000
738. Karl Priebe (American, 1914-1976), “Bird”, c. 1952; colored pencil and mixed media, 9” x 12”, signed and dated; provenance: the estate of the artist. 800-1200
739. Darrell Austin (American, 1907-1994), “Young Beast”, c. 1959; oil/canvas, 6” x 10”, signed and dated. 600-800
740. Karl Priebe (American, 1914-1976), “Rehearsal for a Suicide”, c.1946; watercolor, colored pencil and mixed media/black paper, 16” x 20”, signed and dated; provenance: the estate of the artist. This is an excellent example of Priebe’s early work, as well as an important example of Magic Realism. 2500-3500
741. Romare Bearden (American, 1912-1988), "School", c. 1972; color print, 22" x 29", signed in image and below, numbered (62/150); printed: copyright by Local One, Amalgated Lithographers of America (Lithopinion 26). 2000-3000
742. Werner Drewes (German/American, 1899-1985), “The River “, c.1966; oil/canvas, 22" x 28", signed and dated; titled on stretcher in pencil, as well as name, date, and artist’s device. 3000-5000
743. P. J. Beucota (20th century), “Nude Combing Hair”, c. 1940; oil/canvas, 31” x 23”, signed indistinctly. 800-1200
744. Allen Tucker (American, 1866-1939), “Desert Landscape”, c. 1920; watercolor, 13.75” x 20”, signed; Dixon Gallery and Gardens label verso reading that this was a gift of the Allen Tucker Memorial Foundation. 1500-2500
745. Louis Schanker (American, 1903-1981), “Still Life”, c. 1950; oil/canvas, 18” x 26”, signed. 2000-3000
746. Joseph Meert (American, 1905-1989), “Color Shape #2”, c. 1952; oil/canvas, 26” x 36”, signed, dated, and titled on label verso, unframed. 3500-5500
747. J. Jay Mcvicker (American, b. 1911), “Geometric Abstraction”, c.1950; ink and watercolor, 15" x 22", signed, unframed. 1000-2000
748. Claude Buck (American, 1890-1974 ), “Portrait of a Man in a Suit”, c. 1940; oil/board, 29.5" x 21.5", signed. 2000-3000
749. Joe Jones (American, 1909-1963), “Harbor”, c. 1950; oil/canvas, 30” x 50”, signed. 3000-5000
750. Jacques Hans Gallrein (American, b. 1888), “Full Moon”, c. 1950; oil/board, 20” x 24”, signed; titled on verso. 2000-3000
751. Bernard Gussow (Russian/American, 1881-1957), “El”, c. 1930; pastel/canvas, 24” x 29”, signed. 1500-2000
752. Wayne LaCom (American, b. 1922), “Tree Forms”, c. 1950; oil, 38” x 26”, signed and dated. 1500-2500
753. Albert Pels (American, 1910-1998), “Nudes on a Rooftop”, c. 1950 ; oil/canvas laid down, 12” x 16”, signed verso. 700-900
754. Federico Castellon (American, 1914-1971) , a pair of drawings: “Figures in Taxco”, c. 1950; charcoal with accents of black ink/colored paper, 14” x 10”, signed, “Federico” , and inscribed, “Taxco”; Frank Oehlschlager label verso. 500-700
755. Leo Politi (American, 1908-1996), “Women Carrying Water Vessels”, c. 1936; watercolor/paper, 13.5” x 10”, signed. 2000-3000
756. Jesus Guerrero Galvan (Mexican, 1910-1973), “Figures in a Landscape”, c. 1963; watercolor/paper, 9” x 12”, signed and dated. 2000-3000
757. Hermine Roberts (American, b. 1892) “Taxco”, c. 1940; watercolor, 12” x 8”, signed. 300-500
758. Massimo Campigli (Italian, 1895-1971) , “La collana”, c. 1952; book plate (photographically done), p.4; source unknown, 9” x 13” full sheet, signed and dated with pencil. 200-300
759. N. Cora, Latin American School (20th century), “Abstracted Figures”, c. 1968; oil/canvas, 36” x 32”, signed indistinctly and dated. 300-500
760. American Modernist School, “Woman Surrounded by Buildings”, c.1932; oil/board, 14” x 15”, initialed with the letter “J” and dated. 800-1200
761. Henry Lawrence Faulkner (American, 1924-1981), “Still Life with Flowers and a Butterfly”, c. 1970; acrylic/masonite, 36” x 31”, signed. This is a major example of this artist’s work, and the largest still life we have seen at auction. 8000-10,000
762. Henry Lawrence Faulkner (American, 1924-1981), “The Gospel According to John”, c. 1970; acrylic/masonite, 24” x 15”, unsigned. This subject matter is very desirable in this artist’s work. 8000-10,000
763. Mirriam McKinnie (American, 1906-1987), c. 1947; egg tempera/board, 14” x 20”, signed and dated verso. 400-600
764. Charles Sjoholm (American, 20th century), “Circus Scene”, c.1940; oil/canvas, 21.5” x 25.5”, signed. 300-500
765. American Modernist School, c. 1939, “ WPA Scene”, pastel/board, 18.5” x 23.5”, signed, “Marjorie”, and dated. Excellent American Scene image. 600-800
766. Franklin Barrett (American, early 20th century), “Idealized Landscape”, c. 1940, oil/canvas, 24” x 36”, signed and dated. 400-600
767. Reeves (American, 20th century), “Train Cars”, c. 1959; oil/board, 14.5” x 26.5”, signed and dated. 250-350
768. Harold Cohn (American, 20th century), “Nude Applying Lipstick”, c. 1955; oil/canvas, 41” x 25”, signed; dated verso. 1800-2200
769. Sam Weil (American, 20th century), “Cornuclone - Age of Plenty”, c. 1948; oil/canvas, 18” x 24”, signed and dated. Indiana painter. 300-500
770. Lester Schwartz (American, b. 1912) “Figures Waiting”, c. 1950; opaque watercolor/paper, 17” x 20”, signed. 500-700
771. Joseph Allworthy (American, 1897-1991), “Calalilies”, c. 1940; oil/board, 24” x 20”, signed and titled. 1000-1500
772. WITHDRAWN
773. H.E. Pickett (20th century), “Abstract Woman”, c. 1966; oil/canvas board, 20” x 16”, signed and dated. 500-700
774. Peter Robert Keil (German, 20th century), “Sailboats”, c. 1955; oil/board, 25.75” x 38”, signed and dated, inscribed, “Zell am see mit kitz steinhorn”. 1500-2500
775. Sheila E. Burlingame (American, 1894-1969), “Fishermen”, c. 1950; oil/canvas, 12” x 15”, initialed. 300-500
776. American School, “Portrait of a Woman”, c. 1960; oil/canvas, 24” x 18”, signed indistinctly. 250-350
777. Sophie Strouve (French, b. 1900), “Les Pres”, c. 1950; oil/canvas, 8” x 10”, signed, titled verso. 300-500
778. Brunetta (Italian, 20th century), “Cat”, c. 1951; watercolor, 17” x 13”, signed and dated. 250-350
779. Mario de Ferrante (Italian/American, 1898-1992), “Untitled”, c. 1960; oil/canvas, 16” x 12”, signed. 300-500
780. Siegfried Reinhardt (German/American, 1925-1984), “Portrait of Vincent Price”, c.1969; graphite drawing/paper, 27.5" x 19", signed, titled, dated. 300-500
781. William Corasick (American, 1907-2002), “Nude”, c. 1940; watercolor, 15” x 10”, signed and dated. 500-700
782. Rita Rosenthal Lewis (American, mid-20th century), “Backyard Scene”, c. 1950; oil/canvasboard, 18” x 24”, signed. 300-500
783. Carl Hepp (American, mid-20th century), “Figures on a Beach”, c.1970; oil/canvas, 40” x 30”, signed. 400-600
784. Mitchell Jamieson (American, 1915-1976), “Young Girl in Front of a House”, watercolor/paper, 13” x 20”, signed. 500-700
785. Eleanor Speiss-Ferris (American, contemporary) “ c. 1981; oil/canvas, 60” x 72”, signed and dated. Chicago painter. 2500-3500
786. Genaro (20th century), “Standing Figure”, c. 1960; oil/cardboard, 11.5” x 4.5”, signed. 300-500
787. Mario de Ferrante (Italian/American, 1898-1992), “Laguna Coast”, c. 1965; acrylic/board, 28” x 44”, signed; titled verso. 800-1200
788. Andre Masson (French, 1896-1987), “Les Europhages”, c. 1962; color aquatint, 12.75” x 9.5”, signed and numbered 9/10 in pencil. 800-1200
789. Constant (attributed to Constant Anton Nieuwenhuys, Dutch, b. 1920), “New Babylon”, c. 1969; watercolor with pastel/paper, 24” x 30.5”, signed and dated; label verso. 6000-8000
790. Hilaire Hiler (American/French, 1898-1966), “Scarlet Sultana”, construction/mixed media, 15” x 19”, signed and titled. 3500-5500
791. Robert Moskowitz (American, 1912-2001), “Figurative Composition”, c. 2000; oil/canvas, 60” x 84”, signed. 1000-2000
792. Rodney Winfield (American, b.1925), “Madonna and Child”, c.1970’s; copper and silver with enamel, 13” x 9”, inscribed on verso. 500-700
793. Mark Kostabi (American, b. 1960), “Story Time”, c.1989; oil/canvas, 23” x 35”, signed and dated. 6000-8000
794. J. Jay McVicker (American, b. 1911), “Untitled”, c. 1970; collage, 22” x 30”, signed, unframed. 1500-2500
795. Jonathan Scott (American, 1914-1995), “California Scene”, watercolor, 20” x 26”, signed. 1000-2000
796. Prefete Duffaut (Haitian, b. 1923), “Haitian Scene”, c. 1967; oil/canvas, 16" x 20", signed and dated. 500-700
797. Alexander Ignatiev (Russian/American, 1913-1995), “Foggy Night in San Franscisco”, c. 1965; watercolor, 19” x 23”, signed and dated. 600-800
798. James Leehan Green (American, 1911-2005) , “Figures on Bridge”, c. 1960; watercolor/paper, 22” x 30”, signed. 1000-2000
799. K.L. Palmer (American, 20th century), “(Brick) Kilns”, watercolor, 21.5” x 14”, signed. 600-900
800. Alexander Ignatiev (Russian/American, 1913-1995), “House with Widow’s Walk”, c. 1965; watercolor, 19” x 23”, signed; Claremont Fine Arts label verso. 600-800
Sale Date:
Sept. 10, 2006