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Sale Date:
Sept. 10, 2006
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Lot Numbers, Descriptions and Estimates
601. Irving K. Manior (American, b. 1891), "The Stone Wall", c. 1930; oil/board, 12.5" x 16, signed. 250-350
602. A.D. MacIntire ( American, 1891 - 1979), “Desert near Phoenix”, c. 1940; oil/board, 12” x 16”, signed. 300-500
603. Harry Johnson (American, b. 1876) "The Sentinel Birch", c. 1910; oil/board, 12" x 9", unsigned; stamp verso. 300-500
604. J. Rainford (American, 20th century), “Breakers, Lake Superior”, c. 1940; oil/canvasboard, 20” x 24”, signed, titled. 300-500
605. California School, in the manner of Thaddeus Welch, c. 1920; oil/canvas laid down on board, 10” x 12”, unsigned, unframed. 200-300
606. Richard Field Maynard (American, b. 1875), “Mermaids”, c. 1900; watercolor, 19” x 26”, signed. 700-900
607. Oldrich Otto Farsky (American, early 20th century), “Summer River”, c. 1910; oil/board, 12” x 18”, signed. 300-500
608. J. Barnard Davis (American, 20th century), "Western Landscape", c. 1930; oil/board, 9" x 12", signed. 300-500
609. U. Maxauob (Russian, 20th century ), “Winter Scene”, c. 1959; oil/canvas, 16” x 37”, signed and dated. 300-500
610. Ruth Munro Auger (American, 1886-1967), “Southwest Street”, c.1940; gouache, 10.5” x 9”, signed. 400-600
611. Bertram W. Priestman (British, 1868-1951), “Mountain Landscape”, c. 1910; 7.5” x 10.5”, signed. 250-350
612. John Christen Johansen (American, 1876-1964), “Forest Interior”, c.1903; oil/canvas laid down on board, 34” x 30” , signed. 400-600
613. Royal Hill Milleson (American, 1849-1935), "Coastal Town at Dawn", c.1900; watercolor/paper, 6.5" x 9.5", signed. 300-500
614. Laura Hoernig (American, 20th century), “Lake Scene”, c.1940; oil/canvas, 16” x 20”, unsigned. 250-350
615. Johann Berthelsen (Danish/American, b. 1883-1967), "The Morning Mist", c. 1910; oil/canvas, 16" x 20", signed, original frame. 2000-3000
616. William H. Eppens (American, b. 1885), “Indiana Haystacks”, c. 1920; oil/canvas, 10” x 11”, signed; artist label on verso with title. 1000-1500
617. Ellis Prentice Cole (American,1862-1952), lot of three vintage gelatin prints depicting various Native American subjects, 5.5" x 3.5", unframed. 200-300
618. Ellis Prentice Cole (American,1862-1952), “Campsite”, c. 1910; oil/thin board, 8.5" x 11", initialed verso, unframed. 300-500
619. Ellis Prentice Cole (American,1862-1952), lot of three vintage gelatin prints depicting various Native American subjects, 3.25" x 3.25" each, unframed. 200-300
620. Ellis Prentice Cole (American,1862-1952), “Cedar Breaks, Utah”, c.1920; vintage sepia toned gelatin print, 7.5" x 9.5", unframed. 200-300
621. Ellis Prentice Cole (American,1862-1952), “The Old Settlers”, c.1900; pen and ink drawing, 7.5" x 9.5", monogrammed, unframed. 200-300
622. Ellis Prentice Cole (American,1862-1952), lot of three vintage gelatin prints depicting various nature subjects, 9.5" x 7.5", unframed. 200-300
623. Ellis Prentice Cole (American,1862-1952), “Teepee in an Expansive Western Landscape”, c. 1920; oil/canvas, loose, but attached to a board (could be framed as-is), 6" x 10.5", unsigned, unframed. 200-300
624. Ellis Prentice Cole (American,1862-1952), “Sequoias”, c. 1920; vintage gelatin print, 7.5" x 9.5", unframed. 200-300
625. Ellis Prentice Cole (American,1862-1952), “Utah”, c. 1920; vintage sepia toned gelatin print, titled verso, 7.5" x 9.5", unframed. 200-300
626. Ellis Prentice Cole (American,1862-1952), “Mountain Lake”, c.1920; vintage gelatin print, blue tone, 7.5" x 9.5", unframed. 200-300
627. Ellis Prentice Cole (American,1862-1952), lot of three vintage gelatin prints depicting similar subjects, 7.5" x 9.5", unframed. 200-300
628. Carl Rudolph Krafft (American, 1884-1938), “Cottage Door” c.1920; oil/canvas, 18” x 20”, signed ; artist’s label on verso with title. Fine early work. 8,000-12,000
629. Louis Grell (American, 1887-1960), “Dancer”, c. 1925 ; oil/canvas, 32” x 40”, signed. 2000-3000
630. G. Armando Micheli (American, early 20th century), “Scennaro-Lucca”, c.1933; oil/canvas, 30” x 60”, signed, dated, with an inscription of “T.L. Macrini”; good original frame. 2500-4500
631. Robert Grafton (American, 1876-1936), “Patsy and Mother”, c.1910; oil/canvas, 30.25” x 35.5”, original carved frame. Provenance: Michigan City Public Library Collection (copies of the inventory information for this work will be provided). 5500-7500
632. Joseph P. Birren (American, 1864-1933), “Flaming Eucalyptus”, c.1920; oil/board, 24” x 24”, signed; titled verso. 2000-3000
633. Carl Rudolph Krafft (American, 1884-1938), “After Sundown” c.1920; oil/canvas, 25” x 30”, signed; artist’s label on verso with title. 8,000-12,000
634. Ettore Caser (Italian/American, 1880-1944 ), “Classical Motive”, c. 1920; oil/board, 22” x 29”, signed; titled verso. 2000-3000
635. Lucie Hartrath (American, 1868-1962), “Path through the Autumn Landscape”, c. 1910; oil/canvas laid down on board, original, 22” x 24”, signed, original frame. 20,000-30,000
636. Joseph Tomanek (Czech/American, 1879 - 1974), “Nude by a Stream”, c. 1920; oil/board, 13” x 10”, signed. 2000-3000
637. Henry (Hy) Hintemeister (American, 1897-1972), “Reading by the Fire”, c. 1930; pastel/canvas, 30” x 24”, signed. 4000-6000
638. Charles A. Wilkinson (Engilsh/French, b. 1830) a pair of works, “After Rain” and “A Lock on the Ouse”, c. 1880; watercolors, 6” x 9”, signed, titled. 400-600
639. Petro Pavesi (Italian, 19th-20th century), “Cardinals”, c. 1901; watercolor, 16" x 12", signed and dated. 800-1200
640. De Momi, Continental School, (Italian, early 19th century), “Expansive Harbor Scene”, oil/canvas, 39” x 59”, signed. 2000-3000
641. German School, “River in Moonlight”, c. 1910; colored etching, 24 x 20”, signed in pencil indistinctly, unframed. 200-300
642. Karl Emil Termohlen (Danish/ American, b. 1863), "Path through a Landscape", c. 1920; oil/board, 4.75" x 6.25", signed. 250-350
643. W.F. Lendl (European, 20th century), “Market Scene”, c. 1920; oil/board, 9” x 12”, signed. 250-350
644. A.E. Segall (European, 20th century), “Peasant Woman”, c. 1918; oil/canvas, 19 x 12”, signed and dated. 300-500
645. Vienna Bronze sculpture, attribution, bronzed metal, woman in front of mirror brushing her hair, original patina, unmarked, 6.5”w x 12.5”h 700-900
646. Gaston Veuvenot Leroux (French, 1854-1942), “Rebecca”, c. 1900; bronze, 29”h, signed and titled. 1000-1500
647. French bronze, “Dancing Woman”, 19th century, signed “BACS” and the artist’s indistinct signature, 20”h 800-1100
648. Arts & Crafts period terra cotta sculpture, classic male figure in a sand colored hi-glaze, unsigned, minor base chips, 20”h, very good condition 1000-1500
649. Eugene Blot (French, 19th-20th century), “Seated Woman”, c. 1910; bronze, signed in a triangle, “E. Blot, Paris, Vrai Bronze”, 13”h 700-900
650. Nam Greb (Franz Bergmann) (Austrian, 1838-1894), bronzed metal sculpture of two women and a tray, signed, original gold patina, 12”w x 8”h 900-1200
651. Vienna Bronze sculpture, attribution, painted bronzed metal, camel and rider, original patina, unknown mark, 7”w x 9”h 800-1100
652. Julius Schmidt Felling (German, 1895-1930), bronze boy and duck, original patina, signed, mounted on a marble pedestal, 3”w x 11”h 500-1000
653. Nam Greb (Franz Bergmann) (Austrian, 1838-1894), bronzed metal sculpture of a man standing with a monkey and donkey, signed, original patina, 9”w x 10”h 800-1100
654. John David Brcin, (American, b. 1899) bronze, “Neoclassical Couple”, early 20th century, signed, 24”h 1000-2000
655. Harry C. Smith (American, 1882-1957), “California Landscape”, c.1930; oil/canvas, 20” x 24”, signed. This is a very nice example of this artist’s work. 600-800
656. Marjorie Ransom Cummins (American, 1895-1978), “Desert Landscape”, c. 1950; oil/canvas, 24” x 30”, signed. 500-700
657. James Merriam (American, 1880-1951), “Southern California Landscape”, c. 1930; oil/canvas, 40” x 50”, signed, original carved frame. 2500-4500
658. Ernest Fredericks (American, early 20th century), “Cottage at the End of a Path”, c. 1930; oil/canvas, 24” x 30”, signed. 1000-1500
659. J.W. Paris (American, early 20th century), “Hunter in Snow”, c. 1907; watercolor, 20” x 14”, signed and dated, unframed. 250-350
660. Carl Broemel (American, 1891-1984), “Spring, Rocky River”; watercolor, 13.5” x 20”, signed, matted, frame. 400-600
661. Leonard Howard Reedy (American, 1899-1956), “Rider”, c.1930; watercolor, 10.5” x 8.5”, signed. 500-700
662. M. Barten (American, 19th-20th century), “Basket of Flowers”, c. 1890; oil/canvas, 16” x 24”, signed and dated. 300-500
663. Carl Schmidt (American, 1885-1969), “Storm Moving across the Desert”, oil/canvas, 30” x 36”, signed. This is an excellent example of Schmidt’s work. 2000-3000
664. Harry Spiers (American, b.1869), “Early Autumn”, c.1922; watercolor/paper, 24” x 30”, signed, titled, and dated. 1000-2000
665. T.J. Marks (American, early 20th century), “Misty River Landscape”, c. 1909; watercolor, 21” x 16”, signed indistinctly and dated. 300-500
666. Glen Holagood (American, 20th century), “Western Shootout”, c. 1940; oil/canvasboard, 24” x 30”, signed. 300-500
667. European School, “Path through a Landscape”, c. 1920; oil/canvas, 25” x 32”, signed indistinctly , Newcomb-Macklin frame (original). 300-500
668. Dobratz (American, 20th century), “Evening, Arizona”, c. 1940; oil/canvas, 20” x 24”, signed; titled verso, unframed. 300-500
669. Raphael Senseman (American, 1870-1965), “Stream in an Autumn Landscape”, c. 1920; watercolor, 20” x 30”,signed. 300-500
670. Antonin Sterba (American, 1875-1963), “Sunlight Across the Mountains”, c. 1910; oil/canvas, 16” x 20”, signed. 300-500
671. Frederick Oakes Sylvester (American, 1869-1915), a pair of works, one pictured: “Sailing at Sunset”, c. 1900; watercolors, 3.25” x 5.25”, signed. 500-700
672. E Koci (American, 20th century), “Dog Holding Pheasant”, c. 1930; oil/canvas, 28” x 34”, signed. 300-500
673. Kathryn D. Aurner (American, 1898-1991), “Coastal Scene”, c.1940; oil/canvas, 20” x 24”, signed. 300-500
674. Hans Duerr (Austrian, b. 1913), “Seascape”, c. 1950; oil/canvas, 24" x 36", signed. 300-500
675. Paul Jacoulet (French, 1902-1960), “Reflective”, c. 1930; color woodblock, 11.5” x 14.5”, signed. 400-600
676. Richard Greib (German, 20th century) , “Dorf im Tal”, c. 1920; oil/canvas, 25” x 32”, signed. 1500-2500
677. J.W. Edwards (American, 19th century), “Fisherman”, c. 1886; oil/canvas, 20” x 14”, signed and dated. 400-600
678. Alfred Juergens (American, 1866-1934), “Winter Scene”, c. 1900; watercolor, 26” x 20”, signed. 300-500
679. E.K. Pease (American, 20th century), “Wooded Landscape”, c. 1919; oil/canvas, 16” x 12”, signed; dated verso. 200-300
680. Paul Jacoulet (French, 1902-1960), “Figure in Winter”, c. 1930; color woodblock, 14.5” x 11.5”, signed. 400-600
681. Carl Link (Austrian, 20th century), “Hammersbach”, c. 1922; watercolor, 15.5” x 19.5”, signed, dated, and titled. 250-350
682. Paul Jacoulet (French, 1902-1960), “Puppets”, c. 1930; color woodblock, 14.5” x 11.5”, signed. 400-600
683. Arthur Weil (American, b. 1883), “Marsh”, c. 1900; oil/panel, 5.5" x 8", signed, original frame. 250-350
684. Ernest Sanford-Dye (American, early 20th century), “Path through the Snow”, c. 1910; watercolor, 10.25” x 7.25”, signed. 250-350
685. American School c.1930 "Women by a Fountain", oil/board, 18.5" x 23.5", signed, "Faber". 250-350
686. Louis Icart (French, 1888-1950), “Companions”, c. 1928; color etching, 11.5” x 8”, signed (oval format), unframed. 500-700
687. F.T. Henri (American, 20th century), “Freedom”, c. 1920; colored print, 15” x 21” (in an oval format), signed. 300-500
688. School of Charlemagne Oscar Guet (French, 1801-1871), “Portrait of a Woman”, c. 1850; oil/copper, 19” x 14”, signed verso. 700-900
689. William Eduoard Scott (American, 1884-1964), “Haiti”, c. 1908; oil/board, 12” x 8.5”, signed and dated; provenance: the grandson of the artist. This is an excellent example of Scott’s work. 8000-10,000
690. Alfred Hetherington (American, b. 1868), “Florida Pines”, c. 1930; oil/canvas laid down on board, 20” x 26”, signed; titled verso, nice period frame. 1000-2000
691. William Lees Judson (American, 1842-1928), “California Coastline”, c. 1915; watercolor, 13” x 20”, signed. 1500-2000
692. W. Tyler (American, early 20th century), “Port in New Orleans”, c. 1937; watercolor, 14” x 20”, signed and dated, very well framed. Very desirable subject matter. 1000-2000
693. Si Chen Yuan (Chinese/American, 1911-1974), “Coastal Scene”, c. 1950; oil/canvasboard, 14” x 18”, signed. 3000-5000
694. William Eduoard Scott (American, 1884-1964), “Harbor Scene”,c. 1920; oil/board, 18” x 24”, initialed faintly; provenance: the grandson of the artist. 15,000-20,000
695. John Adams Spelman (American, 1880-1941), “Boats Docked”, c.1920; oil/canvas, 24” x 27”, signed. 2000-3000
696. Mischa Askenazy (American, 1888-1961), “Portrait of a Woman”, c. 1930; oil/canvas, 16” x 12”, signed, nice carved frame. 2500-3500
697. Carl Rudolph Krafft (American, 1884-1938), “Toward’s Home” c.1920; oil/board, 24” x 27”, signed; artist’s label on verso with title. 8,000-12,000
698. Ada Walter Shulz (American, 1870-1928), “Summer”, c. 1906; oil/canvas, 26” x 20”, unsigned, provenance. 45,000-65,000
699. Royal Hill Milleson (American, 1849-1935), “The Overlook”, c.1910; oil/canvas, 18” x 24”, signed; good carved frame. 1500-2000
700. Frank C.Peyraud (American, b. 1858), “Early Autumn Landscape”, c.1910; oil/canvas, 15” x 21”, signed. 800-1200
Sale Date:
Sept. 10, 2006