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Sale Date:
Sept. 10, 2006
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Lot Numbers, Descriptions and Estimates
501. Tiffany Studios frame, bronze with a grapevine pattern in an original gold doré patina, signed Tiffany Studios New York, #946, 8"w x 9.5"h, minor crack to one panel 1000-1500
502. Good Tiffany Studios letter rack, bronze with a Zodiac pattern, excellent original patina, signed Tiffany Studios New York, #1030, 12”l x 8”h 800-1100
503. Tiffany Studios tray, bronze with a pine needle pattern over green and white slag glass, original patina, signed Tiffany Studios New York #1004, 3”w x 10”l 200-300
504. Tiffany Studios blotter ends, two, bronze with a Zodiac pattern, original patina, signed Tiffany Studios New York, #988, 19”l 200-300
505. Tiffany Studios tray, bronze with a Zodiac pattern, original patina, signed Tiffany Studios New York, #1000, 10”l 100-200
506. Tiffany Studios letter opener, bronze with a Zodiac pattern, original patina, signed Tiffany Studios, #1095, 10.5”l 100-200
507. C.H. Brannamle Arnstaple vase, British, three-handled cylindrical form in green with a squeezebag design of a bird, marked, 5”w x 12”h 300-500
508. Moorcroft vase, bulbous form with a blue Florian design, painted signature and stamped mark, 7”w x 5.5”h, hairline and repairs 300-400

509. Amphora vase, four handled organic form covered in a green and brown matt glaze, impressed mark, #3623, 5”w x 8”h, repaired; with a Teplitz vase, large footed form with sculpted leaves covered with a blue matt glaze, wafer mark, #2086, 9”w x 7”h, repaired 450-650
510. Dalpayrat vase, slender flaring form covered in a mottled red, green and blue matt glaze, signed, 4”w x 6.5”h 900-1200
511. Dalpayrat vase, unusual organic form covered with a blue, green, red and brown glaze, signed, 4”w x 4”h 1000-1500
512. Nice P. Tereszczuk vase, bronze with a Dutch woman in relief, original patina, signed, 5”h, good example 500-700
513. Royal Copenhagen vase, footed and handled form covered in a blue and gray crystalline glaze, marked, 7.75"h 250-350
514. Arnie Bang vase, bulbous form covered in a mottled gray, green and brown matt glaze, signed, 3.5”w x 5”h 150-250
515. German vase, swollen form covered with a red and green crackle glaze, marked, 3.5”w x 4.25”h 100-200
516. Lucien Lefèvre poster, ca. 1894, printed in Paris by Chaix, 11" x 14.5", Maîtres issue 23, October 1897, framed 250-350
517. Jules Chéret poster, print, printed in Paris by Chéret, signed, framed, 11"w x 14.5”h 250-350
518. Georges Meunier poster, printed in Paris by Chaix, 11" x 14.5", Maîtres issue 8, July 1896 250-350
519. Attractive Karlsruhe tile, two colorful fish in relief, impressed mark, 8.5”sq. 150-250
520. English Arts & Crafts tiles, set of five, colorful floral design against a green background, marked, 6”sq., some with minor chips to edges 250-350
521. English Arts & Crafts tiles, seven mounted, stylized floral designs in blue, green and brown, 12”sq. 300-400
522. Gaston Noury poster, print, ca. 1892, printed in Paris by Hérold, framed, 11"w x 14.5”h, Maîtres issue 10, Sept. 1896 250-350
523. Louis Icart (French/American, 1888-1950), Joan of Arc, c. 1929; etching, signed, 19.5” x 14.5”. 600-800
524. Jules Chéret poster, print, ca. 1882, printed in Paris by Chaix, framed, 11"w x 14.5”h, Maîtres issue 32, July 1898 250-350
525. Hagenauer sculpture, brass and wooden female figure, original patina to metal, original finish to wood, marked, 3”w x 9”h 900-1200

526. Hagenauer pipe tray, bronze stylized deer, original brass patina, marked, 3.5”w x 3”h, nice design; with a H. Baller sculpture, Austrian, bronzed seal figural, marked with paper label, 3.5”w x 8.5”h 150-250
527. Kenton Hills sculpture, Evening Star, figural holding a star and wearing a cape, covered in an ivory high glaze, designed by David Seyler, marked, 9.5”h 500-700
528. Chinese planters, pair, hi-glaze peacock form 13”w x 7”d x 19”h, signed “China,” some damage, fair condition 300-500
529. Wedgwood Majolica pitcher and plate stand, painted and applied serpent handle, 13”dia x 12”h, signed, very good condition 1500-2000
530. Rookwood bookends, Asian figures covered in a brown and blue crystalline glaze, designed by William McDonald, 1922, #2362, 5.5”w x 8.5”h 350-550
531. Royal Dux vase, Art Nouveau design with a sculpted and applied female figure, wafer mark, 5.5”w x 13”h 300-500
532. Spanish Majolica platter, large form depicting Queen Isabella I of Castile and King Ferdinand II of Aragon, and featuring their joint motto “Tanto monta, monta tanto,” signed, “Product of Spain,” some restoration, 23”dia, very good condition 1500-2000
533. Ernst Wahliss vase, double handled form with sculpted and applied mythological figures, covered in a green luster glaze, marked EW Turn Wien, 5”w x 9.75”h 300-500
534. Beautiful Rörstrand vase, porcelain with carved and raised poppies in purple and green on an ivory ground, marked, signed Astrid Ewerlos, #89211, 4"h 250-350
535. Fine Sevres vase, attribution, bulbous form in green with metal foot and rim with snake and lizards, unmarked, 5"h, exceptional metal applications 700-900
536. Greber vase, miniature bulbous form covered with a multi-toned drip glaze, signed, 3”h 200-300
537. Big decorative Mougin vase, bulbous form covered with an exceptional brown and tan crystalline glaze, signed, 10.5”h 550-750
538. Amphora vase, designed by Paul Daschel, carved trees, signed Etruria, 6.5”w x 3.5”h, hairline to rim 200-300
539. European Art Pottery vase, three handled bulbous form in a brown, tan and blue drip, unmarked, 6.5”w x 9”h 300-400
540. Rörstrand covered vessel, nicely painted stylized floral design, marked, paper label, 5”w x 11.5”h 500-700
541. Rare Dalpayrat handled vessel, unusual form with a geometric handle covered with a mottled red and green glaze, signed, 3.5”w x 9”h 1500-2500
542. P. Beyer Large form with four handles at top with carved leaves, signed, 15.25”h 900-1200
543. Good Wisteria leaded glass lamp, c. 1910, intricate shade in blues, cream and green glass, with open work at top, supported by a bronze base with root detail, original patina, four sockets, exceptional quality, Handel signature added to base and shade, 19”dia x 30”h, excellent condition 9,000-12,000
544. Prairie School doors, pair of doors, four bi-fold panels, leaded floral design in green and gold on a clear field, leading has been reinforced, zinc needs conservation, some cracked segments, each panel: 48" x 84", each glass pane: 16" x 72", very good condition 1500-2000
545. Art Nouveau breakfront, top cabinet has deeply carved fruit at crest over a single beveled glass door, flanked by burled panels, base cabinet consists of original marble top over a single drawer with original brass hardware over a cabinet door with deeply carved design over a burled panel, original finish, 46”w x 20”d x 90”h, very good condition 1500-2000
546. Art Nouveau corner bed unit, in the manner of Majorelle, shelving with carved details surround an upholstered seat and back cushion, original finish, 75”w x 49”d x 76”h, some minor veneer loss, very good condition 3000-5000
547. Unusual Tiffany Studios desk lamp, bronze with a geometric pattern and three inset turtleback pieces in iridescent favrile glass, original patina, signed Tiffany Studios New York #413, 11.5”w x 6.5”h, wonderful tiles with great color 4500-6500
548. Rare L.C. Tiffany vases, six, small forms in gold favrile glass with hooked designs, overall iridescence, all signed L.C.T. Favrile, #1290, 2.5”w x 3”h 2500-3500
549. Rare L.C. Tiffany hanging lamp, opalescent favrile glass shade with a pulled iridescent design over blue, signed L.C.T. #C468, held by a bronze ceiling fixture with its original patina, 18"l, very nice, quite unusual 5000-7000
550. Labino paperweight, colorful flower form inside blue tinted glass, signed, dated 1968, 2.5”w x 2.5”h 300-400
551. Labino bowl, footed form in yellow and orange glass, signed, dated 5-1973, 7”w x 2.5”h 300-400
552. Labino paperweight, colorful flower form inside blue tinted glass, signed, dated 1967, 3”w x 3”h 300-400
553. Labino vase, opalescent glass with sculpted protrusions, signed, dated 7-1971, 6.5”w x 6.5”h 550-750
554. Labino vase, bulbous form with colorful designs within yellow tinted glass, signed, dated 9-1970, 4”w x 6”h 400-600
555. Labino vase, bulbous form in green and brown glass, signed, dated 1966, 3.5”w x 5.5”h 450-650
556. L.C. Tiffany tile, blue favrile glass, brilliant iridescence, unsigned, 3.75”sq. 100-200
557. L.C. Tiffany glass, attribution, nice form in clear glass with pink and white stripes, unsigned, 3.25”w x 6”h 400-600
558. L.C. Tiffany tile, blue favrile glass, brilliant iridescence, unsigned, 3.75”sq. 100-200
559. Labino vase, sculpted opalescent glass, signed, dated 7-1971, 3.5”w x 10”h 800-1100
560. Labino vase, sculpted gold iridescent glass, signed, dated 4-1970, 4.5”w x 7”h 650-850
561. Labino vase, sculpted purple, green and clear glass, signed, dated 5-1984, 3”w x 6.5”h 800-1100
562. Daum handled vessel, enameled design of birch trees in a storm painted on a frosted, purple and green glass ground, signed, 4”w x 11”h 2000-3000
563. Gallé vase, tapered form with a cameo landscape intricately executed in multiple tones of brown against a pink and frosted ground, cameo signature, 3.5”w x 14.5”h 2500-3500
564. Daum vase, cameo and enameled glass with an intricate landscape scene, enameled signature at foot, 4”w x 10.5”h 1500-2500
565. Gallé vase, cameo cut floral design in purple against a frosted ground, cameo signature, 2.5”w x 5.5”h 700-900
566. Muller Fres vase, bulbous form in cameo and enameled glass, design of red poppies on a yellow ground, cameo signature, 5.5”w x 5.5”h 800-1100
567. Gallé vase, cameo cut design of blue flowers and brown leaves on a yellow ground, cameo signature, 3”w x 4.5”h 1000-1500
568. Gallé vase, cameo carved design of leaves and berries in brown against a frosted to green background, cameo signature, 7.5"h 600-800
569. Gallé vase, mold-blown cameo glass with a floral design in multiple shades of red against a yellow ground, cameo signature, 4.5”w x 7.5”h 3500-4500
570. Gallé vase, cameo cut orchid design in red against a frosted ground, cameo signature, 7.5”h 600-800
571. L.C. Tiffany vase, miniature and footed form in gold favrile glass with overall iridescence, signed L.C.T. Favrile, 2”w x 1.5”h 100-200
572. L.C. Tiffany bowls, two, miniature form with a crimped rim in gold favrile glass with overall iridescence, signed L.C.T., largest is 2.75”w 250-350
573. Steuben vase, bulbous form in gold aurene glass, signed Aurene, #2651, 3”w x 2.25”h 300-400
574. WITHDRAWN
575. Rene Lalique covered vessels, pair, clear and blue glass with carved designs, signed, 4.5”h, chip to stopper of one 350-550
576. Unusual L.C. Tiffany handled vessel, gold favrile glass with overall surface iridescence, signed L.C.T. Favrile, etched monogram, 4”h 500-700
577. L.C. Tiffany vase, attribution, brilliant blue glass with a nice iridescence, unsigned, 4.5”h 400-600
578. L.C. Tiffany bowl, low form in blue favrile glass with overall iridescence, signed L.C.T. Favrile, 5”w x 1.5”h 350-450
579. Nice L.C. Tiffany vase, squat form in heavy blue favrile glass, beautiful overall iridescence, signed L.C Tiffany Favrile, #8796J, 3.5”w x 3.5”h 800-1100
580. L.C. Tiffany glass, gold favrile glass with blue and green iridescence, signed L.C.T. Favrile, 2”w x 6”h 400-600
581. Good L.C. Tiffany vase, gold favrile glass, waisted form with elongated neck, excellent all over iridescence, signed L.C. Tiffany Favrile, #2981K, 5.5”h 700-900
582. Steuben glass, gold aurene glass with a red and purple iridescence, signed Aurene, #2361, 2.75”w x 4.75”h 300-500
583. Daum and Majorelle vase, attribution, large flaring form in colorful glass with a wrought iron overlay, original patina to metal, unmarked, 9.5”w x 9”h 1500-2500
584. Chas. Haag tile, bisque with a carved profile of a nude figure, signed, framed, 5” x 14” 200-300
585. Art Deco vase, French, large geometric form covered with a multi-toned blue glaze, marked, 10”w x 8.5”h 250-350
586. Pierrefonds lamp, pottery base covered in a beautiful yellow and blue crystalline glaze, marked under base, base: 6”w, 31”h overall 700-900
587. Fine Camille Fauré for Limoges vase, tapered form with an enameled geometric design in red, white, black and silver, signed in gold, 11”h, exceptional condition 4000-6000
588. Art Deco lamp, bronzed metal with a geometric shade containing frosted slag glass, unmarked, 6”w x 18”h 350-550
589. Exceptional Cowan sculptures, pair, male and female figures covered with colorful glazes, impressed mark, largest is: 6.25”w x 9”h 2500-3500
590. Art Deco vanity, mirrored glass and chrome, good Art Deco design, 20.5"w x 6"d x 17.5"h, very good condition 250-350
591. Moorcroft bowl, Anemone pattern, 2.25”h; with a Moorcroft bowl, Spring Flowers pattern, 2.5”h; with a Moorcroft bowl, Grape and Leaf pattern, 4.5”w; with a Moorcroft bowl, Fresia pattern, 2”h; with a Moorcroft bowl, Anemone pattern, 5”w, all marked 200-300
592. Georges Barbier (French, 1882-1932) “La Luxure”, print, signed, dated 1924, matted, framed, 6” x 4” 500-750
593. Georges Barbier (French, 1882-1932) “Le Retour”, print, signed, dated 1923, matted, framed, 6” x 4” 500-750
595. Rosenthal figurine, porcelain kitten on a gold ball, repair to tail, signed, 2.5"h 100-200
596. Denbac vase, four handles at bottom and organic designs throughout under a green and brown crystalline glaze, signed, 8”h 250-350
597. Royal Dux sculpture, ceramic, two hounds covered in an excellent glaze, marked, 14”w x 8”h 300-400
597. Royal Dux sculpture, ceramic, two hounds covered in an excellent glaze, marked, 14”w x 8”h 300-400

598. Moorcroft vase, bulbous form covered in a yellow luster glaze, impressed mark, 7.5”h; with a Moorcroft vase, bulbous form covered in an orange luster glaze, 7.5”h 150-250
599. Kathryn Cherry (American, 1880-1931), “Harvest”, c. 1920; oil/canvas laid down on board , 16” x 20”, signed; partial label from St Louis Artist Guild verso. 3000-5000
600. Frank V. Dudley (American, 1868-1957), “Sentinels”, c.1920; oil/canvas, 23” x 30”, signed; titled on artist’s label, original frame. A fine early work. 8000-12,000
Sale Date:
Sept. 10, 2006