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Sale Date:
May 7, 2006
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Lot Numbers, Descriptions and Estimates
901. Scandinavian Modern folding table, in the style of Bruno Mathsson, teak, unmarked, closed: 35”w x 9.25”d x 28.5”h, extends to 110”d, refinished, very good condition 600-800
902. Danish Modern teak bench, rectangular top over a slatted shelf with brass supports, tapered legs, original finish, metal Illums Bolighus tag, 78.75”w x 20.5” x 16.75”h, very good original condition 400-600
903. Danish Modern sideboard, 1960s, maker unknown, three locking doors and four drawers with cutout pulls, sculptural turned wood legs, original finish, key missing, unmarked, 78.5”w x 17.75”d x 34”h, very good condition 700-900
904. Stig Lindberg “Reptil” vases, three, by Gustavsberg, Sweden, c.1950s, porcelain forms with textured surfaces and light blue glaze, all fully marked, leaf dish: 12.5”long, vases: 12.25”h and 7.25”h, all mint 800-1000
905. Erik Herlow stainless steel flatware, by Copenhagen Cutlery, Denmark, 26 pieces, black handled, six 4-piece place settings comprised of knife, fork, soup spoon teaspoon, also includes a salad set, marked, includes original box. knife: 8.75”l, very good original condition 700-900
906. Peter Hvidt and Orla Mølgaard-Nielsen loveseat, by France & Sons, Denmark, unusual variation of the standard production, leather-covered wood frame and legs, floating rectangular backrests with ebonized finish supported by steel rods, 52.75”w x 36”d x 31”h, very good original condition 1200-1500
907. Peter Hvidt and Orla Mølgaard-Nielsen sofa, by France & Sons, Denmark, unusual variation of the standard production, leather-covered wood frames and legs, floating rectangular backrest with ebonized finish supported by steel rods, inset travertine marble table surface,112”w x 36”d x 31”h, marble is 31.72” x 33”, very good original condition 1800-2200
908. 1960s Modern secretary, large form of tropical zebrawood with drop-down desk at center with inset leather surface above two doors and flanked by large doors, left door has 5 drawers, right door has three shelves, original finish, 72.75”w x 19”d x 56”h, very good condition 1200-1500
909. Erik Buck barstools, pair, by O.D. Mobler A-S, 1960s, teak frames with solid rosewood footrests, seats upholstered in original brown vinyl, marked with OD label and “Domus Danica” label, original finish, 14.5”w x 16”d x 29”h, excellent condition 600-800
910. Dyrlund desk, Denmark, rosewood, one file drawer at right and two small drawers at left, shallow center drawer with pen storage trays, drawers lock, key missing, marked with Dyrlund label, original finish, 71”w x 35.5”d x 28.75”h, excellent condition 600-800
911. Danish Modern rosewood coffee table with Nils Thorsson for Royal Copenhagen tiles inset to top, original finish, partial paper label, 43.5”w x 22”d x 23.5”h, excellent condition 500-700
912. Hans-Agne Jakobsson floor lamp, by Hans-Agne Jakobsson AB, Sweden, 1960s, louvred shade in white enameled aluminum over a black enameled weighted base, 36”h, excellent condition 400-600
913. Hans Wegner Wishbone chairs, pair, Denmark, ebonized frames with rush seats, original finish, 19"w x 19"d x 28"h, excellent condition 200-400
914. Dux occasional table, possibly by Bruno Mathsson, triangular top with inset brass dots over bentwood legs, marked with Dux label, 28”dia. x 19”h, very good condition 200-300
915. Jens Quistgaard desk, attribution, c.1960s, by Dansk, teak, functional form with hinged gallery to top with two removable trays which folds down to create a flat work surface, four drawers, storage compartments to back (not shown), original finish, 64”w x 29”d x 34”h, work surface is 28.75”h, very good condition 1800-2200
916. Russel Wright Swan nut cup, c.1930, silver-plated lead form with stamped signature [30] on bottom, 3.5”w x 3.5”d x 2.5”h, some wear to finish, good condition 200-250
917. Herman Miller table clock, c.1930, square Bakelite form with asymmetrical brass base with ball feet, iridescent dial with Art Deco numerals, marked on face, features an alarm, 4.75”w x 6”h, very good condition 200-250
918. Russel Wright cheese server, spun aluminum tray with wood insert under an aluminum dome lid with original handle, stamped “Russel Wright” on lid, 16.25”dia., very good condition 200-250
919. Arne Jacobsen Cylinda ice bucket, by Stelton, Denmark, stainless steel form with two handles, marked, 8.5"w x 4"h 500-700
920. Art Deco occasional table, 1930s, tubular chromed steel frame supports a birch top with flared sides, original finish, unmarked, 30.5”w x 18”d x 17”h, very good original condition 500-700
921. Gilbert Rohde Paldao Game table, by Herman Miller, c.1940, burled wood top with inlaid checkerboard and recessed ashtrays/cupholders with removable aluminum cups and metal screens, leatherette-wrapped legs with brass fittings, 32”w x 32”d x 29”h, very good condition 1000-150
922. Paul Frankl coffee table, by Johnson Furniture Co., rectangular cork top over two mahogany slab bases, original finish, 48"w x 24"d x 14"h, stenciled 5016, very good condition 1200-1500
923. Paul Frankl occasional tables, pair, Johnson Furniture Co., rectangular cork tops over a mahogany frame with lower shelf, stenciled “5015”, original finish, light stains to tops, 30”w x 18”d x 21”h, very good original condition 1200-1500
924. Hans Bellman tripod “Popsicle” table, by Knoll Associates, 1950s, round birch-faced plywood top over folding ebonized legs with aluminum knobs, original finish, Knoll label, 23.5”dia. x 20”h, some wear to top, very good condition 600-800
925. Gilbert Waltrous floor lamp, by Heifetz, c.1950, tripod base with adjustable arm with aluminum shade, tripod base contains a magnet that securely holds the chromed steel ball in place in any position, 44”long, excellent condition 1500-1800
926. Gilbert Rohde occasional table, by Troy Sunshade, two-tier form with black lacquered wood tops over a chromed steel frame, unsigned, 16"w x 28"d x 23"h, original finish, very good condition 400-600
927. Gilbert Rohde dining chairs, set of four, by Herman Miller, c.1940, stained birch legs with striped upholstery to seat and back, 20”w x 25”d x 32.5”h, very good condition 200-300
928. Gilbert Rohde dining table, by Herman Miller, c. 1940, rectangular walnut top with checkerboard veneer pattern and 4” apron over two ebonized plinth bases, stenciled “3725”, includes one 24" leaf in fair condition, 72”w x 40”d x 30”h, refinished, good condition 1000-1500
929. Pillin bowl, large broad form in blue with colorful painted birds, signed, 12”w x 4”h, minor chips to rim 500-700
930. Unusual Pillin cordial set, three pieces figural birds, signed, cups 3"h, pitcher 13"h, restoration to top of pitcher 900-1200
931. Schier bowl, Modernist style, low and broad wheel thrown in light blue and gray, 12"dia. 200-300
932. Pillin tray, decorated amorphous shape with figural horses, 6.25" x 5.25", minor flakes; with a Pillin tray, decorated amorphous shape with figural fish, 6.25" x 5", rim restored 600-800
933. Good Pillin vase, round shouldered form with figural women, 7"h 700-900
934. Unusual Pillin covered box, figural woman with lute, 6.5"l x 4.75"w x 3"h 800-1000
935. Large Pillin plaque, decoration of figural women, birds and tree, signed on front, 11"w 1200-1500 qqq2716.18q
936. Pillin vase, large shouldered form covered with an orange and yellow high glaze, signed W+P Pilin, 12"h, minute chip to rim 400-600
937. Rare and large Pillin charger, design of figural dancers, signed on front which is unusual, 12"dia. 2000-3000
938. German Art Pottery vase, flared form in white porcelain with embossed designs of figures in a wheat field, unknown artist signature, 8.75"h 150-250
939. James Lovera sculptures, pair, stylized roosters in black and red, signed, 10”w x 13”h 800-1100
940. Maurice Heaton serving dishes, set of 3, amorphous shaped, fused, powder-etched geometric pattern in red, white and blue, 7.5" x 7", excellent condition 300-500
941. Ruth Duckworth vase, handmade form with a small foot, blue, black and gray design, marked R, 6”w x 6.5”h 2500-3500
942. 1960s Modern mirror, maker unknown, molded plastic geometric form with marble faux finish, original finish, unmarked, 55”w x 38h, very good condition 200-300
943. 1960s Modern dresser, maker unknown, rosewood veneer top and front over wood case with molded plastic three-dimensional plates with marble faux finish to sides, eight drawers, original finish, unmarked, 42”w x 19.5”d x 52”h, very good condition 400-600
944. 1960s Modern nightstands/end tables, pair, maker unknown, rosewood veneer top over wood case with molded plastic three-dimensional plates with marble faux finish, each with two drawers, original finish, unmarked, 36”w x 18”d x 23”h, very good condition 300-500
945. 1960s Modern cabinet, maker unknown, rosewood veneer top over wood case with molded plastic three-dimensional plates with marble faux finish, eight drawers, original finish, unmarked, 79”w x 21”d x 29”h, very good condition 700-900
946. 1980s Postmodernist chaise, possibly by Thayer Coggin, original red and black upholstery, two loose cushions (not shown), round bolster to back pivots and slides up and down, tubular chrome legs, unmarked, 62”w x 31”d x 29”h, seat is 16”h, light wear to fabric, very good condition 900-1200
947. Ettore Sottsass Jr. ceramic vase, from the Hollywood series, later production of a 1958 design, manufactured by Bitossi, black base and white top with black circular lines to interior, signed, 7”h 600-800
948. Ettore Sottsass Jr. ceramic vase, from the Hollywood series, later production of a 1958 design, manufactured by Bitossi, of black base and white top with black circular lines to interior, signed, 9”h 700-900
949. Frederic Weinberg horse table, whimsical painted wrought-iron form on casters with inset glass top, 33"w x 17"d x 41"h, very good condition 600-800
950. James Mont tables, pair, black lacquered wood forms with decorative silver-leafed columns, unmarked, 30”w x 15.5”d x 24”h, refinished, some restoration, good condition 2000-2500
951. 1970s Modern hanging fixture, chromed metal with radiating arms with clear glass bulb covers, unmarked, 32”dia. x 45”h, very good condition 400-600
952. 1970s Modern sconces, pair, one shown, chromed metal disk with radiating arms with clear glass bulb covers, unmarked, 33.5”dia. x 18.5”d, some clear covers missing from sconce not shown, very good condition 500-700
953. 1950s Italian console, white lacquer over wood, three drawers, unmarked, 72”w x 20”d x 32”h, refinished, very good condition 400-600
954. Paul Frankl coffee table, by Brown-Saltman, square form in dark brown lacquered wood with four offset curved legs and inset glass top, 40”w x 40”d x 14.25”h, refinished, very good condition 1000-1500
955. 1980s Postmodernist sofa, possibly by Thayer Coggin, large upholstered form with asymmetrical seat cushion, original black and red upholstery, tubular chrome legs, round bolster to back pivots and slides up and down, unmarked, 91”l x 52”d x 29”h, 38”d at short end, light wear to fabric, very good condition 1200-1500
956. James Prestini turned wood bowl, deep form in mahogany with flared sides, burned mark “prestini”, 7.5”dia. x 4”h, excellent condition 1500-1800
957. Bob Stocksdale salad servers, two, teak, similar example included in the Jane and Arthur Mason Collection, Mint Museum of Craft and Design, Charlotte, 10.5"l, excellent condition 300-500
958. Rude Osolnik Cedar vase, original finish, signed Osolnik Originals, 3"h, nice object 400-600
959. Rude Osolnik bookends pair, 1960s, solid walnut forms with brass foot, bottoms are felt-lined and hand-signed “Osolnik Originals”, authenticated, original finish, 5”w x 6.5”h, excellent condition 600-800
960. 1950s French dog lamps, pair, whimsical black and white enameled metal forms with cutout eayes, unmarked, nicely refinished, each 14”long x 6.5”h, very good condition 400-600
961. 1950s wall sconces, pair, Italy, black plastic plate with brass arms supports leaf-shaped shades in light green and light blue, original heart-shaped pulls, 11”w x 17”h, no wiring, very good condition 350-500
962. Christian Dell draftsman’s lamp, by Kaiser-idell, Germany, grey enameled metal, adjustable height and shade, clamps to work surface, rewired, impressed marks, 18”w x 19”h, very good condition 200-300
963. Christian Dell table lamp, by Kaiser-iDell, Germany, adjustable black enameled metal frame and shade, original finish, impressed mark, rewired, 17”h, very good condition 200-300
964. J. Jay McVicker (American, b. 1911), "Untitled", c. 1966, welded iron sculpture with provenance, 19"w x 16"d x 32"h, unsigned. Oklahoma painter and sculptor. McVicker studied at Oklahoma State University, and eventually taught there. Rust and minor flaking   1000-1500
965. Claude Conover vase, “Bacel”, monumental form with incised designs, signed, 14.5”w x 14.5”h, excellent condition 3500-5500
966. Sigfrido Pineda wall placque, Mexico, steel frame with bronze trim and blue composite surface with inset steel and bronze, marked with paper label and signed “Sigi” in front surface, 12.25”w x 31.25”h, very good original condition 500-700
967. 1970s wall sconce, white and green enameled steel, polished and brushed chrome squares set at different depths, six sockets for bulbs, original finish, unsigned, 20.75”w x 45”d x 23.75”h, very good condition 300-500
968. Otto Heino plate, stoneware, round form with multi-color decoration around edge, marked “Otto”, 11.5”dia., mint condition 200-300
969. Pol Chambost lamp, France, 1936, rounded form covered in a light pink glaze, brass fittings, replaced shade, incised marks “Pol Chambost” and “9/11/36”, rewired, 11”h, mint 500-700

A sculptor and ceramist, Pol Chambost attended l’Ecole des Arts Appliques de Paris. He collaborated with Georges Jouve and Roger Capron.
970. Philippe Starck occasional tables, pair, from the Royalton Hotel, New York, round mahogany tops with cherry-colored stain over dimpled polished steel bases, original finish, 16”dia. X 20”h, some wear, very good condition 1000-1500
971. Steven McIntyre armoire, London, England, c.1984, elongated oval form in polished and brushed steel with two doors over a lower drawer, solid patinated hinges and ring pulls, 31.5”w x 18”d x 78.5”h, excellent original condition 3000-4000
972. Man Ray mirror, “Les Grands Transparents”, by Simon, France, from the Ultramobile Collection, c.1971, screenprint on mirror, 71”h x 36”w, excellent condition 1500-2000
973. Philippe Starck Paramount armchairs, pair, tall and narrow forms with pink velvet upholstery over painted wood legs, unsigned, 15”w x 26”d x 40.5”h, very good condition 1500-1800
974. Richard Lindner (American, 1901-1978) “Pillow and Almost a Circle” lithograph, 1969, pencil signed and numbered 223/250, framed, 28" x 21.5" 500-700
975. Richard Lindner (American, 1901-1978) “Shoot” lithograph, 1971, pencil signed, dated and numbered 84/100, framed, 29” x 41” 800-1000
976. Roger Tallon “Helicoid” spiral staircase, France, 1964, produced by Galerie Jacques Lacloche, central steel column supports ten molded aluminum steps and one wide landing stair with spacers, 84”h, steps: 23”w x 10.75”d, landing: 20.5”d, disassembles for moving, very good condition 9000-12,000
977. T.H. Robsjohn Gibbings dining table, by Widdicomb, rectangular mahogany top with three-inch apron over a maple X-base, one 20” leaf, labeled and dated 1959, 71.75”w x 40”d x 29”h, some wear, good condition 1500-1800
978. Robsjohn Gibbings dining chairs, set of six, by Widdicomb, two armchairs and four side chairs, round maple frames with horizontal slats to backs and green vinyl upholstery, unsigned, original finish, arm: 23”w x 20”d x 34”h, side: 22”w x 20”d x 34”h, light wear to finish, very good condition 1500-2000
979. Robsjohn Gibbings china cabinet and hutch, by Widdicomb, bleached mahogany, lower cabinet with three drawers and one door, adjustable shelf, removable tray to top drawer, hutch with one adjustable shelf and sliding glass doors, marked with cloth label, damage to finish on top of hutch, on casters, hutch: 48.75”w x 14”d x 28.5”h, cabinet: 51.25”w x 20.5”d x 31”h, as shown: 59.5”h, good condition 800-1200
980. George Nakashima sideboard, walnut case with an inset white laminate top and two grasscloth covered sliding doors, one fixed shelf to interior, original finish, 66”w x 22.5”d x 43.25”h, very good condition 7000-9000
981. George Nakashima dining chairs, by Knoll, set of five, 1950s, birch, curved backrest with vertical dowels over a slab seat on tapered legs, some recoating to original finish, 22”w x 20”d x 30.5”h, very good condition 900-1200
982. George Nakashima cabinet, 1955, walnut, free-form top with dovetail construction, two sliding doors conceal five drawers per side in birch, original finish, 72”w x 22”d x 32”h, marked with client's name, excellent condition 15,000-20,000
983. Edward Fields rug, USA, wool, pink, turquoise, black and magenta on a light gray field, marked on edge “Edward Fields”, 102” x 96”, very good condition 300-500
984. Kovacs floor lamp, 1980s, chromed steel form with adjustable arm and shade, unmarked, clear acrylic knob, 44”h, excellent condition 100-200
985. Habitat International planters, set of four, aluminum with original textured black finish, labeled “Architectural Supplements Habitat International”, very good condition 300-500
986. G. Bakker lounge chairs, pair, by Spectrum, the Netherlands, 1970s, white lacquered wood bases support upholstered seats and backs, 31.5”w x 34”d x 26”h, very good condition 1000-1500
987. Milo Baughmann dresser, by Thayer Coggin, low form with high-gloss black lacquer finish, two three-drawer cabinets rest on a platform base with brass trim, marked with paper label, original finish, 64”w x 18”d x 26.5”h, good condition 300-500
988. Kovacs floor lamps, pair, 1980s, chromed steel form with adjustable arm and shade, unmarked, 44”h, excellent condition 200-300
989. Jeff Messerschmidt Pipeline Series scupture, clear acrylic, engraved signature to base “Jeff Messerschmidt 1973” and “7000-LS Series Pipeline Sculpture #7”, 10”w x 10”d x 50”h, very good condition 200-300
990. Jeff Messerschmidt Pipeline Series scupture, clear acrylic, engraved signature to base “Jeff Messerschmidt 1973” and “7000-LS Series Pipeline Sculpture #8”, 10”w x 10”d x 50”h, very good condition 200-300
991. Shelby Williams dining chairs, set of eight, solid aluminum frames with black painted wood seats and backs, 17.5”w x 22”d x 31.5”h, repainted, very good condition 800-1200
992. Cenedese vase, attribution, large and heavy form in clear pink and blue glass with controlled bubbles and colorful applied fish to exterior, unsigned, 16.25”h, minor roughness to base 500-700
993. Milo Baughman Prisma shelving unit, designed by Milo Baughman for Thayer Coggin, ca. 1980s, Pictured in Memphis by Richard Horn, post modern style form in orange, yellow, black, green, light blue and mauve, lacquer finish over wood and particleboard, unsigned, 66”w x 22”d x 77”h, original finish, some wear and fading, very good condition 600-800
994. Anya Sebston Multiplicity lounge chairs, three, by Lammhults, Sweden, c.1998, original silver vinyl fabric over a tubular chrome frame, unmarked, designed to be used separately or linked together, small tables were also designed to fit between the chairs, 20”w x 30”d x 36.5”h, very light wear, very good condition 600-800
995. Walter and Moretti floor lamp, c.1980, molded aluminum with laser-cut vents, front piece swivels, etched mark on base “Walter & Moretti”, original finish, 12.5”w x 12”d x 70”h, excellent condition 800-1000
996. Lee West Stereo Egg chair, by Lee & Co., California, molded fiberglass shell and base with replaced orange wool upholstery, original finish, label, 36”w x 40”d x 50”h, very good condition 1000-1500
997. Pablo Picasso exhibition poster, from Marlborough-Saidenberg, New York, 1971, printed in Switzerland, framed, image size 21” x 37.5, excellent condition 600-800

This poster was created for a show paying homage to Picasso for his 90th birthday. The exhibition opened in October 1971 at two New York galleries. At the Saidenberg Gallery were samples of his work from 1901-24, and at Marlborough Fine Art, works after 1924.
998. Gaetano Pesce UP5 chair and UP6 ottoman, by B&B Italia, made in Italy for the USA, recent production, molded foam with black fabric upholstery, a cord with clip attaches the two pieces, B&B Italia label, chair: 43”w x 41”d x 40”h, ottoman: 21”dia., several small holes to fabric, very good condition 2500-3000
999. Charles and Ray Eames DKR, by Herman Miller, black wire seat over black rod Eiffel tower base, white nylon glides intact, 19”w x 21”d x 33”h, very good condition 100-150
1000. Helmut Batzner chair, by Bofinger, molded red plastic form, stamped mark “Bofinger Produktion”, 19”w x 19”d x 19”h, very good condition 200-300
Sale Date:
May7, 2006