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Sale Date:
May 7, 2006
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Lot Numbers, Descriptions and Estimates
401. Good Arts & Crafts fire screen and andirons, wire mesh screen with overlay tree design with coordinating tree trunk andirons, interesting design in original condition, screen: 43”w x 6”d x 33”h, andirons: 11”w x 28”d x 23’h, very good condition 900-1200
402. Arts & Crafts fire fender, in copper, probably English, applied straps with Trinity knot decoration, original patina, 53”w x 15”d x 4.5”h, very good condition 300-400
403. Frank Lloyd Wright designed armchair, removed from the Howard Anthony House, Benton Harbor, MI, 1949, age unknown, similar chairs were executed for other Usonian commissions, this chair was probably not designed for the Anthony commission, 21.75”w x 18”d x 32.5”h, very good condition 300-500

Provenance: Kelmscott Gallery
404. Louis Sullivan doorknob and escutcheon, from an interior door of the Wainright building in St. Louis, MO, c. 1891, original patina, 4.5”w x 3.5”d x 12.5”h, very good condition 1000-1200

Provenance: Taliesin Fellow: Lynn Anderson
405. Louis Sullivan stove platform, manufactured for the American Stoveboard Co., Chicago/New York, c.1922, tin platform with Prairie School designs and raised ribbon decoration to edge, documented as Sullivan’s final commissioned work, slightly worn original finish, 26”h x 26”w, very good condition 1000-1500
406. Louis Sullivan stair stringer segment, from the Chicago Stock Exchange Building, c. 1893, original finish, in cast iron with copper patina, 28”w x 13”h, very good condition 1800-2200
407. Louis Sullivan stair stringer, from the Chicago Stock Exchange Building, c. 1893, original finish, in cast iron with copper patina, 128”w x 13”h, very good condition 3500-4500
408. Unsonian table, in the style of Frank Lloyd Wright, c. 1960, designed by John H Howe, a Taliesin fellow, mahogany, two triangular tables can be used individually or together to form a square table, unsigned, each: 51”w x 25.5”d x 24”h, square table: 36”w x 36”d 500-700

Provenance: Kelmscott Gallery
409. William B. Mundie (American), “Illinois River Landscape”, c. 1915; oil/canvas, 20” x 25”, signed, he was a Chicago architect best known for his work at Teco 600-800
410. Frank Lloyd Wright shelf, manufactured by Heritage Henredon, designed to sit on top of 2000 series sideboard, shelves hang over sides, Taliesin design to edge and concentric squares at sides, original finish, minor chips, signed with red monogram, 86”w x 10”d x 18”h, very good condition 300-400
411. WITHDRAWN
412. Frank Lloyd Wright lamp, contemporary form in cherry, “Taliesian II for the Hillside House,” brass plate on base reads, “Yamagawa copyright Frank Lloyd Wright Foundation 1984,” 9”w x 9”d x 30”h, very good condition 600-800
413. Arts & Crafts window, leaded stylized floral design in pink glass on a green and pink stem in a clear field, 23”w x 41”h, very good condition 300-500
414. Frank Lloyd Wright sideboard, manufactured by Heritage Henredon, Taliesin design, signed, original finish, 66.5”w x 20.5"d x 35”h, some minor veneer chips and scratches, wear to finish, nicks to edges, good condition 1000-1500
415. Schneider vase, footed and flaring form in mottled pink, red and purple glass, incised signature, 7.75”h 300-500
416. Rene Lalique covered vessels, pair, clear and blue glass with carved designs, signed, 4.5”h, chip to stopper of one 500-700
417. Verlys vase, attribution, by Barolac, large flaring amber form with a sculpted forest design, unsigned, 10”h, very decorative 400-600
418. Good Loetz vase, attribution, ca. pre-1900, double gourd form in dark purple glass with a Phänomen Genre 7624 decoration, 8.5”h, exceptional color 900-1200
419. Camille Fauré for Limoges bowl, enameled bowl with a colorful floral design encased in a bronzed metal stand, signed in gold, original patina to metal, 4”w x 1.5”h, rather unusual 500-700
420. Nice Loetz vase, attribution, bulbous form in opalescent glass with finely crafted applied sterling silver overlay, unmarked, 6”h 350-550
421. Elisabeth vase, attribution, four handled organic form in purple iridescent glass, unsigned, 6.5”h 250-350
422. Unusual Loetz vase, frog figural in clear ribbed glass with yellow and red eyes, marked Czechoslovakia, 5”w x 7”h 500-1000
423. Loetz vase, attribution, large form with indented sides and a Pampas decoration, applied silver overlay, unsigned, 8”h, big and nice 1200-1700
424. Good L.C. Tiffany glasses, set of six, gold favrile glass with overall surface iridescence, all signed L.C.T., 6”h 3000-4000
425. WITHDRAWN
426. L.C. Tiffany bowls, pair, gold favrile glass with overall surface iridescence, signed L.C.T. Favrile #1247, 4”w 300-500
427. Steuben vase, miniature form in gold Aurene glass, marked Aurene, 2.25”h 250-350
428. Trevaise vase, flower form in gold glass with a pulled feather design in green and yellow, 12.5”h 500-1000
429. Rare L.C. Tiffany candlestick lamp, gold favrile base, shade and chimney and a pulled green feather design to shaft, all parts signed, 12”h, this model with the original chimney is unusual 2000-3000
430. Good Tiffany Studios candlestick, bronze with its original gold dore patina, signed Tiffany Studios New York #1210, 10"h 1000-1500
431. Tiffany Studios blotter ends, bronze with its original patina, Zodiac pattern, signed Tiffany Studios New York #988, 19”l 100-200
432. Tiffany Studios letter holder, three slotted form in bronze with a Zodiac pattern, original gold doré patina, signed Tiffany Studios New York #1030, original patina, 12"w x 8.25"h 500-700
433. Tiffany Studios blotter ends, bronze in the Graduate pattern and their original gold doré patina, signed Tiffany Studios New York #1795, 12"l 100-200
434. Tiffany Studios inkwell, bronze with the Graduate pattern with an original gold doré patina, signed Tiffany Studios New York, 3"w x 3"h 400-600
435. Rare Tiffany Studios bookmark, bronze in original patina, Bookmark pattern, signed Tiffany Studios New York, #937, 5.5”l 900-1200
436. Tiffany Studios inkwell, bronze with a Zodiac pattern, original gold doré patina, signed Tiffany Studios New York #1072, original patina, 6.5"w 500-700
437. Fine Tiffany Studios inkwell, octagonal shape in bronze with a Zodiac pattern, good original patina, signed Tiffany Studios New York, #842, 4”w 450-550
438. Tiffany Studios letter rack, bronze with the Graduate pattern with an original gold doré patina, signed Tiffany Studios New York #1803, 9.5"w x 5.5"h 500-700
439. Tiffany Studios box, bronze in an original gold doré patina with a Bookmark pattern, signed Tiffany Studios New York, #1661, 4.5"w x 2.25"h 400-500
440. WITHDRAWN
441. Tiffany Studios rocker blotter, bronze with the Graduate pattern with an original gold doré patina, signed Tiffany Studios New York #1802, 5.75"w 100-200
442. Tiffany Studios tray, bronze with its original gold dore patina, Zodiac pattern, signed Tiffany Studios New York #1000, 10”l 100-200
443. L.C. Tiffany tile, blue favrile glass with brilliant iridescence, unsigned, 3.75”sq. 150-250
444. Tiffany Studios candlestick, organic form in bronze with a original gold doré patina, signed Tiffany Studios New York #1203, removable bobeche, 8”h 900-1200
445. L.C. Tiffany tile, blue favrile glass with brilliant iridescence, unsigned, 3.75”sq. 150-250
446. Excellent Tiffany Studios lamp, counter balanced bronze base in its original patina holding a favrile glass shade with a pulled feather design, base signed Tiffany Studios New York #416, shade signed, 16"h, excellent condition 9000-12,000
447. Unusual Tiffany Studios lamp, incised decoration on base, green glass shade with scalloped edge, chip to fitter rim is not visible, shade marked S5420, base with original patina is stamped Tiffany Studios #D890, 11.5”dia x 14.5”dia, very good condition 10,000-15,000
448. Good Tiffany Studios lamp, counter balanced bronze base in its original dark patina holding a favrile glass shade in yellow with pulled iridescent designs, base signed Tiffany Studios New York #417, shade signed L.C. Tiffany Favrile, 16”h, excellent condition 9000-12,000
449. Tiffany Studios hanging fixture, hammered copper form with mica panel at bottom, replaced ceiling cap, original patina, unsigned, 11"dia x 45"h, very good condition 4500-5500
450. Nice Tiffany Studios inkwell, bronze with a Zodiac pattern, beautiful original dark patina, signed Tiffany Studios New York, #1072, 6.5”w x 4”h 650-850
451. Tiffany Studios paperweight, white and caramel slag glass with a bronze grapevine pattern overlay, original patina, signed Tiffany Studios New York #936, 3.5"w, glass broken in a few spots 150-250
452. Tiffany Studios inkwell, caramel and white slag glass with a bronze overlaid grapevine pattern, original patina, signed Tiffany Studios New York, #846, 3.75”w x 2.25”h, a couple of minor cracks in glass 350-550
453. Tiffany Studios inkwell, bronze in an original patina with a Zodiac pattern, signed Tiffany Studios New York, #842, 4”w 450-550
454. Exceptional Tiffany Studios letter holder, three-slot form in bronze with a Zodiac pattern, superb original dark patina, signed Tiffany Studios New York, #1030, 12”w x 8”h 1000-1500
455. Tiffany Studios inkwell, bronze with its original gold doré patina, Zodiac pattern, signed Tiffany Studios New York #842, 4”w x 4.5”h 400-500
456. Tiffany Studios clip, bronze with a Chinese pattern, original patina, signed Tiffany Studios New York #1762, 2.5"w x 3.5"l 250-350
457. Nice Tiffany Studios clip, bronze with a Zodiac pattern, good original dark patina, signed Tiffany Studios New York, #1080, 2.75”w x 3.75”l 200-300
458. Tiffany Studios clip, white and caramel slag glass with a bronze pine needle pattern overlay, original patina, signed Tiffany Studios New York #971, 2.5"w x 3.75"l, glass broken in a few spots 200-300
459. Nice Tiffany Studios box, bronze with a Zodiac pattern, original gold doré patina, signed Tiffany Studios New York, #810, 3.5"w x 5.5"l x 1"h 450-650
460. Tiffany Studios frame, bronze with a Zodiac pattern, original gold doré patina, signed Tiffany Studios New York, #943, 8"w x 7"h 1000-1500
461. Good Tiffany Studios memo pad holder, bronze with a Zodiac pattern, nice original dark patina, signed Tiffany Studios New York, #1090, 4.75”w x 7.5”l 300-500
462. Good L.C. Tiffany vase, flaring three handled form in gold favrile glass with a finely detailed etched grape design and overall iridescence, signed L.C. Tiffany Favrile #6058G, 8”h, unusual example 1500-2500
463. L.C. Tiffany goblet, gold favrile glass with pink and green iridescence, signed L.C.T. Favrile, original paper label, 7”h 500-700
464. Unusual L.C. Tiffany handled vessel, gold favrile glass with overall surface iridescence, signed L.C.T. Favrile, etched monogram, 4”h 500-700
465. Exceptional Tiffany Studios lamp, nautilus shell shade with an opalescent finish supported by a bronze base with its fine original patina, signed Tiffany Studios New York #25893, 13”h 6000-8000
466. Rare Imperial vase, opalescent glass with a pulled leaf and vine design in pink and green, unsigned, 11”h, nice irridescence, unusual coloration 1500-2000
467. L.C. Tiffany vase, flaring bronze with an enameled design at foot, original gold doré patina, signed Favrile L.C. Tiffany Furnaces, Inc., #165, 6"w x 13.5"h 700-900
468. Unusual Quezal vase, white glass with a pulled leaf and vine design in green and gold, overall iridescence, signed, 8”h, excellent example 2000-3000
469. Bretby Ligna handled vessel, carved and painted form with applied insects, marked, #1517, 16”h 600-800
470. Bretby Clanta Ware vase, large double handled form with applied enameled stones designed by Louis Solon, marked, #1669, 12.25”h 900-1200
471. Bretby Clanta Ware clock, large form, applied enameled stones designed by Louis Solon and a carved stylized poppy design, marked, #1792, 20”h 2000-2500
472. Bretby Clanta Ware vase, flaring double handled form with applied enameled stones designed by Louis Solon, marked, #1588E, 8.5”h 700-900
473. Bretby Clanta Ware vase, handled form with painted scenes of sailboats, two applied enameled stones designed by Louis Solon, marked, #1811, 13.25”h 700-900
474. In the style of Tiffany Studios lamp base, bronze with a tooled and reticulated design, elaborate pigtail cap with a long curling finial, original patina, unmarked, 11.5”w x 33”h 1500-2500
475. Bretby lamp base, large form in brown with applied designs and stones, unmarked, 12”w x 32”h 2000-2500
476. Handel lamp base, bronzed metal with its original patina, marked, 23"h, excellent condition 400-600
477. Lion handled vessel, organic form covered in a brown and blue matt glaze, signed, 8”h 400-600
478. Delachenal vase, footed form in brown clay covered in a green and brown high glaze, impressed mark, 6.5”h 500-700
479. Massier vase, gourd form with a squared top covered with a green matt glaze with a brown drip, marked, 8”h 300-500
480. Lion vase, squat form covered with a multi-toned brown glaze with a white drip, signed, 5”h 400-600
481. Large and exceptional Clement Massier vase, large organic form with a sculpted nude figure at side covered with a spectacular iridescent glaze, signed and impressed Clement Massier Golfe Juan AM, 12”w x 8”h, wonderful example of French Art Nouveau ceramics 4000-6000
482. European Art Pottery vase, small bulbous form with an applied dragonfly, unknown signature, 3.5”h; with two Denbac covered vessels, (not shown) three bowls flanking covered center with snail and duck, all signed, both 6”w x 4”h 250-350
483. Exceptional Dalpayrat vase, four-sided Asian inspired form covered in a mottled red, green and ivory glaze, signed, 12”h, great glaze 5000-7000
484. Rozenberg vase, ca.1900, bulbous form in delicate eggshell porcelain with a stylized floral design, artist initials, #1542, 4”h 4500-5500
485. Unusual Mougin vase, swollen form covered with a good green and brown matt glaze, signed, 10.5”h 500-700
486. Good Mettlach jardiniére, geometric designs in green and red on an ivory ground, marked, 9.5"w x 7.5"h, striking and clean 500-700
487. Fine Mettlach charger, colorful incised and painted design of a woman, swans and Queen Anne's Lace, impressed marks, signed by R Thévenin, 15.5"dia., extremely decorative 1200-1700
488. Zsolnay vase, large form with a raised design and a colorful metallic glaze, signed, 7”w x 7.75”h 500-700
489. Good Mettlach vase, floral and geometric designs in green and red on an ivory ground, marked, 14”w x 4.75”h, an exquisite and decorative example 500-700
490. Mettlach vase, four-sided form with a geometric design in brown, green and ivory, impressed mark, 14”h, wonderful design, very clean 500-700
491. Good Zsolnay vase, metallic red and green glaze with a design of sailboats and birds, signed, #5330, 5.25”h, great glaze 700-900
492. Exceptional Mougin vase, large form with colorful carved and painted fruit and flowers surrounded by a brown crystalline glaze, marked, 14.75”h 1500-2500
493. Denbac vase, four handled form with an organic design under a good green, brown and blue glaze, signed, 9.25”h, minor chip to one handle 200-300
494. Large and important Mettlach vase, massive form with incised and painted design of birds in a landscape, signed Chevrolon, impressed mark, #2568, 14”h 700-900
495. Denbac vase, four handled form covered in a blue, green and brown crystalline glaze, signed, 10.25”h 400-600
496. Exceptional Amphora vase, double handled organic form covered with a multi-toned green and brown metallic glaze, impressed mark, 11.25”h, designed by Paul Dachsel, shape shown in "The House of Amphora" Scott, page 169, great glaze 2500-3500
497. Teplitz vase, carved and painted stylized pine tree design with sculpted and painted red pinecones, marked, 6”h, designed by Paul Dachsel 500-1000
498. Large and important Dalpayrat vase, shouldered and footed shape covered with a green, red, blue and brown glaze, signed, #78, 13.5”h 5500-7500
499. Teplitz vase, carved and painted stylized pine tree design with sculpted and painted red pinecones, marked, 6”h, designed by Paul Dachsel 500-1000
500. Amphora candlestick, wonderful and intricate Art Nouveau design with female heads and faces and moths, marked, 11.5”h, designed by Stellmacher Teplitz, shape shown in "The House of Amphora" Scott, page 169 1200-1700
Sale Date:
May7, 2006