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Unsold Lots from our 20th Century Art & Design Auction
May 15th, 2005 ALL ITEMS ARE SUBJECT TO PRIOR SALE! ADD 17.5% BUYERS PREMIUM TO ALL PRICES. TAX AND SHIPPING ARE ADDITIONAL. ITEMS PURCHASED WITH CREDIT CARD WILL BE CHARGED AN ADDITIONAL 2.5%. |
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For more information on lots listed below, contact:
Arts & Crafts lots: Don Treadway/John Toomey - 708.383.5234 or 513.321.6742 Painting lots: Thom or Jim Pegg - 314.727.6249 1950s Modern lots: Lisanne Dickson - 708.383.5234 |
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500. George Cherepov (Lithuanian/American, 1909-1987), “Morning, Silver Lake”, c.1950; oil/canvasboard, 16”x 20”, signed; title verso. Cherepov studied in Yugoslavia and Latvia before moving to New England. He painted landscapes and marines, and exhibited extensively at Grand Central Art Galleries, Greenwich Society of Artists, Silvermine Guild of Artists, and the Ogunquit Art Center (Maine). He taught at the Greenwich (CT) Art Center in the late 1950s. $1000 |
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507. Leonid Gechtoff (American, 1883-1941), “A Winter Evening”, c.1929; oil/canvas, 24” x 30”, signed and dated. Gechtoff worked mostly in Pennsylvania, but he painted all across the United States, specializing in broadly painted landscapes and seascapes. $950 |
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514. Y. Gianni, Italian School, 19th-20th century, “Old Street in Naples”, c.1920; gouache, 20” x 13”, signed; titled $300 |
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516. Harvey Ellis (American, 1852-1904), “ Serenade by the River”, c.1890; oil/board, 6.5” x 11.25”, signed. Ellis was best known for his furniture designs which were executed by Gustav Stickley at the turn of the 20th century. He painted and exhibited at the New York Watercolor club, Boston Art Club, Art Institute of Chicago, Pennsylvania Academy of Art, and the National Academy of Design. $600 |
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517. M. Gianni, Italian School, 19th-20th century, “Naples Bay”, c.1920; gouache, 12.5” x 19.5”, signed; titled verso. $300 |
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519. Karl Ouren (Norwegian/American, died 1943), “March Afternoon”, c.1937; oil/canvas, 24” x 32”, signed and dated. Ouren worked in Chicago and exhibited at the Chicago Gallery Association and the Palette and Chisel Club. $2500 |
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520. Marshall D. Smith (American, early 20th century), “Venice “, c.1930; oil/canvas (it is a loose, flat canvas that is not stretched, which could be mounted or matted and framed), 9.5” x 8”, initialed. Chicago WPA painter. Smith exhibited in the 1930s at the Art Institute of Chicago. Smith worked in Chicago, New Orleans, and Venice, and painted primarily street scenes and figurative work. $300 |
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524. Frank F. English (American, b. 1854), “A Figure and Horses in a Landscape”, c.1900; watercolor/paper, 16” x 18”, signed. English studied at the Pennsylvania Academy of Fine Art, and in Europe. He frequently worked in watercolor, and was a member of the Philadelphia Sketch Club, and exhibited at the American Art Society, Philadelphia. $3000 |
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540. Glen Cooper Henshaw (American, 1885-1946), “Portrait of a Woman in a Blue Dress”, c.1912; pastel, 22” x 17”, signed and dated. Henshaw studied at the John Herron Art Institute and in Paris. He exhibited at the Art Institute of Chicago, Corcoran Gallery of Art, Hoosier Salon, and the Boston Museum. He frequently worked in pastel and worked in a style associated with the Ashcan painters, especially E. Shinn. $800 |
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546. Robert Wesley Amick (American, 1876-1970), “Pioneers”, drawing, 25” x 18”, signed. Colorado artist and illustrator known for his scenes of Native Americans and western landscapes. Amick studied at the Art Students League and at Yale University. He worked in Greenwich, CT, and was a member of the Greenwich Society of Artists, Old Greenwich Art Association, and the Society of Illustrators. $1250 |
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548. William Engelhardt (American, 20th Century), “Stream through the Autumn Woods”, c.1940; oil/canvas, 24” x 36”, signed. $400 |
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553. Robert Wesley Amick (American, 1876-1970), "Cowboys", c.1940; watercolor/paper, 22" x 31", signed. Colorado artist and illustrator known for his scenes of Native Americans and western landscapes. Amick studied at the Art Students League and at Yale University. He worked in Greenwich, CT, and was a member of the Greenwich Society of Artists, Old Greenwich Art Association, and the Society of Illustrators. $3000 |
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556. Henry James Soulen (American, 1888-1965), "Hunter with Hounds", c.1920; gouache/board, 20.25" x 23.5", signed. Soulen studied at the Art Students League and the Art Institute of Chicago. He contributed illustrations to The Saturday Evening Post and Ladie’s Home Journal. $800 |
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565. Glen Cooper Henshaw (American, 1885-1946), "Paris", c.1916; watercolor/paper, 7" x 10", signed, dated, and inscribed, "Paris". $600 |
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574. Lawrence McConaha (American, b.1894), "Summer Landscape with River", c.1930; oil/board, 20" x 24", signed. McConaha was part of a group of artists working in Richmond, Indiana in the first part of the 20th century. He studied with Guy Wiggins and George Baker, and was a member of the Hoosier Salon, Richmond Art Association, Palette Club (Richmond), Springfield Art Association, and the Connecticut Association of Fine Artists. He exhibited from the 1920s-40s. $700 |
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585. George Cherepov (Lithuanian/American, 1909-1987), "River Landscape", c.1950; oil/board, 23.5" x 28.75", signed; numbered 252 on verso. Cherepov studied in Yugoslavia and Latvia before moving to New England. He painted landscapes and marines, and exhibited extensively at Grand Central Art Galleries, Greenwich Society of Artists, Silvermine Guild of Artists, and the Ogunquit Art Center (Maine). He taught at the Greenwich (CT) Art Center in the late 1950s. $1500 |
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586. Laura Hoernig (American, 20th century), "Lake Scene", c.1940; oil/canvas, 16" x 20", unsigned. Hoernig was a Kansas City painter, but also worked in Taos, New Mexico. Provenance: the estate of the artist. $200 |
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587. Tunis Ponsen (American, 1881-1961), "Magnolias", c.1940; watercolor/paper, 26" x 19", signed. Ponsen studied at the Art Institute of Chicago with George Oberteuffer and Karl Albert Buehr. He was a member of the Chicago Painters and Sculptors, Chicago Gallery Association, and the Chicago Society of Artists. Ponsen exhibited at the Art Institute of Chicago (1927-1935), Toledo Museum of Art, and the Pennsylvania Academy of Fine Art. His work is included in the collections of Northwestern University, City of Chicago College, and the Flint Institute of Art. $1200 |
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589. Tunis Ponsen (American, 1881-1961), "Still Life with Red Flowers", c.1940; watercolor/paper, 19" x 14", signed. Ponsen studied at the Art Institute of Chicago with George Oberteuffer and Karl Albert Buehr. He was a member of the Chicago Painters and Sculptors, Chicago Gallery Association, and the Chicago Society of Artists. Ponsen exhibited at the Art Institute of Chicago (1927-1935), Toledo Museum of Art, and the Pennsylvania Academy of Fine Art. His work is included in the collections of Northwestern University, City of Chicago College, and the Flint Institute of Art. $800 |
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592. Leslie Henderson (American, 1895-1988), "Houses along the Shore", c.1940; oil/canvasboard, 16" x 20", signed. Henderson was a Philadelphia painter. He exhibited at the Philadelphia Watercolor Club, Newman Gallery, and the Woodmere Art Gallery (Philadelphia) in the 1930s-40s. $500 |
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595. Robert Goldman (American, b. 1948), "Above La Jolla Shores, San Diego", c.2000; oil/canvas, 30" x 40", signed. Goldman is a successful contemporary western landscape painter. This is a major example of Goldman’s work. $2400 |
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600. Charles Courtney Curran (American, 1861-1942), "On the Horizon", c.1920; oil/board, 14" x 18", signed. $2500 |
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602. Tunis Ponsen (American, 1881-1961), “Floral Still Life”, c.1940; watercolor/paper, 18” x 20”, signed. $1500 |
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603. Edmund Brucker (American, b. 1912), “Portrait of a Young Boy”, c.1945; oil/canvas, 17.25” x 13”, signed. Important Indianapolis modern painter. Brucker studied at the Cleveland School of Art, and exhibited at the Hoosier Salon (1939-1980s), Metropolitan Museum of Art, Pennsylvania Academy of Fine Art, and the Carnegie Art Institute. He was primarily a figure painter, and was one of the most successful of the regionalist painters from Indianapolis. His work is in the collections of the Indianapolis Museum of Art, Herron Art School, Indianapolis Motor Speedway, Butler Institute of American Art, Cleveland Museum of Art. $1200 |
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604. Eugene Franquinet (American, 1875-1940), “Matilija Poppies (Wild Sunflowers)”, c.1920; oil/canvas, 20” x 16”, signed; titled verso. Franquinet was born and studied art in Brussels. He lived in the United States from 1907 until his death, and painted in Los Angeles. He was a member of the Laguna Beach Art Association and the Los Angeles Painters and Sculptors. $1000 |
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606. Walter Beach Humphrey (American, b. 1892), “Mother and Child ”, c.1930; oil/canvas, 26” x 20”, signed. New Rochelle, NY painter and illustrator. He was a member of the New Rochelle Art Association (exhibiting from 1922-46) and the Hudson Valley Art Association. Humphrey executed numerous magazine covers and illustrations. $5000 |
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608. Charles Vignon (French, 20th century) “View of Place de la Concorde “, c.1940; oil/canvas, 28.25” x 38.25”, signed. $1200 |
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609. Paul Deltombe (French, 1878-1971), “Pomiche, la ville aux jette”, c.1930; oil/canvas, 21.5” x 32”, signed. Deltombe studied at the Ecole des Beaux Arts with Bonnat and Robert-Fleury, and at the Grand Chaumiere, were he met Signac, Maitisse, and Luce. He exhibited as early as 1902 at the Salon des Independants. He exhibited for many years at the Salon National des Beaux-Arts (Salon d’Automne), and in 1940, became Directoe of the Ecole des Beaux-Arts in Nantes. Major retrospective exhibits of his work have been held at the Museum of Nantes; Musee Paul Valery, Sete; Paris Congres in St-Jean-de-Monts; and the Chateau de Sedieres, Limousin. $4000 |
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612. Raoul Dufy (French, 1877-1953), “Marseilles”, 1925; pen and india ink/paper, 9.75” x 7.5”, signed; titled verso. Dufy was a painter, illustrator and designer. He had a solo show at the Galerie Berthe Weill, Paris, as early as 1906. Dufy started a small factory in 1911 to design and print fabrics for the couturier Poiret. In 1937 he painted a large scale mural of “Electricity” for the Paris International Exhibition, and in 1952, Dufy was awarded the main prize for painting at the Venice Biennale. $8000 |
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617. Georges Ferro La Gree (French, Contemporary), “Venice”, c.2000; oil/canvas, 22” x 18.5”, signed; titled verso. . La Gree studied engineering before becoming a full time painter, and he maintains a certain structure to his compositions, even though his style is highly impressionistic. $1000 |
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621. Gabriel Spat (American, 1890-1967), “Les Boulevards (Paris)”, c.1930; oil/board, 9.5” x 8”, signed, original frame. $1500 |
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622. Bunilla (European, mid 20th century) “Mother and Child”, oil/canvas, 46" x 20", signed. $200 |
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623. Frank Perri (American, early 20th century), “Portrait of a Girl”, c. 1940; $250 |
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627. William Henry (American, 20th century), “Apollo and Daphne”, c.1957; watercolor/paper, 9.5” x 11”, initialed and titled. $200 |
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635. Charles Du Tant (American, b. 1908), “The Day Before Shalako”, c.1947; oil/canvas, 22” x 28”, signed; titled and dated verso. Shalako is an important Zuni ceremony which usually takes place in November, after the crops are harvested. Du Tant was born in Oklahoma, and worked in Taos in the 1940s. $2800 |
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636. Grace L. Hamilton (American, 20th century), “Mexican Landscape, Grazing Goats”, c.1960; oil/canvasboard, 20” x 24”, signed; titled on verso. $2000 |
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637. Grace L. Hamilton (American, 20th century), “Cotton Gin and Flour Mill”, c.1960; oil/canvas, 30.5” x 26.5”, signed; titled on verso, with exhibition label: A.O.C.A. (1959). $3000 |
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641. Hilaire Hiler (American/French, 1898-1966), “Untitled”, c.1962; gouache/mixed media, 9.5” x 6.5”, signed. Hiler studied in the U.S. before leaving for France in 1919. There, he studied at the University of Paris and ran a jazz club. He moved to San Francisco in the 1930s, and executed murals for the WPA. He spent some time in L.A. before returning to Paris. He became interested in “structuralism” in art, and a balance of form and color in the latter part of his career. $1750 |
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645. Frank Perri (American, early 20th century), “Farm at Dusk”, c.1940; gouache/paper, 24” x 18”, signed. Perri immigrated from Italy to Chicago around 1930. He exhibited at the Carnegie Institute of Art and the Art Institute of Chicago, and was President of the Oak Park Artists League. He traveled to Mexico in the late 1930s. He specialized in figurative works and urban scenes of Chicago. $250 |
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647. Grace L. Hamilton (American, 20th century), “Totems”, c.1960; oil/canvas, 47.5” x 29.5”, signed; exhibition label on verso. $2000 |
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649. Eli Levin (American, b. 1938), “Serenade”, c.1982-86; tempera/board, 12” x 16”, signed and dated. Levin exhibited at the Jamison Galleries, Fenn’s Gallery, Realist Gallery, Zaplin-Lampert Gallery, and the Ernesto Mayans Gallery (all in Santa Fe, New Mexico). $1000 |
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653. Frank Perri (American, early 20th century), “Stilt House”, c.1940s; watercolor/pastel on paper, 22” x 29.75”, signed. $200 |
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656. Frank Perri (American, early 20th century), “ Pink Nude”, c.1940; gouache/paper, 19.75” x 13”, signed. $200 |
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657. Frank Perri (American, early 20th century), “Portrait of a Young Woman”, c.1940; oil/canvas, 20” x 16”, signed. Perri immigrated from Italy to Chicago around 1930. He exhibited at the Carnegie Institute of Art and the Art Institute of Chicago, and was President of the Oak Park Artists League. He traveled to Mexico in the late 1930s. He specialized in figurative works and urban scenes of Chicago. $200 |
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661. Frank Perri (American, early 20th century), “Mexican Girl”, c.1940; oil/canvas, 12” x 9.5”, signed. Perri traveled to Mexico in the late 1930s. $200 |
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664. Arnold Blanch (American, 1896-1968), “Mother and Child”, c.1930; oil/canvas, 39.5” x 28.5”, signed; labels verso from the Art Institute of Chicago (Forty-Third Annual Exhibition, 1930) and the Dudensing Gallery. Blanch studied with K.H. Miller and John Sloan at the Art Students League. He became an important member of the Woodstock artist colony and married painter, Doris Lee. He exhibited extensively from the 1930s-60s, and his work is in the collections of the Whitney Museum, Metropolitan Museum, Cranbrook Academy of Art, Denver Art Museum, and the Library of Congress. This is a major example of Blanch’s work. $7500 |
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681. Philippe Visson (American/French, b. 1942), “Two Figures”, c.1958; oil/canvas, 26” x 32”, signed. $800 |
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687. Jonathon Scott (British/American, b. 1914),”Woman with Parakeet”, c.1960; oil/canvas, 22” x 29”, signed; exhibition label from the Pasadena Society of Arts verso. Scott painted in California from the 1940s-60s. He exhibited in Europe as early as 1938; and then at the Pasadena Society of Arts from 1942-61, Taos Artist Association, Laguna Beach Art Association, and the Los Angeles Museum. He taught at USC and the Pasadena Museum in the 1940s-50s. $2500 |
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700. J. Jay McVicker (American, b. 1911), “Geometric Arrangement on Grey”, c.1970; polymer/ canvas, 60” x 54”, artist’s label verso; from the estate of the artist. Oklahoma painter. McVicker studied at Oklahoma State University, and eventually taught there. He painted traditional regionalism in the 1940s , and moved into abstraction later in his career. He exhibited extensively from the 1940s - 70s at the Art Institute of Chicago, Whitney Museum, Dallas Museum of Fine Art, and the Pennsylvania Academy of Fine Art. $3500 |
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702. Ettore Colla (Italian, 1896-1968),”Head of a Man”, c.1960; bronze with moss green patina, mounted on a wodden base, total height 20” (height of bronze alone is 11”), signed. Highly important Italian modern sculptor. Colla studied at the Academy of Fine Arts in Parma until 1921, when he left for Paris (where he worked briefly as assistant to Bourdelle and met Maillol and Despiau). H settled in Rome 1926, made portrait busts, nude figures and studies for monuments influenced by Bourdelle and Arturo Martini. He gave up sculpture temporarily in the 1940s, and began painting in an abstract style with geometric forms. He founded the group Origine 1950 with Ballocco, Burn and Capogrossi. His use of collage led in 1952 to the making of reliefs in wood and iron, and from 1954, to welded iron sculptures, most of which were assembled from found objects. His focus returned to sculpture in the 1950s-60s. $5000 |
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712. Jim Dine (American, b. 1935), “Wall (The Wolfman)”, c.1967; etching with colors, 31” x 22”, 32/120, signed, dated, and numbered in pencil. $800 |
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724. E. Oscar Thalinger (American, 1885-1965), “Abstracted Still Life”, c.1957; oil/board, 12.5” x 24”, signed and dated. St Louis modernist painter. Thalinger studied at the St Louis School of Fine Art and in Munich. He was a member of the St Louis Artist Guild, 2x4 Society, St Louis Art Association, and Group 15. He exhibited at the Art Institute of Chicago (1927-1932); Pennsylvania Academy of Fine Art (1928-32); St Louis Art Museum, and the St Louis Artist Guild. Thalinger painted landscapes and urban scenes from the late 1920s-40s, and then turned to abstraction in the 1950s. He taught at the People’s Art Center in St Louis. $750 |
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731. W.J. Scott (American, 1870-1940) lot of two works, one pictured: “Mining Area”, c.1930; pastel/paper, 13.5” x 17.5”, unsigned; with another similar image by Scott, which is signed. Scott exhibited at the Art Institute of Chicago in the 1920s. He was a friend of Thomas Hart Benton, and spent summers painting with him. $600 |
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732. Hugo J. Pieper (American, early 20th Century), “Dock Scene”, c.1950; oil/canvas, 23” x 29”, signed. Chicago artist. Pieper exhibited at the Art Institute of Chicago in the late 1940s - 1950s. He also exhibited in the Upper Mississippi Vallley Expo in 1951 and the Magnificent Mile Exhibition (1950s). $600 |
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733. Clifford Harrison Strohl (American, b. 1893), “Lobster Trap, Maine”, 1940; oil/board, 18” x 25”, unsigned; label verso Robert Henry Adams Fine Art, Chicago. Strohl worked primarily in Pennsylvania. $1000 |
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737. Malvin Marr Albright (Zsissly) (American, 1897-1983), “Still Life with Mandolin”, c.1950; casein/canvas, 20.25” x 24.25”, signed. Albright began as a painter and then turned primarily to sculpture. He studied at the Chicago Art Institute, the University of Illinois, the Pennsylvania Academy of Fine Arts, and the Beaux Arts Institute of Design (NYC). $550 |
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739. Harold Cohn (American, b. 1908), “Bather”, c.1940; oil/board, 12” x 8”, signed. Detroit area modernist painter. He exhibited throughout the 1930s-40s , and he taught at the Detroit Society of Arts and Crafts. $500 |
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740. Edna Wolff (Henner) Maschgan (American, 1907-2001), “Portrait of a Woman”, c.1930; oil/canvas, 24” x 20”, signed. Double sided painting, verso; Still Life with Compote, c.1930. Maschgan studied at the Art Institute of Chicago, and with Diego Rivera in Mexico in the late 1920s. She worked as a WPA artist, and exhibited at the National WPA Conference of Artists (1940). She exhibited at the Art Institute of Chicago, Palette and Chisel Academy of Fine Arts, ULC Art Competititon, Associated American Artists, and the Illinois State Museum. $750 |
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745. Joseph Meert (American, 1905-1989), c.1960; oil/canvas with collage, 40” x 36”, signed. Born in Belgium and immigrated to the United States in 1910. He studied at the Kansas City Art Institute and at the Art Students League with John Sloan, Kenneth Hayes Miller, and Thomas Hart Benton. He was a member of the American Artists Congress and exhibited at the Pennsylvania Academy of Fine Art, Kansas City Art Institute, Corcoran Gallery, World’s Fair New York 1939 (purchase prize); Whitney Museum of American Art, Library of Congress, 44th Street Gallery, New York, 1948; Artists Gallery, New York, 1949 (first solo show in New York); “NYC WPA Art” at Parsons School of Design, 1977; Pollock-Krasner House,1994 (solo). His work is included in the collections of WPA post office murals. Abstract expressionist and friend of Jackson Pollock and others of Thomas Benton’s circle of ASL students. Meert painted social realist works early in his career before turning to abstraction. $2500 |
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749. Angelo Testa (American, b. 1918), “Untitled”, c.1970; watercolor/paper, 8” x 8”, signed. Testa studied at the Institute of Design in Chicago from 1940-1945 with Moholy-Nagy and Marli Ehrman. Well known for his graphic design. His industrial clients included Knoll, Herman Miller, Edward Field, Marx and Co., Schumacher and TWA. He received several “good design” awards from the Museum of Modern Art. Testa mostly abandoned textile design after 1970 and focused on painting and sculpture. $1350 |
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750. Daniel Massen (American, 1896-1979), “59-1”, c.1959; oil/board, signed and titled on verso. Massen’s paintings which were exhibited at the Art Institute of Chicago in the 1940s bared similar numbers. Important painter and teacher of the Institute of Design (Chicago). He exhibited at the Art Institute of Chicago and the Phillips Academy, Maryland. His work was highly influenced by the work of Charles Biederman. Massen’s work is featured in a new book titled, Abstract American Art of the 1930s and 1940s, the collection of J. Nichols. $5500 |
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754. DeHirsh (Herch) Margules (American, 1899-1965), “Dance of Life”, c.1958; triptych, oil/paper, each image 18” x 23”, signed and dated. New York City and Woodstock, NY painter. Margulies exhibited as early as the 1920s, at the Woodstock Art Association, Art Institute of Chicago, and the Whitney Museum. His work is in the collections of the University of Arizona, University of Georgia, Museum of Modern Art, and the Boston Museum. $600 |
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758. Myron Kozman (American, b.1916)”Composition”, c.1960; oil and mixed media/paper, 11” x 9”, signed and dated verso. Kozman was friend of Moholy-Nagy and taught silkscreen at the Institute of Design. He was one of the first graduates of the Institute of Design, and his work is in the collections of the Art Institute of Chicago, Library of Congress, and the Bloch Gallery (Northwestern). An example of his silkscreen work is illustrated in Moholy’s book, “Vision and Motion”. $300 |
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759. Bill Barrett (American, b.1934), “ Directional Abstraction”, c.1995;oil/canvas, 20” x 16”, signed. Painter and sculptor. Barrett studied at the University of Michigan. His work is in the collections of Neiman - Marcus, Hitachi, San Francisco Museum of Art, Virginia Museum of Art, and the Utsukushi-ga-Hara Museum (Tokyo). He regularly exhibits at the Navy Pier in Chicago. $1500 |
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760. John Sennhauser (Swiss/American, 1907-1978 ), “Whimsical No#4”, c.1970; oil and mixed media, 33” x 36”, signed and dated; provenance: Wichita State University collection. In the 1940s, Sennhauser worked on the staff of the Museum of Non-Objective Painting with Hilla Rebay. He joined the American Abstract Artists in 1945. REF: American Abstract Art of the 1930s and 1940s; The J. Donald Nichols Collection, Wake Forest University. This is an exceptional inon-objective image by the artist. $2000 |
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763. Louise Woodroofe (American, early 20th century), “Abstract Composition”, c.1950; 25” x 25”, signed. Woodroofe worked in Champaign, IL, and later taught at the University of Illinois. During the 1930s she traveled with the Ringling Brothers Circus, painting various scenes of circus life, then in the late 1940s-60s, she turned to abstraction, working frequently in collage. She exhibited at the Pennsylvania Academy of Fine Art, National Association of Watercolor Painters, Cincinnati Art Museum (1920s), Butler Art Institute, and at galleries in New York. $450 |
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766. Peter Keil (German, 20th century), “Zigarette”, c.1963; oil/board, 16” x 12”, signed and dated. Keil is with Elvira Bach, Rainer Fetting, and Georg Baselitz in the Grossen Wilden of Berlin. He studied with Otto Nagel, Berlin Academy of Fine Art, and with Miro on Mallorca “Zigarette”, c.1963; oil/board, 16” x 12”, signed and dated. $550 |
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768. Werner Emil Groshans (German/American, 1913-1986), “The Animal Trainer”, c.1950; oil/canvas, 16” x 20”, signed; title on verso. Interesting surrealist work. $300 |
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770. Lee Chubb (American, 20th century), “Blue E”, c.1960; collage, 24” x 18”, signed in pencil. Chubb exhibited at the St. Louis Artist Guild. Provenance: the estate of the artist. Chubb worked in St. Louis, executing paintings, collages, and sculptures. $150 |