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| Sale Date: May 15, 2005 |
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Lot Numbers and Descriptions
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451. Nice Chaplet vase, French, 1880-1900's, tapered form covered in a thick textured white and brown glaze, impressed mark obscured by glaze, 8.5"h, Chaplet worked with Paul Gauguin 900-1200
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452. Zsolnay vase, large form in ivory porcelain with painted organic designs in pink, gray, black and gold, wafer mark, #5282, Hamuas 1928, 13.5"h, a few minor chips to foot 500-1000
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453. Exceptional Zsolnay vase, large and impressive form with four handles at top and carved designs surrounding body, all covered in an excellent metallic glaze with a nice overall iridescence, wafer mark, #7016, 14.25"h 3500-5500
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454. Zsolnay vase, elaborate ribbed form with pierced handles and foot with a colorful metallic floral design, signed, 11.75"h, repair to foot 500-700
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455. Unusual Zsolnay vase, flaring form with a stylized leaf design in a good red and green iridescent metallic glaze, marked, 4.5”h, very nice 1000-1500
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456. Zsolnay vase, footed shell form pierced and painted with an elaborate and colorful floral design, numbered, 13"w, some flakes to edges of high points, minor wear to some gold 300-400
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457. Fine Zsolnay vase, shouldered form with stylized poppy design in red and green under a geometric design in green and gold, signed and numbered, 4.5"h 2500-3500
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458. Beautiful and important Quezal vase, graceful flaring form with ruffled rim and pulled feather design in green, white and gold, signed and numbered K312, 8.75"h, a great flawless example of American Art Nouveau glass 3000-5000
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459. Rare and impressive Steuben vase, unusual and large flower form with twisted stem, bulbous body and ruffled rim in aurene glass with a brilliant overall iridescence, signed Aurene #2313, 12.5"h, beautiful glass 3000-5000
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460. Exceptional Quezal vase, large jack-in-the-pulpit in gold iridescent glass with exceptional veining, signed, #G559, 13.5"h, great color and iridescence, Quezal flower forms of this size are rare, ones this nice are even rarer 7000-9000
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461. Paul Jacoulet woodblock, colorful print titled "Kiyoshi", signed, 11" x 15", matted, framed 350-550
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462. Interesting Enameled plaque, probably 1920s French, after Picasso, seated boy, framed, 3.5” x 5.5”, well done, high quality work 500-700
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463. Paul Jacoulet woodblock, colorful print titled "Vielle Marchande", signed, 11.25" x 15", matted, framed 350-550
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464. Rare Louis C. Tiffany Furnaces plate, bronze with its original gold patina and colorful enameled designs, signed, #429, 10"w 1200-1700
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465. Christian Dell tea diffuser, Bauhaus, sterling silver in an interesting shape with a long handle, impressed hallmarks, 5.5"l 250-350
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466. Rare Kalo candelabra, unusual form in hand wrought sterling silver, impressed mark, 6.5"w x 4"h 900-1200
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467. Good BWKS pitcher, Bauhaus, large form in sterling silver, impressed marks, 10"h, nicely made 400-600
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468. Rococo style gilt bronze candelabra, pair, flower form each with six candle holders on a three foot base, 17”dia. x 22”h, very good condition, repair to one 900-1200
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469. Peter Behrens tea kettle, octagonal form in hammered silver and canned handle, original patina, marked, 7.5"w x 8.5"h 500-700
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470. Fine Steuben vase, huge form in gold Aurene glass with beautiful overall iridescence, signed Steuben Aurene and #2683, 10.5"h, excellent example, good glass 1500-2500
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471. Tiffany Studios turtleback glass tiles, three, all with colorful iridescence, 4.5" x 5.5", a couple of minor chips 1500-2000
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472. Fine L.C. Tiffany vase, large gourd form with ribs, gold favrile glass with excellent overall surface iridescence, signed L.C. Tiffany Favrile #7730C, 8.5"h 3000-4000
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473. Good L.C. Tiffany glasses, set of eight, large forms in gold favrile glass with wonderful overall iridescence, signed L.C.T., all numbered, 8.5"h 4000-6000
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474. Durand vase, attribution, gold and amber glass with a green and white overlay, unmarked, 9.25"h, unique type of design 1000-1500
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475. Nice L.C. Tiffany glasses, set of six, gold favrile glass with overall surface iridescence, all signed L.C.T., 4.5"h 2500-3500
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476. Good L.C. Tiffany vase, bronze base with its original patina holds a blue favrile glass vase, base signed Louis C. Tiffany Furnaces, Inc., #760, vase signed L.C.T. Favrile, 14.5"h 1500-2500
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477. Tiffany Studios inkwell, bronze with its original gold doré patina and floral design, signed Tiffany Studios New York #1777, 4"w x 2.5"h 450-650
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478. Tiffany Studios thermometer, bronze with Zodiac pattern, original patina, signed Tiffany Studios New York, 4" x 8" 750-850
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479. Tiffany Studios inkwell, flaring form in bronze in an Indian pattern, original patina, signed Tiffany Studios New York #1112, has glass insert, 5"w x 3.5"h 550-750
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480. Tiffany Studios tray, round form in original gold doré patina with peacock feather design, impressed Tiffany Studios New York #1740, 3"w 150-250
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481. Tiffany Studios tray with match holder, bronze in the Chinese pattern, original gold doré patina, signed Tiffany Studios #1764, 7"w x 3"h 250-350
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482. Tiffany Studios pen wipe, bronze in a grapevine design, original patina, signed Tiffany Studios New York #340, 2"h 200-300
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483. Tiffany Studios letter holder, bronze in the pine needle pattern over green and white slag glass, good original patina, signed Tiffany Studios New York #1008, 10"w x 6"h, nice example 1000-1500
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484. Tiffany Studios inkwell, bronze in the pine needle pattern over green and white slag glass, original patina, signed Tiffany Studios New York #845, 3.25"w x 3.25"h, nice example 400-600
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485. Nice Tiffany Studios lamp, bronze base with its original doré patina holding a linenfold shade and heat cap in gold favrile glass, base and shade signed Tiffany Studios New York, #333 and #1947, 16"w x 21"h 12,000-17,000
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486. Tiffany Studios lamp, bronze base with its original patina holding a gold favrile glass shade with Damascene design, base with impressed Tiffany Studios New York, shade signed L.C.T. Favrile, 14"h 4500-6500 4500-6500
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487. Unusual Tiffany Studios lamp, three light tulip form, bronze base with its original patina holding gold favrile glass shades with a ribbed and cut design, base signed Tiffany Studios New York #339, shades are signed L.C.T. Favrile, 12"w x 16.5"h, a rare set of shades on a nice base 10,000-15,000
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488. L.C. Tiffany vase, shouldered form in favrile glass with a pulled design in platinum and green against a yellow and green ground, signed L.C.T. #Q4500, 5.5"h, cracked and glued 350-450
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489. Quezal shades, pair, pulled designs in gold, signed, 4.5"h; with a Loetz shade, (not shown), leaf and berry design in green and red, unsigned, 6.25"h, minor chips to fitter rim 250-350
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490. Steuben vase, gourd form in white with pulled and leaf designs in gold, not marked, 6"h 450-650
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491. Nice Tiffany Furnaces trivet, attribution, favrile glass with brilliant iridescent highlights surrounded by a copper footed frame, original patina, 6"sq. 1000-1500
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492. Tiffany Studios candlestick, bronze with its original patina with inset green glass, removable bobeche, signed Tiffany Studios New York #11483, 17.5”h; with a Tiffany Studios candlestick, (not shown), unusual footed model in bronze with its original patina and inset green glass, removable bobeche, signed Tiffany Studios New York, 12.5”h, some broken glass and bent at base 1500-2500
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493. Tiffany Studios leaded glass panel, attribution, multi-colored glass segments with detail at center, 6.5"sq., minor flakes 800-1100
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494. Loetz vase, attribution, squat form in mottled green and blue glass, unmarked, 4"h, minor chips to rim 100-200
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495. Unusual Tiffany Studios paperweight, designed by Henry Winter, round form in marble with applied design of a face at top in favrile glass, signed and numbered, 3.5"w 1000-1500
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496. Abelman vase, broad form in cobalt glass with green iridescence and a pulled design, signed and #V352-10, dated 1983, 9.5"w x 5"h; with a Lundberg paperweight, (not shown), iridescent with a red heart design, marked, 3.25"w 250-350
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497. Rare L.C. Tiffany hanging lamp, opalescent favrile glass shade with a pulled iridescent design over blue, signed L.C.T. #C468, held by a bronze ceiling fixture with its original patina, 18"l, very nice, quite unusual 7000-9000
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498. Good Tiffany Studios student lamp, bronze base with two arms, each supporting a favrile glass shade in green with pulled designs, 9.5"dia., shades are signed L.C.T., original patina, #25570, 26.5"w x 29.5"h 12,000-17,000
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499. Birger Sandzen (American, 1871-1954), "Southwest Landscape", c.1904; oil/canvas, 12" x 16", signed and dated. Birger Sandzen was born in Sweden, where he studied at the College of Skara and the University of Lund. He furthered his studies in Stockholm and Paris, working with Anders Zorn, Edmond-Francois Aman-Jean, and Georges Seurat. Sandzen was intrigued by the idea of traveling to the United States. Sandzen immigrated to America in 1894, accepting a post at Bethany College (Lindsborg, Kansas). This early work reveals the influence of Post-Impressionism and Pointillism upon Sandzen's work, as well as his introduction to western subject matter, but his palette is still subdued compared to his later work. Sandzen exhibited at the Art Institute of Chicago. Kansas City Artists, Pennsylvania Academy of Fine Art, Taos Society of Art, and the Society of Independent Artists. 10,000-20,000
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500. George Cherepov (Lithuanian/American, 1909-1987), “Morning, Silver Lake”, c.1950; oil/canvasboard, 16”x 20”, signed; title verso. Cherepov studied in Yugoslavia and Latvia before moving to New England. He painted landscapes and marines, and exhibited extensively at Grand Central Art Galleries, Greenwich Society of Artists, Silvermine Guild of Artists, and the Ogunquit Art Center (Maine). He taught at the Greenwich (CT) Art Center in the late 1950s. 1500-2000
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Sale Date:
May 15, 2005 |
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