Sale Date:
Sunday, May 23, 2004
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Lot Numbers and Descriptions
Estimate
601. Laura Hoernig (American, early 20th century ), “View in Taos”, c. 1940; oil/canvas, 24” x 20”, unsigned, fine contemporary carved frame.
700-900
602. Nicolai Cikovsky (Russian/American, 1894-1984), “Autumn Pond”, c.1930; oil/canvas, 9” x 12”, signed.
600-800
603. M.B. Somerville “Desert Bloom” (American, 20th century), c. 1920; oil/canvas, 25” x 30”, signed.
600-800
604. Dave Stirling (American, early 20th century), “Forest Interior”, c. 1930; oil/board, 18” x 24”, signed. 1000-2000
605. Laura Hoernig (American, early 20th century ), “Taos Pueblo with Mountain in the Distance”, c. 1940; oil/canvas, 16” x 20”, unsigned, fine contemporary carved frame.
600-800
606. Laura Hoernig (American, early 20th century), “Figures by a Building, Taos”, c. 1940; oil/canvas, 16” x 20”, unsigned, fine contemporary carved frame.
600-800
607. Allen D. Cochran (American, 1888-1971), “Winter Landscape”, c. 1930; oil/canvas, 11” x 16”, signed; label verso from Women’s Club of Erie (recent).
1800-2200
608. Mary Gray (American, 1891-1964), “Interior”, c. 1930; oil/board, 16” x 12”, signed, excellent original carved frame.
2000-2500
609. Francisco Bushell Laussat, attribution (Spanish,19th century), “Coastal Village”, c. 1869; oil/canvas laid down on board, 12” x 16”, signed and dated, imperfections.
600-800
610. Charles Courtney Curran (American, 1861-1942), “Earth and Sky”, c.1920; oil/board, 14” x 18”, signed.
5000-7000
611. Charles Courtney Curran (American, 1861-1942), “On the Horizon”, c. 1920; oil/board, 14” x 18”, signed.
5000-7000
612. Alexander J. Drysdale (American, 1870-1934), “Louisiana Bayou”, c. 1910; oil wash, 19” x 26”, signed.
3000-4000
613. Robert Hale Ives Gammell (American 1893-1981), “Fallen Tree”, c. 1900; oil/board, 15.5” x 11.5”, signed.
800-1200
614. Eugene Paul Ullmann (American, 1857-1953), “Mother and Her Child”, c.1947; oil/canvas, 32” x 26”, signed and dated. This New York City artist spent much of his career in Paris, painting figures in parks and interiors.
1000-2000
615. Louis van der Pol (Dutch, 1896-1982), “Figures on a Street”, c.1930; oil/board, 10” x 8”, signed.
1000-1500
616. Dines Carlsen (American, b. 1901), “Mountain Town, Mexico”, c. 1940; oil/canvas, 25” x 32”, signed; titled on stretcher, with label from the Wortsman-Rowe Gallery.
1500-2000
617. Eda Sterchi (American, b. 1885), “Portrait of a Woman”, c. 1930; oil/canvas, 26” x 20”, signed. Sterchi studied at the Art Institute of Chicago, and traveled to Tunis to paint in the 1910s.
600-800
618. A. Dudas (American, 20th century), “Refreshment Stand, Lincoln Park Zoo”, c. 1971; oil/masonite, 16" x 20", signed and dated.
400-600
619. Ernest Fredericks (American, early 20th century), “Autumn Stream”, c. 1930; oil/canvas, 16” x 20”, signed.
400-600
620. Frank Perri (American, early 20th century), “Figures on a Pier”, c. 1940; watercolor/paper, 10” x 15”, signed.
250-350
621. William Mark Young (American, early 20th century), “Chicago River”, c. 1930; etching, 9” x 7”, signed in pencil.
300-500
622. Walter Bailey (American, b. 1894), “Autumn Landscape”, c. 1940; oil/canvas laid down on board, 20” x 24”, signed. Bailey worked in Kansas City and Los Angeles.
300-500
623. Frank Perri (American, early 20th century), “Mexican Scene”, c. 1940; oil/canvas, 40” x 24”, signed.
500-700
624. Lawrence McConaha (American, b.1894), “Indiana Landscape, near Richmond”, c. 1930; oil/board, 16” x 20”, unsigned, but guaranteed; provenance: Cincinnati Art Galleries; also has Dennis Jackson auction numbers written on verso (from Anderson, Indiana location).
700-900
625. Helen Woodward “Shelter on the Beach” (American, b.1908), c. 1940; watercolor/paper, 15” x 22”, signed.
800-1200
626. Frederick William Boulton (American, b. 1904 ), “Fly Fishing”, c. 1948; gouache, 14” x 17”, signed and dated; label from Art Institute of Chicago (59th Annual Exhibition of Watercolors and Drawings). Boulton worked as a painter and illustrator, and was art director for the J. Walter Thompson Co. in Chicago.
800-1200
627. Harry Myers (American, 20th century), “Dancer”, c.1960; oil/board, 16” x 12”, initialed; signed verso.
300-500
628. Harry Myers (American, 20th century), “Ballet Dancer”, c.1960; oil/board, 16” x 12”, initialed; signed verso.
300-500
629. Herbert J. Day (American, early 20th century), “Autumn Landscape”, c.1925; oil/canvas laid down on board, 9” x 11”, signed.
400-600
630. James Sessions (American, 1882-1962), “Disaster at Sea”, c.1940; watercolor, 19” x 24, signed.
2500-3500
631. Gustave Baumann (American, 1881-1971), “Nashville”, c.1930; color woodblock print, 9” x 13”, signed in pencil.
1500-2000
632. Nell Choate Jones (American, 1879-1981), “Laguna Pueblo, New Mexico”, c.1920; oil/canvas, 12” x 15”, signed.
800-1200
633. George Kovacks (American, 20th century), “Texas Landscape”, c.1971; oil/canvas, 11” x 14”, signed and dated.
400-600
634. Harry Myers (American, 20th century), “Girl with Parasol”, c.1960; oil/board, 16” x 20”, initialed; signed on verso.
400-600
635. Gustave Cimiotti (American, b. 1875), “Stormy Seas”, c. 1930; oil/board, 12” x 16”, signed.
500-700
636. Henri Carnier (British, 1800-1868), “Venice”, c.1860; oil/canvas, 15” x 23”, signed.
4000-6000
637. Gianni Cilfone (Italian/American, b. 1908), “Seated Nude”, c.1940; oil/board, 10” x 8”, signed. Chicago/Brown County , Indiana painter. Cilfone worked at the Tree Studios in Chicago.
1000-1500
638. Bernard Lamotte (American, 1903-1983), “Harbor Scene”, c.1950; oil/board, 15” x 18”, signed.
2000-3000
639. Harry T. Fisk (American, 1887-1976), “Water and Rocks”, c.1925; oil/board, 11” x 14”, artist name printed in pencil on verso.
250-350
640. Holger Jensen (American, b. 1880), “A Rock River Vista (Grand Detour, Dixon, Illinois”)”, c.1920; gouache, 9” x 10”, signed and titled.
500-700
641. Aaron Bohrod (American, 1907-1992), “Tete-a-Tete”, c.1940; oil/board, 16” x 12”, signed, artist label verso. This is an excellent example of Bohrod’s early work.
4000-6000
642. Luigi Lucioni (American, 1900-1988), a pair of oils; “Chase”, c.1942; oil/canvas, 18” x 18”, signed and dated; label on verso with artist’s address; with “Portrait of Elizabeth”, c. 1942; oil/canvas, 20” x 15.5”, signed and dated. Both works were exhibited at Gerald Peters Gallery, 1999, Still Lifes, Landscapes, and Figures.
12,000-18,000
643. Karl Priebe (American, 1914-1976), “The Lady with Star Sapphire”, c.1955; gouache, 9.5” x 7”, signed and dated; it is also dated on verso, 1947. Priebe worked primarily in Milwaukee, and was closely associated with Aaron Bohrod and John Wilde.
1500-2500
644. Karl Priebe (American, 1914-1976), “The Lady”, c.1955; gouache, 9.5” x 7”, signed and dated.
1500-2500
645. John Wilde (American, b. 1919), “The Wilde House”, c.1952; oil/board, 11.5” x 16”, initialed; signed, dated, and titled verso; Oleschlager label verso. Wilde was an Wisconsin modernist. He taught at the University of Wisconsin-Madison. This is an outstanding example of his work.
4000-6000
646. Alan C. Collier (Canadian, 1911-1990), “House by the Sea (near Grand-Etang, Cape Breton)”, c. 1970; oil/masonite, 8” x 24”, signed; titled verso with Roberts Gallery label; artist’s Toronto address with RCA and OSA written on verso.
800-1200
647. Allan C. Collier (Canadian, 1911-1990), “Alberta Sky (south of Longview)”, c.1970; oil/board, 12” x 16”, signed; label from Roberts Gallery.
800-1200
648. Alan C. Collier (Canadian, 1911-1990), “Cooper Landing, Kenai River (Alaska)”, c. 1970; oil/board, 12” x 16”, signed; label from Roberts Gallery verso.
800-1200
649. Nicolai Cikovsky (Russian/American, 1894-1984), “Shoreline”, c.1944; oil/board, 12" x 16", signed.
1000-1500
650. Evelynne Mess (American, b. 1903), “Chef’s Delight”, c. 1940; oil/board, 16” x 20”, signed; signed and titled verso.
800-1200
Sale Date:
Sunday, May 23, 2004