Sale Date:
Sunday, May 23, 2004
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Lot Numbers and Descriptions
Estimate
551. Leo Quanchi (American, 1892-1974), “Quiet Pool”, c. 1910; oil/canvas, 24” x 20”, signed.
600-900
552. N. B. Roberts (American, 20th century), “Autumn Landscape”, c. 1940; oil/canvas laid down on board, 16” x 22”, signed.
1500-2000
553. George E. Colby (American, b. 1859 ), “Forest Stream”, c. 1900; watercolor, 23” x 15”, signed.
1500-2000
554. William Frederick Paskell (American, 1866-1951 ), “Mountain Landscape”, c. 1920; oilcanvas, 14” x 20”, signed.
1500-2000
555. Benjamin Orth (German, 1803-1875), “Seaman’s Family”, c. 1846; oil/canvas laid down, 15” x 12”, signed and dated.
2500-3500
556. William P. Krehm (American,1901-1968), “Mountain Lake”, c. 1930; oil/board, 16” x 20”, signed.
800-1200
557. Albert Looking Elk (American, 20th century), “Pueblo”, c. 1920; oil/board, 9” x 12”, signed.
2000-3000
558. John Halpin (American, active mid-late 1800s), “Still Life”, c. 1890; watercolor, 22” x 17”, initialed, “J.L.H.”, and dated; it is also signed, “Frederick Halpin” within the image of the horsemen. This could possibly a tribute to Frederick (American, 1805-1880) by John Halpin.
600-800
559. Eliot Candee Clark (American, 1883-1980), “Sunset”, c. 1940; oil/masonite, 12” x 16”, signed.
600-800
560. Clara Elsene Peck (American, b. 1883), “Waiting Winter Storage”, c. 1950; oil/canvasboard, 18” x 24”, signed.
300-500
561. Henry Charles Hannig (American, early 20th century), “Branches overlooking a Small Stream”, c. 1925; oil/canvasboard, 10” x 14”, unsigned, provenance: the estate of the artist.
400-600
562. Edward Basker (American, 20th century), “Boats at Harbor”, c. 1950; watercolor, 14.5” x 21.5”, signed. South Bend, Indiana artist.
500-700
563. Fred Greene Carpenter (American, 1882-1965), “Woman with a Parasol”, c. 1950; oil/canvas, 18” x 15”, signed.
2000-3000
564. Eliot Candee Clark (American, 1883-1980), “Farm Scene”, c. 1930; oil/canvas, 9” x 12”, signed; estate stamped verso, and numbered, #452.
400-600
565. Herbert J. Day (American, early 20th century), “Brown County Landscape”, c. 1925; oil/board, 16” x 20”, signed. Day worked in Illinois and Indiana, and exhibited in the 1920s at the Art Institute of Chicago.
1000-2000
566. Frank Myslive (American, b. 1908), “The Bird House”, c. 1925; oil/canvas, 20” x 24”, signed; provenance: Cincinnati Art Galleries.
1000-1500
567. Herbert J. Day (American, early 20th century), “Illinois Farm Landscape”, c. 1925; gouache/board, 7” x 9.5”, signed.
400-600
568. Albert Alfredson (American, 20th century), “Clothed in White”, c. 1940; oil/canvas, 20” x 40”, signed. Alfredson worked in Chicago and Brown County, Indiana.
600-800
569. J. Jeffrey Grant (American, 1883-1960), “Street Scene”, c. 1930; oil/canvas laid down on board, 14” x 16”, signed, imperfections.
800-1200
570. William H. Eppens “Autumn Stream”, c. 1930; oil/canvas, 30” x 36”, signed, original carved frame.
1500-2500
571. Gordon Benjamin Mess (American, 1900-1959), “Autumn”, c. 1943; oil/canvas, 20” x 24” , signed and dated.
800-1200
572. Paul Turner Sargent (American, 1880-1946), “Autumn Stream”, c. 1928; oil/board, 24” x 30”, signed, dated, original carved frame.
2000-3000
573. Sears Gallagher (American, 1869-1955), “Haystacks”, c. 1910; pastel/paper, 12” x 18”, signed.
1000-1500
574. George Ames Aldrich (American, 1872-1941), “Autumn Landscape”, c. 1900; oil/board, 16” x 14”, signed.
1500-2000
575. Sears Gallagher (American, 1869-1955), “Winter in the Hills”, c. 1930; watercolor, 9” x 11”, signed. Gallagher was a well known watercolorist, and an early member of the Monhegan Island artist’s colony.
2500-3500
576. Minnie Harms Neebe (American, b. 1873), “Still Life”, c. 1920; oil/canvas, 26” x 22”, signed; label verso from the No-Jury Society of Artists 12th Annual Exhibition (Chicago).
1500-2500
577. Harry Leon Engle (American, early 20th century), “Heralds of Summer at Yorkville, Illinois”, c. 1922; oil/canvas, 20" x 24", signed, dated, titled.
2000-3000
578. Frank V. Dudley (American, 1868-1957), “Indiana Dunelands Landscape”, c. 1930; oil/canvas, 23" x 30", signed.
8,000-10,000
579. Olive Parker Black (American, 1868-1948), “Pastoral Landscape”, c. 1915; oil/canvas, 16” x 24”, signed, original ornate frame with some imperfections. Black studied with Hugh Bolton Jones and W.M. Chase (most likely in Shinnecock), and her style could be seen as a perfect mixture of the influences of her teachers. Black exhibited at the National Academy of Design from the 1890s-1930s.
3500-5500
580. William McKendree Snyder (American, 1849-1930), “Autumn Beech Woods”, c. 1900; oil/canvas, 12” x 16”, signed; Closson Gallery (Cincinnati) label verso.
2500-3500
581. Robert Grafton (American, 1876-1936), “Woman with a Fan”, c. 1910; oil/canvas, 30” x 24”, signed, original frame.
9,000-12,000
582. William Henry Cotton (American, 1885-1958), “Mother and Child”, c. 1925; oil/canvas, 30.25” x 25.25”, signed.
12,000-18,000
583. Roberto Angelo Kittermaster Marshall (British, 1849-1923), “Loch Long off the Clyde”, c.1880; oil/board, 7.75” x 20.25”, signed.
800-1200
584. Albert Sheldon Pennoyer (American, 1888-1957), “Covered Bridge”, c.1930; oil/canvas, 24.25” x 29.25”, signed.
1000-1500
585. J. Montreu (French, 19th-20th century), “Elegant Gathering”, c.1890; oil/canvas, 28.25” x 38.75”, signed.
1000-1500
586. Frederick Ballard Williams (American, 1871-1956), a pair of oils, one pictured: “In a Carefree World”, c. 1920; oil/board, 10” x 8”, signed; signed and titled verso, unframed; with another almost identical work, “Assembly on the Terrace”, attributed to the artist, which bears a later signature on front, with an authentic signature and title written in pencil verso, unframed.
1000-1500
587. Max Kuehne (American, 1880-1968), “View of Lower New York”, c. 1920; etching, 9.5” x 14”, signed and titled in pencil.
400-600
588. Dedo Carmiencke (Swiss/German, 1840-1907), “Mountain Landscape”, c. 1891; oil/board, 15” x 12”, signed and dated.
800-1200
589. Georges Jules Ernest Binet (French, 1865-1949), “Senorita”, c. 1920; oil/canvas, 40” x 29”, signed. Works of this size are rarely seen by this artist.
6000-8000
590. Arturo Pacheco Altamirano (Chilean, b. 1903), “Marina, Chile”, c. 1960; oil/canvas, 25” x 36”, signed.
2500-4500
591. Marc Saint-Saens (French, b. 1903), “Gypsy Woman”, c.1940; 26” x 20”, signed, unframed. Saint-Saens was a painter and textile designer.
800-1200
592. Donald Shaw Maclaughlin (American, 1876-1938), “Venice”, c. 1910; oil/board, 8.5” x 10”, signed and dated.
600-800
593. Paul Emile Pissarro (French, 1884-1972 ), “Harbor”, c. 1900; pastel/paper, 9” x 12”, signed.
1500-2000
594. Martin, French School, “Coastal Scene”, c. 1909; oil/board, 10” x 13.5”, signed and dated; inscribed, “pour Son Birthday a mon cher (?)aux”.
700-900
595. Dave Stirling (American, early 20th century), “Mountain Stream”, c. 1940; oil/board, 30” x 36”, signed. Stirling painted numerous scenes of Estes Park, Colorado.
1500-2000
596. Laura Hoernig (American, early 20th century ), “Path on the Outskirts of Taos Pueblo”, c. 1940; oil/canvas, 16” x 20”, unsigned, fine contemporary carved frame.
600-800
597. Laura Hoernig (American, early 20th century), “Taos Pueblo with Mountain in the Distance”, c. 1940; oil/canvas, 16” x 20”, unsigned, fine contemporary carved frame.
600-800
598. Laura Hoernig (American, early 20th century ), “Portrait of a Girl”, c. 1940; oil/canvas, 20” x 16”, unsigned, fine contemporary carved frame.
600-800
599. Robert Goldman (American, b. 1948), “Sunset on Sabino Wash”, c. 1999; oil/canvas, 12” x 16”, signed.
1000-1500
600. Robert Goldman (American, b. 1948), “Across the Canyon, Mission Hills”, c. 2000; oil/canvas, 20” x 24”, signed and dated. Goldman is a successful contemporary California painter.
2000-3000
Sale Date:
Sunday, May 23, 2004