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| Sale Date: Sunday, May 23, 2004 |
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Lot Numbers and Descriptions
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Estimate
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501. Hardesty G. Maratta (American, 1864-1924), “Illinois Farm”, c. 1910; oil/board, 5.5” x 7”, signed.
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1000-1500
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502. Continental School, 18th Century, "The Entombment of Christ", oil on canvas, 26” x 33”, unsigned, unframed.
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1500-2500
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503. Dominique Grenet (French, 1821-1885 ), “Woman on a Path in a Landscape”, c. 1890; pastel, 25” x 21”, signed, excellent original frame.
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2000-4000
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504. Jose Weiss (British, 1859-1919), “Barbizon Landscape”, c. 1880; oil/canvas, 14” x 20”, signed, nicely framed.
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1500-2500
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505. Francesco Solimena (Italian, 1657-1747), “Prince of Venice”, c. 1700; oil/canvas, 9” x 6”, inscribed verso.
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3000-5000
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506. Charlotte E. Connard (American, late 19th century) “Hunting Dogs”, c. 1880; oil/canvas, size, signed. Connard worked in New York and Boston.
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800-1200
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507. William B. Baird (American, b. 1847), “Rocky Coast”, c. 1880; oil/panel, 8” x 6”, signed and inscribed, “Paris”.
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1000-2000
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508. A. Belot (French, 19th century), “Portrait of a Woman”, c. 1880; oil/canvas, 27” x 22”, signed.
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2000-3000
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509. Henry Hadfield Cubley (British, 19th century), “By the Shores of Loch Nell Argyllshire”, c. 1896; oil/canvas, 20” x 30”, signed and dated.
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1000-2000
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510. Alfred Montague, attribution (British, 1832-1883), “Street Scene, Normandy”, c. 1870; oil/panel, 14” x 10”, unsigned, name plate on period frame
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1000-1500
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511. Charles Malfroy (French, 1862-1951), “A Port in France”, c. 1880; oil/canvas, 12” x 17”, signed.
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4000-6000
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512. Rufus Way Smith (American, 19th century), “Forest Landscape”, c. 1888; oil/board, 34” x 26”, signed and dated. Smith worked in Cleveland, and exhibited at the Pennsylvania Academy of Fine Art Annuals in the 1880s.
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3000-5000
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513. Johannes Drevet (French, 1854-1940), “Village along a Stream”, c. 1900; oil over gouache/paper, 16” x 22”, signed, well framed.
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1000-1500
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514. Robert Salmon (British/American, 1775-1858), “Bringing in the Catch”, c. 1804; oil/panel, 12” x 16”, signed and dated verso.
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10,000-20,000
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515. Anton Doll (German, 1826-1887), “In the Bavarian Alps”, c. 1870; oil/canvas, 18” x 30”, signed and inscribed, “Munchen”.
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8000-10,000
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516. B. Klein (Dutch, 19th-20th century), “Interior with Family”, c. 1910; oil/canvas, 36” x 48”, signed.
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4000-6000
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517. Thomas Waterman Wood (American, 1823-1903), “Threading a Needle”, c. 1860; oil/canvas, 12” x 10”, signed.
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20,000-30,000
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518. William Lees Judson (American, 1842-1928 ), “Coastal Scene”, c. 1881; oil/canvas, 24” x 55”, signed and dated. Judson came to the U.S. in 1852, and served in the Illinois State Militia during the Civil War. He worked in California in the latter part of the 19th and early 20th centuries, painting Indians and coastal landscapes.
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7000-9000
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519. Alessandro Guaccimanni (Italian/American, 1864-1927), “Venice”, c. 1890; oil/canvas laid down on board, 14” x 18”, signed. Guaccimanni primarily painted in Italy, but he did execute New York street scenes, and he exhibited at the National Academy of Design in 1892.
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12,000-18,000
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520. Spanish School, “Mother and Children”, c. 1880; oil/canvas laid down on board, 22” x 31”, signed “DeMichelis?”.
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1000-2000
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521. Milton H. Lowell (American,1848-1927), “Coastal Village”, c. 1920; oil/canvas, 30” x 21”, signed.
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1000-2000
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522. P. Monay (French, early 20th Century), “Coastal Village”, c. 1930; oil/canvas, 22” x 28”, signed.
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700-900
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523. Clement Nye Swift (American, 1846-1918), “A Couple”, c. 1900; oil/board, 9” x 6”, signed.
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600-800
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524. American School, “Two Geese”, c. 1900; oil/canvas laid down on board, 6” x 7.5”, unsigned.
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300-500
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525. American School, “Woman in a Fancy Gown”, c. 1920; pastel/paper, 24” x 18”, unsigned.
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200-300
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526. T. Pueytzer? (European, early 20th century), “Man Sitting in an Interior”, c. 1920; oil/canvas, 27” x 27”, signed indistinctly.
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1000-2000
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527. Gulbrandt Sether (Norwegian/American, early 20th century), “Winter Glow”, c. 1920; oil/canvas, 20” x 30”, signed.
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800-1200
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528. Nicholas P. Briganti (Italian/American, 1895-1989), “Venice”, c. 1930; oil/canvas, 25” x 20”, signed.
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600-800
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529. Charles Appel (American, b.1857 ), “Harbor Scene”, c. 1921; oil/canvas, 9” x 12”, signed and dated.
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800-1200
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530. Antal (Laszlo) Neogrady (Hungarian, 1861-1942), “Peasant Woman in a Landscape”, c. 1930; oil/canvas, 20” x 24”, signed.
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1000-2000
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531. William C Emerson (American, early 20th century), “Woodland Nymphs”, c. 1910; oil/board, 21.5” x 29.5”, signed.
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1500-2500
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532. William Merritt Post (American, 1856-1935), “Autumn Trees”, c. 1900; oil/canvas, 18 x 24”, signed.
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4000-6000
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533. Miles Jefferson Early (American, b. 1886), “Faux Pas”, c. 1934; oil/canvas, 40” x 50”, signed and dated; titled on verso.
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4000-6000
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534. Carl Weber (American, 1850-1921), “Summer Evening, Cranbury Lake, New Jersy”, c. 1874; oil/canvas, 23” x 35”, signed and dated; label verso from Frank S. Schwarz, Philadelphia.
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3000-5000
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535. William Merritt Post (American, 1856-1935), “After Sunset”, c.1900; oil/canvas laid down on board, 8” x 10”, signed; label verso from Salmagundi Club.
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800-1200
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536. Charlotte Buell Coman (American, 1833-1924), “Ducks on a Pond”, c. 1890; oil/board, size, signed, original carved frame.
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1000-2000
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537. S. Kawai (Japanese, 19th-20th century), “Ship at Dawn”, c. 1880; watercolor, 13” x 19”, signed.
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2000-4000
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538. Egbertus Antoine Jansen (German, 1877-1957), “Harbor Scene with Figures”, c. 1920; oil/canvas, 26” x 40”, signed.
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2000-4000
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539. Danish School, “The Cello Player”, c. 1880; oil/board, 32” x 24”, unsigned.
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10,000-15,000
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540. Charles P. Appel (American, b. 1857 ), “A Quiet Brook”, c. 1910; oil/canvas, 14” x 20”, signed; titled on stretcher.
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3000-4000
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541. George Howland (American, 1865-1928), “French Street Scene”, c. 1904; oil/canvas laid down on board, 13” x 17”, signed and dated.
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3000-5000
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542. Whitney Myron Hubbard (American, 1875-1965), “Woman in the Flower Garden”, c.1900; oil/canvas, 8” x 5”, signed; provenance: a friend of the artist.
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3000-4000
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543. Antoine (J. Pelletier) Bouvard (French, 1870-1956), “Venice”, c.1920; oil/canvas, 13” x 18”, signed, Marshall Fields label verso, nicely framed.
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6000-8000
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544. Whitney Myron Hubbard (American, 1875-1965), “The Flower Garden”, c.1900; oil/canvas, 8” x 5”, signed on stretcher; provenance: a friend of the artist.
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2000-3000
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545. James C. Beckwith (American, 1852-1917), “Spring (Portrait of a Woman)” c.1890; oil/canvas, 24” x 18”, signed; label verso from Atelier Dore.
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6000-8000
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546. Ralph Davison Miller (American, 1858-1945), “Expansive California Landscape”, c. 1910; oil/canvas, 29” x 40”, signed, excellent original frame. This is an exceptional example by this artist.
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7000-9000
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547. Jessie Arms Botke (American, b. 1883), “White Peacock” oil/canvas, 24” x 20”, signed.
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15,000-20,000
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548. Matthew Hastings (American, 1834-1919) “In Arcadia”, c. 1870; oil/canvas, 22” x 18”, signed.
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2000-4000
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549. George Ernest Colby (American, b. 1859), “Forest Scene with Bridge”, c. 1910; watercolor, 24” x 15.5”, , signed. Colby was a well known Illinois watercolorist who exhibited at the Art Institute of Chicago from 1898-1921.
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400-600
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550. Warren Ludwig (American, early 20th century), “Tunisian Street Scene”, c. 1920; oil/canvas, 16” x 20”, signed. Ludwig was a St Louis artist, and exhibited at the St Louis Artist Guild.
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400-600
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Sale Date:
Sunday, May 23, 2004 |
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