Sale Date:
Sunday, May 23, 2004
Click thumbnail for larger image. Use Back button to return.
Lot Numbers and Descriptions
Estimate
451. Steuben vase, footed flaring form with ruffled rim in white calcite glass with gold aurene interior, 6”h
650-850
452. Steuben vase, flaring waisted form with ruffled rim in gold aurene glass with colorful highlights, signed Steuben Aurene #723, 5.5"h
1000-1500
453. Steuben plate, attribution, gold aurene glass with overall iridescence, 5.5"dia.
100-200
454. Steuben shades, four, attribution, pulled green design on a white ground, hint of signature remnants, 5.5"w x 4"h
600-800
455. Quezal shade, pulled feather design in gold against an opaque yellow ground, signed, 4.5"w x 3.5"h
100-200
456. Steuben plate, attribution, blue aurene glass with overall iridescence, 6"dia.
100-200
457. Tiffany Studios leaded glass panel, attribution, multi-colored glass segments, good color and mottling, 6.5"sq., minor flakes
600-800
458. L.C. Tiffany glasses, set of four, gold favrile glass with nice iridescent highlights, all but one signed L.C.T., all 5.5"h, beautiful glass
1500-2000
459. Tiffany Furnaces trivet, blue favrile glass with iridescent highlights surrounded by a bronzed metal footed frame, impressed Tiffany Furnaces, Inc. Favrile #551, original patina, 6"sq.
900-1200
460. Good L.C. Tiffany bowl, footed form in green pastel favrile glass with etched butterfly, signed L.C. Tiffany Inc. Favrile, #1561, 6"w
600-800
461. Nice L.C. Tiffany bowl, footed form in green pastel favrile glass, signed L.C.T. Favrile, 2.5"h
450-650
462. L.C. Tiffany glass, small form in opalescent and green favrile glass, signed L.C.T. Favrile #5, 4"h
350-450
463. Tiffany Studios lamp, bronze base with its original patina holding a gold favrile glass shade with Damascene design, base with impressed Tifany Studios New York, shade signed L.C.T. Favrile, 14”h, minor chips to fitter rim
4500-6500
464. L.C. Tiffany glass, attribution, pink and white striped top and blue around rim of foot, 6"h, paper label
450-650
465. Nice L.C. Tiffany vase, swollen form in gold favrile glass with pulled green leaf and vine design, signed L.C. Tiffany Favrile #309L, 9"h
2000-3000
466. L.C. Tiffany vase, low shape in gold favrile glass with pulled green leaf design, signed L.C. Tiffany Favrile #4383K, 8"w
1200-1700
467. Good L.C. Tiffany vase, flower form with ruffled rim in gold favrile glass with veining to edges, signed L.C.T. #W4770, 6.5"h, nice iridescence
1000-1500
468. L.C. Tiffany envelope stamp, gold favrile glass, stamps initial B, 1.75”h
550-750
469. L.C. Tiffany salts, four, four-footed form in gold favrile glass with platinum iridescence, signed L.C.T., one signed L.C.T. Favrile, 1.5"h, one with chip to rim, all others with normal grinding chips to feet
600-800
470. L.C. Tiffany vase, miniature form in gold favrile glass with iridescent highlights, signed L.C.T. #969B, 2"h
350-550
471. L.C. Tiffany glass, twisted stem in gold favrile glass with purple and blue iridescent highlights, signed L.C.T., 5.5"h
550-750
472. L.C. Tiffany bottle, bulbous bottom with indented sides and a slender neck, favrile glass with opalescent highlights, signed L.C.T. #R7933, 10"h, stopper is also numbered
1000-1500
473. L.C. Tiffany glass, gold favrile glass with purple, blue and green iridescence, signed L.C.T. #T954, 6"h
450-650
474. L.C. Tiffany bowl, scalloped shape with crimped rim in gold favrile glass with green, red and blue iridescent highlights, signed L.C.T., 6"w
200-300
475. L.C. Tiffany glasses, pair, (one shown), hooked design in gold favrile glass with purple and green iridescent highlights, signed L.C.T., 4"h
550-750
476. L.C. Tiffany bowl, low scallped shape with crimped rim in gold favrile glass with red, yellow and platinum iridescent highlights, signed L.C.T., 6"w
200-300
477. L.C. Tiffany bowl, crimped rim in gold favrile glass with iridescent highlights, signed L.C.T., 2.5"w
200-300
478. L.C. Tiffany finger bowl and underplate, gold favrile glass with ruffled rims and nice veining, both signed L.C.T., 7"w x 2.5"w
500-700
479. L.C. Tiffany bowl, pinched rim in gold favrile glass with platinum iridescence, signed L.C.T., 2.5"w
300-500
480. Good Tiffany Studios table lamp, dogwood design in leaded glass, shade signed Tiffany Studios New York, 16"dia. shade, great original patina on base and shade, base is signed Tiffany Studios New York #533, unusually heavy bronze work on branches
25,000-35,000
481. Exceptional Tiffany Studios floor lamp, shade with Damascene decoration and subtle ribs at shoulder, shade is 10"w and signed L.C. T. Favrile, graduating organic base with great original patina, signed Tiffany Studios New York #670, overall height 54"
15,000-20,000
482. Tiffany Studios table lamp, leaded glass Colonial shade, caramel and ivory mottled glass supported by a bronze base, shade and base impressed Tiffany Studios New York, the base and shade with original gold doré patina, 16"dia. x 22"h, some broken glass segments to shade
9,000-12,000
483. Large and decorative French bronze, standing nude female, good original patina, marked, 28"h
1000-2000
484. Oscar Bach lamp base, hammered nickel plated brass, three figural birds on a reticulated hexagonal base, original patina, 8”w x 8”d x 26”h, very good condition
700-900
485. Bronze figural, cold painted camel and rider, original patina and paint, marked Tiffany but it is not, 11"h
900-1200
486. Tiffany & Co. tea service, teapot, creamer and sugar, sterling silver with monogram, teapot with ivory accents to handle, impressed marks, largest is 9.5"h
700-900
487. Good Schneider floor lamp, flared shade in orange and frosted glass supported by a reticulated wrought iron base with applied leaves and vines, excellent original patina, 13"w x 56.5"h, incised signature on shade
2000-3000
488. Rococo style Gilt bronze candelabra, pair, flower form each with six candleholders on a three foot base, 17” dia.x 22”h, very good condition
1000-1500
489. Exceptional Tiffany Studios lamp, ten-light lily, bronze base with lily pad design having it’s original gold doré patina holding ten favrile glass shades, base signed Tiffany Studios New York #381, all shades signed L.C.T. Favrile or L.C.T., 21”h, excellent original condition, great example of this lamp
32,000-37,000
490. Fine Tiffany Studios lamp, adjustable bronze base with a fine original patina holding a green favrile glass shade with rare quilted feather design, base signed Tiffany Studios New York, shade signed L.C.T. Favrile, 15” at highest adjustment, great original patina, great shape
10,000-15,000
491. William McKendree Snyder (American, 1849-1930), “Path through a Southern Indiana Beech Woods”, c. 1890; oil/canvas, 18” x 28”, signed, original frame.
5000-7000
492. C.A. Harbeck (American, 19th-20th century), “Garden at Twin Lakes”, c. 1920; watercolor, 6” x 8”, signed.
400-600
493. Warren B. Davis (American, 1868-1928 ), “Dancer”, c. 1910; gouache/paper, 5.5” x 4”, signed; also inscribed on verso.
700-900
494. Edmund Wuerpel (American, 1866-1958) , “The Pool, Early Evening”, c. 1921; oil/canvas, 36” x 50”, signed with monogram; another label vero with another title, “Missouri Hills”, and “Washington University” and dated. Washington University is also known as the St Louis School of Fine Art, of which Wuerpel resided as Dean of Fine Art for a number of years.
3000-5000
495. R. Green (American, 19th-20th century), “October Crescent”, c. 1923; oil/board, 18” x 16”, signed with monogram; signed and dated in pencil verso.
2500-3000
496. W. Lefbvre (French, 19th-20th century), “The Homecoming”, c. 1900; mixed media/paper, 10” x 9”, signed and dated.
600-800
497. Lorenzo Palmer Latimer (American, 1857-1941), “Felta Creek near Healdsburg, California”, c. 1914; watercolor, 14” x 10”, signed and dated, original frame. Well known California watercolorist.
3000-4000
498. John A. Spelman (American, b. 1880), “Western Landscape”, c. 1930; oil/canvas, size, signed.
2500-3500
499. Anna M. Valentien (American, 1862-1947), “California Landscape”, c. 1920; oil/board, 16” x 20”, signed. Valentien worked at Rookwood Pottery, and then moved to San Diego with her husband Albert, and founded Valentien Pottery. She was an important figure to the Arts & Crafts movement in San Diego.
800-1200
500. Thomas Moran (American, 1837-1926), “The Grand Canyon of Arizona from Hermit Run Road”, c. 1913; chromolithograph, size, printed by the American Lithographic Company, New York, 1913. Provenance: W. Graham Arader III, Philadelphia; very well framed.
2000-3000
Sale Date:
Sunday, May 23, 2004