Sale Date:
March 6, 2005
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Lot Numbers and Descriptions
Estimate
701. Raun (American, 20th century), "Senorita", c. 1930; oil/canvas, 36" x 22", signed on verso.
300-500
702. A. Muslinn (French School, 19th century), "Shepherdess", c. 1890; oil/canvas, 8" x 10", signed.
500-700
703. A.L. Friedrichs (American, early 20th century), "Still Life with Elephant Figurine", c. 1930; oil/canvas, 16" x 12", signed verso. Friedrichs worked in St Louis and was primarily a still life painter.
300-500
704. Frederik Hansen (Dutch, 19th-20th century), "Girl Reading", c. 1900; watercolor, 14.5" x 10.5", signed and initialed.
500-700
705. Carl Rudolph Krafft (American, 1884-1938), "Roadside Cabin", c. 1937; oil/canvas, 18" x 20", signed and dated. Krafft was one of the most prominent landscape painters working in Ilinois in the early 20th century. He had a studio in Oak Park, but also worked in the Missouri Ozarks and Brown County, Indiana.
2500-4500
706. Gustav Wolff (German/American, b. 1863) "Summer Landscape", c. 1910; oil/canvas, 12" x 16", signed. Wolff studied with Paul Cornoyer at the St Louis School of Fine Art, and painted similar subjects in a similar style. He painted all over Europe, and in Buffalo, NY. He exhibited at the Portland Expo (1905); Competitive Exhibition (1906); and the Society of Western Artists (1907).
600-800
707. Charles William Duvall (American, 1864-1966 ), "Ohio Landscape", c. 1945; oil/canvas, 24" x 32", signed and dated. Columbus, Ohio landscape painter.
700-900
708. Lillian Thoele (American, b. 1894), "Winter Landscape", c. 1940; oil/board, 12" x 16", signed. Thoele studied at the St Louis School of Fine Art, Pennsylvania Academy of Fine Art, and the Summer School (Saugatuck, Michigan). She exhibited at the St Louis Art Museum and the St Louis Artist Guild from 1918-46; she also exhibited at the Society of Independent Artists and the American Art Alliance. She also worked as an illustrator.
600-800
709. D.E. Tirefort (American, 20th century), "New York Bridge", c. 1954; oil/board, 9" x 12", signed and dated.
800-1200
710. Francis Folcer Brown (American, 1891-1971), "House along the Path", c. 1930; oil/board, 16" x 20", signed upper left, and signed again (incised recto center). Indiana painter. Brown studied with J.Otis Adams and William Forsyth. He exhibited at the Hoosier Salon, Richmond Art Association, and the Corcoran Gallery. He taught at Ball State Teachers College.
1000-2000
711. Lester A. Gillette (American, b. 1855), "Majestic Forest in the Colorado Mountains", c. 1920; oil/board, 20" x 24", signed; titled verso. Gillette worked in Topeka, Kansas. He painted landscapes and harbor scenes. He was a member of the North Shore Artist Association and the Gloucester Society of Artists.
500-700
712. Hillard Schule (American, 20th century), "Mountain Landscape", c. 1958; oil/canvas, 26" x 30", signed and dated.
800-1200
713. Laura Hoernig (American, 20th century), "Workers in New Mexico", c.1940; oil/canvas , 16" x 20", unsigned. Hoernig was a Kansas City painter, but also worked in Taos, New Mexico. Provenance: the estate of the artist.
300-500
714. Laura Hoernig (American, 20th century), "Church in Taos", c.1940; oil/canvas , 16" x 20", unsigned. Hoernig was a Kansas City painter, but also worked in Taos, New Mexico. Provenance: the estate of the artist.
300-500
715. Lester A. Gillette (American, b. 1855), "Red Rock Canyon", c. 1920; oil/board, 14" x 20", signed; titled verso. Gillette worked in Topeka, Kansas. He painted landscapes and harbor scenes. He was a member of the North Shore Artist Association and the Gloucester Society of Artists.
500-700
716. Charles Bowman Hutchins (American, b. 1889), lot of two works, one pictured: "Rocky Mountain Landscape", c. 1920; oil/board, 8.5" x 13", signed; with "Grand Lake, Colorado, Rocky Mountain National Park", oil/board, 8" x 11", signed. Hutchins was a member of the Boulder (Colorado) Artists Association. He painted landscapes and birds.
600-800
717. Dan McCaw (American, b. 1942), "Native American Girl", c. 2000; oil/board, 20" x 16", signed. McCaw is a nationally recognized contemporary impressionist painter.
800-1200
718. Robert Goldman (American, b. 1948), "Colorado Landscape", c. 2003; oil/canvas, 24" x 36", signed. Goldman is a successful contemporary western landscape painter.
2000-3000
719. Robert Goldman (American, b. 1948), "Winter, Colorado ", c. 2003; oil/canvas, 24" x 30", signed.
1800-2200
720. Wallace Leroy DeWolf (American, 1854-1930), "California Landscape", c. 1922; oil/canvas, 30" x 40", signed and dated. DeWolf worked in Chicago and in California. He was a member of the Art Institute of Chicago, Chicago Society of Artists, California Art Club, California Printmakers, and the Painters and Sculptors of Los Angeles.
1000-1500
721. Graham Holmes (American, 1908-1982), "Still Life with Native American Objects", c. 1953; oil/canvas, 25" x 30", signed and dated. New Jersey painter. Holmes studied with Wayman Adams.
600-800
722. Harrison Paul Brown (American, b. 1889), "Drydock", c. 1940; oil/board, 14" x 18", signed. Brown studied at the Saugatuck Summer School and in Chicago with Frederick Fursman and Walter Clute.
1000-1500
723. Carl Oscar August Erickson (American, 1891-1958), "Autumn River Landscape", c. 1930; oil/canvas, 14" x 16", signed. Chicago painter. Erickson studied at the Chicago Academy of Fine Art and the Art Students League. He exhibited at the Art Institute of Chicago, Society of Independent Artists, and the Pennsylvania Academy of Fine Art.
300-500
724. Simon Paul Baus, attribution (American, b. 1882), "White Roses", c. 1940; oil/masonite, 26" x 21.5", unsigned; artist’s name written on frame.
300-500
725. John Haten (American, 20th century), "Mountain Landscape", c. 1940; oil/board, 12" x 16", original carved frame, signed.
450-650
726. Nicholas Richard Brewer (American, 1857-1949), "Smokey Mountains", oil/board, 12" x 16", signed. Brewer studied with Dwight Tryon, and exhibited at the National Academy of Design, Minnesota State Artist Society, St. Paul Institute, and the Art Institute of Chicago.
1000-2000
727. Laura Hoernig (American, 20th century), "Mountain Lake", c. 1940; oil/canvas, 16" x 20", unsigned.
300-500
728. Willard Karl Steele (American, b. 1910), "Building on the Hilltop", c. 1940; oil/canvas, 24" x 16", signed. Steele studied at the John Herron in Indianapolis. He exhibitedat the Hoosier Salon in the 1930s-40s, and the Indiana Artists Club. He became the artist-in-residence at Wheaton (IL) College in 1946.
400-600
729. Paul Turner Sargent (American, 1880-1946), "Late Autumn Landscape", c. 1920; oil/canvas, 10" x 13", unsigned. Landscape painter from Charleston, Illinois. Sargent exhibited at the Hoosier Salon, Art Institute of Chicago, and in California, at the Laguna Beach Art Association.
400-600
730. Paul Turner Sargent (American, 1880-1946), "River Reflections", c. 1920; oil/canvas, 9.75" x 12.5", signed. Landscape painter from Charleston, Illinois. Sargent exhibited at the Hoosier Salon, Art Institute of Chicago, and in California, at the Laguna Beach Art Association.
600-800
731. Robert Goldman (American, b. 1948), "Salt River Canyon", c. 2003; oil/canvas, 16" x 20", signed. Goldman is a successful contemporary western landscape painter.
1000-1500
732. Louis Oscar Griffith (American, 1875-1956), lot of three etchings, one pictured: "Constancy", c. 1930; 4.75" x 6", pencil signed and titled; with two similar works, titled, "Stonehead Road" and "Winding Stair", both also signed and titled. Griffith moved to Nashville, IN permanently in 1922. His artistic production was split between painting and printmaking, and he excelled at both. He exhibited at the Hoosier Salon, Brown County Art Gallery Association, Chicago Gallery Association, National Academy of Design, Library of Congress, Chicago Society of Etchers, San Antonio Art League, Pan-Pacific Expo (1913), and the Indianapolis Art Club.
600-800
733. Dave Stirling (American, early 20th century), "Mountain Stream", c. 1940; oil/board, 30" x 36", signed. Stirling painted numerous scenes of Estes Park, Colorado.
1000-1500
734. Eliot Candee Clark (American, 1883-1980), "Hillside Farm", c. 1930; oil/board, 8" x 10", signed, nice carved frame. Clark studied with his father, painter Walter Clark and also J.H. Twachtman. He painted primarily landscapes, and exhibited extensively from the the 1910s until his death.
700-900
735. Guy MacCoy (American, b. 1904), "Sailboats at Dock", c. 1951; color serigraph, 29" x 40", signed in pencil. MacCoy worked with Benton and Matulka, and was best known for his printmaking. He exhibited at the Kansas City Art Institute in the 1930s, and at the Laguna Beach Art Association. This is an exceptional example of this artist’s work.
800-1200
736. E. Sivorken-Falk (American, 20th century), "Vase of Flowers by a Window", c. 1946; oil/board, 21" x 18", signed and dated.
400-600
737. Jean Dufy (French, 1888-1964), "La Promenade", c. 1940; color lithograph, 18.5" x 25", pencil signed, unframed. Highly important French Modernist, known for his work in watercolor. Dufy studied at the Ecoles des Beaux-Arts and in Paris, with Othon Friesz. He exhibited at the Salon d’Automne, and is represented in the collections of museums internationally.
1000-2000
738. Pat (Pascal) Cucaro (American, b. 1915), "Fisherman, San Francisco", c.1960; oil/board, 16" x 20", signed. Cucaro studied Butler Art Institute, California School of Fine Art, and in Paris, with Leger. He exhibited at the Cory Gallery in San Francisco and at the Butler Art Institute. He maintained a studio in North Beach (near San Francisco).
500-700
739. Arthur Flory (American, 1914-1972), "Beached Boat", c. 1953; oil/canvas, 24" x 30", signed and dated; titled verso. Philadelphia artist.
500-700
740. Stark Davis (American, b. 1885),"Tucan", c. 1930; oil/board, 9.5" x 9.5", signed. Chicago artist, Davis specialized in Art Deco style paintings of animals, especially birds. He exhibited at the Art Institute of Chicago, Grand Central Galleries, and the Chicago Palette and Chisel Club (1920’s-40’s). His painting style is distinct and his works are highly collected.
800-1200
741. Jean Calogero (Italian, 1922-2001), "Faces", c. 1960; oil/canvas, 18" x 22", signed; labels verso. Calogero studied at the Academy of Fine Arts, Sicily, and the Academie des Beaux-Arts, Paris. Awarded the Grand Silver Medal by the City of Paris in 1957. This is a very fine example of this artist’s work.
1000-1500
742. Francois Gerome (French, b. 1895), "Versailles", c. 1950; oil/canvas, 24" x 30", signed and titled. Gerome was well known for his scenes of Paris, executed in the manner of Cortes and Blanchard.
600-800
743. M. Barta (Hungarian, 20th century), "Ballerinas", c. 1950; oil/canvas, 25" x 21", signed.
400-600
744. Pal Fried (Hungarian/American, 20th century), "Girl in Front of a Busy Paris Cafe", c. 1940; oil/canvas, 24" x 30", signed, original frame. Well known impressionist painter, worked mostly in France. This an excellent example of his work, with very desirable subject matter.
2000-3000
745. Alexander Kachinsky (Russian/American, 1888-1958), "Sailing", c. 1940; oil/canvas, 26.25" x 36", signed. Kachinsky studied at the Fine Art Academy in Leningrad, and with Maurice Denis in Paris. After arriving in the U.S., he settled in White Plains, New York, and exhibited extensively in the 1930s-40s, at the Art Institute of Chicago, International Exhibition of Modern Art (Geneva, Switzerland), New Hudson River Group, and the Yonkers Art Association.
600-800
746. A. Bauchert (French , 20th century), "Manchez aux fleurs, Paris", c. 1960; oil/canvas, 24" x 30", signed and titled.
600-800
747. Edna Wolff (Henner) Maschgan (American, 1907-2001), "Still Life with Fruit and Flowers", c. 1950; oil/canvas, 24" x 30", signed, estate stamp, exhibition label: 15th U.L.C. Art Competition.
2000-3000
748. Edna Wolff (Henner) Maschgan (American, 1907-2001), "Young Emil: New Faces in Old Places", c. 1950; oil/masonite, 24" x 28", unsigned, artist’s label verso with name and title, estate stamp.
2000-3000
749. Edna Wolff (Henner) Maschgan (American, 1907-2001), "The Model", c. 1950; oil/canvasboard, 30" x 24", signed on verso with artist’s Chicago address, estate stamp.
2000-3000
750. Edna Wolff (Henner) Maschgan (American, 1907-2001), "Woman in a Library", c. 1930; oil/canvas, 40" x 30", unsigned, estate stamp. This is a very rare early work by the artist.
2500-3500
Sale Date:
March 6, 2005