ONLINE CONDITION REPORTS
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Sale Date:
June 4 & 5, 2005
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Lot Numbers and Descriptions
1201. WITHDRAWN
1202. Edith Bry (American, 1898-1992), "Requiem", c. 1950; oil/canvas, 39" x 51", signed, artist information on verso. New York modernist; studied with Winold Reis. 600-800
1203. Joan F Muzik (French, 20th century), "Paris Scene", c. 1961; oil/canvas, 24" x 30", signed and dated. 600-800
1204. Charles Levier (French, 20th century), "Three Women in Paris", c. 1960; watercolor/paper, 23" x 16", signed. 400-600
1205. Annette Dufresne (American, 20th century), "Electric Woman", c. 1950; oil/canvas, 20" x 34", signed on verso. Dufresne worked in Chicago and was the wife of fellow painter, Frank Perri. 250-350
1206. Claude Venard (French, 1913-1987), "Pomegranates", c. 1958; oil/canvas, 9" x 13", signed. Important Paris modernist, known for his industrial scenes, still lifes and non objective works. His work is in museum collections in Dallas, Buenos Aires, Tokyo, London and Paris. 500-700
1207. Jean Calogero (Italian, 1922-2001), "At the Circus", c.1950; oil/canvas, 36" x 30", signed. 1000-1500
1208. L. Mas (French, 20th century), "Paris", c. 1950; oil/canvas, 19.5" x 25", signed, "Place De La Concorde..." on verso. 400-600
1209. Poncini (French, 20th century), "Paris", c. 1960; oil/canvas, 22" x 18", signed. 500-700
1210. Frances Leoux (French 20th century), "Paris", c. 1957; oil/metal (siltal), 16" x 19", signed and dated. 600-800
1211. Grace Hamilton (American, 20th century), "White Flowers in Vase", c. 1950; oil/canvas, 25" x 30", signed verso. 2000-3000
1212. Gaston Pierre (French, 20th century), "Montmarte",c.1950; oil/canvas, 20" x 10", signed. 300-500
1213. Raymond Besse (French, 1899-1969), "Montmarte", c.1960; oil/canvas, 18" x 21", signed and titled on verso. 700-900
1214. Auguste Bonheur (French, 1824-1884), "Paris Street Scene", c. 1950; oil/canvas, 24" x 30", signed. 500-700
1215. Matthew Ziegler (American, b. 1897), "Nude", c. 1940; oil/canvas, 32" x 14.5", signed. St Louis modernist painter. Studied at the Art Institute of Chicago, and exhibited at the 48 States Competititon (1939), St Louis Artist Guild, and the St Louis Art Museum. He was a WPA artist. 300-500
1216. M. Califano (Italian/French, 20th century), "Sacre Coeur", c. 1960; oil/canvas, 16" x 20", signed. 250-350
1217. Jean Calogero (Italian, 1922-2001), "Girl with Flowered Hat", c.1960; oil/canvas, 29" x 22", signed. 1000-1500
1218. Lee Chubb (American, 20th century), "Abstract", c. 1960; paper collage and mixed media, 24" x 18", signed. 200-300
1219. D.S. Lopiccolo (American, 20th century), "Abstracted Landscape", c. 1950; oil/canvas, 9" x 12", signed. 300-500
1220. Segunda Huertas (Mexican, 20th century), "Flowers", c.1950; oil/canvas, 23" x 11", signed. 300-500
1221. Monte (French School), "Head of Boy", c. 1960; oil/board, 10" x 8", signed. 200-300
1222. Louis Vidal Molne (Spanish, 1907-1970), "Artist in Studio", c.1960; oil/canvas, 21" x 25", signed. 500-700
1223. Henry Laurent (French, 20th century), "Street Scene in Paris", c. 1950; oil/canvas, 18" x 15", signed. 400-600
1224. Justicia (20th century), "Man with Braids", c. 1950; gouache/board, 18" x 12", signed. 300-500
1225. M. Brockman (American, 20th century) "Portrait of a Black Man", c.1940; oil/canvas, 18" x 16", signed. 400-600
1226. Agnes Robertson (American, 1911-2001), lot of three, one pictured: "Bird", c.1960; gouache/paper, 23" x 17", signed and two works 16" x 13". 400-600
1227. Justicia (20th century), "Primitive", c.1950; gouache/board, 18" x 12", signed. Very unusual work. 300-500
1228. Thomas Bostelle (American, 1921-2005), "What’s Going on Tonight?", 1970; mixed media collage/board, 29" x 23", labels on verso: / Franz Bader Gallery (Washington D.C.), Selected Artist’s Galleries, Inc (N.Y.C.), Baltimore Museum. 300-500
1229. Moser (American School), lot of three watercolors of similar subjects, one pictured: "Fishing", c.1960; watercolor/paper, 10" x 8", signed and dated. 250-350
1230. Margaret Burroughs (American, b.1917), "Elder", 1986; etching, 11.5" x 9", pencil signed and numbered. 4/4. 600-800
1231. Margaret Burroughs (American, b.1917), "Pharoah and Queen #4", 1986; etching, pencil signed and numbered, 8.75" x 9", 1/2. Burroughs has exhibited at the Corcoran Art Galleries and the Studio Museum in New York. Important African-American painter, sculptor, and printmaker. She also founded the South Side Community Arts Center in 1939. These images are very rare and very low editions. 600-800
1232. George Meinshausen (American), engraving on rice paper, "McFee, Co., Cin. Portrait", signed in pencil, mounted, 4.5" x 6.5"; with an engraving on paper, "McFee, Co. Portrait", signed in pencil, numbered 6/25, matted, 4.5" x 6.5". Cincinnati artist. 100-200
1233. Bolswert, after Van Dyck, engraving on paper, "Paulus de vos Pictor", signed, titled, 6.25" x 9.75"; with a Christian Romstedt (German), c. 18th century, engraving on paper, "Paulus Slevogtius", signed, titled, 7" x 10.25"; with a Mignard, ink on paper, reproduction of a 1664 engraving, "Guillaume de Brisacier Secretaire des Commandemens de la Reyne, 1664", signed, mounted, 10.5" x 14" 100-200
1234. Fouer, ink on paper, "Figures in a Rotunda", signed, matted, printers stamp, 5" x 7"; with an Unknown, engraved bookplate on old paper, c. 18th century, "Boni Eventus", unsigned, 3.5" x 5.25"; with an Unknown, combination etching and engraving, untitled, unsigned, 15" x 20" 100-200
1235. Abraham Tjenks, etching and blue and black ink on paper, c. 19th century, artist executed print and poetry, signed, matted, 12" x 16.5"; with an F.H. van Hove (one side) and P.P. Bouche (one side), book plate engravings after G. Freman Detire, "King Hezekiah" and "The Defeat of Sennacherib", both signed, one has Cincinnati Art Museum stamp, 8" x 10"; with an Unknown, bookplate engraving, untitled, religious scene, unsigned, mounted, 4" x 6" 100-200
1236. M. Erdmann, attribution, c. 19th century, portfolio of five etchings, various subjects, all unsigned, all with printer's mark, largest are 13.25" x 8.75" 100-200
1237. John Pye, steel engraving on paper, c. 19th century, after a painting by David Roberts, untitled, scene with ancient ruins, signed, mounted, 15" x 9.5"; with a Eugene Pai, attribution, pencil on paper, horse by a tree, signed, dated 1836, 11.75" x 9"; with Photographs, two, taken from paintings, unsigned, 9" x 7" each 100-200
1238. Charles W. White (American, 1918-1979) "Woman in a Chair", c. 1960; ink/paper, 9" x 12", signed. Highly important African-American artist. White was a central figure to the Southside Art Club in Chicago, and was one time married to Elizabeth Catlett. He exhibited extensively from the 1940s-70s. 800-1000
1239. John Wesley Hardrick (American, 1891-1968), "Indiana Landscape", c. 1940; oil/board, 30" x 36", unsigned, but guaranteed. A letter of authenticity may be obtained regarding this work. Highly important African-American painter from Indianapolis. Hardrick studied at the John Herron Art Institute (Indianapolis), and exhibited at the 10th Annual Exhibition of Works by Indiana Artists in 1917, with fellow African-American painter, W. E. Scott. He shared a studio with Hale Woodruff for a time in the 1920s and exhibited with him in 1927 at the Art Institute of Chicago. He also was included in the Second Annual Exhibition of Contemporary Negro Art in San Diego (1929). He was awarded grants from the Harmon Foundation and worked as a WPA muralist in 1933-34. 4500-6500
1240. Charles W. White (American, 1918-1979) "Woman in a Chair", c. 1960; ink/paper, 9" x 12", signed. 800-1000
1241. Latin American School (20th century), "Exotic Scene with Figures", c. 1940; oil/canvas, 40" x 36", signed with conjoined initials. We are unfamiliar with this monogram, but the images are powerful, and the quality of the work is very good. 1000-2000
1242. Gorman (American, 20th century), "Circus", c. 1950; oil/board, 25" x 64", signed. 700-900
1243. Stuart Davis (American, 1894-1964), "Untitled", c. 1945; silkscreen, 25" x 31.5", signed within the image. Major American modernist. Davis’ work is in the collections of the Whitney Museum of American Art, the Corcoran Gallery of Art, the Smithsonian American Art Museum and many others. 300-500
1244. Latin American School (20th century), "Exotic Scene with Figures", c. 1940; oil/canvas, 40" x 36", signed with conjoined initials. We are unfamiliar with this monogram, but the images are powerful, and the quality of the work is very good. 1000-2000
1245. Gorman (American, 20th century) , "Clown", c. 1950; oil/board, 36" x 21", signed. 500-700
1246. Harry Dunn (American, 20th century), "Untitled", c. 1950; oil/board, 26" x 32", signed. 250-350
1247. Eduoard Buk Ulreich (American/Austrian, b.1889), "Figure in Middle", c.1960, oil/board, 24" x 30", signed. Painter and designer during the Art Deco period. WPA artist. Ulreich exhibited at the Art Institute of Chicago, Dudensing Gallery (N.Y.C.), Vienna Secession, and the Pennsylvania Academy of Fine Art. 1000-1500
1248. Eduoard Buk Ulreich (American/Austrian, b.1889), "Untitled", c.1960, gouache/paper, 22" x 29", signed. 600-800
1249. Eduoard Buk Ulreich (American/Austrian, b.1889), "Horses and Fish", c.1960, casein, 13" x 16", signed. 500-700
1250. Eduoard Buk Ulreich (American/Austrian, b.1889), "Blue Blood", c.1960; oil/board, 24" x 30", signed. 1000-1500
Sale Date:
June 4 & 5, 2005