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ONLINE CONDITION REPORTS |
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Sale Date:
June 4 & 5, 2005 |
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Lot Numbers and Descriptions
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901. Native American vase, bulbous form with painted geometric designs in brown, black and white, signed Acoma by C. Chavez, 9"w x 7"h 500-700
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902. Native American vase, large bulbous form with designs in red, black and tan, signed R. Nahoha copyright Ae85, 10"w x 9"h 600-800
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903. Native American vase, shouldered form with bird designs in a brown, black, yellow, signed Acoma, New Mexico BJ Cerno #3-87, 8"w x 6.5"h 500-700
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904. Good Native American vase, broad shouldered form, unsigned, 7.5"h, a couple of minor chips 600-800
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905. Native American vase, unusual form with detailed painted designs in black against a white ground, signed Acoma, N.M. Evon 21, 10.5"h; with a Native American vase, (not shown), unusual shape with applied designs at neck all in a brown glaze, unsigned, 8"h 400-500
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906. Native American vase, large shouldered form with deeply carved geometric designs in black, signed Reycita Naranjo Santa Clara Pueplo N.M., 9"w x 9"h; with a Native American vase, (not shown), unusual form with incised designs at neck covered in a black glaze, signed Linda Cain Santa Clara Pueblo, 6"h 300-500
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907. Native American vase, bulbous form with extremely detailed carved buffalo and geometric designs in brown, black and blue, signed Bob Lansing Navajo 86, 7.5"h 400-600
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908. Native American wall hanging, round form with geometric and organic designs in black and brown, unmarked, 9.5"w 400-600
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909. Native American vase, slender neck with a bulbous bottom with carved detailed designs in a rainbow of colors, signed Agnes Woods (Navajo), 7.5"h 350-550
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910. RV Pine Cone vase, footed and handled form in blue, marked, 18"h 1000-1500
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911. Weller Brighton sculptures, attribution, two colorful butterflies, unmarked, 3"w; with a Weller compote, double handled form, unmarked, 11"w, hairline to foot 250-350
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912. RV Mock Orange basket, footed form in orange and yellow, marked, 8.5"h 300-400
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913. Large RV Pine Cone ewer, green matt, marked, 15.5"h 800-1100
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914. Weller Louwelsa ewer, large form in a brown glaze with geraniums, marked, signed M. Mitchell, 22"h, repair to base and top 500-700
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915. Weller Mammy Line tea service, ca. 1935, complete set of six pieces, teapot, creamer, sugar, cookie jar, syrup pitcher and batter bowl, all marked, largest piece is 11"h, a couple of minor hairlines 5000-7000
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916. Weller Aurelian vase, twisting form in a brown glaze with dandelions, marked, signed, 12"h, minor chips to rim and edges 250-350
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917. RV Snowberry jardiniere and pedestal, pink, marked, 12"w x 25"h 800-1100
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918. Weller Barcelona vase, large double handled form, marked, 15"h, minor chip to foot, heavy craze line to rim 500-700
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919. RV Freesia jardiniere and pedestal, brown, marked, 12"w x 25"h 800-1100
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920. Van Briggle vase, ca.1907-1912, gourd form with a floral design under a green matt glaze, incised marks, 3.5"h 300-500
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921. Weller Coppertone tiles, set of twenty, eight shown, all marked Weller Art Tiles, all 3"sq., all very good condition 500-700
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922. Newcomb College vase, swollen form with a carved and painted scenic landscape with moss laden trees, executed by Sadie Irvine, #SY48, 8.25"h 4500-5500
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923. Newcomb College bowl, carved floral design at rim under a rare mottled blue and green matt glaze, executed by H. Bailey, #IT65, 6.5"w 800-1100
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924. Marblehead hanging basket, lavender matt glaze, 4.5"h 150-250
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925. Galloway shell bowl, large form in brown clay with a turquoise interior, 18"w 250-350
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926. Marblehead vase, tapered form covered with a mottled green matt, marked, 5"h, hairline to rim; with an S.E.G. plate, (not shown), yellow, black and white, unmarked, 6.25"w 300-500
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927. Good Grueby vase, carved and applied vertical leaves covered in a suspended green matt glaze, impressed mark, 4.75"h, minor chip to base 1200-1700
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928. Marblehead vase, tapered form with a stylized floral design in blue and gray against a mottled gray background, marked, paper labels, 5"h 3000-5000
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929. Creative Clays: American Art Pottery from The New Orleans Museum of Art, 32 pages, color images, 1992; with The Palimpsest Iowa's Popular History Magazine, (not shown), includes an article about Iowa University Pottery, page 112, 45 total pages, 1987; with Collector Editions Magazine, (not shown), includes an article about Newcomb Pottery, page 28-29, 65 pages, 1984, all very good condition 100-200
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930. The Ceramic Work of Gertrud and Otto Natzler, by the Los Angeles County Museum of Art, exhibition catalog, 49 pages, color and black and white images, 1966; with Gertrud and Otto Natzler Ceramics, Catalog of the Collection of Mrs. Leonard M. Sperry, (not shown), by the Los Angeles County Museum of Art, exhibition catalog, 81 pages, color and black and white images, 1968; with Rose Erni Cabat Retrospective, (not shown), addendum to the catalog, 23 pages, no images, very good condition 100-200
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931. "The Mad Biloxi Potter", by Ron Dale, 24 pages, color and black and white images, Copyright 1983, very good condition; with Frederick Hurten Rhead: An English Potter in America, (not shown), by Sharon Dale, Erie Art Museum, exhibition catalog, 135 pages, color and black and white images, Copyright 1986, very good condition 100-200
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932. The Diversions of Keramos 1925-1950 American Clay Sculpture, by Ross Anderson and Barbara Perry, Everson Museum of Art, exhibition catalog, 95 pages, color and black and white images, Copyright 1983, very good condition; with Cowan Pottery Museum catalog, 15 pages, black and white images, 1978, all very good condition 100-200
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933. Rookwood Pottery An Explanation of Its Marks and Symbols, by Edwin J. Kircher, 20 pages, Copyright 1962, very good condition; with Rookwood Its Golden Era of Art Pottery 1880-1929, by Edwin J. Kircher and Barbara and Joseph Agranoff, 31 pages, signed by Kircher, Copyright 1969, spiral bound, a few tears and bends 100-200
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934. Collecting Art Nouveau Identification and Value Guide, by Fredgant, 362 pages, 1982; with The Kovel's Collector's Guide to American Art Pottery, by Kovel, 368 pages, 1974; with The Collectors Encyclopedia of Weller Pottery, by Huxford, 375 pages, includes price guide, 1979; with Weller Pottery booklets, two, 12 pages, unknown date, all very good condition 200-300
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935. Rookwood Pottery Potpourri, compiled by Virginia Raymond Cummins, 136 pages, Copyright 1980; with Rookwood Pottery 1880-1967, by Frame House Gallery, exhibition catalog, 16 pages, 1971; with The Book of Rookwood Pottery, by Herbert Peck, 177 pages, Copyright 1968; with The Second Book of Rookwood Pottery, by Herbert Peck, 185 pages, Copyright 1985, all very good condition 150-250
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936. Grueby, by the Everson Art Museum, exhibition catalog, 32 pages, 1981; with a Vintage flyer, announcing an exhibit of Grueby at Bigelow, Kennard and Co., year unknown; with The Newark Museum Collection of American Art Pottery, by Ulysses G. Dietz, 125 pages, color and black and white images, 1984, all very good condition 100-200
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937. The Collectors Encyclopedia of Roseville Pottery, First Series, by Huxford, 184 pages, includes price guide, 1976; with The Collectors Encyclopedia of Roseville Pottery, Second Series, by Huxford, 191 pages, includes 2 price guides, 1980; with Early Roseville, by Huxford, 71 pages, Copyright 1977; with Rozane booklets, two, 40 pages, date unknown, all very good condition 100-200
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938. Moorcroft Collectors Club, newsletter No. 4, 1991, various authors, 27 pages; with Moorcroft Collectors Club, newsletter No. 5, 1992, various authors, 27 pages; with Christie's Clarice Cliff auction catalog, 673 lots, November 11th, 1994; with a Christie's Clarice Cliff auction catalog, 288 lots, April 21st, 1995, all very good condition 100-200
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939. Unusual Weller vase, broad shouldered form with brown Buckeyes and nicely defined leaves under a good green matt glaze, marked, 8.5"h, excellent piece of Weller 1000-1500
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940. Nice RV Early Velmoss vase, raised vertical leaf design covered in a good green and yellow matt, 9"h 700-900
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941. Good Weller Frosted Matt vase, large shouldered form covered in an extremely nice blue and black suspended matt glaze, 12.5"h, minor grinding chip to base, 700-900
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942. North West Terracotta sculpture, attribution, an elephant covered with a multi-toned brown glaze, unmarked, 8"w x 6.5"h 250-350
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943. Wheatley vase, bulbous form with carved and applied leaves and geometric designs under a green matt glaze, appears to be marked under glaze, 11.5"h 900-1200
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944. Overbeck figural, rooster with large feet, 4"h, impressed mark 400-600
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945. RV Matt Green vase, attribution, large form with a raised thistle design, unmarked, 13.5"h 1500-2000
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946. Grueby tiles, two, red clay with geometric design in blue, unmarked, 3"sq., minor chip to one 200-300
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947. Rare Weller Red Hudson vase, two-tone red matt glaze with dogwood flowers, marked, 9.25"h, great glaze 900-1200
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948. Austrian vase, swollen form with a drip design in orange against a brown ground, marked, 10"h, minor chips and glaze flakes; with a Rorstrand vase, low form in a mottled brown glaze, marked, 7"w, chips 100-200
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949. Muncie vase, Rombic, shape #312, matt blue over green, marked, 5"h 300-500
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950. Raymor bowl, amoebic form in white with a red interior, signed and numbered, 5"w x 2.5"h; with a Scandinavian ashtray, round form with a colorful incised design at center, signed by unknown artist, 6.25"w 100-200
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Sale Date:
June 4 & 5, 2005
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