 ONLINE CONDITION REPORTS |
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| Sale Date: June 5 & 6, 2004 Cincinnati, OH |
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Lot Numbers and Descriptions
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Estimate
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751. David Wippish (American, 20th century ), “The Nude Model”, c. 1970; 40” x 30”, oil/masonite, unsigned; another painting on verso.
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300-500
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752. Grace Spongberg (American, b.1906), “Old House”, c.1940, watercolor/paper, 14”x16”, signed. Chicago modernist/watercolorist. Spongberg exhibited at the Art Institute of Chicago, Swedish-American Exhibition (Chicago), and the pennsylvania Academy of Fine Art.
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400-600
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753. Harry T. Fisk (American, 1887-1976), “Rooftops”, c.1940; oil/canvasboard, 16” x 12”, signed.
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300-500
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754. Frank Perri (American, 20th century), “Children with Balloons”, c.1940; gouache and ink/paper, 7” x 8”, signed, unframed.
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250-350
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755. Frank Perri (American, 20th century), “A Mother and Her Child”, c.1950; oil/canvas, 24” x 30”, signed on verso; from the estate of the artist.
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300-500
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756. Eugene Speicher (American, 1883-1962), “Autumn Landscape”, c.1940; oil/canvas, 30” x 45”, signed. Speicher studied in New York with Chase and Henri, and painted portraits, landscapes, and still lifes. He was part of the artist’s colony in Woodstock, NY. Speicher was successful early in his career as a portrait painter, and exhibited as early as 1910 at the National Academy of Design (he continued to exhibit there throughout the 1940s). He also exhibited at the Pennsylvania Academy of Fine Art, Brooklyn Art Association, Whitney Museum, and the Corcoran Gallery. Esquire (magazine) called him, “America’s most important living painter” in 1936.
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2000-3000
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757. Ida Shelesnyak Mirrof (American, 20th century), “Misery”, c.1940; oil/canvasboard, 16”x20”, signed on verso, unframed.
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300-500
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758. Ida Shelesnyak Mirrof (American, 20th century) “A Village”, c.1940; oil/canvasboard, 16” x 20”, unsigned, unframed.
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300-500
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759. Stanley Tasker (American, mid 20th century), “Untitled”, c.1959; oil/canvas, 35” x 44”, signed and dated. Tasker taught at Washington University in St Louis, and later worked in Florida.
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500-700
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760. Mario de Ferrante (Italian/American, 1898-1992), “Abstract Composition”, c.1960; oil/canvas, 22” x 28”, signed.
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500-700
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761. Salvador Dali (Spanish, 1904-1989), “Persistence of Memory”, c.1975; color lithograph, 19.5” x 27”, signed and numbered, 44/50, unframed.
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400-600
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762. David Freed (American, b. 1936), “Climate II-Turnabout”, c. 1970; color etching, 17.5” x 28”, signed and numbered, 4/15 in pencil.
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250-350
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763. Protz (American, 20th century), “Untitled composition”, c.1960; oil/masonite, 22”x14”, signed.
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200-400
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764. Mario de Ferrante (Italian/American, 1898-1992), “Abstract”, c.1960; oil/canvas, 28” x 22”, signed.
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600-800
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765. Frank Perri (American, early 20th century), “Woman with Blue Dress”, c. 1940; oil/canvas, 30” x 24” , unsigned, another painting on the verso of a man; from the estate of the artist.
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300-500
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766. American Negro Exposition poster, original poster from the 1940 exposition in Chicago, 21.5” x 13.75”, excellent condition. American Negro Exposition, 1865-1940, Chicago Coliseum, July 4 to Sept. 2, American Negro Exposition Headquarters, 3632 South Parkway, Chicago. These posters are rare and desirable.
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600-800
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767. Arthur Louis Helwig (American 1899-1976), “Red, Gray and White Composition”, c.1950; oil/masonite, 20” x 26”, signed indistinctly.
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300-500
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768. Mario de Ferrante (Italian/American, 1898-1992), “Abstraction”, c.1960; oil/canvas, 20” x 24”, signed.
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600-800
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769. Mario de Ferrante (Italian/American, 1898-1992), “Abstraction”, c.1960; oil/canvas, 30” x 40”, signed.
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600-800
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770. Philippe Henri Noyer (French, 1917-1985), lot of three prints, one pictured: “Hong Kong”, c.1960; color lithograph, 28” x 40”, signed and numbered, 56/200; with two other similar prints by Noyer, all unframed.
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600-800
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771. Sergio Fergola (Italian, 20th century), “Man with Glasses”, c. 1977; oil/canvas, 24” x 31”, signed and dated. Italian painter; part of the “Gruppo 58”.
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300-500
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772. Albert Aloe (American, 20th century), “Phenomenon”,c. 1960; oil/board, 20” x 24”, signed. Aloe was a painter and optician in St Louis in the mid 20th century.
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300-500
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773. Victor Vasarely (French/Hungarian, 1908-1997), lot of four identical prints (one is printed on silver paper, the three others are on white paper), “Figure on Stairway”, c. 1970; color lithographs, 38” x 28.5”, signed in pencil, unframed.
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600-800
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774. Howell, (American School), “Abstract Composition”, c.1972; oil/canvas, 48” x 24”, signed; dated verso, not intended to be framed.
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300-500
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775. T.J. Dolfias (American, 20th century), “Fantastic Landscape”, c.1970; mixed media/canvas, 24” x 36”, signed.
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300-500
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776. Emil Bisttram (American, 1895-1976 ), “Abstract Composition”, c.1940 watercolor, 7.5” x 9.5”, signed and dated. Bisttram was a member of the Transcendental Painting Group active in Taos, New Mexico.
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2000-3000
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777. Fred Jones (American, 20th century), “Heads”, c.1960; watercolor/paper, 2.5” x 20.5”, unsigned, but guaranteed. Chicago African-American artist. Jones executed many watercolors of this specific subject, and we have sold another almost identical example in a past auction.
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400-600
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778. Emil Bisttram (American, 1895-1976), “Abstract Composition”, c.1939; watercolor, 8” x 6”, signed and dated.
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2000-3000
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779. A.M. Ensminger (American, 19th-20th century), lot of ten items, one pictured: “Portrait of a Woman”, c.1906; charcoal sketch/paper, 9.5” x 8”, unsigned, unframed.
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300-500
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780. A.M. Ensminger (American, 19th-20th century), lot of ten items, one pictured: “Portrait of a Woman”, c.1906; charcoal sketch/paper, 9.5” x 8”, unsigned, unframed.
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300-500
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781. A.M. Ensminger (American, 19th-20th century), lot of ten items, one pictured: “Portrait of a Woman”, c.1906; charcoal sketch/paper, 9.5” x 8”, unsigned, unframed.
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300-500
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782. A.M. Ensminger (American, 19th-20th century), lot of ten items, one pictured: “Portrait of a Woman”, c.1906; charcoal sketch/paper, 9.5” x 8”, unsigned, unframed.
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300-500
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783. Original Movie Poster, “The Stars are Singing”, c. 1953; 38” x 24.5”. This movie starred Rosemary Clooney and Danish actor/singer, Lauritz Melchoir. The premier of the film took place at the Russell Theatre, in Maysville, Kentucky, where a street was dedicated to Clooney during her visit.
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600-800
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784. G. Chevalier (French, 20th century), “Cycles Rochet”, c.1930; poster, 60” x 42”, unframed.
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1000-1500
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785. Marblehead vase, decorated, green matt glaze, impressed mark, 7.5”h
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2500-3500
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786. Overbeck covered vessel, tapered form with blue floral design in a gray and brown matt glaze, 4”h, incised mark, artist initials, minor firing flaw to lid
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1500-2500
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787. Marblehead vase, decorated with yellow roses, impressed mark, 3.5”h
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2500-3500
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788. Overbeck vase, bulbous base China painted with stylized tulips, 5.5”h, impressed mark, artist signed
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1000-1500
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789. Rare Overbeck bowl, decorated with a village scene in a blue high glaze, 3”h, incised mark
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3000-4000
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790. Overbeck candlestick, light blue matt glaze with stylized designs, 9.5”h, impressed mark, artist initials Elizabeth Francis
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1500-2500
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791. Overbeck bowl, footed form with stylized floral design in a brown, mauve and green matt glaze, 3.25”h, impressed mark, artist initials Elizabeth Francis
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2000-3000
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792. Newcomb College vase, carved pinecone design in purple and green against a blue background, executed by Henrietta Bailey, #K147, 8"h
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3500-4500
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793. Overbeck vase, stlyzed floral design in a tan and mauve glaze, 2.5”h, impressed mark, artist initials
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2500-3500
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794. Shearwater figural, bird covered in a blue high glaze, unmarked, 5”w
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300-500
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795. Shearwater vase, ribbed form covered in a green and blue matt glaze, impressed mark, 8”h
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300-500
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796. Clifton pitcher, mustard drip glaze, #272, impressed mark, 5”h; with a Paul Revere vase, mottled pink matt, 1927, ink mark, paper label, 4”h
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200-300
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797. Pewabic vase, small form in a yellow, white and green iridescent glaze, impressed mark, 3”h, glued chip; with a Pewabic handled vessel, (not shown), flaring form covered in a blue glaze, marked, 4”h
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300-400
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798. Pewabic vase, bulbous form covered in an orange matt glaze, paper label, marked, 5.5”h
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400-600
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799. Shearwater vase, mottled green matt glaze, marked, 3”h
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150-250
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800. California Faience vase, covered in an aqua glaze, marked, 4”h
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150-250
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Sale Date:
June 5 & 6, 2004 Cincinnati, OH |
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