 ONLINE CONDITION REPORTS |
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| Sale Date: June 5 & 6, 2004 Cincinnati, OH |
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Lot Numbers and Descriptions
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Estimate
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651. Byron Bennett Boyd (American, b. 1887), “Coming of the White Night”, c. 1938; oil/canvas laid down, 16” x 20”, signed.
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600-800
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652. G.W. Hill (American, 20th century), “Coastal Scene with Ship”, c. 1960; oil/canvas, 17” x 21”, signed.
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500-700
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653. Harold Harrington Betts (American, b. 1881), “Coastal Scene”, c. 1940; oil/canvas, 26” x 31”, signed.
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700-900
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654. Thomas Manning Moore (American, 19th-20th century), “Snowbound Cottages”, c. 1910; oil/canvasboard, 12” x 16”, signed.
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400-600
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655. William Crothers Fitler (American, 1857-1915), “The Meadow at Dusk”, c.1900; oil/canvas, 12” x 16”, signed.
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4000-6000
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656. John Whorf (American, 1903-1959), “Summer”, c. 1930; watercolor, 10” x 14”, signed.
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700-900
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657. Bertha Menzler Peyton (American, 1871-1947), “Desert Landscape”, c. 1920; oil/canvas laid down on board, 8” x 10”, signed; label on verso from Marshall Fields, original frame.
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1000-1500
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658. Ernest Fredericks (American, early 20th century), “Mother and Child on a Path”, c. 1920; oil on canvas, 24” x 30”, signed. Chicago landscape painter. He exhibited at the Art Institute of Chicago (1924-26). It is rare to find an example of this artist’s work with figures.
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1000-1500
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659. F.E. Pryer (American, 20th century), “Crashing Waves” , c. 1930; oil/canvas, 20” x 24”, signed.
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400-600
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660. Harald Wentzel (Danish, 20th century), “Lake Reflections”, c.1930; oil/canvas laid down on board, 9.8” x 12.5”, initialed.
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500-700
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661. Charles H. Miller (American, 1842-1922), “The Old Mill”, c.1880; oil/board, 18” x 24”, signed. Miller established a studio in New York in 1870. He exhibited at the Art Institute of Chicago, National Academy, and the Pennsylvania Academy of Fine Art.
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1000-1500
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662. Nicolai Cikovsky (American, 1894-1984), “Expansive Landscape”, c. 1900; oil/board, 22” x 28”, signed. Cikovsky was born in Russia and studied there before emigrating to the U.S. around 1930. He exhibited extensively from the 1930s-60s, and taught at the Cincinnati Art Academy, Art Institute of Chicago, and the University of Notre Dame.
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1500-2000
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663. Ogden Pleissner (American, 1905-1983), “June Trout Fishing”, c.1950; color lithograph, 16.25” x 25”, pencil signed.
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500-700
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664. M. Rinaldi (Italian/American, 20th century), “Coastal Scene with a Fishing Boat”, c. 1940; oil/canvas, 16” x 20”, signed.
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300-500
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665. Enno Meyer, follower, “Portrait of a Man”, c.1920; charcoal drawing/paper, 17” x 12”, unsigned.
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250-350
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666. John C. Vondrous (Czech/American, b. 1884), “The Beach”, c.1936; colored etching, 10” x 10.5”, signed and dated in pencil (dated in plate 1930); with another etching, artist unknown.
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250-350
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667. Francis Schuch (American, early 20th century), “Yellow Orchid”, c.1920; watercolor/paper, 14.5” x 6”, signed.
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250-350
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668. Charles Kellner (American, b. 1890), “Park Scene”. c.1930; oil/canvasboard, 22”x18”, signed.
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500-700
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669. Arthur Gillen (American, early 20th century), “Wisconsin Farm”, c.1924; oil/board, 30” x 28”, signed ; dated on verso of frame.
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600-800
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670. Frank A. Bicknell (American, 1866-1943), “Cottage by a Stream”, c.1930; watercolor/paper, 7.5” x 10”
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600-800
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671. Frank A. Bicknell (American, 1866-1943), “Autumn”, c.1930; watercolor/paper, 7.5” x 10”, signed.
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600-800
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672. Peder Klitz (Danish, 1874-1955), “Deer Park”, c.1941; oil/canvas, 18.5” x 26.5”, signed and dated.
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500-700
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673. Grant Tyson Reynard (American, 1887-1967), “Buildings in a Mountain Landscape”, c. 1950; watercolor/paper, 12” x 22”, signed.
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800-1200
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674. Joseph Bierman (American, 19th-20th century), “Floral Still Life”,c.1933; watercolor, 12.5” x 18.5”, signed.
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500-700
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675. Suzanne P. Giovan (American, 20th century), “Moonlight”, c.1930; oil/canvas laid down on board, 26” x 20”, signed.
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300-500
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676. Richard E. Bishop (American, 1887-1975), “Airhole”, c.1945; etching, 12” x 10”, signed in pencil.
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150-250
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677. American School, “Portrait of a Man in Glasses”, c.1940; oil/canvas, 14” x 11”, unsigned.
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300-500
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678. Horst Schnepper (German, late 20th century), pair of oils, one pictured: “Expansive Landscape”, c.1979; oil/canvas, 23” x 42”, signed and dated; with another very similar work by the same artist.
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500-700
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679. Michael Blaser (American, 20th century), “Moonlight over Coney Island”, c.1960; color lithograph, 18” x 30”, signed in pencil and numbered, 649/950. Blaser was well known for these extraordinary prints, depicting highly detailed scenes of bodies of water and the human activity associated with them.
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700-900
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680. Edmund S. Campbell (American , 1884-1950), “Gloucester”, c.1947; watercolor, 14” x 20”, signed and dated.
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400-600
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681. Kaj (Jeppe) Drews (Danish, 1884-1964), “Danish Moor Landscape”, c.1936; oil/canvas, 27.5” x 39.5”, signed and dated.
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2500-3500
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682. Molly Williams Hand (American 1892-1951), “The Magie House, Woodstock, NY”, c.1938; oil/board, 20” x 24”, signed; titled and dated verso.
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700-900
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683. Christian Nielsen (Danish, 20th century), “Girl with Wooden Doll”, c.1950; oil/canvas, 26.5” x 19.75”, signed.
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300-500
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684. Roger Chaput (French, 20th century), “Paris Street Scene”, c.1960; oil/canvas, 26” x 32”, signed.
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600-800
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685. Harry T. Fisk (American, 1887-1976), “Large Ship in a Canal”, c. 1925; oil/board, 12” x 16”, artist name printed in pencil on verso.
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250-350
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686. Walter Vladimir Rousseff (Russian/American, b. 1890), “Picnic (Fish Creek)”, c.1933; oil/canvas, 32” x 36”, signed and dated. Rousseff lived in Fish Creek, Wisconsin. He studied and exhibited at the Art Institute of Chicago, and worked as a WPA muralist.
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3000-5000
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687. Raymond Eastwood (American, 1898-1987), “The Ridge”, c.1935; oil/canvas, 25” x 30”, signed. Eastwood studied at the Yale School of Art and at the Art Students League. He was a member of the Provincetown Art Association and the Beachcombers. He exhibited at the National Academy of Design and the Pennsylvania Academy of Fine Art. He eventually moved to Kansas, and became the Chairman of the Painting Department at the University of Kansas.
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2000-3000
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688. Walter Vladimir Rousseff (Russian/American, b. 1890), “Still Life”, c.1933; oil/canvas, 18” x 24”, signed.
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2000-3000
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689. Gertrude Abercrombie (American, b. 1909), “Sunset”, c.1954; oil/board, 8” x 10”, signed and dated. This painting was purportedly traded for the balance of the artist’s bar bill at The Old Bear Lounge, located on 55th Street, in Hyde Park (Chicago). It was given to the present owner from Sol Tannenbaum, the proprietor of the bar in the 1950s.
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4000-6000
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690. Gertrude Abercrombie (American, b. 1909), “Grey House”, c.1945; oil/masonite, 3” x 4”, signed and dated; Associated American Artists label verso.
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2500-3500
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691. Gertrude Abercrombie (American, b. 1909), “Green House”, c.1945; oil/masonite, 4” x 5”, signed and dated; Associated American Artists label verso.
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3000-5000
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692. Ferdinand Wagner (American, 20th century), “Got a Bite!”, c.1950; watercolor, 16” x 16”, signed and dated.
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700-900
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693. American School, “Airplane Factory”, c.1942; charcoal/ paper, 22”x28”, unsigned.
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300-500
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694. Cothran, a pair, “Portrait of a Woman”, c.1940; oil/canvas (unstretched), 20” x 16”, signed; with another similar painting, also unstretched, signed on verso; both are unframed.
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300-500
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695. American School, lot of two prints, one pictured: “Musicians”, c.1950; woodblock print, 10” x 10”, signed and titled in pencil; with another colored print by Edward Sokol of a busy city street, 20” x 16”, signed and numbered in pencil, 23/300.
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200-300
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696. Louis Spiegel (American, 1901-1975), “Clown”, c. 1960; oil/canvasboard, 10” x 8”, signed. Cincinnati painter, well known for his paintings of this subject.
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300-500
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697. Nicholas George Sperakis (American, b. 1943), “Portrait of a Man”, c.1970; ink drawing/paper, 12” x 9”, signed.
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300-500
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698. Robert Henri (American, 1865-1929), lot of two drawings, one pictured: “The Pugilist”, c. 1910; ink and pencil drawing, 6.25” x 5”, estate stamp, provenance; with “Man in a Cape”, pencil drawing, 10” x 7”, estate stamp.
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300-500
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699. Frank Perri (American, early 20th century), a pair of works of the same subject, “Luciano Pavrotti”, c. 1960; pencil drawing, 10” x 7”, signed, unframed.
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100-200
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700. Harold Cohn (American, b. 1908), “Nude”, c. 1952; ink drawing/paper, 12” x 9”, signed.
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800-1200
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Sale Date:
June 5 & 6, 2004 Cincinnati, OH |
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