 ONLINE CONDITION REPORTS |
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| Sale Date: June 5 & 6, 2004 Cincinnati, OH |
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Lot Numbers and Descriptions
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Estimate
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601. A.M. Ensminger (American, 19th-20th century), lot of ten items, one pictured: “Woman on the Beach”, c.1906; charcoal sketch/paper, 9” x 8”, unsigned, unframed.
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300-500
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602. A.M. Ensminger (American, 19th-20th century), lot of ten items, one pictured: “Portrait of a Woman”, c.1906; charcoal sketch/paper, 9.5” x 8”, unsigned, unframed.
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300-500
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603. A. DeRosa (Italian, 20th century), “Flower Market”, c.1950; watercolor/paper, 12” x 8”, signed.
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200-400
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604. Hedley William Waycott (American, 1865-1938), “Forest Stream”, c. 1935; oil/board, 26” x 32”, signed and dated. Waycott was a landscape painter from Peoria, IL. He was a member of the All-Illinois Society of Fine Artists and the Peoria Art institute. His work is in several public collections in Peoria.
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1000-2000
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605. Donald Ruf (American, 20th century), “Cowboy”, c.1940; oil/canvas, 16” x 20”, signed. South Bend, Indiana painter.
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300-500
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606. Louis Spiegel (American, 1901-1975), “After Couse”, c.1960; oil/canvasboard, 24” x 30”, signed and titled. Cincinnati painter.
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600-800
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607. Johannes Reimers (American, 1856-1953), “California Landscape”, c.1915; pastel, 12” x 9”. California painter and pastelist. He worked in the San Francisco in the 1910s, and exhibited pastels of the Mojave desert at the San Francisco Museum of Art in 1916. His work is in the Oakland Museum.
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400-600
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608. Svend Svendsen (Norwegian/American, b. 1864), “Path through the Snow”, c. 1900; oil /canvas, 18” x 24”, signed. Studied at the Ed. Ertz at Academie Delecluse, Paris, 1890s. He exhibited at the Art Institute of Chicago (1895-1920), Nashville Expo (1897), Pennsylvania Academy of Fine Art (1898-1900), and the Milch Galleries , NY (1920s).
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800-1200
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609. Ernest Fredericks (American, early 20th century), “Ozarks”, c. 1920; oil on canvas, 28” x 38”, signed. Chicago landscape painter. He exhibited at the Art Institute of Chicago (1924-26).
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800-1200
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610. Barbara J. Larimer (American, early 20th century), “California Landscape”, c. 1930; oil/canvas, 18” x 24”, signed. Los Angeles painter.
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500-700
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611. Richard Vernon Goetz (American, 1915-1991), “Still Life with Conch Shell”, c.1959; oil/canvas, 11” x 14”, signed and dated. Oklahoma City artist, known for still lifes. He founded a school in Taos, New Mexico.
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400-600
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612. Tom Hill (American, b.1925), “Man Carrying Sacks”, c. 1940; watercolor/paper, 14” x 21”, signed; inscribed, “AWS, Mexico”.
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1000-2000
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613. Laura Hoernig (American, 20th century), “A Line of Trees”, c.1940; oil/canvas, 20” x 16”, unsigned.
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600-800
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614. Laura Hoernig (American, 20th century), “A Woman in Taos”, c.1940; oil/canvas, 18” x 22”, unsigned. Hoernig was a Kansas City painter, but also worked in Taos, New Mexico.
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600-800
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615. Eliot Candee Clark (American, 1883-1980), “Snowy Mountains”, c.1930; oil/canvas, 32” x 40”, signed; numbered by estate, EC256.
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2000-3000
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616. Laura Hoernig (American, 20th century), “A New Mexico Landscape”, c.1940; oil/canvas, 18” x 22”, signed.
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600-800
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617. Felix Lewis Martini (American, 1893-1965), “California Ranch”, c.1930; oil/canvas, 16” x 18”, signed.
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2000-3000
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618. Charles P. Appel (American, b. 1857 ), “Reflections at Sunset”, c. 1910; oil/canvas, 11.25” x 18”, signed.
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4000-6000
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619. Frank J. Girardin (American, 1856-1945), “Malibu”, c.1920; oil/canvas, 9” x 12”, initialed verso and titled.
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1500-2500
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620. Laura Hoernig (American, 20th century), “Taos Dwellings”, c.1940; oil/canvas, 16” x 20”, unsigned.
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600-800
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621. William A. Gaw (American, 1891-1973), “The Bay”, c.1930; watercolor/paper, 9.25” x 15”, signed and titled.
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1000-2000
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622. Laura Hoernig (American, 20th century), “A New Mexico Landscape”, c.1940; oil/canvas, 16” x 20”, unsigned.
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600-800
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623. John Nichols Haapanen (American, b. 1891 ), “Winter in Maine”, c. 1931; oil/board, 20” x 16”, signed indistinctly; signed and dated with a handwritten note on verso. Haapanen worked in Maine and in Boston.
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1500-2500
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624. Joseph Henry Sharp (American, 1859-1953 ), “Children on a Path”, c.1882; oil/canvas, 24” x 16” , signed and dated, unframed. This is an early example of Sharp’s work.
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3000-5000
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625. Samuel F. Hershey (American, 1904-1959), “Hoberg’s House, Rockport”, c. 1937; oil/canvasboard, 12” x 14”, signed; titled and dated verso. Provenance: a relative of the artist
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1000-1500
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626. Rose Crosman (American, early 20th century), “Flowers and Vases on a Table”, c.1925; oil/canvas, 27” x 25”, signed. Chicago painter. She exhibited at the Art Institute of Chicago in 1925.
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1000-2000
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627. Samuel F. Hershey (American, 1904-1959), “On the Breakwater”, c. 1937; oil/canvasboard, 10” x 12”, signed; titled and dated verso. Provenance: a relative of the artist.
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1000-1500
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628. John Elwood Bundy (American, 1853-1933), “A Creek in the Woods”, c.1902; pencil drawing, 6.5” x 4.”, signed, imperfections within the image.
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200-400
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629. Victor Casenelli (American, 19th-20th Century), “House of Don Toledo”, c.1930; oil/board, 12”x9”, signed and titled.
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500-700
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630. John Elwood Bundy (American, 1853-1933), “A Group of Trees”, c.1902; pencil drawing, 7.5” x 4.5”, signed and dated. Bundy executed many small drawings like this one, and compiled several extensive sketchbooks in his lifetime. The works reveal his high level of technical skill, but maintain an intimacy and give the viewer a sense of the location at which it was executed.
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300-500
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631. Paul Hadley (American, 20th century), “A Small Sailboat Docked”, c.1930; watercolor, 9.25” x 14”, signed.
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300-500
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632. Walter Groniger (American, 20th century), “Man Reading in the Woods”, c.1936; oil/canvasboard, 14” x 20”, signed and dated. Cincinnati painter.
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300-500
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633. William Forsyth (American, 1854-1935), “A Tree-Lined Path”, c. 1890; charcoal/paper, 9” x 12”, signed and inscribed, “Munich”.
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800-1200
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634. Joseph Henry Sharp (American, 1859-1953), “Portrait of a Baby”, c. 1880; pastel, circular motif, 11” diameter, signed, period frame.
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1000-1500
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635. C.L. Moyer (American, 19th-20th century), “Milford Mill”, c.1900; oil/canvas, 24” x 38”, signed. Cincinnati artist and student of T.C. Lindsay.
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1500-2500
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636. Frank Meyers (American, 20th century), “Crashing Waves”, c.1930; oil/canvas, 16” x 20”, unsigned.
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1500-2500
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637. Clifton Wheeler (American, 1883-1953), “Figures in a Meadow”, c. 1930; watercolor, 4.5” x 5.5”, unsigned, inscription on verso of frame.
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400-600
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638. Anna Louise Thorne (American, b. 1866), “Stream in Autumn”, c. 1920; watercolor, 9.5” x 12.5”, signed, inscribed, “Toledo”.
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500-700
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639. William P. MacDonald (American, b. 1863), “Spring Brook”, c.1920; oil/canvas, 16” x 20”, signed. Cincinnati artist; also a Rookwood artist.
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2500-3500
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640. Nicholas Wilhelm Fermer (European, early 20th century), “Flowering Grasses with Mountains in the Distance”, c.1930; oil/canvas, 16” x 22”, signed.
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600-800
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641. Arthur Edward Blackmore (American, 1854-1921), “Woodland Stream”, c.1891; oil/panel, 18” x 12”, signed and dated.
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1500-2000
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642. Lester Chaney (American, b. 1907) “Crashing Waves”, c. 1938; oil/canvas, 24” x 30”, signed.
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1000-2000
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643. Frank Simon Herrmann (American, 1866-1942), “Spring Flowers”, c.1930; gouache, 23” x 28”, unsigned.
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2000-3000
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644. Max Kuehne (American, 1880-1968), “View from the Rocks”, c. 1925; watercolor/paper, 15” x 20”, signed.
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800-1200
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645. Charles Shepard Chapman (American, 1879-1962), “Portrait of a Boy”, c.1947; pastel, 15” x 11.5”, signed and dated.
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600-800
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646. William Zimmerman (American, b. 1927 ), “Pheasants”, c. 1920; oil/board, 18” x 32”, signed. Zimmerman was well known for his animal subject matter.
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3500-4500
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647. Hattie Hutchcraft Hill (American, 1847-1921 ), “Fishing Boats”, c. 1894; oil/canvas, 28” x 44”, signed and dated, inscribed, “Paris”. Hill studied in Cincinnati. She painted in France in the early 1890s, returning to the US in 1895. She worked in Kentucky after 1889. Her work is included in the collections of the University of Kentucky and County Courthouse, Paris, KY. REF: The Kentucky Painter from the Frontier Era to the Great War, Jones and Weber.
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4500-6500
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648. Laura Hoernig (American, 20th century), “The Pool Hall”, c.1940; oil/canvas, 16” x 20”, unsigned.
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600-800
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649. James Milford Zornes (American, b. 1908 ), “Rancho de Taos”, c.1980; watercolor, 21” x 29”, signed and dated; titled verso; also inscribed verso, “Mt. Carmel, Utah”. Important California watercolorist.
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2000-3000
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650. Wilson Henry Irvine (American, 1869-1936), “Landscape”, c. 1920; watercolor/paper (double-sided), 12.5” x 17.5”, signed in pencil.
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700-900
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Sale Date:
June 5 & 6, 2004 Cincinnati, OH |
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