 ONLINE CONDITION REPORTS |
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| Sale Date: June 5 & 6, 2004 Cincinnati, OH |
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Lot Numbers and Descriptions
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Estimate
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551. Carlos Alonzo Perez (Spanish, 19th-20th century), “The Scissors Grinder”, c.1920; oil/canvas, 28.5” x 23.5”, signed.
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2000-4000
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552. R. Valdes (Spanish, early 20th century), “Two Women in an Interior”, c. 1920; oil/canvas, 19.5” x 24.5”, signed, unframed.
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500-700
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553. Laurits Frederiksen (Danish, 20th century), “Grindsted, Western Denmark”, c.1926; oil/canvas, 13.5” x 18.5”, signed, dated, and titled.
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1000-1500
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554. Harry B. Lachman (American, 1886-1974), “Venice”, c.1915; oil/board, 16” x 12”, signed, fine carved frame. Lachman worked in Paris in the 1910s, and was also active in New Orleans from 1916-1920. He exhibited at the Art Institute of Chicago, New Orleans Art Association, New Orleans Museum of Art, and the Pennsylvania Academy of Fine Art. He was a member of the Societe International des Artistes et Sculptors, Societe Paris Moderne, and the Chevalier of the Legion of Honor (France). His work is in the collections of the New Orleans Museum of Art, Musee du Luxembourg, Musee de Petit Palais (Paris), and the Art Institute of Chicago.
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2000-3000
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555. Emile Papp (Hungarian, 20th century), “Woman with Flowers”, c.1930; oil/canvas, 32” x 24”, signed.
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1500-2500
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556. Finn Wennerwald (Danish, b. 1896), “Edge of the Pond”, c.1930; oil/canvas, 18” x 26”, signed.
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1400-1800
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557. Paul Turner Sargent (American, 1880-1946), “Illinois Landscape”, c.1920; oil/canvas laid down on board, 10” x 13.5”, unsigned, but guaranteed; accompanied by a photocopy of an affidavit from the artist’s estate.
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300-500
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558. Paul Turner Sargent (American, 1880-1946), “Illinois Landscape”, c.1920; oil/canvas, 10” x 14”, unsigned, but guaranteed; accompanied by a photocopy of an affidavit from the artist’s estate.
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300-500
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559. Herbert J. Day (American, early 20th century), “Fence Line”, c.1897; pencil drawing, 13” x 8.5”, signed and dated.
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300-500
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560. John Elwood Bundy (American, 1853-1933), “A Farm in the Distance”, c.1902; pencil drawing, 4.5” x 5.5”, signed.
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300-500
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561. Lewis Henry Meakin (American, 1850-1917), “Clouded Peak”, c.1913; oil/canvas, 19” x 24”, unsigned. Meakin studied with Noble and Duveneck in Cincinnati. He exhibited at the McMicken School of Design, Cincinnati Art Museum, National Academy of Design, Carnegie Institute, and the Art Institute of Chicago. He moved to Cincinnati in 1863 and taught at the Cincinnati Art Academy from 1886-1917. Meakin first went to the Rocky Mountains in 1912, and he was awarded a prize for that subject matter at the Society of Western Artists.
Exhibited: Panorama of Cincinnati Art VIII (June, 1987); Cincinnati Art Galleries, listed in catalog of the exhibition #37. |
2000-3000
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562. John Elwood Bundy (American, 1853-1933), “A Beech Woods with Road and Stream”, c.1902; pencil drawing, 5” x 7”, signed.
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300-500
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563. J. Dunbar Wright (American, 1862-1917), “Across the Wabash” , c.1910; oil/canvas, 20” x 16”, signed. Wright is documented as having exhibited at the Corcoran biennials, Art Institute of Chicago, Pennsylvania Academy of Fine Art, and the Society of Independent Artists (all in the 1910s). He worked in New York, and was a member of the Salmagundi Club.
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600-800
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564. Edward Parker Hayden (American, 1858-1922 ), “Autumn”, c.1920; oil/canvas, 30”x25”, signed.
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1000-2000
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565. Edward T. Hurley (American, 1869-1950 ), “The Mill”, c.1910; pastel/paper, 14” x 11”, signed.
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600-800
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566. Martin Rettig (American, early 20th century), “Roses”, c.1940; oil/board, 12” x 15”, signed. Rettig worked in Cincinnati and was a student of Frank Duveneck.
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700-900
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567. Chester L. Steyer (American, 20th century ), “Winter Stream”, c.1920; oil/canvas, 21” x 27”, signed; label verso from Pennsylvania Academy of Fine Art.
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1250-1750
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568. Louis Oscar Griffith (American, 1875-1956), “Girl on a Beach”, c.1900; watercolor/paper, 6” x 4.5”, unsigned, but guaranteed.
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300-500
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569. Jerzey Kossak (Polish, 1886-1955), “Returning with the Flock”, c. 1933; oil/board, 9.5” x 13.5”, signed and dated; writing on verso.
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800-1200
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570. A. Revotini (Italian, 20th century), “Still Life with Fruit”, c. 1930; oil/canvas, 29” x 39”, signed indistinctly, unframed.
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400-600
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571. Salvador Serra (Spanish, 19th-20th century), “Floral Still Life”, c. 1920; oil/board, 13” x 15”, signed.
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800-1200
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572. Eda Sterchi (American, b. 1885), “Arab Man”, c. 1930; oil/canvas, 25” x 21”, signed. Sterchi studied at the Art Institute of Chicago, and traveled to Tunis to paint in the 1910s.
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400-600
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573. A. Reuez-Almansa (Spanish, 20th century), “Dancers”, c. 1940; oil/canvas, 15” x 22”, bears signature.
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400-600
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574. L. Nichols (German, early 20th century), “The Card Game”, c. 1900; oil/canvas, signed
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800-1200
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575. Anton Otto Fischer, attribution (American, 1882-1962), “The Windjammer”, c. 1937; oil/canvas, bears signature; titled on verso.
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800-1200
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576. Dubois (Continental, early 20th century), “The Cavalier”, c. 1920; oil/canvas, 30” x 24”, signed.
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700-900
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577. W. Hardy (American, 19th-20th century), “Woodland path”, c.1900; oil/canvas laid down on board, 18” x 12”, signed.
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500-700
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578. Harry Roseland, attribution, (American, 1868-1950), “Boy with an Instrument”, c. 1890 ; watercolor, 18” x 14”, bears signature.
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1000-1500
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579. G.H. Barker (American, early 20th century), “Landscape with Cattle”, c. 1930; oil/canvas, 16” x 20”, signed.
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400-600
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580. Hans Wilder (Austrian, 19th century), "Carriages Along Path", c.1880; watercolor, 9" x 18", signed.
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800-1200
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581. A.M. Ensminger (American, 19th-20th century), lot of ten items, one pictured: “Portrait of a Woman”, c.1906; charcoal sketch/paper, 9.5” x 8”, unsigned, unframed. Ensminger was an illustrator for The Ohio Magazine, and each of the lots is accompanied by some photocopies from that periodical, showing a reproduction of his work.
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300-500
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582. A.M. Ensminger (American, 19th-20th century), lot of ten items, one pictured: “Portrait of a Woman”, c.1906; ink sketch/paper, 9.5” x 8”, unsigned, unframed.
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300-500
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583. A.M. Ensminger (American, 19th-20th century), lot of ten items, one pictured: “Portrait of a Woman”, c.1906; charcoal sketch/paper, 9.5” x 8”, unsigned, unframed.
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300-500
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584. A.M. Ensminger (American, 19th-20th century), lot of ten items, one pictured: “Portrait of a Man”, c.1906; charcoal sketch/paper, 9.5” x 8”, unsigned, unframed.
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300-500
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585. Anna Wood Brown (American, active 1890-1920), “Woman at Her Dressing Table”, c. 1915; oil/canvas, 21.5” x 18”, signed. New York City painter of portraits, genre, and women. She exhibited at the National Academy of Design, Pennsylvania Academy of Fine Art, Salon des Independents (Paris), and the Salon d Automne (1920). She was a member of the New York Women’s Art Club. Related literature: Dictionary of Women Artists, Chris Petteys.
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1000-1500
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586. Minnie Harms Neebe (American b.1873), “Flowers”, c.1930; oil/canvas, 24”x18”, signed; signed and titled verso.
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800-1200
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587. A.M. Ensminger (American, 19th-20th century), lot of ten items, one pictured: “Portrait of a Woman”, c.1906; ink sketch/paper, 9.5” x 8”, unsigned, unframed.
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300-500
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588. A.M. Ensminger (American, 19th-20th century), lot of ten items, one pictured: “Portrait of a Woman”, c.1906; charcoal sketch/paper, 9.5” x 8”, unsigned, unframed.
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300-500
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589. A.M. Ensminger (American, 19th-20th century), lot of ten items, one pictured: “Portrait of a Woman”, c.1906; ink sketch/paper, 9.5” x 8”, unsigned, unframed.
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300-500
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590. A.M. Ensminger (American, 19th-20th century), lot of ten items, one pictured: “Portrait of a Woman”, c.1906; ink sketch/paper, 9.5” x 8”, unsigned, unframed.
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300-500
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591. Oscar H. Gieberich (American, b. 1886), “Sidewalk in Provincetown”, c.1930; monoprint, 15.5” x 11.5”, signed in pencil.
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250-350
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592. Blanche Skrainka (American, early 20th century), “Maine Coastal Scene”, c.1930; oil/canvas laid down on board, 15” x 17”, unsigned. Skrainka worked in St Louis, but traveled extensively. She painted in Booth Bay Harbor. She was also an accomplished opera singer.
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300-500
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593. A.M. Ensminger (American, 19th-20th century), lot of ten items, one pictured: “Portrait of a Man”, c.1906; charcoal sketch/paper, size, unsigned.
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300-500
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594. A.M. Ensminger (American, 19th-20th century), lot of ten items, one pictured: “Portrait of a Woman”, c.1906; charcoal sketch/paper, 9.5” x 8”, unsigned, unframed.
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300-500
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595. A.M. Ensminger (American, 19th-20th century), lot of ten items, one pictured: “Portrait of a Woman”, c.1906; charcoal sketch/paper, 9.5” x 8”, unsigned, unframed.
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300-500
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596. A.M. Ensminger (American, 19th-20th century), lot of ten items, one pictured: “Portrait of a Woman”, c.1906; charcoal sketch/paper, 9.5” x 8”, unsigned, unframed.
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300-500
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597. V. Tituiler (American, early 20th century), “Cape Anne Refuge”, c.1930; oil/canvas, 16”x20”, signed; titled on verso.
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400-600
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598. Thomas Corwin Lindsay (American, 1845-1907), “Floral Still Life”, c. 1890; oil/canvas, 23.5” x 33.5”, signed. Early Cincinnati painter.
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2750-3750
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599. A.M. Ensminger (American, 19th-20th century), lot of ten items, one pictured: “Portrait of a Woman”, c.1906; charcoal sketch/paper, 9.5” x 8”, unsigned, unframed.
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300-500
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600. A.M. Ensminger (American, 19th-20th century), lot of ten items, one pictured: “Portrait of a Woman”, c.1906; charcoal sketch/paper, 9.5” x 8”, unsigned, unframed.
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300-500
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Sale Date:
June 5 & 6, 2004 Cincinnati, OH |
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