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Sale Date:
Dec. 3, 2006
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Lot Numbers, Descriptions and Estimates
601. George Jo Mess (American, 1898-1962), "Country Bridge", c. 1940; oil/board, 11.5” x 15.5”, signed, framed. 600-800
602. Robert M. Root (American, 1863-1937), “Greasy Creek, Brown County Indiana”, c.1924; oil/board, 17.5” x 13.5”, signed, dated, artist label verso, framed. 1500-2000
603. Gordon B. Mess (American, 1900-1959), "Indiana Cabin"; oil/canvas, 13.25” x 16.5”, signed, framed. 400-600
604. Charles A. Nicolai (American, 1856-1942), "The Fence Line"; watercolor/paper, 4.75” x 6.75”, signed, matted, framed. 300-400
605. Varaldo Cariani (American, 1889-1969), "Autumn"; oil/board, 7.5” x 9.5”, signed, framed. 1000-2000
606. William Merritt Chase (American, 1849-1916), "Jester"; etching, 6” x 3.5”, signed, framed. 350-450
607. Harry B. Lachman (American, 1886-1975), "Abstract Buildings"; oil/board, 15.5” x 12.5”, signed, dedicated, framed. 1000-1500
608. Edmund Brucker (American, b. 1912), sanguine on paper, "Old Woman", signed in pencil, 22" x 17.5". Lived in Cleveland, Ohio and Indianapolis, Indiana. He was an instructor at John Herron School of Art in Indianapolis, 1938-1946. 200-300
609. Ernest Fredericks (American, 20th Century), "Landscape with Stream"; oil/canvas, 23.5” x 29.5”, signed, framed. 800-1100
610. Joseph Trover (American, b. 1915), "Road in an Autumn Landscape"; oil/board, 17” x 23”, signed, framed. 500-700
611. Genevieve Goth Graf (American, 1890-1961), "Still Life"; oil/canvasboard, 5” x 7”, signed in pencil, matted, framed. 500-700
612. George Herbert Baker (American, 1878-1943), "Windswept Trees"; pastel/paper, 9” x 12”, signed, framed. 500-700
613. Paul Hadley (American, 20th Century), "Town Scene"; watercolor/paper, 10.25” x 11.5”, signed, matted, framed. 350-450
614. Clifton Wheeler (American, 1883-1953), “Sunflowers”, c.1920; oil/canvas laid down on board, 16” x 20”, signed; label on verso with artist’s address. 1000-1500
615. Randolph Lasalle Coats (American, b. 1891), “Nude By a Window”; oil/board, 10” x 12”, signed, framed. 2000-3000
616. Leota Loop (American, 1893-1961), “Lilies Every One”, ca. 1960; oil/canvas, 24.5” x 29.5”, signed, titled verso, framed. 1000-2000
617. John Wesley Hardrick (American, 1891-1968), "Winter Landscape"; oil/board, 13” x 17.5”, signed, framed. 1500-2500
618. Orrin Draver (American, 1895-1964), “Indiana Landscape”; oil/canvas, 25” x 30”, signed, framed. 800-1000
619. Louis W. Bonsib (American, 1892-1979), “Snowy Morning”; oil/board, 9” x 12”, signed, labels on verso, framed. 400-600
620. George Herbert Baker (American, 1878-1943), “Meadows”; oil/board, 16” x 20”, signed indistinctly, framed. 800-1200
621. Edward R. Sitzman (American, 1874-1949), "Landscape"; watercolor/paper, 3.25” x 5.25”, signed, matted, framed. 250-350
622. Frederick Polley (American, 1875-1957), “Twin Barns”; oil/board, 9.25” x 11.25”, signed, titled verso, framed. 400-600
623. E.E. Roberts (American, 20th Century), "Dunes"; oil/board, 9.5” x 17.5”, signed, framed. 500-700
624. John Elwood Bundy (American, 1853-1933), "Indiana Stream"; watercolor/paper, 18” x 12.5”, signed, framed. 800-1200
625. E.E. Roberts (American, 20th Century), "Lake Scene"; oil/board, 9.5” x 13.5”, signed, framed. 500-700
626. Edith Chippendale Beimes (American, 20th Century), "House in Gloucester"; oil/board, 11.5” x 15.5”, signed, framed. 500-700
627. William C. Emerson (American, b. 1865), "Winter Stream"; oil/board, 17.5” x 20.5”, signed, framed. 1000-1500
628. Edith Chippendale Beimes (American, 20th Century), “Gloucester Harbor"”; oil/board, 19.5” x 23.5”, signed, framed. 600-800
629. J. Bohlander (American, 20th Century), “Old Ferguson House – Nashville, Ind.”, c. 1971; oil/canvas, 4.5” x 6.5”, signed, dated, titled verso, framed. 100-200
630. Hildegarde O’Bannon, "The Old Tree", c. 1956; stone lithograph, 7” x 9”, signed, edition 3/10, dated, matted, framed. 100-200
631. William Wils Bell (American, 20th Century), “The Last Load”; oil/canvas, 25” x 30”, signed, framed. 800-1200
632. Ernest Fredericks (American, 1877-1958), “Autumn Landscape"; oil/canvas, 16” x 20”, signed, framed. 500-700
633. Fred W. Weber (American, b. 1890), “Fishing Boat”; oil/board, 14” x 16”, signed on verso, framed. 300-500
634. Ernest Fredericks (American, 1877-1958), “Winter Landscape"; oil/canvas, 20” x 16”, signed, framed. 500-700
635. Gerald Nees (American, b. 1938), “On the Hunt”, c. 1975; oil/board, painted by mouth, signed, 6.5” x 8.5” 350-450
636. Ernest Fredericks (American, 1877-1958), “Apple Blossom Time, Brown County, Indiana”; oil/canvas, 16” x 20”, signed, framed. 500-700
637. Svend Svensen, (Norwegian-American, b. 1864), “Path in the Snow”, c.1910; oil/canvas, 20" x 25.5”, signed. 800-1200
638. Jesse M. Gleyre, (American, 20th century), “Garden Scene", c. 1940; watercolor/paper, 19” x 15”, signed. St Louis painter. 400-600
639. Ernest Fredericks, (American, early 20th Century), “Landscape with Birch Trees”, oil on canvas, signed, framed, 23.5” x 35”. 600-800
640. Leon Lundmark, (American, 1872-1942), “Pearly Hues”, c. 1930; oil/canvas, 25” x 30”, signed. 1000-2000
641. L. Ambrose (American, early 20th century), "Autumn Landscape", c. 1910; oil/canvas, 20" x 24", signed indistinctly, nice period frame. 500-700
642. WITHDRAWN
643. American School, attributed to Leota Loop (1893-1961), “The Flower Garden”, c. 1925; oil/canvas, 24" x 30", initialed, “L.L.” This work is consistent with the (superior) earlier work of Loop. 4000-6000
644. Carl R. Krafft, (American, 1884-1938), “Ozark Travelers”, c.1920; oil/board, 24” x 28”, signed; Chicago Gallery Assn. label verso with title, nice frame. This is a very good early example of his work. 6000-8000
645. Harry Haviland Osgood (American, 1875-1960), “Indiana Barn”, c. 1920; oil/canvas, 40" x 50”, signed. 2000-3000
646. R. Atkinson Fox, (American, 1860-1935), “Landscape within a Landscape”, c. 1910; oil/canvas, 22.5" x 17.5", signed. The artist executed this unusual approach to composition from time to time throughout his career. 4000-6000
647. Harry Chase, (American, 1853-1889), “Granville”, c. 1880; oil/board, 13.25” x 23.25”, unsigned, but titled on the front (this was very typical for the artist), excellent original frame. 3000-5000
648. George Charles Aid, (American, 1872-1938) “Portrait of a Woman”, c.1900; oil/canvas, 29” x 20”, signed, nice period frame. 4000-6000
649. William B. Dorsey (American, b. 1942), “California Landscape”, c.2000; oil/canvas, 30” x 40”, signed, nicely framed. 3000-5000
650. Henry Ryan MacGinnis  (American, 1875 - 1962), “Birches”, c.1930; oil/canvas, 30” x 25”, signed; label verso: Midwest Museum of American Art, “Hoosier Landscapes, Past and Present” (1998). 1000-2000
651. Scott L. Christensen  (American, b. 1962 ), “Returning Tide”, c.1994; oil/board, 20” x 24”, signed, provenance, very well framed. Christensen is an important contemporary landscape painter working in Wyoming. 8000-10,000
652. Kathryn E. Cherry, (American, 1880-1931), “Boats at Provincetown”, c, 1915; oil/board, 20” x 24”, signed. Cherry was a painter and a designer at University City Pottery. 3000-5000
653. Minnie Harms Neebe, (American, 1873-1936), “The Dam”, c. 1920; oil/ canvas, 22” x 18”, signed. 1500-2500
654. Giovani Maresca, (Italian, 19th century), “Portrait of a Man”, c.1880; oil/canvas, 14” x 10”, signed, period frame. 1000-2000
655. B. Palamer (Polish, 20th century), “Riders”, c. 1940; oil/canvas,
24” x 30”, signed. 600-800
656. Hermann Armin Kern (Hungarian, 1839-1912), "Dutch Woman Working Outside the Kitchen Door", c. 1880; watercolor, 12.5" x 9", signed. 500-700
657. Georg Brandes, (German, b. 1878), “Alpine Village” , c. 1921: oil/canvas, 26.5” x 32”, signed and dated, period frame. 600-800
658. Theodor Feucht, (German, b. 1867), “Street Scene”, oil/board, 8.5” x 10.5”, signed and good carved period frame. 600-800
659. Frank Marsden London, (American, 1876-1945), “Sunset”, c. 1910; watercolor, 19” x 23”, signed. 400-600
660. Daniel Sherrin (British, 1870-1942), “River Landscape”, c. 1910; oil/canvas, 20” x 30”, signed, nice period frame. 1000-2000
661. Hendrick Cassiers (Belgian, 1858-1944), "Flower Vendors"; pastel/paper, 8.5” x 9”, signed, matted, framed. 700-900
662. Ferdinand Wagner (The Elder), in the manner of, (German, 1819-1881), “The Hunt”, c. 1870; oil/canvas, 36” x 58”, unsigned. Very fine period work, with the subject and style consistent with this family of artists. 5000-7000
663. Douglas Volk, (American, 1856 - 1935), “Figure in a Landscape”, c.1910; oil/canvas laid down on board, 12” x 9.5”, signed. 800-1200
664. American School, “Coastal Scene”, c. 1920; oil/canvas, 35” x 46”, signed indistinctly, period frame. 500-700
665. Ramos Catalan, (Chilean, b. 1890), “A Pool”, c. 1920; oil/canvas, 17” x 15”, signed. 500-700
666. Nels Hagerup (American, 1864-1922), "Moonlit Seascape"; oil/canvas, 10” x 14”, signed, ornate frame. 600-800
667. Cecil Fern Gary (American, b. 1894), “Convent Scene”; oil/board, 12” x 16”, signed, framed. California artist. 400-600
668. Frank Russell Green (American, 1856-1940), "Spring Landscape"; oil/board, 7.5” x 9.5”, signed, framed. 500-700
669. Eric Dufstrom (American, early 20th century), “Moonlit Birches”, c.1912; oil/canvas, 28” x 20”, signed and dated. 1000-1500
670. William Henry Hilliard (American, 1836-1905), “Canyon Lake”, c. 1880; watercolor/paper, 27” x 18”, signed. Hilliard was active in Indiana in the 1860s-70s, painting primarily landscapes. In the late 1870s, he moved to New York, and eventually settled in Washington, D.C. He painted in Paris from 1880-83, and exhibited at the Paris Salon. 400-600
671. Birger Sandzen (American, 1871-1954), “Finnboda (Stockholm)”, c.1894; watercolor, 13” x 9.5”, signed and dated. 1000-2000
672. Birger Sandzen (American, 1871-1954), “A Building by the Water”, c.1894; watercolor, 14” x 10”, unsigned. 500-1000
673. Birger Sandzen (American, 1871-1954), “Figure of a Boy near Houses”, c.1894; watercolor, 13” x 9.5”, signed and dated. 1000-2000
674. Ellsworth Young, (American, 1866-1952), “Pier”, c. 1930; watercolor, 15” x 22”, signed. 300-500
675. Klaus Fish (German, b. 1893), "Village Scene"; gouache/paper, 20” x 26”, signed, framed. 800-1000
676. Helen E. Moseley, (American, 1883-1928), “Harbor Scene”, c. 1910; oil/canvas, 24” x 22”, signed. 600-800
677. E. Bachmann P. (20th Century), "River Landscape"; oil/canvas, 19.5” x 21.5”, signed, framed. 400-600
678. Vivian Church Hoyt (American, b. 1880), “Still Life”, c. 1930; oil/canvas laid down on board, 26” x 22”, signed. 800-1200
679. A.D. Greer, (American, 1904-1998), “Floral Still Life”, oil/canvas, 24” x 30”; inscribed, “4/29 H. Pink 1961.” 500-700
680. William A. Eyden (American, 1893-1982), “Late Afternoon”; oil/board, 10” x 14”, signed, artist label on verso, framed. 700-900
681. William A. Eyden (American, 1893-1982), “6th Ave Village, N.Y.”; oil/board, 9” x 12”, signed, artist label on verso, framed. 700-900
682 Francesco Spicuzza, (Italian/American, 1883-1961), “Floral Still Life”, c. 1930; pastel, 26” x 19”, signed. 800-1200
683. A.L. Le Barts (American, 20th Century), “Adrift”; oil/canvas laid down on board, 8” x 10”, signed, framed. 300-500
684. Blanche W. Kerr, (American, 1872-1955), “Still Life”, c. 1930; oil/board, 24” x 18”, signed. 300-500
685. Lawrence Carmichael Earle, (American, 1845-1921), “Portrait of a Woman”, c. 1883; oil/canvas, 12” x 9”, signed and dated. 1500-2500
686. Harold Vincent Skene, (American, b. 1883), “Woman in Green”, oil/masonite, 30” x 36”, signed. 1000-1500
687. Grace Nash (American, early 20th century), “Painting Pottery”, c.1930; oil/canvas, 27” x 24”, signed. 800-1200
688. Charles Arthur Fries (American, 1854-1940), "Oak Trees on the Hill Near P.O.", c. 1918; oil/board, 6" x 10", signed, framed. 2000-3000
689. Karl C. Brandner, (American, 1898-1961), “Evening Landscape with Stream”, oil/canvas, 10” x 12.5”, signed. 500-700
690. William Amsden, (American, 1858-1933), “Autumn Landscape”, c.1920; oil/canvas, 20” x 24”, signed. 400-600
691. Karl C. Brandner, (American, 1898-1961), “Barn in a Sunlit Landscape”, oil/masonite, 14” x 17”, signed. 600-800
692. George Herbert Baker (American, 1878-1943), "Autumn Landscape"; watercolor/paper, 4.5” x 6.75”, signed, matted, framed. 300-500
693. George Herbert Baker (American, 1878-1943), "Autumn Landscape"; watercolor/paper, 4.5” x 6.75”, signed, matted, framed. 300-500
694. Nota Koslowsky, (Polish/American b.1906) “Ahuva Tzadoc", oil/canvas, 42” x 27”, signed. Tzadoc was a Yemenite singer; lot accompanied by a brocheure picturing this work with the artist. 600-800
695. Eugene Speicher (American, 1883-1962), "Portrait of Elsie Speicher", c. 1940; oil/canvasboard, 20" x 16", signed; label on verso from ACA, American Heritage Gallery, NYC. 2000-3000
696. Charles Livingston Bull, (American 1874-1932) “Night Hunting”, c. 1910; graphite and ink drawing, 16” x 10”, signed. 1500-2500
697. Albert Gillen, (American, 20th century), “The Boathouse”, oil/board, 18” x 22”, signed. 600-800
698. A. Bueso, lot of two paintings, one pictured: “Coastal Houses”, c. 1950; oil/board, 8” x 10”, signed; with another similar work by the artist. 500-700
699. Cal Diehl (American, 20th Century), “ Hauling Timber in Winter”, c. 1950; oil/canvas, 16” x 21”, signed. 1000-2000
700. Wayne Morrell (American, b. 1923), “Autumn Sunset”, oil/board, 11" x 14”, signed. 800-1200
Sale Date:
Dec. 3, 2006