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Sale Date:
Dec. 3, 2006
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Lot Numbers, Descriptions and Estimates
501. Thomas Webb & Sons vase, bulbous form in yellow glass with cameo cut leaves and moth in multiple shades of pink, marked, 4.5"w x 3"h 1200-1700
502. Fine Daum vase, cameo and inlaid glass with nicely detailed colorful daffodils, signature on foot, 4.5”w x 15.5”h 10,000-15,000
503. Austrian vase, four handled organic form in iridescent glass, unsigned, 6.5”h 350-450
504. Austrian vase, attribution, pulled iridescent design, unmarked, 11”h 300-500
505. Loetz vase, attribution, double handled form in green, unsigned, 5”w x 7.5”h; with a Loetz vase, attribution, (not shown), lobed form with a Papillon decoration in green and yellow, overall iridescence, unsigned, 6.5”w x 4.5”h 300-500
506. Durand lamp, attribution, gold glass shade with pulled feather design and applied threading, mounted on a metal base with an elaborate design, unmarked, 4”w x 8.5”h 500-700
507. Exceptional Loetz vase, swollen shape in thick orange glass with a Titania design in green and platinum, unmarked, 4"w x 8.5"h 800-1100
508. Steuben lamp, attribution, gold iridescent shade held by a metal base and cap, finial with inset amber colored stone, unmarked, 5”w x 14”h 500-700

509. Austrian vase, attribution, large form, unsigned, 6"w x 13"h; with an Austrian vase, (not shown), attribution, gooseneck form with an overlaid glass decoration, unsigned, 5”w x 15.5”h 300-500
510. Fine Loetz vase, tapering and indented shape with a ruffled rim and a Titania design, applied silver overlay in a delicate floral design, unmarked, 5”w x 8”h 2500-3500
511. Austrian vase, attribution, large indented form with ruffled rim, spotted decoration, unsigned, 6”w x 12”h 300-500
512. Excellent Jean Pointu vase, broad shape with two handles under a multi-toned brown glaze, signed, 7”w x 5”h 900-1200
513. Jean Mayodon bowl, mythological figures against an ivory ground, signed, 10”w, chip to rim, crazed interior 800-1100
514. Good Eugene Lion vase, bulbous shape covered in a mottled green and brown matt glaze, signed, 4.5”w x 3”h 300-400
515. Dramatic Hector Guimard vase, monumental four-handled Art Nouveau form covered in a multi-toned green and blue glaze, cut out and carved design, marked with a gold K, 18”w x 10.5”h, minor chip to rim 3000-5000
516. Good Marlotte vase, unusual Art Nouveau organic form with two handles covered in a yellow and blue glaze, signed, 8”w x 5”h, very nice design 300-400
517. Large and decorative Delphin Massier charger, peacock feather design in an iridescent metallic glaze, signed, marked Vallauris (AM), 14.5”dia., a fine example of French Art Nouveau ceramics 2000-3000
518. Amphora vase, gourd form with sculpted and applied leaves and stems, signed Amphora and Turn Teplitz Bohemia, RstK, made in Austria, #501, 6.5”w x 7”h 300-500
519. Art Deco mirror, French, probably 1940s, sunburst design in wood with original gold paint, convex mirror, 12”w, some minor chips 250-350
520. Exceptional Cowan sculptures, pair, male and female figures covered with colorful glazes, impressed mark, largest is: 6.25”w x 9”h 2000-3000
521. Art Deco mirror, French, probably 1940s, wooden sun with convex mirror, original gold finish, 9”w 250-350
522. Art Nouveau inlay panel, inlaid woods, nicely framed, 18”w x 22”h, very good condition 500-700
523. Unusual and attractive Art Deco vase, bulbous form in bronzed metal laid over glass creating inset windows, unsigned, 4.5”w x 5”h 300-500
524. Art Nouveau frame, bronzed metal with a sculpted nude and trees, original patina, unsigned, 5”w x 6.5”h 150-250
525. Fine and exceptional Camille Fauré for Limoges vase, swollen tapering form with a striking enameled geometric design in green, black and white, signed in gold, 11”h, excellent condition 3500-5500

526. Cowan sculpture, Russian Peasant, Tamborine Player, 7”w x 9”h, ; with a Cowan sculpture, Russian Peasant, Balalaika Player, 10”w x 8”h, both covered in an ivory high glaze, both designed and signed by Alexander Blazys and marked, examples are shown in Cowan Pottery, by Saloff, pgs. 12, 48 & 55 900-1200
527. Good Camille Fauré for Limoges vase, tapered form with an enameled geometric design in red, white, black and silver, signed in gold, 11”h, exceptional condition 3000-5000
528. Good Tiffany Studios lamp, counter balance bronze base in its original gold doré patina holding a favrile glass shade in yellow with pulled iridescent designs, base signed Tiffany Studios New York #417, shade signed L.C. Tiffany Favrile, 16”h, excellent condition 9000-12,000
529. Tiffany Studios lamp, bronze three armed base holding a leaded glass shade in multiple shades of green, base signed Tiffany Studios New York #25871, shade signed Tiffany Studios New York #1421-19, 14”dia x 20.5”h 9000-12,000
530. Exceptional Tiffany Studios Nautilus lamp, bronze base supporting an abalone shell shade, original patina, signed Tiffany Studios New York #25893, 8.5”w x 14”h, one of three versions of this lamp, this one with the banding on edge of shell is rather unusual 9000-12,000
531. Fine Gallé vase, nicely executed cameo cut landscape scene in multiple shades of green against a pink, frosted and green background, cameo signature, 4”w x 12”h 2000-3000
532. Good Gallé vase, cameo cut leaves and berries in red and purple against a yellow ground, cameo signature, 4”w x 3.75”h, nice example 700-900
533. Etienne Moreau-Nélaton poster, printed in Paris by Charles Verneau, 11" x 14.5", Maîtres issue 41, April 1899, framed 350-450
534. Gallé vase, cameo cut floral design in purple against a frosted ground, cameo signature, 2.5”w x 5.5”h 500-600
535. Gallé vase, bulbous form with an unusual rim, cameo cut landscape in browns and greens against a frosted, yellow and green ground, cameo signature, 6.5”w x 8.5”h 2000-3000
536. Albert Guillaume poster, ca. 1891, printed in Paris by Camis, 11" x 14.5", Maîtres issue 41, April 1899, framed; with a Lucien Lefevre poster, (not shown), printed in Paris by Chaix, 11" x 14.5" 300-400
537. Gallé lamp, flaring form in cameo glass with a landscape in browns and greens against a frosted and green ground, metal foot with a cut-back design, cameo signature, 5.5”w x 13.5”h 2000-3000
538. Good Gallé vase, cameo cut leaves in multiple shades of pink against a frosted and yellow ground, unusual oriental signature, 6”w x 7.5”h 900-1200
539. Vaclav Oliva poster, print, ca. 1896, printed in Prague by V. Neubert, framed, 11"w x 14.5”h, Maîtres issue 25, Dec. 1897; with Toulouse Lautrec lithographs, reproductions (not shown), two, advertising prints, all signed, all editions 336/450, unframed, 12.5”w x 16.5”h 350-450
540. Nice L.C. Tiffany vase, floriform in a reverse gourd shape in gold favrile glass with a nice overall iridescence, signed L.C.T. #1276A, 3.5"w x 6"h 1000-1500
541. L.C. Tiffany glasses, three, gold favrile glass with colorful iridescence, all signed L.C.T. Favrile, 2”w x 4.5”h 800-1100
542. Good Steuben vase, bulbous gold aurene glass with a pulled design in green, overall iridescence, marked, #1646, 2.5"w x 5.5"h 1000-1500
543. L.C. Tiffany compote, gold favrile glass with overall iridescence, signed L.C. Tiffany-Favrile #6737D, 6"w x 6"h 1200-1700
544. Exceptional Tiffany Studios lamp, rare green favrile glass base and shade with an iridescent pulled feather design, base signed L.C. Tiffany Favrile, shade signed L.C.T Favrile, 10”w x 17”h, excellent lamp 15,000-20,000
545. L.C. Tiffany vase, swollen form with applied tendrils in gold favrile glass with a good overall iridescence, signed L.C.T., 2.5"w x 3.25"h 300-400
546. L.C. Tiffany vase, miniature form, unusual blue favrile glass with overall iridescence, signed L.C.T. #H1682, 2”h 500-700
547. L.C. Tiffany vase, slender and footed form in gold favrile glass with overall iridescence, signed L.C. Tiffany Inc. Favrile, 2.5"w x 8"h 800-1100
548. Trevaise vase, squat form in iridescent glass with a colorful pulled design, incised mark, 3"w x 2.5"h 650-850
549. Tiffany Studios inkwell, bronze in an original patina with a Zodiac pattern, signed Tiffany Studios New York, #842, 4”w 400-500
550. Tiffany Studios plate and bowl, bronze with an original gold doré patina, signed Tiffany Studios New York, #1742 and #1713, plate 8”w, bowl 4"w 150-250
551. Fine Tiffany Studios inkwell, octagonal shape in bronze with a Zodiac pattern, good original patina, signed Tiffany Studios New York, #842, 4”w 400-500
552. Tiffany Studios paperweight, bronze dog with its original gold doré patina, signed Tiffany Studios New York, #880, 3.5"w x 2"h 600-800
553. Tiffany Studios paperweight, bronze tiger in an original gold doré patina, signed Tiffany Studios New York #992, 5"l 600-800
554. Tiffany Studios paperweight, bronze bulldog with its original gold doré patina, signed Tiffany Studios, #880, 2.25"w x 1.25"h 600-800
555. Nice Tiffany Studios box, bronze with a Zodiac pattern, original gold doré patina, signed Tiffany Studios New York, #810, 3.5"w x 5.5"l x 1"h 400-500
556. Tiffany Studios clip, bronze with a Zodiac pattern, original patina, signed Tiffany Studios New York #1080, 2.5”w x 4”l 100-200
557. Tiffany Studios box, bronze with a Zodiac pattern, original patina, signed Tiffany Studios New York #810, 5.5”w x 1”h 400-500
558. Tiffany Studios letter rack, bronze with a Zodiac pattern, good green/brown patina, signed Tiffany Studios New York #1009, 9.5”w x 6.25”h 650-850
559. Tiffany Studios inkwell, bronze with the Graduate pattern with an original gold doré patina, signed Tiffany Studios New York, 3"w x 3"h 400-600
560. Tiffany Studios plate, bronze with an Art Nouveau peacock feather design, original gold doré patina, signed Tiffany Studios New York #1741, 6.5"dia. 150-250
561. Excellent Amphora Portrait vase, intricate painting, attributed to Nikolaus Kannhäuser, of a woman in a landscape surrounding the entire vase, signed Turn Teplitz Bohemia, R St K, impressed Amphora and numbered, 4.5”w x 6”h, similar vases are pictured in "Ceramics from The House of Amphora", by Richard L. Scott, pgs. 82-95 3000-5000
562. Paul Daschel for Amphora vase, finely painted landscape scene with birch trees, signed Turn Teplitz, Made in Austria, 5.5”w x 8.5”h 1200-1700
563. Good Amphora Portrait vase, beautiful painting attributed to Nikolaus Kannhäuser, woman in a landscape surrounding the entire vase, signed Turn Teplitz Bohemia, R St K, impressed Amphora and numbered, artist initials, 4.5”w x 7.5”h, similar vases shown in "Ceramics from The House of Amphora", by Richard L. Scott, pgs. 82-95 3000-5000
564. Large and impressive Amphora Portrait vase, intricate painting, attributed to Nikolaus Kannhäuser, nicely detailed woman in a landscape surrounding the entire vase, signed Turn Teplitz Bohemia, R St K, impressed Amphora and numbered, artist initials, 6”w x 15” h, similar vases shown in "Ceramics from The House of Amphora", by Richard L. Scott, pgs. 82-95 10,000-15,000
565. Exceptional Amphora vase, unusual form with a sculpted and applied dragon, designed by Eduard Stellmacher, marked Amphora Made in Czecho-Slovakia, #4111, 5.5”w x 13.5”h, a similar piece shown in "Ceramics from The House of Amphora", by Richard L. Scott, pg. 104 5000-7000
566. Good Teplitz vase, unusual and large form with four handles under a multi-toned green matt glaze, designed by and signed Stellmacher Teplitz, shape shown in " Ceramics from The House of Amphora" Scott, page 231, #2017, 11”w x 7”h 900-1200
567. Paul Daschel for Amphora vase, four handled and spouted double gourd form covered with a blue and green matt glaze, stamped mark, 8.5”w x 14”h, similar pieces shown in "Ceramics from The House of Amphora", by Richard L. Scott, pg. 276 1000-2000
568. Rare Daum vase, cameo and inlaid floral design in pink and yellow against a frosted and yellow ground, mottled green and purple at foot, signed, 4”w x 18.25”h, the inlaid flowers with delicate wheel carving 8000-11,000
569. Rozenburg vase, ca. 1903, delicate eggshell porcelain with a finely detailed painting of orange and yellow irises, stamped marks, 2.5"w x 6"h 2500-3500
570. Important Tiffany Studios window, stained glass landscape scene, featured in "Tiffany Windows", by Alaster Duncan, Simon & Schuster, 1980, p. 170, and "Louis Comfort Tiffany", by Alaster Duncan, Harry N. Abrams, 1992, p. 70, 43”w x 54”h, with frame: 48”w x 60”h, very good condition 80,000-100,000
571. Exceptional Tiffany Studios lamp, ribbed three armed bronze base with a fine original patina supporting a leaded shade with mottled green geometric tiles surrounding nicely iridized turtlebacks, base signed Tiffany Studios New York #6860, shade signed Tiffany Studios New York #1434, 16”dia. x 22”h 25,000-35,000
572. Good Tiffany Studios lamp, bronze base supporting a leaded glass shade with a Greek Key design, base signed Tiffany Studios, New York, #531, shade signed Tiffany Studios, New York, #1907, 22"dia. x 29"h, the base and shade have excellent original matching patinas 27,000-35,000
573. Good Tiffany Studios window, having Wisteria motif in shades of blue, lavender, and purple-mauve in copper foil technique. Commissioned by Mrs. John H. Cook in 1933 for her residence in Passaic, New Jersey, unsigned. Original documentation from the studios accompanies the lot 30,000-50,000
574. Good L.C. Tiffany glasses, set of six, gold favrile glass with overall surface iridescence, all signed L.C.T., 6”h 2500-3500
575. Beautiful Daum vase, carved textured glass with two applied handles and a cameo and enameled fuchsia design against a frosted to purple ground, signed, 7”w x 2.5”h, an exceptional example with brilliant color and bright gold gilding 3500-5500
576. Exceptional Daum vase, organic cameo design in multiple shades of purple against a mottled yellow and pink ground, cameo signature, 7.5”w x 11.5”h, the hammered surface is beautifully executed 5500-7500
577. Birger Sandzen, (American, 1871-1954), “By the Seashore, Kullen, Skaine, Sweden”, c. 1926; watercolor/paper, 9” x 13”, signed; titled and dated verso. 6000-8000
578. Birger Sandzen, (American, 1871-1954), “Pond and Wheat Field, McPherson Co, Kansas”, c.1926; watercolor/paper, 9.25” x 13”, signed; titled and dated verso. 6000-8000
579. Ellis Prentice Cole (American, 1862-1952), “Figures overlooking a River”, c. 1910; lot of three vintage gelatin prints depicting similar subjects, one pictured, 8” x 10”, two other comparable images, unframed. 600-800
580. Ellis Prentice Cole (American, 1862-1952), “Wildflowers”, c. 1910; lot of three vintage gelatin prints depicting various nature subjects, one pictured, 12” x 10”, two other comparable images, unframed. 600-800
581. Ellis Prentice Cole (American, 1862-1952); “Native American Subject”, c. 1910; lot of six vintage gelatin prints depicting various Native American subjects, two pictured, (3.5” x 5.5”), (3” x 3”), 4 other comparable images, unframed. 500-700
582. Ellis Prentice Cole (American, 1862-1952), “Stone Formation”, c. 1910; lot of three vintage gelatin prints depicting various subjects, one pictured, 8” x 10”, two other comparable images, unframed. 600-800
583. Roland W. Reed, (American, 1864-1934) “Native American Subject”, c. 1910; vintage photograph, 18” x 14”, framed. 600-800
584. Roland W. Reed, (American, 1864-1934), “The Pass Finders- Piegan”, c. 1912; photo gravure; lot of four also including “Shepherd of the Hills - Navaho”, “The Wood Gatherer -Hopi”, and “The Pottery Maker - Hopi”, average size is 9” x 12”, unframed. 600-800
585. Roland W. Reed, (American, 1864-1934), “Native Americans on a Precipice”, c. 1910; vintage photograph, 16” x 10”, unframed. 600-800
586. Ellis Prentice Cole (American, 1862-1952), “Pier Scene with Swimmers”, c. 1920; lot of three vintage gelatin prints depicting various subjects, one pictured, 8” x 10”, unframed. 600-800
587. Ellis Prentice Cole (American, 1862-1952), “Mountain Lake and Swimmers”, c. 1910; lot of three vintage gelatin prints depicting similar subjects, one pictured, 8” x 10”, two other comparable images, unframed. 600-800
588. Ellis Prentice Cole (American, 1862-1952), “Mountain Journey by Horse and Wagon”, c. 1910; lot of three vintage gelatin prints depicting various nature subjects, one pictured, 8” x 10”, two other comparable images, unframed. 600-800
589. Roland W. Reed, (American, 1864-1934), “Up the Cutbank”, c.1910; vintage photograph, c. 1915; 15” x 19”, framed. 600-800
590. Roland W. Reed, (American, 1864-1934), “Little Everywind”, c. 1910; vintage photograph, 9” x 7.25”, framed. 600-800
591. Roland Reed (American, 1864-1934), "The Lookout", c. 1910; vintage photograph, 20" x 24", framed. 1000-2000
592. Tony Oswald (American, 20th Century), “The Wind Laughed”, c. 1968; oil/canvas, 17.5” x 23.5”, signed, framed. 400-600
593. John Zwara, (American, early 20th century), “Indiana Landscape”, c.1940; oil/canvas, 24” x 30”, signed. 800-1200
594. Paul Randall (American, 1879-1932), "Indiana Landscape"; pastel/paper, 9” x 11.5”, unsigned, matted, framed. 350-450
595. Francis Clark Brown (American, 1908-1992), "Autumn Landscape"; oil/canvas, 23” x 29”, signed, framed. 700-900
596. James Eccles (American, 1885-1983), “One Summer Day”; oil/board, 16” x 15.5”, signed, artist label verso, framed. 400-600
597. Kaye Pool (American, 1912-2006), “May Morning”; oil/board, 16” x 20”, signed, titled on verso, framed. 750-950
598. Homer Gordon Davisson (American, 1866-1957), “Back Street in Somerset”; oil/board, 19.5” x 23.5”, signed, framed. 2000-3000
599. Floyd Hopper (American, 1909-1984), "The Edge of Town", c. 1940; watercolor/paper, 22.5” x 9”, signed, matted, framed. 500-700
600. Karl C. Brandner (American, 1898-1961), "Brown County"; oil/board, 11.5” x 15.5”, signed, framed. 700-900
Sale Date:
Dec. 3, 2006