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Sale Date:
Dec. 3, 2006
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Lot Numbers, Descriptions and Estimates
1. Exceptional and rare Jarvie chamberstick, Xi model, bold form with looped handle in a fine original patina, the best example of this form to come to market, signed, 10”h, excellent condition 9000-12,000

2. Exceptional Teco vase, designed by Hugh Garden, large organic shape with eight open leaves surrounding water lilies covered with a good green and charcoal matt glaze, impressed marks, 11.5”w x 9.25”h, a superb example of this important model 15,000-20,000

3. Roycroft chairs, #027 and #028, set of six, five side chairs and one armchair in mahogany, double horizontal rail at back over a recovered leather cushion, signed with orb, refinished, armchair: 25”w x 23”d x 38”h, side chair: 17”w x 18”d x 38”h, very good condition 3000-4000
4. Roycroft dining table, #0112, in mahogany, circular top over four columns on a shoefoot base with corbel supports, four original 12” leaves, refinished, some wear, signed with orb, 48”dia x 30”h, very good condition  3000-4000
5. Gustav Stickley chairs, #306 1/2, set of six, ladder-back form, original leather and tacks, branded signature, refinished, 17”w x 17”d x 36”h, very good condition 2500-3500
6. Fine and Important Overbeck vase, large waisted and flaring shape with a beautifully executed carved and painted design of multicolored flowers and leaves in a modernist geometric style, incised mark, initial E for Elizabeth Overbeck, initial H for Hanna Overbeck, 10”h, an exceptional example of Overbeck 15,000-20,000
7. Nice Gustave Baumann woodblock, "Autumnal Glory", No. 51 of 100, 13"h x 12.5"w, colorful landscape, signed, matted, probably the original frame 5500-7500
8. Excellent Newcomb College vase, shouldered form with a carved and painted landscape in multiple shades of green and blue, numerous tall thin pine trees with a pale yellow moon in the background executed by Sadie Irvine, marked, 4”w x 8.5”h 5000-7000
9. Arts & Crafts server, two drawer form with original brass hardware, original finish, unsigned, 44”w x 19”d x 34”h, very good condition 700-900
10. Hans Eduard von Berlepsch-Valendàs bowl, broad form in hammered copper with four applied feet and a tooled clover design, original patina, unmarked, 13”w x 7.25”h, beautifully made European Arts & Crafts object 600-800
11. Lifetime console table, rectangular top over a lower shelf with thru-post construction, original finish, unsigned, 36”w x 18”d x 31”h, unusual form, very good condition 700-900
12. Benedict Studios Cobra lamp, attribution, hammered copper curved arm base supports a three panel mica shade, fine original patina and mica, 8.5”w x 19”d x 16”h, excellent condition 4500-5500
13. Harden library table, rectangular top and horizontal stretcher with thru-tenon construction, lightly recoated original finish, paper label, minor split to top, 42”w x 22”d x 29”h, very good condition 600-800
14. Handel desk lamp, six-sided panel shade with tropical design, supported by an adjustable bronze base, breaks to glass, unsigned, 6.5”dia x 12”h good condition 700-900
15. Dirk Van Erp lamp, hammered copper base supporting a conical shaped copper and mica shade, good original mica and patina, impressed mark, 11”dia. x 11.5”h 6500-7500
16. Birger Sandzen (American, 1871-1954), “Willow and Cottonwood”, c. 1937; woodblock print, 9” x 12”, signed and titled in pencil 400-600
17. Birger Sandzen (American, 1871-1954), “Pasture with Willows”, c. 1930; woodblock print, 6” x 8”, signed and titled in pencil 400-600
18. Hans Eduard von Berlepsch-Valendàs vase, German, large double handled form in hammered bronzed metal, nicely detailed stylized tree designs, good original patina, impressed mark, #8280, 10.5”w x 20”h 1200-1700
19. Rare Rookwood vase, three-handled form covered in a matt glaze with a nicely executed carved design of corn beautifully executed by Kataro Shirayamadani in 1904, #269Z, 9.5”w x 7.5”h 4000-5000
20. Newcomb College lamp shades, attribution, pair, (one shown), probably designed by Elizabeth Rogers, metal with pierced and hammered griffin designs on each of the five sides and beaded fringe, original patina, unmarked, 7”w, similar works are shown in "Newcomb College", by Jean Bragg, pgs. 78-81 1000-2000
21. Newcomb College lamp shades, attribution, pair, (both shown), pierced and hammered copper with a tooled floral design and beaded fringe, original patina, unmarked, 6.5”w x 3”h, similar works are shown in "Newcomb College", by Jean Bragg, pgs. 78-81 500-700
22. Good Newcomb College vase, tapered form with a carved and painted landscape with moss laden trees, executed and signed by Sadie Irvine, marked JM and JR9, 2.75”w x 4.25”h 2500-3500
23. Exceptional Newcomb College vase, tapered form with a carved and painted landscape with cypress trees and moon, executed and signed by Sadie Irvine, 3.5”w x 8”h 5500-7500
24. Decorative Newcomb poster, screenprint, framed, 16”w x 29.5”h 400-600
25. Unusual Newcomb College vase, tapered shape with a carved and painted scenic landscape with cypress trees, executed by Sadie Irvine, #M07, 3.5”w x 8”h 4500-5500
26. Good Grueby tile frieze, three nicely executed tiles with a well detailed water lily design, held in an Arts & Crafts oak frame, tiles are 18”w x 6”h overall, nice glaze 5500-7500
27. Gustav Stickley lamp, hammered copper cylindrical base with two riveted looping handles supporting its original Japanese wicker shade with silk liner, fine original patina, signed, 15”dia x 18”h, excellent condition 2000-3000
28. Gustav Stickley desk, #729, drop front over two half drawers above three full drawers with original pull, locks possibly added, slab sides with thru-tenon construction, fine original finish, signed, veneer replaced on lid and some restoration, 36.5”w x 15”d x 45”h, very good condition 2000-3000
29. Teco vase, designed by Gates, double handled form covered with a good green matt, impressed marks, 4”w x 6”h 1000-1500
30. Good Teco vase, designed by Albert and Gates, large form with a good green matt with charcoal highlights, marked, 9”w x 16”h 2000-3000
31. Teco vase, designed by Gates, double handled and footed form covered with a good green matt glaze, impressed marks, 3”w x 5.5”h 1000-1500
32. Fine SEG covered vessel, unusual form with a white water lily design against a blue ground, done by Lucy Beddow Brumn, dated 12-19, thistle mark, 5”sq. x 3”h 1200-1700
33. Teco vase, designed by Gates, four-buttress shape covered in a good green matt glaze with charcoal highlights, impressed marks, 3”w x 5.75”h, professionally repaired chip to rim 800-1100
34. Teco vase, designed by Gates, double handled form covered with a good green matt glaze with charcoal highlights, impressed marks, 6”w x 8”h 1500-2000
35. Teco vase, designed by Gates, two closed handles covered in a good green matt glaze, impressed marks, 4”w x 8.5”h, professional repair to rim 700-900
36. Rare Gustav Stickley child’s settle, #211, in maple, two horizontal slats at back over a solid seat supported by thru-tenon construction with a vertical key and tenon support, recoated original finish, signed with red decal, some chips to edge, 42”w x 12”d x 31”h, very good condition 2000-3000
37. Rare SEG bowl, ca. 1914, broad form with a carved and painted stylized pod design, executed by Sara Galner, 11.5”dia. x 5”h, a similar piece is shown in "Saturday Evening Girls", by Chalmers and Young, pg. 202, repaired hairline 3000-4000
38. Rare and important Gustav Stickley piano bench, #160, early form with pierced Art Nouveau-influenced design, the only know example of this form in oak, original finish, stain to top and some nicks, signed with red box mark, 35”w x 16”d x 20”h, very good condition 20,000-30,000
39. Early Stickley Brothers side chair, strong English influence with inlaid floral design, cleaned original finish, recovered, 18”w x 16”d x 42”h, partial paper label, minor restoration, very good condition 700-900
40. Early Stickley Brothers armchair, strong English influence with inlaid floral design, cleaned original finish, recovered, branded signature, minor restoration, 23”w x 18”d x 42”h, very good condition 900-1200
41. George Montague Ellwood side chair, manufactured by J. S. Henry, delicate form in maple with an inlaid design at back, some inlay missing, original finish, illustrated in "The Craftsman", 1903, 15”w x 15”d x 40”h, good condition   1000-1500
42. Limbert table, similar to #240, attribution, square top with rounded corners over an open shelf, original finish, minor wear to top, 18”w x 18”d x 28”h, very good condition 2000-3000
43. Exceptional Grueby tile, colorful carved and painted landscape under a good matt glaze, paper label, original price tag, held in a period Arts & Crafts oak frame, 6”sq., very nice 3500-4500
44. Exceptional University City vase, shouldered and footed form covered with a beautifully fired yellow and green crystalline glaze, marked UC 1913, 4”w x 7.25”h 4000-6000
45. Large and exceptional Newcomb College vase, tapered shape with a beautifully carved and painted landscape adorned with multiple moss laden oak trees, nicely executed by Anna Francis Simpson, marked, 5.5”w x 10.5”h 9000-12,000
46. Rare and important Marblehead vase, large tapering cylindrical form with a flaring rim, beautifully painted tree of life design in blue against a gray matt background, impressed mark, 5.5”w x 14.75”h, a Marblehead vase of this size and quality are seldom seen, this one is in fine original condition 15,000-25,000
47. Stickley Brothers table, #2832, octagonal top with thru-post legs and V-shaped apron over a stretcher base, refinished, signed with partial paper label, 20”w x 20”d x 27”h, very good condition 600-800
48. Stickley Brothers night stand, single drawer with original wood knobs, tapered posts, original finish, signed with paper label, 21”w x 17”d x 28”h, excellent condition 900-1200
49. Arts & Crafts lamp table, circular top with square apron over lower shelf supported by notched stretchers, tapered legs, original finish, 28”dia x 30”h, very good condition 300-400
50. Charles Stickley rocker, massive high-back form with three vertical slats to back, long corbels and arches under arm, original finish, recovered cushion, 30”w x 30”d x 42”h, very good condition 700-900
51. Arts & Crafts magazine stand, in the manner of Limbert, four shelves supported by slab sides with rectilinear cut-outs, original finish, some looseness, 30”w x 14”d x 40”h, very good condition 300-400
52. L & JG Stickley armchair, #802, three horizontal slats at back over a recovered original cushion, refinished, unsigned, 26”w x 21”d x 38”h, very good condition 300-400
53. L & JG Stickley Morris chair, #830, open arm form with recovered leather cushions, recoated original finish, unsigned, 30”w x 35”d x 42”h, very good condition 800-1000
54. Stickley Brothers table, #2832, octagonal top with thru-post legs and V-shaped apron over a stretcher base, refinished, signed with paper label, 20”w x 20”d x 27”h, very good condition 600-800
55. Limbert Morris chair, #515, three vertical slats under each arm with thru-post construction, adjustable back, original finish, needs cushions, branded signature, minor repairs to back 29”w x 36”d x 38”h, very good condition 900-1200
56. Nice George Ohr handled vessel, manipulated body with an applied curling handle covered with a black and brown metallic glaze with silver highlights, incised signature, 6”w x 4”h 2500-3500
57. Good George Ohr vase, covered with a rare red, green and yellow splattered glaze, incised signature, 4”w x 2.5”h 2500-3500
58. Unusual George Ohr handled vessel, covered in a multi-toned brown glaze with a sculpted and applied design to interior, impressed mark, 4”w x 2.5”h 2500-3500
59. Exceptional Teco vase, unusual Prairie look designed by Fernand Moreau, shape No. 434, covered with a good green matt glaze that highlights the details, impressed marks, 6”w x 11”h, a superior example 7500-10,000
60. Unusual George Ohr vase, manipulated and folded rim and body covered in a multi-toned brown glaze with crystals, impressed mark, 5”w x 3.5”h 3000-4000
61. Rare George Ohr vase, manipulated and indented body covered in a rare and colorful splattered matt glaze, impressed mark, 3.5”w x 3.5”h 3500-4500
62. Fine George Ohr vase, the cut and folded top and body are covered in a multi-toned brown glaze with crystals, impressed mark, 5”w x 3”h 3000-4000
63. Fulper vase, tapering double handled form covered with a blue Wistaria glaze, vertical mark, 6"w x 10"h 300-400
64. Nice Clewell vase, copper-clad pottery, slightly tapered form, nice original patina, marked, #311, 4.5”w x 11”h 700-800
65. Zanesville Stoneware vase, tapered form with a carved and sculpted design with a female figure under a purple matt glaze, unmarked, impressed #569, 6.5”w x 11”h 200-300
66. Rookwood vase, tapered form with carved organic designs covered in a brown matt, 1926, #2862, 5.5”w x 9.25”h 550-750
67. Excellent Rookwood Faience tile, large square tile with a finely executed landscape design, impressed mark, held in an Arts & Crafts oak frame, 12”sq. 3500-4500
68. Fulper vase, large four buttress shape covered in a black, yellow, blue and brown flambé, vertical mark, 8”w x 10.5”h, hairline to rim, two lines to base 300-500
69. Good Rookwood vase, shouldered form with a raised organic design covered in a brown matt glaze, 1912, #1370, 4.5”w x 7”h, ground X 300-400
70. Unusual Rookwood candlestick, Arts & Crafts poppy design covered in a red and green matt glaze, 1908, #1048, 5”w x 6.5”h, a rare shape 250-350
71. Exceptional Newcomb College vase, large and fine example with a carved and painted daffodil design in white, blue and green, executed by Anna Francis Simpson, marked #RD10, 8.75”h 5500-7500
72. Rare Roycroft china cabinet, #06, leaded glass doors flank an open shelf with mirrored back over paneled doors, original hardware, fine original finish, signed with script signature, 56”w x 20”d x 59”h, minor stains and foot wear, excellent condition 20,000-30,000
73. Roycroft library table, #018, two drawers with original copper hardware over a lower shelf, Mackmurdo foot, signed with orb, top refinished, original finish to base, 48”w x 30”d x 30”h, very good condition 1200-1500
74. Harden magazine stand, attribution, four shelves with three vertical slats at sides with raised peg details and thru-tenon construction, recoated original finish, 29”w x 12”d x 36”h, very good condition 300-500
75. Roycroft Little Journeys stand, rectangular top, two shelves held by key and tenon construction, refinished, signed with brass tag, 26”w x 14"d x 26.5”h, very good condition, missing one key, 300-500
76. Gustav Stickley sewing rocker, #305 1/2, ladder-back form with three horizontal slats to back over recovered seat, 17”w x 25”d x 31.5”h, unsigned, very good condition 300-400
77. Arts & Crafts server, unusual form with a gallery top above two open shelves divided by two drawers with original brass pulls, tapered legs, original finish, some separation to top, 46”w x 21”d x 41”h, very good condition 700-900
78. Pairpoint lamp, bronzed metal base with original finish holds a reverse painted shade with a landscape and windmills, 17”dia. shade is signed, base marked, 22”h, small chip to edge of shade 1200-1700
79. Arts & Crafts cellarette, panel cabinet door with original hardware and complete interior with bottle rack on a shoefoot base, original finish, 15”w x 14”d x 30.5”h, very good condition 300-500
80. Arts & Crafts side chair, heavy ladder-back form with three horizontal slats over a saddle seat, worn original finish, 18”w x 16.5”d x 37.5”h, very good condition 100-200
81. Handel lamp, bronzed metal base with a good patina supporting a reverse painted landscape shade, 18”dia. shade is signed #5389, base with impressed mark at foot, overall height 23.5”, shade cracked and secured, two sockets non-functioning, 1000-1500
82. Rare Valentien Pottery vase, shouldered form with a raised maple leaf design covered with a nice multi-toned green matt glaze, impressed mark, #Z23, 5”w x 6.5”h, the same vase is shown in "California Design", by Anderson, Moore & Winter, pg. 67 4500-6500
83. Unusual Albert Valentien drawing, graphite on paper, detailed rendering of houses, signed, matted, framed, 5”h x 8”w, executed in California, beautifully done by one of Rookwood's most important artists 1000-1500
84. Fine Grueby vase, organic form with long sculpted and applied vertical leaves bordering flowers with yellow buds atop long graceful stems, this classic shape covered with a green matt glaze, impressed mark, 6”w x 12”h, a great example of this form 7000-9000
85. Early Gustav Stickley vanity, #632, single drawer over knee-hole compartment flanked by two half drawers, original iron hardware, original mirror with iron candle holders at sides, original finish, repair to leg, 54”w x 22”d x 66”h, signed with red decal, very good condition 4000-6000
86. Gustav Stickley hall bench, attribution, large form with three shelves over a solid seat, chamfered board back and thick slab sides with butterfly joint construction, original finish, 78”w x 27.75”d x 76”h, extremely well made, very good condition 4500-6500
87. Limbert desk, cane back over a drop-front with original hardware, two open shelves, complete interior, original finish, needs gluing, branded signature, 26”w x 12”d x 46”h, very good condition 600-800
88. Exceptional Van Briggle vase,
ca. 1905, swollen form with a nicely carved clover design covered in a very dark green matt glaze, incised marks, 7”h, great glaze over a beautiful and unusual form, fine execution 3500-4500
89. Fine Arequipa vase, beautifully executed squeezebag design at neck covered with a unique textured purple matt glaze, marked Arequipa California 1913, 4”w x 7.5”h, a wonderful piece of Arequipa, similar designs and glazes are shown in "Fired By Ideals", by Baizerman, pgs. 90-93 8000-10,000
90. Early and fine Newcomb College vase, slender flaring form with a carved and painted floral design surrounded by green and blue bands, executed by Leona Nicholson, marked, 4.5”w x 12.25”h 10,000-15,000
91. Good Grueby vase, large flaring form with sculpted and applied leaves and flowers all covered in a suspended green matt glaze, impressed mark, partial paper label, 9”w x 13”h 5500-7500
92. Exceptional Handel lamp, bronzed metal base with a fine original patina holding an unusual multi-paneled glass shade, finely detailed reverse painted nocturnal landscape adorned with a moon, shade is signed Handel #6482, artist initial L., base has its impressed mark, 18”w x 23”h, the shade is an unusual 8.5”deep, great Arts & Crafts lighting 5500-7500
93. Roseville Chloron umbrella stand, large form with a raised long-stemmed floral design covered in a green matt glaze, unmarked, 11”w x 22.5”h 500-1000
94. Good Duffner & Kimberly lamp, bronzed metal base with an original patina holding a leaded glass shade with a colorful stylized peacock feather design, unmarked, 18”w x 24.5”h, shown page 269 of "Mosaic Shades, Vol.2", by Paul Christ 2000-3000
95. William C. Emerson (American, b. 1865), Untitled; oil on board, 17.5” x 20.5”, signed, framed 1000-1500
96. Charles H. Woodbury print, plate 32-The July Century, 1896, by Wundburg, embossed, unframed, 7"w x 12"h 200-300
97. Unusual Handel table lamp, nine-sided panel shade with geometric design and painted and scenic overlay design at border, supported by a bulbous bronze base, original patina, very good condition 20”dia x 24”h, very good condition 4000-6000
98. William Carqueville print, plate 44-Lippincott's May, embossed, unframed, 8"w x 12"h 200-300
99. Good Gustav Stickley bookcase, #701 1/2, designed by Harvey Ellis, architectural open-door form with columns at sides over an arched toe-board, adjustable shelves, fine original finish, signed with red decal and paper label, 36”w x 14”d x 58”h, excellent condition 6000-8000
100. Good L & JG Stickley settle, #281, even arm form with five slats under each arm and sixteen at back, recovered leather cushion, signed “The work of...” fine original finish, 76”w x 31”d x 35”h, excellent condition 5000-7000
Sale Date:
Dec. 3, 2006