471. Emile Gruppe (American, 1896-1978), "Gloucester Fog", c. 1960; oil/canvas no holes, no tears, no retouch, framed
472. Pleasant Ray McIntosh (American, b. 1897 ), "The Dunes, Indiana", c. 1930; oil/board, on board, no retouch, minor scrapes, no abrasion, framed
473. Anthony Buchta (American, early 20th century), "Bean Blossom Landmark", c. 1930; oil/board, no retouch, no holes, no tears, framed
474. Karl C. Brandner (American, 1898-1961), "Floral Still Life", c. 1930; oil/canvas laid down, extensive retouch to background, scrapes and flaking, unframed
475. Ollie Cole (American, 20th century), "Red Barn", c. 1950; oil/canvas, unlined, no retouch, holes or tears, framed
476. Ernest Fredericks (American, 20th century), a pair of works, oil/canvas, both unlined, no retouch, no holes or tears, both framed
477. James Eccles (American, 1909-1969), "Summer Day (Banana Port)", c. 1960; oil/canvas, unlined, no holes or tears, no retouch, framed
478. Paul Turner Sargent (American, 1880-1946), "Illinois Farm", c. 1925; oil/canvas unlined, extensive retouch, no holes, no tears, framed
479. Charles Francis Browne (American, 1859-1920), "Liberty Hill", c. 1915; oil/canvas unlined, no retouch, dimple to canvas, no holes, period frame
480. Joseph Tomanek (American, b. 1889), "Winter Landscape", c. 1920; oil/canvas, unlined, a few patches verso, scattered retouch 5percent, no holes, framed
481. Kathryn Cherry (American, died 1931), "Gloucester Harbor", c. 1920; oil/canvas laid down, no retouch, no holes or abrasions, no tears, framed
482. Frederick Oakes Sylvester (American, 1869-1915), "Forest Park, St Louis", c. 1898; oil/canvas, unlined, some scattered retouch, some abrasions, no holes or tears, framed
483. Carl Krafft (American, 1884-1938), "The Camp, c. 1936; oil/canvas unlined, no holes, tears or retouch, framed
484. Alfred Jansson (American/Swedish, 1863-1931), "Summer Garden", c. 1924; oil/canvas relined, no retouch, no holes, no abrasion, great period frame
485. Carl Rudolph Krafft (American, 1884-1938), "Winter Sledding", c. 1920; oil/canvas unlined, no retouch, no holes or tears, original frame with glass, original condition
486. Will Vawter (American, 1871-1941), "Brown County Landscape", c. 1920; oil/board oil on board, scattered retouch, 5percent, no holes, minor abrasion, framed
487. Alexis Fournier (American, 1865-1948), "Spring Landscape", c. 1920; oil/canvas unlined, no retouch, no holes or tears, minor craquelure in sky, framed
488. Karl Albert Buehr (American, 1866-1952), "Spring Landscape", c. 1918; oil/canvas unlined, minor retouch, less than 3percent, no holes or tears, framed
489. Frank V. Dudley (American, 1868-1957), "Duneland Grasses", c. 1930; oil/canvas unlined, no retouch, no holes or tears, minor spots of wall paint
490. David Livingston Adam (American, 1883-1924), "Young Girl in the Shade of a Tree", c. 1917; oil/board on board, no retouch, no holes, no abrasions, framed
491. Alexis Fournier (American, 1865-1948), "Old Homestead, (Birthplace of Mrs. Hermann)", c. 1928; oil/board on board, no retouch, no holes, no abrasions, nice period frame
492. Don Louis Ruf (American, 1905-1982), lot of four oils, one pictured: "Landscape", c. 1940; oil/canvasboard generally good condition, minor wear to edges, no retouch, minor scuffs, unframed
493. Willaim Bauer (American, b. 1888), "Winter Landscape", c. 1930; oil/canvas unlined, no retouch, holes or tears, heavy cracks, framed
494. Edward Elsperman (American, b. 1875), a lot of three oils, one pictured: "Autumn Landscape", c. 1930; oil/canvas unlined, no retouch, minor flakes, some minor scuffs
495. American School , "Bathers", c. 1920; oil/board on board, no retouch, holes or abrasions, framed
496. Henry Hobart Nichols (American, 1869-1962), "Mending the Sails", c. 1940; watercolor/paper Not examined out of frame, no holes, tears or stains
497. John Cowan Templeton "Indian Dunes" c. 1930 oil/canvas unlined, no retouch, holes or tears, heavy cracks, framed
498. Hudson Mindell Kitchell (American, 1862-1944), "Meadow Brook", c. 1928; oil/board on board, scattered overall retouch, 5percent, no holes, or abrasion, framed
499. F.H. McKay (American, 20th century), "Small New England Town", c. 1940; oil/canvas unlined, no retouch, no holes or tears, some craquelure
500. William Clusmann (American, 1859-1927), "Landscape with Figures", c.1900; watercolor Not examined out of frame, appears laid down, overall discoloration and some foxing, no holes or tears, period frame
501. Fred Nelson Vance (American, 1880-1926), "Guardian of the Banks", c. 1923; oil/board on board, no retouch, no holes, no abrasions, framed
502. Walter Simpson Parke (American, b. 1909), "Catching Butterflies", c. 1960; oil/board laid down, no retouch, no holes or abrasion, framed
503. Harry Leon Engle (American, early 20th century), "Wood Nymph", c. 1930; oil/board on board, no retouch, no holes, framed
504. Laura Hoernig (American, 20th century), "Adobe", c.1940; oil/canvas laid down on board, 8" x 10", unsigned. laid down, no retouch, no holes or tears, framed
505. Laura Hoernig (American, 20th century), "Purple Clouds above New Mexico", c.1940; oil/canvas laid down, some retouch, less than 2percent, scattered, no holes or tears, framed
506. Laura Hoernig (American, 20th century), "Pueblo with Sunflowers", c.1940; oil/canvas unlined, extensive retouch, no abrasions, no holes or tears, framed
507. Louis Alexander Neebe (American, b. 1873), "Autumn Trees along Lake Michigan", c. 1920; oil/canvas unlined, minor retouch, less than 5percent, no holes or tears, framed
508. Miles Jefferson Early (American, b. 1886), "Thru the Hills", c. 1931; oil/canvas unlined, no retouch, some minor abrasion, no holes or tears, framed
509. Josephine Lemos Reichmann (American, 1864-1938), "Chicago World Exposition Bulding", c. 1930; oil/canvas relined, scattered retouch 7percent, mostly in the tree area, no holes or tears, framed
510. Marie E. Blanke (American, 1882-1961), "Sand Dunes", c. 1910; oil/canvas on canvas, relined, scattered retouch 10percent, some abrasion, no holes or tears, framed
511. Frank V. Dudley (American, 1868-1957), "Forest Interior", c. 1930; oil/canvas laid down, repaired tears, retouch, less than 5percent, some abrasion, overall general condition, period framed
512. Charles W. Dahlgreen (American, 1864-1955), "Autumn Clouds", c. 1915-16; oil/canvas relined, extensive scattered retouch in sky (carefully done) no holes or tears, nicely framed
513. William Arnold Eyden, Jr (American, 1893-1982), "Central Park", c. 1930; oil/board oil on board, no retouch, no holes, no breaks, no abrasions, framed
514. Johann Berthelsen (Danish/American, b. 1883-1967), "Winter in New York", c. 1935; oil/canvas on board, no retouch, no holes, framed
515. D.E. Tirefort (American, 20th century), "New York Market Scene", c. 1947; oil/canvas unlined, no retouch, holes or tears, framed
516. Robert Charles Gruppe (American, b. 1944), "Harbor", c. 1990; oil/canvas unlined, no retouch, no holes or tears, framed
517. Oscar Miller (American, 1867-1921) "Dutch Girl on Beach", c. 1909; watercolor/board Not examined out of the frame, generally good condition, no holes or tears, period frame
518. James Sessions (American, 1882-1962), "New England House", c. 1940; watercolor/paper Not examined out of frame, no holes, tears or stains, framed
519. James Sessions (American, 1882-1962), "Stormy Seas", c. 1940; watercolor/paper Not examined out of frame, no holes, tears or stains, framed
520. James Sessions (American, 1882-1962), "Gloucester" 1934; watercolor/paper Not examined out of frame, no holes, tears or stains, framed
521. James Sessions (American, 1882-1962), "Dock Workers", c. 1940 Not examined out of frame, no holes, tears or stains, framed
522. Walter Ernest Tittle (American, 1883-1966), "Woman in a Fancy Dress", c. 1930; oil/canvas unlined, no retouch, no abrasions, no holes or tears, framed
523. Emile Gruppe (American, 1896-1978), "Gloucester Dock Workers", c. 1960; oil/canvas unlined, no retouch, no holes or tears, framed
524. Tunis Ponsen (American, 1881-1961), "Midwestern Landscape", c. 1930; oil/canvas unlined, no retouch, no holes or tears, needs cleaning, original condition, framed
525. Carl Rudolph Krafft (American, 1884-1938), "Along the Creek", c. 1920; oil/canvas unlined, minor flaking to top due to scratch, one spot of retouch upper left corner, (3 inch line) no holes or tears, needs cleaning, period framed
526.Giovanni Battista Filosa (Italian, 1850 - 1935), "The Red Macaw", c. 1900; gouache/board generally good condition, no holes or tears, no repairs, original condition
527. European School , "The Suitor", c. 1890; oil/canvas relined, minor retouch, some abrasions, no holes or tears, period frame
528. Giovanni Battista Filosa (Italian, 1850 - 1935), "A Couple in an Interior", c. 1900; gouache/board generally good condition, no holes or tears, no repairs, original condition
529. August Laux (American, 1847 - 1921) "Kittens", c. 1900; oil/canvas unlined, no retouch, no holes or tears, framed
530. Frederick Goodall (British, 1822-1904), "The Infant Samuel", c. 1880; oil/board laid down, some retouch, no holes, heavy cracks
531. Jan Frederik van Deventer (Dutch, 1822-1886), "Sailing Ships", c. 1870; oil/canvas unlined, no holes or tears, no retouch, minor abrasion, framed
532. Italian School , "Ave-Maria", 18th century; oil/wood on panel, good to fair condition, large cracks in panel, some retouch
533. Dutch School , "The Musician", c. 1800; oil/canvas canvas laid down, extensive retouch, some abrasion, imperfections to varnish layer , difficult to determine if this is original or retouch, framed
534. Continental School "Girl in a Turban", 18th century, oil/canvas relined, some flaking, some retouch, good to fair condition, elaborate early 19th Century frame
535. E. Bianchini (Italian, 19th century), "Allegorio della Primavera" (after Botticelli). c. 1880; oil/canvas unlined, two large tears, no retouch, no holes, good period frame
536. Italian School "Madonna", 18th century, oil/canvas oil on canvas, unlined, no apparent retouch, difficult to determine due to age, some craquelure and imperfections to edges
537. American School, a pair of portraits, "George Washington" and "Martha Washington", 19th century; oil/canvas both with scattered retouch, some craquelure, minor imperfections to canvases and framed, Martha has been relined
538. after George Caleb Bingham , (by John Sartain) "Country Election", c. 1854; engraving Not examined out of frame, appears laid down, some stains to margins, repaired tear upper left
539. Elizabeth Gowdy Baker (American, 1860-1927), "Portrait of a Boy", c. 1905; acquarelle/paper Not examined out of frame, generally good condition, no holes, tears or stains apparent, original frame
540. Thomas Corwin Lindsay (American, 1845-1907), "Lioness", c. 1880; oil/canvas unlined, scattered minor retouch, no holes or tears, framed
541. T. Broom (British, 19th century), "Marine", c. 1890; oil/canvas unlined, patch verso, extensive retouch center right, no holes or tears, period frame
542. Italian School "Fishing Boats at Dock", c. 1900; oil/canvas unlined, some retouch 5percent, patches verso, heavy craquelure, period frame
543. Howard Hill (American, 19th century), "Farm Ducks", c. 1860; oil/canvas unlined, patch verso, 10percent retouch center, framed
544. Ferdinand Zix (German, 1864-1942 ), "Winter Stream", c. 1936; oil/canvas unlined, some scattered retouch, no holes, some flaking, framed
545. Olive Parker Black (American, 1868-1948), "Pastoral Landscape", c. 1915; oil/canvas unlined, no retouch, no holes, framed
546. Jan Jacob Coenraad Spohler (Dutch, 1837 - 1923), "A Dutch Fishing Village", c. 1880; oil/canvas unlined, no retouch, holes or tears, period frame
547. Arthur de Breanski (British, early 20th century), "The Pool near Palos Park", c. 1912; oil/canvas unlined, no retouch, no holes or tears, period framed
548. Knute Heldner (Swedish/American, 1886-1954), "Gulf Coast", c. 1930; oil/canvas unlined, no retouch, no holes or tears, framed
549. Guy Wiggins (American, 1833-1962), "Autumn in Connecticut", c. 1930; oil/canvas canvas laid on board, no retouch, holes or abrasions, framed
550. Oliver Dennett Grover (American, 1861-1927), "Head of a Girl", c. 1910; oil/board on board, very minor scattered retouch, less 1percent, no holes or abrasions, framed
551. R. Soppolsa (Danish, 20th century), "Two Girls Holding Wildflowers", c. 1939; oil/canvas unlined, some retouch 10percent, no holes or tears, framed
552. Willem van der Steeg (Dutch, 20th century), "River Landscape", c. 1930; oil/canvas unlined, no retouch, no holes or tears, framed
553. John Christen Johansen (American, 1876-1964), "Forest Interior", c. 1903; oil/canvas laid down, heavy craquelure, scattered retouch 5percent, no holes, framed (repaired tears visible)
554. Edward Loyal Field (American, 1856-1914), "Landscape with Stream", c. 1900; oil/canvas unlined, scattered minor retouch, some abrasion, patches verso, signature fluoresces
555. George Law Beetholme (British, 19th century), "Waterfall", c. 1880; oil/canvas laid down, minor retouch, 3percent or less, no abrasions, framed
556. Charles Martin (British, 1820-1906) "Cattle at a Stream", c. 1880; oil/canvas relined, minor retouch, 5percent or less, no holes or tears, framed
557. Otto Munstedt (American, early 20th century), "Marine", c. 1936; oil/canvas oil on canvas, unlined, patched verso center, minor retouch 1percent, framed
558. Peter Baumgras, (American, 1827-1904), "Trees on a Hillside", c. 1900; oil/canvas unlined, no retouch, holes or tears, abrasions
559. Gaston Bussiere (French, 1862-1929), "Exotic Dancers", c. 1880; oil/canvas relined, scattered retouch 5percent, no holes, tears or abrasions, framed
560. Louis Valtat (French, 1869-1952), "Still Life of Flowers", c. 1930; oil/board on board, no retouch, no holes or abrasions, framed
561. Ernest Fredericks (American, 20th century), "Hilly Landscape", c. 1930; oil/canvas oil on board, no retouch, no holes, needs cleaning, framed
562. Morris Shokler (American, 20th century), "Landscape with Distant Hills", c. 1930; oil/canvas on board, no retouch, no holes, framed
563. George Howell Gay (American, 1858-1931), "The Quiet Stream", c. 1900; watercolor/paper not examined out of frame, no holes, tears or stains, framed
564. Lucius Wolcott Hitchcock, attribution (American, 1868-1942), "Mountain Stream", c. 1920; oil/canvas laid down, some scattered minor retouch, no holes, framed
565. Frank A Barney (American, 1862-1954), "Path in an Autumn Landscape", c. 1940; oil/board on board, no holes or retouch, framed
566. Svend Svendsen (Norwegian/American, b. 1864), "Evening Snow", c. 1910; oil /canvas laid down, extensive retouch, no holes or tears, framed
567. Ollie Cole (American, 20th century),Ship Builders", c. 1950; oil/canvas unlined, some glazing overall to sky, some minor abrasion, no holes or tears, unframed
568. Edith Maude Miller (American, 20th century), "Sycamores at Big Tujunga", oil/canvas unlined, minor retouch, all over flaking
569. Emil O. Thulin (American, early 20th century), "Winter Scene", c. 1950; oil/canvas unlined, no retouch, holes or tears, framed
570. Alex Poplaski (American, 1906-1988), "Boat Dock", c. 1950; oil/masonite on board, no retouch, no holes, no abrasions, framed
571. John Califano (American/Italian, b. 1864), "Landscape with Brush", c, 1897; oil/canvas laid down on board, no retouch, no holes or tears, framed
572. Andrew Thomas Schwartz (American,1867-1942 ), "New England Landscape with a Church", c. 1920; oil/canvas unlined, one repaired tear, very minor retouch
573. Anna Richards Brewster (American, 1870-1952), "Man with a Turban", c. 1912; oil/board oil on canvas board, no retouch, holes or tears, framed
574. J.W. Edwards (American, 19th century), "Fisherman", c. 1886; oil/canvas unlined, small patch, minor retouch, no abrasions, framed
575. Grace Dermody (American, 20th century), "Bluebonnets in a Basket", c. 1940; oil/board oil on canvas board, no retouch, no holes, abrasions, signature fluoresces
576. C.F. Schuch (American, 20th century), "Log Wagon", c. 1940; watercolor generally good condition, no holes, tears or stains, not examined out of frame
577. Pansy Stockton (American, 1894-1972), "Street Scene", c. 1940; oil/canvas unlined, extensive retouch, no holes, heavy cracks, framed
578. William Henry Walker (American, 1871-1938), "Figure in a Landscape", c. 1920; oil/canvas relined, no retouch, dimple to canvas center right due to blow
579. William Arnold Eyden, Jr (American, 1893-1982), "Harbor Scene", c. 1935; oil/canvas unlined, no retouch, holes, tears, very dirty, framed
580. Robert Goldman (American, Contemporary), "New Mexico Meadow", c. 1999; oil/canvas unlined, no retouch, no holes or tears, framed
581. Franklin Van Court (American, b. 1903), "Coastal Scene", c. 1948; oil/board on board, 5percent retouch center sky area, no holes, framed
582. Joe Waano-Gano (Native American, 20th century), "Southwestern Landscape", c. 1940; oil/canvas unlined, no retouch, no holes or tears, framed
583. Charles Allan Winter (American, 1869-1942), "Rocky Landscape with a Stream", c. 1920; oil/canvas unlined, minor abrasion, flaking, no retouch, framed
584. Laura Hoernig (American, 20th century), "Residence in Taos with Hollyhocks", c.1940; oil/canvas Not examined out of frame, no hole, not laid down, no stains, framed
585. Karl C. Brandner (American, 1898-1961), "Autumn in Brown County", c. 1930; oil/board canvas laid on board, no retouch or abrasions, signature fluoresces, framed
586. Ollie Cole (American, 20th century), "Still Life", c. 1950; oil/canvas board on board, no retouch, no holes, unframed
587. Eda Sterchi (American, b. 1885), "Arab Man", c. 1920; oil/canvas unlined, some retouch 5percent or less, no holes or tears, framed
588. Eda Sterchi (American, b. 1885), "Tunis Architecture", c. 1910; oil/canvas laid down, no retouch, no holes or tears, framed
589. American School , "Sailing Ship", c. 1920; oil/canvas unlined, no retouch, some wrinkles in canvas, some abrasions
590. Eda Sterchi (American, b. 1885), "Portrait of an Indian Woman", c.1940; oil/canvas canvas laid down on board, no retouch or holes, framed
591. Walter Alexander Bailey (American, b. 1894), "Winter Sunlight", c. 1930; oil/board on board, no retouch, holes or abrasions, period frame
592. Fred Greene Carpenter (American, 1882-1965), "Street Scene". c. 1942; oil/canvas unlined, no retouch, no holes or tears, no abrasion, framed, original condition
593. Phil Starke (American, b. 1957), "Native American Couple", c. 1999; oil/canvas unlined, no retouch, no holes or tears, framed
594. Paul Jacoulet (French, 1902-1960), "Figures on a Beach", c. 1940; color woodcut not examined out of frame, no holes, tears or stains, framed, some minor smudges
595. Helen Hyde (American, 1868-1919), "Mexican Girl", c. 1912; oil/board unlined, no holes or tears, not examined out of frame, no retouch, framed with glass
596. Henry Rodman Kenyon (American, 1861-1926), "Boats at Dock", c. 1925; oil/board no holes, no retouch, no abrasions, framed
597. Leonard Reedy (American, 1899-1956), "Stagecoach", c. 1950; watercolor/paper not examined out of frame, laid down, no holes or stains, framed
598. American School , "S.S. James C. Wallace", c. 1930; oil/board on board, no retouch, no holes or abrasion, needs cleaning, framed
599. Franz Krischke (Hungarian/Austrian, 1885-1960), "Still Life with Objects", c. 1950; oil/canvas unlined, no retouch, no holes, no tears
600. Konrad Cramer (German/American, 1888-1963), "San Javonina", c. 1950; watercolor/paper watercolor on board, no holes, tears or stains, framed
601. Thomas Hart Benton (American, 1889-1975), "Island Hay", c. 1940; lithograph not laid down, no holes, tears or stains, framed (not examined out of the frame)
602. Edith G. Hawthorne (American, 1874-1949), "Portrait of Nathaniel Hawthorne", c. 1925; oil/canvas unlined, no holes or tears, heavy craquelure, some retouch 5percent or less, framed
603. Walter Beach Humphrey (American, b. 1892), "The Wild West", c. 1930; oil/canvas Contact gallery for more information
604. Leonard Reedy (American, 1899-1956), "Overlooking the Herd", c. 1935; watercolor/paper laid down, no holes, stains or tears, not examined out of frame
605. Leonard Reedy (American, 1899-1956), "Indian Scouts", c. 1935; watercolor/paper laid down, no holes, stains or tears, not examined out of frame
606. Leonard Reedy (American, 1899-1956), "Roping", c. 1935; watercolor/paper laid down, no holes, stains or tears, not examined out of frame
607. Leonard Reedy (American, 1899-1956), "Coyote Hunter", c. 1935; watercolor/paper laid down, no holes, stains or tears, not examined out of frame
608. Malcolm Daniel Charleson (American, b. 1888), "The Flying Carpet", c. 1930; mixed media/board not examined out of frame, no holes, tears or stains, framed
609. Charles De Montfort (French, b. 1910), "Circus Ring", c. 1960; oil/canvas not examined out of frame, no holes, tears or stains, framed
610. Frank Tomlinson (American, 20th century), "Fisherman Bringing in the Nets", c. 1950; oil/board on board, no retouch, no holes, no abrasions, framed
611. John M. Maxon (American, 1916-1977), "Still Life", c. 1941; oil/board on board, no retouch, no holes, period frame
612. Karl Mueller (American, 20th century), "Rivertown", c. 1970; oil/canvas unlined, no retouch, no holes or tears, framed
613. Giiovanni Nicolini (italian 20th century) "Young Woman" c. 1960, oil/canvas unlined, no retouch, no holes or tears, framed
614. Francois Gerome (French, b. 1895), "Young Woman in a Paris Flower Market", c. 1950; oil/canvas unlined no retouch, no holes or tears, framed
615. Dennis Ainsley (American, 1880-1952), "Paris", c. 1930; oil/canvas unlined, no holes or tears, no retouch, framed
616. Minnie Harms Neebe (American b.1873), "Flowers", c.1930; oil/canvas contact Fine Art department in St. Louis 314-727-6249
617 Jaro Fabry (American, 1912 - 1953) "Showgirl", c. 1940; watercolor not examined out of frame, no holes, tears or stains, framed
618. Jean Alleroux (French, 20th century), "Portrait of a Girl", c. 1960; oil/canvas unlined, no retouch, no holes or tears
619. Georges Gaudy (Belgian, b. 1872), "The Model", c. 1920; pastel/paper not examined out of frame, no holes, tears or stains, framed
620. Josef Konecny (Czech, b. 1907), "Floral Still Life", c. 1960; oil/canvas unlined, dimples to canvas, no retouch, holes or tears, unframed
621. Lou Kousens (American, 20th century), "The Artist’s Model", c. 1950 on board, no retouch, no holes, framed
622. Vincent D’Agostino (American, b. 1898), "Floral Still Life", c. 1945; oil/canvas unlined, no holes or tears, no retouch, minor flaking, framed
623. Jean Charlot (French/American, 1898-1979), "Nativity", c. 1950; watercolor not examined out of frame, no holes, tears or stains, framed
624. Shirley Russell (American, b. 1886), "The Big White House", c. 1945; oil/canvas unlined, no holes or tears, no retouch, framed
625. Annette Dufresne (American, 20th century), "Woman with Flowers", c. 1940; oil/canvas unlined, no retouch, no holes or tears, framed
626. Peter Max (American, b. 1937), "Portrait of a Woman (Beauty Series)", c. 1970; acrylic/canvas unlined, no retouch, no holes or tears, framed
627. Lou Kousens (American, 20th century), "Nude before a Mirror", oil/canvas unlined, scattered retouch, 10percent, no holes or tears, framed
628. Edmund Rode (German, 20th century), "Horse and Rider", c. 1956; oil/canvasboard canvas laid down on board, 2percent retouch right edge, no holes, tears or abrasions, framed
629. Bruno Cassinari (Italian, 1912-1992), "The Arena", c. 1950; watercolor not examined out of frame, some holes, some wrinkling, thumbtack holes, no stains, not framed
630. F. Kline (20th century), "Still Life", c. 1950; oil/canvas unlined, no retouch, no holes or tears, framed
631. Bernard Buffet (French, 1928-1999), "Portrait of a Woman", c. 1960; color lithograph generally good condition, no holes, tears or stains, very minor mat burn, framed
632. Agapito Labios (Mexican, 1898-1996), "Portrait of a Boy", c. 1960; oil/canvas unlined, minor scratches, no holes or tears, framed
633. Agapito Labios (Mexican, 1898-1996), "Portrait of a Girl", c. 1960; oil/canvas oil on canvas, unlined, retouch lower left and center, less than 1percent, framed, no holes or tears
634. E. Reed Hemingway (American, 20th century), "Little Italy (Chicago, near Taylor and Des Plaines)", c. 1931; lot of four oils unlined, no retouch, no holes or tears
635. Charles Sjoholm (Swedish, b. 1933), "The Circus", c. 1960; oil/canvas unlined, no retouch, no holes or tears, no abrasions, framed
636. N. Louden (American, 20th century), "Skaters", c. 1940; oil/canvas unlined, no retouch, no holes or tears, framed
637. Claude Buck (American, c. 1890), "Louella", c. 1925; oil/board canvas laid down, retouch to cheek and forehead, some abrasion, framed
638. Robert Burkitt Sprague (American, b. 1904), "Enter, Rest, and Pray", c. 1935; oil/canvas unlined, no retouch, no holes or tears, framed
639. Frank Perri (American, early 20th century), "Chicago Street Scene", c. 1940; watercolor/board not laid down, no holes, tears or stains, framed
640. Arthur Zeller (American, early 20th century), "Street Scene", c. 1920; oil/board on board, minor scattered retouch, no holes, framed
641. Hugo Pieper (American, 20th century), "Mansions in the Sky", c. 1947; oil/board no retouch, on board, no holes, no retouch, framed
642. Frank Perri (American, early 20th century), "Park Scene", c. 1940; mixed media/board laid down, no retouch, no holes, tears or stains, framed
643. Jean Paleologue (American, 1860-1942 ), "The Swanee River, Live Oak, Florida", c. 1920; oil/canvas unlined, no retouch, no holes or tears, framed
644. Edna Wolff (Henner) Maschgan (American, 1907-2001), "Girl with Piggy Bank", c. 1940; oil/canvas unlined, no retouch, no holes, no tears, framed
645. Edna Wolff (Henner) Maschgan (American, 1907-2001), Young Boy in Eames Chair on board, no retouch, no holes, no abrasions, period frame
646. Edna Wolff (Henner) Maschgan (American, 1907-2001), Young Mexican Girl with Toy Duck on board, no retouch, no holes, tears or cracks, signature fluoresces, framed
647. Edna Wolff (Henner) Maschgan (American, 1907-2001), "Floral Still Life", c. 1950; oil/board on board, no retouch, no holes, framed
648. Edna Wolff (Henner) Maschgan (American, 1907-2001), "Boy Eating", c. 1950; oil/canvas on board, no retouch, no holes, no abrasions, period frame
649. Edna Wolff (Henner) Maschgan (American, 1907-2001), "Still Life with Fruit and Flowers", c. 1950; oil/canvas unlined, no retouch, no holes or tears, framed
650. Edna Wolff (Henner) Maschgan (American, 1907-2001), "Dancers", c. 1950; oil/board on board, no retouch, no holes, no abrasions, period frame
651. Eli Levin (American, b. 1938), "Serenade", c. 1982-86; tempera/board on board, no retouch, some surface dirt, framed
652. Eli Levin (American, b. 1938), "Woman in Bed", c. 1986; tempera/board on board, no retouch, no holes, very minor scrapes, framed
653. Eli Levin (American, b. 1938), "The Pensive Woman", c. 1981; tempera/board on board, minor scattered retouch, no holes, framed
654. Eli Levin (American, b. 1938), "Nude in an Interior with Kiva", c. 1987; oil/board on board, two minor spots of retouch on face, no holes, no abrasions, framed
655. Gertrude Abercrombie (American, b.1909), "Flood", c. 1948; oil/masonite oil on board, very minor retouch lower left hand corner less than 1/2percent, no holes, period frame
656. Gertrude Abercrombie (American, b.1909), "Flight", c. 1946; oil/masonite very minor scattered spots of retouch center, no holes, no abrasions, period frame
657. Fred Jones (American, b. 1914 ), "Harbor", c. 1950; watercolor/paper not examined out of frame, appears not laid down, no holes, tears or stains
658. Rockwell Kent (American,1882-1971), "Hero", c. 1930; etching not examined out of frame, no holes, tears or stains
659. Lloyd Lhozes Goff (American, b. 1908 ), "Nicolaides Eve", c. 1940; mixed media/paper not examined out of frame, uneven borders, left side has an irregular edge, one small hole, laid down
660. American Negro Exposition poster, original poster excellent condition, no damage
661. American School, "Southern Family", c. 1940; oil/canvas unlined, minor retouch, two small holes, minor scratches, unframed
662. Lloyd Lhozes Goff (American, b. 1908 ), "Nicolaides Eve", c. 1940; mixed media/paper not examined out of frame, generally good condition, uneven borders, no holes or tears, laid down
663. Glen Gant (American, 20th century), "Tenements, Arkansas", c. 1940; oil/canvas unlined, no holes or tears, no retouch, framed
664. Mitchell Siporin (American, 1910-1976), "Let America be America Again", c. 1936; tempera/board on board, some retouch to borders, not in image, no holes
665. Aaron Bohrod (American, 1907-1992), "Oil Derrick", c. 1940; watercolor/paper not examined out of frame, generally good condition, no holes, tears or stains, framed
666. Aaron Bohrod (American, 1907-1992) "Charley Nolan, Trouble Shooter", c. 1940; watercolor and ink not examined out of frame, minor creases and folds, no holes or stains, framed
667. Albert Pels (American, 1910-1998), "Elite", c. 1950; oil/canvas on canvas, word elite and signature fluoresce, no retouch, holes or tears
668. James Michael Newell (American, b. 1900), "Rural Family", c. 1940; plaster fresco secured to a board no retouch, some cracks, scattered flaking
669. J. Jay McVicker (American, b. 1911), "Two Nudes", c. 1950; gouache/paper on paper, no retouch, generally good condition, no holes
670. Le Pho (Vietnamese, 1907-2001), "Fleurs", c. 1960; oil/canvas unlined, no holes or tears, no retouch, original frame
671. J. Jay McVicker (American, b. 1911), "Female Figure", c. 1950; gouache/paper on paper, no retouch, generally good condition, no holes
672. Constant (attributed to Constant Anton Nieuwenhuys, Dutch, b. 1920), "New Babylon", c. 1969; watercolor with pastel/paper on board, no holes or tears, smudges and pencil marks, framed
673. Leon Kroll (American, 1884-1974), "County Ridge Construction", c. 1946; oil/canvas relined, some glazing to sky, very minor scattered retouch, framed, no holes
674. Abrahan Manievich (Russian/American, 1881-1942), "Neighborhood Scene", c. 1925; oil/canvas unlined, no retouch, some imperfections to canvas, minor flaking, framed
675. Lyubov Popova (Russian, 1889-1924), "Composition", c. 1921; oil/wood panel cracks in board, some scuffs, some small scratches, no retouch, framed
676. Gerald Lee Nees (American, b.1938), "Genesee Store", c. 1980; oil/canvas unlined, no retouch, no holes, framed
677. Louise Dunn Yochim (American, b. 1909), "Bather", c. 1960; oil/board on board, no retouch, no holes, framed
678. Gerald Lee Nees (American, b.1938), "Chicago Street Scene", c. 1980; oil/canvas unlined, no retouch, no holes, framed
679. Gerald Lee Nees (American, b.1938), "Chicago Harbor", c. 1980; oil/canvas unlined, no retouch, no holes, framed
680. Louise Dunn Yochim (American, b. 1909), "Still Life", c.1970; oil/canvas Contact the Gallery for more information
681. Frank Perri (American, early 20th century), "River Scene with Figures", c. 1950; oil/board on board, no retouch, no holes, framed
682. Philippe Visson (American/French, b. 1942), "Youth Leaning Against Still", c. 1958; oil/canvas unlined, no retouch, no holes or tears, some minor staining to blue areas, framed
683. Albert Pels (American, 1910-1998), "Boy with Fish and Pole", c. 1940; oil/canvas unlined, no retouch, holes or tears, original frame
684. Mitchell Siporin (American, 1910-1976), "Rembrandt and Spinoza", c. 1959-60; watercolor/paper not examined out of frame, generally good condition, no holes or tears, framed
685. Paul Sample (American, 1894-1974) "New England Town", c. 1940; watercolor not examined out of frame, no holes, tears or stains, framed
686. Frank Perri (American, early 20th century), "Construction Site", c. 1940; ink and watercolor/paper not laid down, no holes, tears or stains, framed
687. Frank Perri (American, early 20th century), "Fishermen", c. 1950; tempera/board no retouch, no holes or stains, framed
688. Rosemary Goldfein Zwick (American b01925) lot of two ceramic sculptures mounted to board, no apparent damage or repairs, generally good condition
689. Abraham Rattner (American, 1895-1978), lot of two works, one pictured: "Bather", c. 1960; ink, watercolor, and collage, generally good condition, some wrinkles and creases, not examined out of frame
690. Finn Petersen (Danish, b. 1954), "Portrait of a Woman", c. 1985; oil/paper unlined, good condition, not examined out of frame, no holes or tears, framed
691. Anton Heyboer (Dutch, b. 1924), "Birth of a Chicken", c. 1970; mixed media/textured paper laid down, no holes, tears or stains, framed
692. Louise Woodroofe (American, early 20th century), "Abstract Composition", c.1950; oil/canvas unlined, some retouch 10percent, overall abrasion, no holes or tears, framed
693. Myron Kozman (American, b.1916 "Untitled", c. 1960; oil/board, 24" x 18", signed on verso on board, no retouch, no holes, some flaking,
694. Constantine Pougialis (American, b. 1894),"Portrait of a Woman", c. 1940; oil/canvas unlined, no retouch, overall abrasion, no holes or tears, framed
695. Peter Keil (German, 20th century), "Figure of a Woman", c. 1983; oil/canvas unlined, no retouch, no holes or tears, unframed
696. Peter Keil (German, 20th century), "Sailboats", c. 1983; oil/canvas, 39.5" x 27.5", signed and dated; inscribed unlined, no retouch, no holes or tears, unframed
697. Carl Thorp (American b. 1912) lot of two oils on board, no retouch, no abrasions, no holes, framed
698. Liselotte Moser (American, b. 1906), "Orpheus", c. 1935; tapestry generally good condition, no holes or tears, minor stains, framed
699. Jean Porcher (French, b. 1927), "Paysage en Charente Maritime", c. 1957; oil/canvas unlined, no retouch, some overall abrasion, no holes or tears, framed
700. Patricia Paik (Korean/American, Contemporary), "Tropic", c. 1990; oil/panel no retouch, no holes, no abrasion, framed
701. Otto Freundlich (German, 1878-1943), lot of three watercolors not laid down, no holes or tears, framed
702. Nikolai Suetin (Russian, 1897-1954), "Composition", c. 1922; watercolor/paper not laid down, no holes, tears or stains, framed
703. Rolph Scarlett (American, 1889-1984), "Geometric Abstraction", c. 1945; gouache/thick paper some restoration, 10percent scattered retouch, no holes, some folds, framed
704. Ezio Martinelli (American 1913-1980), "Surrealist Still LIfe" c. 1935 Oil/board on board, extensive restouch to background border, no holes, framed
705. Nikolai Suetin (Russian 1897-1954) "Composition c. 1930 not laid down, no holes, tears or stains, framed
706. Ilya Grigoreich Chashnik (Russian, active 1902-1929), "Suprematist Composition", c. 1925: watercolor and gouache not laid down, no holes, tears or stains, framed
707. El Lissitsky (Russian, 1890-1942), "Composition", c. 1922; gouache/paper not laid down, no holes, tears, minor stain, framed
708. Ivan Kliun (Russian, 1870-1942), "Composition", c. 1918; watercolor with collage/paperboard minor stains, not laid down, no holes, tears , framed
709. Mario de Ferrante (Italian/American, 1898-1992), "Untitled", c.1950; oil/canvas unlined, no holes, no tears, framed
710. Mario de Ferrante (Italian/American, 1898-1992), "Untitled", c. 1950; oil/metal no retouch, no holes, no abrasion, framed
711. Charles Turzak (American, b. 1899), "Medley of Rectangles", c. 1950; oil/canvas unlined, no retouch, no holes or tears, framed
712. Lezar Hidekel (Russian, active 1920s), "Suprematist Composition", c. 1925; watercolor/black paper not laid down, no holes, tears or stains
713. Herbert Bayer (Austrian/American, b. 1900), "Arrangement", c. 1960; color print generally good condition, no holes, tears or stains, framed
714. Anna Kogan (Russian, 1902-1973), "Composition", c. 1930; gouache/black paper not laid down, no holes, tears or stains
715. Michael Gloeckner (American, 1915-1989), "Southern Moon", c. 1970; oil/canvas unlined, no retouch, no holes, tears, framed, photo in catalogue is incorrect, this should be horizontal
716. Michael Gloeckner (American, 1915-1989), "Abstracted Scene", c. 1970; oil/canvas unlined, no retouch, no holes, tears, framed, photo in catalogue is incorrect, this should be horizontal
717. Michael Gloeckner (American, 1915-1989), "Cornwell Landscape", c. 1970; oil/canvas unlined, no retouch, no holes or tears, framed, photo in catalogue is incorrect, this should be horizontal
718. Eda Sterchi "Upward Thought", c. 1960; oil/canvas wrapped around a board on board, some retouch, framed
719. E. Oscar Thalinger (American, 1885-1965), "Tomorrow and Tomorrow", c. 1961; oil/board on board, no retouch, no holes or abrasions, framed
720. Eda Sterchi "Abstract Arrangement", c. 1957; oil/board on board, some retouch, framed
751. William Freeland generally good condition, no holes, tears or breaks
752. Joseph Henry Sweeny generally good condition, no breaks or missing pieces, some wear to finish, appears to be totally original
753. 1960s mobile generally good condition, minor wear and some minor flakes to black paint
754 1950s sculpture generally good condition, minor wear and knicks to surface, base is slightly warped
755. Alonzo Hauser generally good condition, minor flakes, some discoloration to finish
756. 1960s sculpture generally good condition, no apparent damage
757. Bill Barrett generally good condition, no flaws to finish evident, no st
758. Bill Barrett generally good condition, no flaws to surface, great dark rich patina, no repairs, no structural problems
721. Giacometti for Jean Michel Frank table lamp Old repaint. Top layer of paint is flaking and chipping. No chips or cracks to structure. In working condition. Shows substantial age.
722. Giacometti for Jean Michel Frank Tete de Femme table lamp Chips to block above head. 1/4" dent underneath moon shape. In working conndition. Shows considerable age.
723. George Nakashima New chairs, set of four Original finish. Show age but no damage or repairs. Small holes on bottom of feet where glides were installed. Unmarked.
724. George Nakashima floor lamp, walnut base Two 4" horizontal splits to bottom half. 2.5" crease to top section. No damage or repairs. Working condition. Uses 2 flourescent tubes. Signed and dated.
725. George Nakashima coffee table, slab top in solid walnut No chips or cracks. Light wear to corners.
726. Mart Stam side chairs, pair Scratching/flakingg to finish from use over time, mainly on seats. Minor amount of rust on frames. Original finish. Both stamped "Slezak". No structural problems. Unusual and rare orange finish.
727. Marianne Brandt “Touch” desk light Stamped "Ruppel". Shade adjusts. Some scratches to stem. No chips to glass. Rewired. European plug.
728. Le Corbusier LC/4 chaise lounge New canvas is stitched over old. Leather cushion may be replaced. Frame has round disks welded to feet-- one is missing. Base appears to be repainted. No structural problems. Usable.
729. Wolfgang Tumpel bowl, brass One very slight bend to edge. Stamped mark stylized ""WT".
730. Rare C.F. Otto-Mueller Sistrah wall sconce Two of the three screws that hold fitting to glass are missing. No chips to glass.
731. Ferdinand Kramer B403 chair, by Thonet Small veneer chip to top back. Finish faded and worn, mainly on seat. Abrasions to frame. Nicks/scratches/scuffs which are normal for age. Minor crack to top of one back support. Sturdy and sound.
732. Marcel Breuer B56 stool, by Thonet, c.1934 Minor separation at joints of wood edge. No breaks to caning.
733. Das Neue Frankfurt magazines, vols. 1-3 A few very light stains, but no missing pages, and no tears. Slightly yellowed.
734. Le Corbusier book, Des Canons, Des Munitions Original binding. Edges scuffed and worn. One corner bent. No missing pages. Slight yellowing.
735. Christian Dell Polo Popular desk lamp Wear to brown finish. Shows age and wear. Cord is fraying. European plug. Very small losses to green finish along edges. No damage or repairs. Shows age. Marianne Brandt small serving tray Very small losses to green finish along edges. No damage or repairs. Shows age.
737. Mies van der Rohe MR20 chairs, pair No breaks to caning. Very light pitting to frames.
738. Rare Marianne Brandt “Touch” light, model no. 2283 Bottom has "GMF" stamp. No shade or finial. Minnor light surface wear to finish.
739. Lucia Moholy-Nagy photograph,of Hinnerk Scheper Soft crease to one bottom corner. "H. Scheper" is written on the back in pencil.
740. Bauhaus vase, dark green glass A few minor scratches consistent with age; a few bubbles. Photo of marking available.
741. German vase, red Nicely done. Light crazing to interior. No chips or cracks.
742. Charlotte Perriand chairs, four Some losses to stitching, but no tears; usable as is. Spots and stains to leather from use over time. Some light pitting to frame. Chairs are more likely 1950s or 60s. 1972 is incorrect.
743. Massimo Morozzi “Karonte” table Glass is 5/8" thick. No chips or damage. Excellent condition.
744. Gio Ponti bowls, by Ginori, set of four Mint condition - no problems.
745. Osvaldo Borsani Executive desk, by Tecno Scuffs and scratches to leather. 1/4" burn mark to shelf. Light surrface scratches to wood. Wear to front corner of hanging drawers. Shows age and signs of use over time.
746. Gambone sculpture, stylized bull Good matte glaze with a couple of minor firing lines; minor dirt and tape residue.
747. Carlo di Carli table, Italy, 1950s No chips to glass. Wear ttto feet, including small chhips. One support appears to be cracked and glued. Structurally sound. Some wear to finish.
748. Aldo Tura occasional table, Italy, 1950s Wear to finish of top. Shallow scratches. Wear and small chips on fluted corners; one corner has a filled chip. Caps on feet are gold-leafed.
749. Gambone bottle, handled form, bird figural Some minor pencil marks and dirt; excellent matte glaze.
750. Marco Zanuso “Regent” lounge chairs, pair Upholstery very clean and usable as is. No chips to feet. Very nice condition.
751. William Freeland generally good condition, no holes, tears or breaks
752. Joseph Henry Sweeny generally good condition, no breaks or missing pieces, some wear to finish, appears to be totally original
753. 1960s mobile generally good condition, minor wear and some minor flakes to black paint
754. 1950s sculpture generally good condition, minor wear and knicks to surface, base is slightly warped
755. Alonzo Hauser generally good condition, minor flakes, some discoloration to finish
756. 1960s sculpture generally good condition, no apparent damage
757. Bill Barrett generally good condition, no flaws to finish evident, no st
758. Bill Barrett generally good condition, no flaws to surface, great dark rich patina, no repairs, no structural problems
759. Rude Osolnik candlesticks, set of four Nicks, scratches, scuffs. Light wear to tops. Small black fform has been cracked and reglued at waist. Tallest walnut form has a small imperfection in the grain at the base.
760. Rude Osolnik candlesticks, set of five Largest has a slight imperfection in the finish. 9.5" form has a crack in the waist but is still structurally sound. All have scratches/scuffs/nicks to finish. Some marked "OO" on felt.
761. Rude Osolnik vase, gum wood Excellent condition with no problems.
762. George Nakashima side chairs, pair, by Widdicomb Dark stain to seat of one which is visible in catalog photo. Other chair has lighter stains to seat. Minor scuffs/wear to legs. No chips or cracks. Burned mark "George Nakashima" to one.
763. George Nakashima armchairs, pair, by Widdicomb Light normal wear to arms. Light scuffs to legs. We are not able to document the cushion fabric as a Wright design. Fabric clean and usable as is.
764. George Nakashima mirror, by Widdicomb Original finish. No problems.
765. George Nakashima sideboard and hutch, by Widdicomb Top worn under feet of hutch. Sliding glass ddoors missing. Small stains to front of bottom left drawer. Great overall condition.
766. Bruno Mathsson Pernilla 3 chaise lounge Fairly deep scratch to one arm. Scuffs and light scratches to frame. Light minor stains to leather cushion. Surface wear to hide. Overall, nice condition. Usable as-is.
767. Tapio Wirkkala dish, laminated birch wood Shows age. No chips or cracks or damage.
768. Alvar Aalto vase, organic form in clear glass Two very tiny nicks/chips to edge. Scratches to bottom.
769. Cees Braakman DUO 3 credenza, Pastoe Metal Pastoe tag in drawer. Top is clean. Small chip to top back corner at left. Color appears different on drawers because grain is horizontal whereas it is vertical on doors. Drawers have slipped slightly and slide a bit stiffly.
770. Berndt Friberg vase, blue Mint conditiion.
771. Carl Hailer vase, for Royal Copenhagen, brown matte Mint conditiion.
772. Jorgen Mogenson stoneware vases, two Mint condition. Both marked "JM". Small one numbered 21925; large one numbered 21926.
773. Nils Thorsson vase, blue, sea life Mint condition. Bottom marked "21299".
774. Jais Nielsen lidded vessel, for Royal Copenhagen Mint condition.
775. Charlotte Perriand table and stools Wear to finish from use over time. One stool has had screws added to the legs, so there are three small holes to the top of the seat. All pieces are structurally sound.
776. Eames ESU 200, first series Water stain to top. Scratches and scuffs to panels. Door missing woodd end pieces. Other door missing. Two repaired veneer chips to top drawer. Wear to black frame. Red panel at left repainted.
777. George Nelson Thin Edge beds, by Herman Miller, pair From original owner. No breaks to caning. A few scuffs to legs. One tiny nick to top of backrest on one. Overall, excellent original condition.
778. George Nelson Home Office desk, by Herman Miller Original condition. Light normal wear to leather. Light scratches/scuffs. Weear to finish at top of organizer. Pitting to frame.
779. George Nelson occasional table Tiny veneer chip to edge.
780. Creative Playthings Hobby Horse Wear and flakiiing to finish. Scratches and scuffs. Veneer chip on bottom is 1.75" x .5". Small losses to finish of red ball.
781. Eames Aluminum Group lounge chairs, pair Wear to fabric at top back corners. Fabric is clean with no holes, tears or stains. Good original condition.
782. Eames conference/dining table, rosewood No stains to top. Rosewood has very nice color and grain and is not faded.
783. George Nelson slat bench, by Herman Miller, 1960s A few small scratches/chips to black finish along edge. Very nice original condition.
784. Eames DKR (Eiffel tower) chairs, four No rewelds.
785. Eames RKR rocking chair, c.1952 Missing one screw from base. No breaks or rewelds. Original finish to runners, which show light wear. One back end or one runner is worn and scratched. One halff-moon shaped split to seat approx. 1" long. Structurally sound. Nice condition.
786. Eames 670/671 lounge chair and ottoman, by Herman Miller, Shells faded. Cracking to leather on one arm. No holes/tears to leather. No chips to shells. All glides intact. No damage or repairs.
787. George Nelson Ball clock, black painted wood balls
788. George Nelson Ball clock, chromed steel Slight bends to hour and minute hands and very light wear to black finish. Original finish to balls. Second hand missing. Not guaranteed to keep time.
789. George Nelson bench No stains/tears/holes to fabric. Scuffs and scratches to white frame and black trim (on wood). All glides intact.
790. George Nelson cabinet, by Herman Miller, walnut case Hingess on one door broken and need to be replaced. Pulls are discolored. Scratch on left door. Top is clean. A few small chips to finish (but not into wood).
791. George Nelson cabinet, walnut case Drawer pulls discolored. Drawers are stiff. Light scratches/scuffs to front. No spots or stains. Original finish.
792. George Nelson sofa, model no. 4678 Needs new upholstery andd foam. Light normal scuffs to legs.
793. Isamu Noguchi occasional/child’s table, by Knoll Multiple tiny chips to edge of top. Two chips are 1/4" diameter. All original condition.
794. Isamu Noguchi dining table, by Knoll Associates Pitting to rods. Sccuffs to base. Tiny bites to edge. No stains. All original condition.
795. Eames La Fonda table Very lght pitting to chrome. Top in excellent condition.
796. Eames La Fonda chairs, four Excellent condition. No holes, no tears, no stains.
797. Paul McCobb stacking chairs,six Scuffs, scratches and wear to edge. No chips or cracks.
798. George Nelson slat bench Original finish. Light normal wear to top including scuffs/scratches/nicks to finish. A few small dark areas along one edge.
799. George Nelson cabinet, walnut case Shows wear. Scratches/scuffs/small chips to finish. Pulls are discolored. No stains to top. One 2" veneeer chip to back side edge.
800. George Nelson cabinet, walnut case Refinished. Pulls discolored. Tiny nicks to edges. Drawers a bit stiff. Nice original condition.
801. Gilbert Rohde dining chairs, set of six Two side chairs have been repaired- back support has cracked and been reglued. They are still structurally sound. Frames have light normal scratches and scuffs. Fabric is faded.
802. Gio Ponti Diamond sterling silver flatware, by Reed & Barton Light scratches. No damage.
803. Gilbert Rohde sideboard, Formal Group No. 3321 One 4" scratch to top. Light surface scratches. Gouge in front of right side drawer. Veneer chip to top right drawer. Keys included. Normal wear appropriate for age. Pitting to base.
804. Gio Ponti Diamond sterling silver flatware, by Reed & Barton, Light scratches. A complete set from the original owner. No damageee.
805. Gilbert Rohde china cabinet, Formal Group No. 3321 Water stain on interior shelf. No chips to glass. Original blue mirror glass. Damage to veneer of drop-front- finish worn in a 4" x 2" area. Tiny shallow chips to veneer (approx. 10) which are 1/4" diameter. Veneer chips to left side edge.
806. Gilbert Rohde dining table Small filled chip at center seam of top. Tiny nicks/scuffs around edge. Light scratch to top. Finish worn in a few places. Small veneer chip to base along floor. No stains to top. Scuffs/scratches to legs.
807. Serge Mouille floor lamp, for Louis Sognot, attribution Unsigned. Minor bends to edge of shade. Losses to finish on base. Scratches/scuffs. Feet appear replaced. Discoloration to finish.
808. Gilbert Rohde chests, pair Refinished with high gloss. Nicks and tiny chips to edges. Drawers slide well. Track for one bottom drawer needs minor repair.
809. French lounge chairs, pair, c.1925, stained ash frames Wood frame refinished. Upholstery is perfectly clean. Have not been used since restoration. Inside measurement: 18"w. Seat height appprox. 18".
810. Gilbert Rohde nightstands, pai Refinished with high gloss. Small nicks/chips to front edges. Scuffs/scratches.
811. Sevres elephant, France No cracks, chips or repairs. Glaze has a shiny quality and is very textured.
812. Gilbert Rohde vanity and stool, by Herman Miller Refinished with high gloss. Drawers work well. Veneer cracked all the way across the top and needs to be replaced. Small scuffs and nicks to leather.
813. 1950s French hall stand, maker unknown Some pitting/rust to coat hooks. Gold finish lightly worn. Shows age. No damage. Two hooks to back for hanging/mounting on wall.
814. Dutch vase, c.1940, giraffes Light crazing. No chips or cracks.
815. French vase, heavy bubbled ivory glaze A few burst bubbles in glaze. Light crazing. Small imperfections to lip from firing.
816. Pierre Du Mont vase, Paris, ca. 1930, hammered pewter Slight bends to flaring lip.
817. Gilbert Rohde china cabinet, by Herman Miller A couple of water stains to interior shelf. Light wear to finish of top. Nice original condition.
818. Mueller Art Deco chair, attributed to Kem Weber Finish is dirty, especially on arms from hands touching surface over time. A few light water spots. No repairs, no chips/no cracks. Scratches and scuffs throughout. Shows its age.
819. Gilbert Rohde sideboard, by Herman Miller Two small chips to finish. Top and sides appear to be refinished, but this is not obvious. Nice condition.
820. Gilbert Rohde dining chairs, set of six, Refinished. Reupholstered. A few minor scuffs/nicks to frames. Overall, very clean and usable as is.
821. W. Wuilleumier “Enlevement d'Europe” glazed earthenware sculpture A couple of tiny chips to bottom corners. Light glazed areas show minor crazing. Tiny chip to bull's ear. Made in France. Stamped "Boulogne" and engraved "Teg[?]y" and "Wuilleumier". Mythological meaning: Europa was Zeus' love interest.
822. French Art Deco lounge chairs, pair, c.1935, curved walnut frames Wood refinishedd. Upholstery perfectly clean. Have not been used since restoration. Inside measurement: 21.5". Seat height approx. 17".
823. Gilbert Rohde dining table, by Herman Miller Originnnnal finish. A couple of chips to veneer at one corner of top. Light scuffs/wear to other corners.
824. Edward Wormley dining chairs, six Normal lightt wear to wood frames. Scratches/scuffs/dents to legs. No holes or tears to upholstery.
825. Edward Wormley wedge-shaped occasional table Nicks/scratches/scuffs to frame. Wood is faded. Minor separation at joints. No chips to glass. One tiny gouge along top side edge.
826. Edward Wormley Sheaf of Wheat occasional table Travertine top has filled areas, which are original. A few scratches/scuffs/crackling on base. Flat-head screws on base are lined up vertically. Nice original condition.
827. Edward Wormley dining table, by Dunbar Top is very clean. Scuffs/dents to legs. Legs are slightly loose and need to be tightened. Top is very clean.
828. Natzler bowl, small flaring form in a brown glaze minor chips to rim
829. Natzler vase, delicate form minute chip to base; excellent condition; great glaze; signed
830. Natzler vase, low organic form in red clay nice glaze; unusual shape; some very minor crazing; insignificant chip repair
831. Natzler vase, oval form covered in a red and turquoise glaze great glaze; wonderful form; very unusual light surface iridescence; a little dirty
832. Edward Wormley lounge chair and ottoman, by Dunbar Wear to finish of arms from hands over time. No breaks to caning. Original fabric is clean. Small scratches/scuffs/dents to frames at sharp corners.
833. Edward Wormley sideboard and hutch, by Dunbar A few scratches to top. Upper cabinet can be removed and used elsewhere/separately. Reglued veneer chip on one leg of upper cabinet. Original finish to all. Small scratches/wear under feet of upper cabinet.
834. Edward Wormley bench, by Dunbar, 1950s No holes, tears or stains. Light surface cracking from age. Usable as is - wonderful condition.
835. Edward Wormley occasional table, by Dunbar Scuffs and small dents to leather. Some abrasions to back edge of top. Scuffs/scratches to legs.
836. Karl Springer dining table, 1970s, square top Wear to grasscloth on corners and along corner edges of base.
837. Edward Wormley daybed, by Dunbar, 1950s A couple of small tears to fabric at corners. Light stains. No structural problems. Seat and back cushion reverse to a different fabric. Reupholstering recommended.
838. Edward Wormley coffee table A few very light spots to top. Excellent condition.
839. Edward Wormley Alexandria chairs, set of four Finish faded- seem to be sun faded. Stain applied to one arm. Foam is hard; fabric is faded and worn. Structurally sound. No chips or cracks.
840. Edward Wormley pedestal table, by Dunbar Top is faded. Base appears to be recoated and new coat is crackling. Underneath top are multiple supports that look like typical Dunbar quality construction. No chips, cracks or separation. Top is thick.
841. Edward Wormley sideboard Good patina to brass. Interior shelf missing. Signed with burned mark "Dunbar for Modern" under a drawer. One-inch veneer chip to suppport on top drawer. Veneer missing at corners of base. Light normal wear.
842. Milo Baughman dining chairs, set of six Breaks to caning on 5 chairs; two very damaged. Wear to finish at sharp corners. Upholstery faded. Scratches/scuffs to frames.
843. Edward Wormley bench, by Dunbar From same estate as 846. Fabric clean. No holes or tears. Some scuffs/scratches/dents to frames.
844. Milo Baughman sideboard, for Directional Original finish. Light scratches/scuffs. Right handle screws are bent. Chips to front of top drawer in interior. Felt lined tray. Light wear from normal use over time.
845. Harvey Probber tables, three A few small marks to legs, otherwise excellent condition. No problems with tops.
846. Edward Wormley Slipper chairs, pair From same estate as 843. Scuffs/scratches to frames. One chair has deep scratch to front of one leg. Loose cushions are down-filled. No holes, tears or stains. Foam is fine.
847. Fine Milo Baughman Op Art dining table, Top refinished and very clean. Light normal minor scuffs/scratches to frame. Two tiny dents to top; two dents to edge.
848. Arne Vodder chairs, set of six Reupholstered. Some backs are loose and need tightening. Normal scratches and scuffs to frames. Some stains to fabric.
849. Arne Vodder sideboard and china cabinet One light water stain to top of lower cabinet. One tiny chip at top left edge of upper cabinet. Wear to top under removable upper cabinet.
850. Rorstrand dish, brown matt glaze Minor line to top edge that appears to be in making; nice glaze.
851. Rorstrand vase, by Gunnar Nylund Mint condition.
852. 1960s chairs, by Koefoeds Moebelfabrik, 5 Seats are black vinyl fabric. A few normal scuffs/dings/dents to legs. All are structurally sound. Original finish.
853. Hans Wegner chairs, pair No breaks to original caning. Scuffs to legs. A few light water spots to frames, mostly on legs and under seat.
854. Danish bed, full-size, by Povl Dinesen Very light normal wear. Back is finishedd. No structural problems. Breaks down into headboard, footboard and side rails. A few minor light scuffs/scratches.
855. Finn Juhl night stands, pair, by Baker Wear to tops, fronts and legs. Chips to finish. Scuffs and stains to legs. Refinishing recommended.
856. Danish dining table, by Povl Dinesen A few scuffs to legs. Top clean with no stains. Nice original condition. From same estate as other Povl Dinesen pieces.
857. Hans Wegner daybed, by Getama Slivers of veneer missing along bottom edge of onee side. No tears or stains to fabric, but one small hole along front bottom edge at left.
858. Finn Juhl Bwana chair Foam on backrest is hard. Light staining to fabric. No holes or tears. Fabric on ottoman does not match chair. A few scuffs to frames.
859. Finn Juhl Bwana ottomans, pair Foam is hard. Some water drips to wood on side of one ottoman.
860. Ritva Puotila rug No holes or tears; no repairs. No label. No backing material. Has not been cleaned by us.
861. Poul Kjaerholm PK-22 chairs, pair No breaks or stains. Some pitting to frame. Rattan in good shape. Original screws to frame. Stamped "Denmark"...
862. Hans Wegner bench, by Johannes Hansen One small ink mark to top. Nice original condition.
863. Poul Kjaerholm PK-22 chair No breaks to caning, but some darkening. Pitting to frame. Stamped "Denmark".
864. Pastoe sewing stand Wear to finish and small chips to finish of wood tops and metal boxes. A small amount of rust. Structurally sound. Shows age.
865. Scandinavian coffee table, possibly by Elias Svedberg Original finish. A few scuffs to legs. Nice original condition.
866. Hans Brockhage and Erwin Andra “Schaukelwagen” child's chair Refinished. Some drips/roughness to finish. Two wheels have been replaced. A few reglued areas. Structurally sound and usable as is. Reference: http://www.hans-brockhage.de/
867. Yngve Ekstrom lounge chairs and ottomans, pair Scuffs/scratches and wear to finish of frames. Surface stains to upholstery (yellow/brown - from nicotine?) but no large or serious stains. Upholstery has not been cleaned by us. All pieces are structurally sound.
868. Benny Motzfeldt vase, for Randsfjord Glass, Norway One tiny flake on side of lip.
869. Hans C. Andersen occasional table One dent to edge of top. Beautiful joinery work to edge of top. Nice original finish.
870. Afors vase, teardrop form Dirty sticker residue; minor scratches; original paper label. No chips.
871. Fritz Hansen tray table, made in Denmark for Raymor Water stains to top. No chips or cracks. Scuffs and dents to legs. Base does not fold - it screws together.
872. H.W. Klein lounge chair, by Bramin Foam on backrest is hard and is settling. Upholstery is clean. A few scuffs to legs. Unusual form.
873. Danish modern dining table, maker unknown, 1958 One water ring to top that is 5"dia. Original finish. Light scratches/marks to top. Scuffs to legs. Card taped to underside indicated name of original owner, who purchased it in NY in 1958 for use with Wegner chairs (lot 874).
874. Hans Wegner dining chairs, by C.M. Madsens Fabriker Foam is hard and crumbling on five chairs. Dents to leather on a few seats from being stacked. Overall, leather in nice original condition with light wear to a couple. Minor scratches to bottom of legs. Originally purchased with 873.
875. Grete Jalk coffee table, by Poul Jeppesens Mobelfabrik, Denmark Scratches to top. One 1/8" dia. burn to top. One 111/4" chip to edge. A few normal scuffs.
876. Edward Wormley “Tall Man” easy chair and ottoman Brown vinyl upholstery is clean but not terribly appealing. Scratches to brass on one back leg.
877. Roger Capron table, France c. 1955, glazed ceramic tile top No chips or cracks to tiles. Nice original condition.
878. T. H. Robsjohn-Gibbings dresser Scratch to top center drawer from ring pull. Chip to top of 2nd middle drawer. Small nicks/scuffs/dings throughout.
879. Fontana Arte centerpiece, Italy One chip to edge of bottom glass bowl that is 1/8"dia. (on underside). Bowl is rosee-tinted. Scuffs to wooden ring and slight crack which does not affect the structure. No missing pieces.
880. Rare Nana Ditzel candleholder Mark on bottom reads "Woodturning by Brdr. Kruger Denmark/ design Nanna Ditzel". A few minor scuffs and light scratches. No damage or repairs.
881. Harvey Probber pedestal Two filled chips to edge, each 1.5" long. A couple of dents as well along edge. Veneer lifting in one area by base. Hidden casters.
882. Donald Deskey fire screen and andirons No problems.
883. Tage Frid lidded wood box Glue visible at base of black handle. Possibly reglued. No chips or cracks. Beautifully made.
884. Edward Wormley wall console Tiny dents to top.
885. Hugh Acton bench Finish recoated. Small chips and scuffs and general light wear. Wear to corners of a couple of slats.
886. J.A. Burlini kinetic sculpture No breaks or repairs. Light scratches to plastic. Placque on wood base reads "Thank you for caring and sharing/ Hubbard Woods School".
887. Toshiko Takezu vase, square form with a round foot A little dirty. Mint condition.
888. Toshiko Takezu vase, two tone brown glaze A little dirty. Mint condition.
889. Paul Evans love seat, by Directional Unsigned. No holes/tears to upholstery (textured black velour). A couple of small chips to high points.
890. Paul Evans chairs, pair Vinyl upholstery is deteriorating and needs to be replaced. A couple of small chips to high points.
891. Paul Evans writing desk, by Directional Normal light surface scratches. Three squares are lifting slightly and need to be glued down (minor repair). A couple of small dents.
892. Michael and Frances Higgins Impacts Pattern plate Mint condition. Engraved "IMPACTS higgins" on back.
893. Michael and Frances Higgins Flag Pattern plate Mint condition. "Higgins 2" engraved on back.
894. Higgins "dropout" vase, flaring form Nicely executed; excellent condition.
895. Laurel floor lamp, brass A few small spots of pitting to base. Tiny chips around inside edge of shade - not visible during normal use. In good working condition.
896. Paul Evans coffee table, by Directional A few small dents to top. One square on base is lifting and needs to be reglued (minor repair). Light surface scratches.
897. Paul McCobb Planner Group cabinet Water ring to top. Scratches/scuffs to top. Writing with ball-point pen in small area of top near front. A few small gouges. Frame and pulls in fine condition. Signed with burned marks in top drawer.
898. Paul McCobb cabinet and mirror Partial black water ring to top. Sliding doors slightly bowed. Doors do not slide well and covering needs to be glued down at top and bottom edges. Interior is clean. Chip on right side edge. No problems with mirror.
899. Paul McCobb end tables, pair Black finish on frames flaking in places. Light wear to finish of tops. No breaks to shelves. All legs have original feet.
900. Paul McCobb stool, by Winchendon Directional label. Foam is hard and powdery. Original vinyl upholstery. No holes/tears.
901. Paul McCobb serving cart, by Winchendon Shelf inside basket is bowed. Leather pulls missing from door on one side. Scratches/scuffs and general wear. No breaks to paper cord. Structurally sound. All casters intact and working.
902. Paul McCobb stools, pair Original upholstery. A few very small holes to edge and wear at corners. Padding is lumpy. A small amount of rust on frames.
903. Ib Kofod-Larsen chairs, set of four Seat padding is worn out and fabric is stained and should be replaced. Nicks, scuffs and scratches to wood, mainly at edges, but no cracks or damage. Fine structural shape, but may need refinishing.
904. Paul McCobb Connoisseur Collection writing desk L-shaped brackets have been screwed to brass stretchers on base for support. Chip to finish of desktop which has been touched up. Finish to brass trim is flaking. Scuffs/scratches to legs.
905. Paul McCobb buffet with breakfront, by Calvin Two pieces. Scuffs/scratches to original finiish. Light wear to leather on doors. Wear to surface of brass. No structural problems.
906. Paul McCobb Irwin Collection end tables, pair Wear to finish of drawer fronts. Some pitting to brass. All glides intact. Two small chips to marble on one. Small chip to corner on other. No bends to frames.
907. Paul McCobb Irwin Collection dresser Needs refinishing. Quite a bit of wear
908. Paul McCobb end tables/nightstands, by Calvin Light normal wear from use over time. Scuffs to legs.
909. Paul McCobb Planner Group cabinets, pair A few scratches to tops. Scratches/scuffs/wear to finish along edges. Vanity center is a shade lighter in color on the top. Vanity has lift-top with mirror and storagee.
910. Paul McCobb dining chairs, by Calvin, set of six, Stains to upholstery. Bends to brass stretchers on several. Scuffs and wear to legs.
911. Paul McCobb Planner Group jewelry case Refinished well. Several brass pulls replaced (fabricated to match originals). Back is finished. A few extremely minor marks to top.
912. Paul McCobb Planner Group Secretary, by Winchendon, Interior hinge needs minor repair. Very light, normal wear. Sliding doors work well and have no damage.
913. Paul McCobb Planner Group dresser, by Winchendon Finish of pulls is worn and one is slightly bent. One tiny chip to finish of top.
914. Art Deco lounge chair, maker unknown, c.1930, Extensive veneer chips. Back cushion may be missing. Call for an update. Unmarked.
915. T.H. Robsjohn-Gibbings nightstands/end tables No breaks to caning on pulls. No stains to tops. A small amount of light normal wear. Great original condition.
916. T.H. Robsjohn-Gibbings dresser, by Widdicomb A couple of small chips along top side edges. Drawers work well. 3/4" scratch to left side of center drawer. Various small nicks/scuffs/ dents.
917. Dorothy Thorpe wine glasses, set of six Wonderful enameling. No losses to decoration. No chips or cracks.
918. Eliel Saarinen bedroom suite, by Johnson Furniture Co. A few small scratches that have been touched up on small cabinet and nightstand- done well. Very clean and nice and usable as is.
919. Heifetz table lamps, pair No problems. Photo of shades available. Good working condition.
920. T.H.Robsjohn-Gibbings armchairs, set of four Some reglued areas, and some joints that need gluing. a few small spots to upholstery. One repaired chip to one arm. A couple of filled chips which are not obvious. Scuffs/scratches to legs.
921. Russel Wright American Modern desk and chair Refinished. Chair reupholstered. Two scratches to desk surface. Chair has stenciled number "3528".
922. 1950s andirons, aluminum Disc is formed metal (not solid) and one has a split on the side.
923. Russel Wright American Modern lounge chairs, pair Nicely refinished. New upholstery which has not yet been used. Wood caps missing from backs of frames (this does not affect the structure and is not significant). Nice condition and ready for immediate use...
924. Philip and Kelvin Laverne coffee table, 1960s Excellent condition. No problems.
925. Jeff Messerschmidt chairs, four, 1980 A few very light surface scratches to lucite. No holes or tears or stains to leather. All are in fine structural shape. Great condition.
926. Grosfeld House cabinet, six drawers A few small chips to finish, but not wood. Appears to be refinished. No damage. Very appealing.
927. Barovier murrine bowl, attribution
928. Ercole Barovier "Neolitico" bowl, for Barovier & Toso Mint condition.
929. Fornasetti Astronomici plate Minor scratching to gold; otherwise excellent condition; signed and made in Italy.
930. Marbro table lamp, Los Angeles Small chip to one corner of marble base- 1/4". Flake to marble at side bottom which is 3/4" wide aaand 1/2" high. A few minor dents to shade but holes/tears. Uses two standard bulbs. Pull chains have brass balls at ends.
931. Large Sergio Asti vase, for Venini Mint condition.
932. Philip and Kelvin Laverne coffee table, round Excellent condition. No problems.
933. Carlo Scarpa fluted vase, for Venini Mint condition. Paper label with number which appears to read "4145".
934. Decorative Venini vase, bulbous form Dirty; minor flaws in glass in making; incised Venini Italia; delicate blue glass with applied top; excellent condition.
935. Gianni Versace vase, by Venini, 2001 Mint condition. Vibrant colors. Very pretty.
936. Harvey Probber nightstands, pair, for Directional Tops refinished. Grain is raised on side of one and has some small bits of white residue.
937. Harvey Probber king-size headboard Small spot of nail polish on surface of one nightstand. Water spots and minor stains. Scuffs to finish. Eachhh side has 2 outlets and switch.
938. Harvey Probber cabinets, pair, for Directional Original finish. Tops very clean. No problems.
939. Harvey Probber dining chairs, set of six Finish on frames iiis crackled and is flaking in a few places. Foam on seats is hard. Fabric and leather in excellent condition. Normal light scuffs to legs. Originally used with lot 940 and 941.
940. Harvey Probber dining table, for Directional Excellent original condition. Top is particularly nice and clean. Leaves excellent condition also...
941. Harvey Probber sideboard, for Directional, A few scratches/marks to slate top. Otherwise, excellent condition.
942. 1960s Modern bar stools, set of four Slight bends to frames. Scuffs to leather and wear to finish of leather at corners. They show age and the leather is very pleasing. Unmarked. Maker unknown.
943. Robert Sonneman table lamp Small bends to the perforated portion of shade at top. One minor dent to shade. Base is aluminum. Uses 3-way bulb. Good working condition.
944. Fontana Arte chandelier, Italy, 1950s, cut glass rods Small flakes/chips to glass rods at edges. Discoloration to finish of sockets. Working condition.
945. Ludwig Mies van der Rohe Barcelona chairs, pair Foam is supple. Seat and back straps are intact with no cracks or breaks. Light normal surface wear to leather, but no holes, tears or damage.
946. Katavolos, Littell & Kelley New York loveseat Foam is hard and crumbling. Reupholstering recommended. Light pitting to frames consistent with age.
947. Mies van der Rohe Club chairs, pair, by Knoll International Light wear to surface of leather at front corners of arms. Nice original condition. Original leather.
948. Katavolos, Littell & Kelley New York lounge chairs, pair Foam is hard and crumbling. Reupholstering recommended. Light pitting to frames consistent with age. Two glides missing.
949. Warren Platner occasional tables, pair Excellent condition. No problems.
950. Warren Platner coffee table, by Knoll Excellent condition. No chips to glass. Very, very light pitting to metal.
951. Arteluce floor lamp, Italy, c.1960 Arm is bent where it meets handle. Shade needs to be tightened so that it will hold a position.
952. Joel Philip Myers studio glass goblet, 1970 Mint condition.
953. Alexandre Noll shallow dish, c.1950, France Mint condition.
954. Hugh Acton bench Original finish is touched up in a few places. A few nicks to finish. Hugh Acton label.
955. Russel Wright vase nice glaze; some dirt and sticker residue
956. Martin Visser sofa/daybed, by Spectrum upholstery is clean with no stains, holes or tears. Foam is supple. Usable as-is.
957. Chadwick Modular Seating, six pieces A few light stains to a couple sections but no holes or tears. Coulld probably be cleaned. Foam is fine. Very comfortable. Includes connectors which attach sections at bases.
958. Yrjö Kukkapuro “Karuselli” lounge chair Stain to leather where head would touch top back of seat and on arms. A few small nicks to leather at edges. Light creases/cracks but no tears to leather. Scuffs and light scratches to shell and base.
959. Anna Castelli Ferrieri plant stand, by Kartell Light scratches to top.
960. BBPR coat rack/torchiere, by Kartell Scratches to surface. No cracks or chips. Needs to be rewired.
961. Verner Panton hanging chandelier Light normal surface scratches. Uses four bulbs. Hanging rods disconnect for moving or shipping. Easy to assemble.
962. Pierre Paulin chairs, set of four Splits to fabric surface on one. One-inch cut to fabric on top of back on one. Two in excellent condition.
963. Tapio Wirkkala vase chip on base the size of a grain of salt underneath foot, invisible from side
964. Tapio Wirkkala vase, teardrop shape incised mark; mint
965. Giovanni Offredi “Wave” sofa, by Saporiti, 112" Fabric is faded and discolored. Should be reupholstered. Frame has come unscrewed from upholstered section at front middle. Documented.
966. Giovanni Offredi “Wave” sofa, by Saporiti, 74" Fabric is faded and discolored. Should be reupholstered. Frame has come unscrewed from upholstered section at front middle. Documented.
967. Carl Aubock “Maestro” flatware, by Amboss All pieces appear to be unused or have been buffed and are virtually scratch-free. This pattern is no longer in production.
968. Giancarlo Piretti “Plana” folding table Surface scratches. No cracks or chips.
969. Roger Sprunger lamp table, by Dunbar No chips to glass. Excellent condition with no problems...
970. Verner Panton Geometric rug No holes, no tears, no stains. Has not been cleaned recently.
971. Lisa Johanssen-Paps table lamp Mint condition. In working order.
972. Enzo Mari Puzzle sculptures, attribution, set of five Unmarked. A few light surface scratches. Each isss made of two flat pieces. Slightly tarnished.
973. Ritva Puotila “Unikeko” rug No holes, no tears, no stains. Has not been cleaned recently.
974. Raymond Loewy DF-2000 cabinet No chips to plastic. Caps missing from feet. A couple of small scratches. Overall, very nice original condition...
975. Ettore Sottsass for Venini lamp No chips or cracks. Does not have a plug.
976. Boris Tabacoff Sphere chair Cushion fabric needs to be replaced. Light scratches to lucite and chrome. Structurally sound with no cracks or chips.
977. Unusual Cabat vase, bulbous form Some minor bubbles; exposed brown clay toward bottom; incised signature. Beautifully glazed.
978. Ken Scott glass fish, for Venini Unmarked. Mint condition.
979. H. Salomonson AP60 lounge chairs, pair, Fabric is perfectly clean. Foam is fine. Usable as is. Attractive and comfortable. Unmarked.
980. Guido Drocco and Franco Mello Cactus coatrack A few areas of very minor surface wear. Includes certificate. Color very vibrant and foam is iin great shape.
981. Pablo Picasso plate, “Visage de faune tormente” Mint condition. Numbered 46/100 and also marked "C.110".
982. Beatrice Wood bowl, low form in red clay covered with a blue matt glaze Dirty; minor crazing.
983. Beatrice Wood bowl, low form in red clay covered with a blue matt glaze Dirty; minor crazing. Cracks to surface which to no go all the way through to back.
984. Pillin vase, bulbous bottom with long neck Minor crazing; some sticker residue.
985. Gae Aulenti Locus Solus armchair Scuffs, scratches and losses to yellow finish on frame. Some rust spots. Light soiling to fabric but no holes or tears.
986. Eero Saarinen Pedestal stools, by Knoll, four Foam has hardened. Bases slightly discolored which is normal with Saarrinen pedestal pieces. Stainns to seat on one. Scratches/scuffs to bases. Swivel a bit stiff.
987. Guido Gambone covered box, Italy Light crazing. No chips or cracks.
988. Castiglioni and Frattini Boalum table lamp Scratches and scuffs; discoloration. End piece is no longer attached. Working condition.
989. Hans-Agne Jakobsson floor/table lamp European plug. Works with simple $2 adapter. Uses 3 standard bulbs.
990. Verner Panton 1-2-3 chair, by Fritz Hansen Signed with Fritz Hansen/Verner Panton marks on top of base. Very light stains to fabric. Swivels. No holes or tears.
991. Tobia Scarpa end tables, pair, by C&B Italia, Minor scuffs/nicks to frames. no problems with tops.
992. Afra and Tobia Scarpa “Coronado” loveseat Excellent original condition with no problems. Cloth tag lists designer, manufacturer and construction.
993. Afra and Tobia Scarpa “Coronado” chair Excellent original condition with no problems. Cloth tag lists designer, manufacturer and construction.
994. Afra and Tobia Scarpa “Coronado” sofa Excellent original condition with no problems. Certificate of authenticity iincluded which lists designer, manufacturer and construction.
995. Harvey Littleton vase, ribbed cylindrical form Partial paper label reads "...Institute of Arts" and lists artist as Littleton. Incised mark "HKL 49". Light craz; no chips or cracks.
996. Cabat vase, white Good glaze; a little dirt. Mint condition.
997. 1960s table lamps, two, glazed stoneware, Both mint condition. Both unmarked. Shades quite clean. Bottoms are felt-lined; we have not removed felt to examine underneath.
998. Edward Fields rug Light soiling near bottom. Has not been cleaned recently. Nice variation in texture and pile. Fully marked on back and dated. Includes extra yarn in all colors in original Edward Fields plastic bag.
999. Tobia Scarpa dining chairs, set of s A few scuff marks to legs. Upholstery clean and original.
1000. Roger Sprunger for Dunbar desk, oak top Very light wear from use over time. Small veneer chip att edge of left drawer. Scratches to bases.
1001. Roger Sprunger for Dunbar file cabinet, oak case Drawers sag slightly. No chips or stains. Scratches to bases.
1002. Peter Protzman desk and credenza, by Herman Miller Pitting to frames. No rings or stains to tops, which are in grreat condition. One veneer chip on lower back of one (minor). Good grain pattern. Shows signs of use over time but no damage.
1003. Roger Sprunger for Dunbar credenza, rosewood case Original finish. A few light scratches; minor nicks to front edge. One 1/4" veneer chip to drawer front. Scratches to bases.
1004. Charles Pollock armchairs, pair A few light normal scuffs to leather and armrests. All glides intact.
1005. Roger Sprunger for Dunbar desk, rosewood Chips to finish along front edge. No stains to top. Veneer chip along right side (1.5" x 1"). Shows signs of regular use over time. Scratches to bases.
1006. Rembrandt floor lamp Shade in excellent condition wiith no chips or cracks. Slight bends to chrome-plated se, which is a formed metal cap over an iron disc. In good working condition.
1007. Ettore Sottsass Jr. ceramic vase Uncrazed; clean. Marked "Sottsass Bitossi - Montelupo".
1008. Ettore Sottsass Jr. ceramic vase Uncrazed; clean. Marked "Sottsass Bitossi - Montelupo".
1009. Ettore Sottsass Jr. ceramic vase Uncrazed; clean. Marked "Sottsass Bitossi - Montelupo".
1010. Murano Glass table lamp No cracks or chips. Good working condition.
1011. Laurel lamp, 1960s, egg-shaped form No cracks or chips. Good working condition. Has a dimmer switch.
1012. Verner Panton “Phantom” chairs, pair Scratches and dark marks where forms rested on floor unproteccccted by carpet. Some scuffs.
1013. Art Deco mirror, enameledd tiles Wear around edges of wood frame. Minor crack to one tile, which is not distracting.
1014. Concorde Airplane napkin rings, set of 20 Original condition. No problems.
1015. Max Sauza floor lamp Not aluminum, but rather formed steel. Surface scratches. A few imperfections to trim along top edge. European plug. Unmarked.
1016. Milo Baughman dining chairs for Thayer Coggin Some pitting to frames. Upholstery faded and should be replaced. Companion table is lot 1017.
1017. Milo Baughman dining table for Thayer Coggin Surface scratches throughout. A couple of small dents to top. Leaves in same condition. Unmarked.
1018. Edward Wormley easy chairs, pair, by Dunbar Should be reupholstered. Brass legs in fine shape.
1019. Harvey Probber console Sandstone top with unique natural variation. Brass slightly tarnished but ot bent or damaged. More attractive and interesting in person than in catalog photo.
1020. Harvey Probber coffee table, sandstone A few minor water spots and one faint ring to top. Minor marks to legs. Two dowel legs are removable. Paper tag underneath top indicates that this is a "Filler table." Nice original condition.
1021. 1960s daybeds, possibly Dunbar, pair Decorative apron under seat similar to that of lot 1027. One leg needs to be reglued. No holes or tears. A few scuffs to legs.
1022. Gordon and Jane Martz lamp table A couple of small spots to base. No chips or cracks to tiles. Good working condition.
1023. Gordon and Jane Martz lamp table No chips or cracks to tiles, but two small chips to base. Good working condition.
1024. Edward Wormley occasional table Top is slightly faded. Otherwise, great condition.
1025. Edward Wormley nesting tables, set of three, Tops are laminate. A few scuffs to frames.
1026. Jens Risom seating unit Foam on backs is hard. Staining to fabric on backrests - could probably be cleaned. Frame in excellent condition with a few minor scuffs.
1027. Edward Wormley dining table, by Dunb
1028. Edward Wormley sofa, by Dunbar, 1950s
1029. Eero Saarinen Grasshopper chair, by Knoll Associates
1030. Lewis Butler for Knoll coffee table
1031. Harry Bertoia bench, by Knoll
1032. Ib Kofod-Larsen chair
1033. Florence Knoll credenza, by Knoll
1034. Ward Bennett bowl, silverplate
1035. Florence Knoll “T” angle table/bench
1036. Alvar Aalto stacking chairs, set of six
1037. Harry Bertoia Diamond chair, by Knoll
1038. Harry Bertoia Diamond chair, by Knoll, chrome
1039. 1960s Modern floor lamp, Italy
1040. Harvey Probber sideboard, for Directional, by Calvin
1041. Fantoni bird sculpture, Italy, 1950s, wire form
1042. Arredoluce ceiling fixture, attribution
1043. Swedish coffee table, imported by Dux
1044. Large Paul McCobb sofa, by Directional
1045. Finn Juhl style chairs, set of six
1046. Maurice Pré coffee table, oak top
1047. Keith Haring Spirit of Art lidded box, by Villeroy and Boch
1048. 1960s Danish Modern dining table, coffee table and sideboard set
1049. David Andersen necklace, Norway, silver pendant problem free; all original
1050. French Art Deco necklace, geometric design good original condition
1051. Hansen necklace, attribution, Danish, excellent original condition
1052. WMF necklace, glass pendent with a marbleized design good original condition
1053. Line Vautrin necklace, attribution, broad pendant good original patina some minor dirt
1054. William Spratling scoop, sterling and wood all excellent condition
1055. German Art Deco box & Behscherzer vase
1056. Italian vase and Boda vase
1057. Kaestuer Saxonia covered vessel & German Art pottery vase |
|
|