On-Line Condition Reports for Session Two - Fine Paintings & Session Three - 1950s/Modern
Sale Date:
Dec. 5, 2004
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Lot Numbers and Descriptions
Estimate
401. Rare Camille Fauré for Limoges vase, round form with an enameled design of two cranes and flowers, signed, 4.25”h, nice example
800-1100
402. A. Bargas pin, round form in gold with Art Nouveau design of a woman's profile below soaring bats, marked Crepuscule (twilight), face is ivory, signed, 1.5”w
400-600
403. Camile Fauré for Limoges enamel, attribution, portrait of a woman wearing a veil, very nice, 3.5” x 4”
450-550
404. Excellent Camille Fauré for Limoges vase, gourd form with a striking enameled geometric design in blue, black and white, signed inside rim, 10”h, great example of French Art Deco
5000-7000
405. Pierrefonds vase, attribution, four handled shape covered with a spectacular tan and brown glaze with huge turquoise and brown crystals, marked France and numbered, 6.5”h, minor firing flaw to side of base
250-350
406. Sevres jardiniere, attribution, large form in a blue, yellow and green crystalline glaze with a finely detailed cameo design at top, marked, 9.75”w x 9.5”h, firing crack, great glaze
400-600
407. Early Gouda teapot and covered vessel, colorful stylized floral designs, both marked, largest is 7.5”h, both with minor chip restorations
250-350
408. Fine Denbac vase, organic form with four open handles at bottom covered in a mottled green, gray, brown and blue glaze, marked, 8.5"h
500-700
409. Good Denbac vase, four handled form with a purple, brown and green crystalline glaze, signed, 10”h
450-650
410. Exceptional Denbac vase, two handled form with organic designs covered with a good blue, green and brown crystalline drip, signed, 10.25”h
550-750
411. Loetz vase, attributed to Peche, three ball feet supporting a bulbous body with ruffled rim in purple and white glass with enameled floral designs, 6”w
800-1100
412. Loetz compote, ca. 1930, three horned feet in black supporting a flaring bowl in iridescent rose colored glass with applied platinum threading, 14”dia. x 4”h, minor chips to feet
700-900
413. Loetz vase, Tango design, opaque lavender glass with applied red tendrils and red rim, 4.25”h
450-650
414. Loetz vase, ca. 1920, footed form with a blue decoration and applied serpent, 6”w x 4”h
1200-1700
415. Loetz vase, three color Phenomen decoration and black bottom Nr. 358, signed Loetz Austria, 13”h
10,000-15,000
416. Loetz vase, shell form in iridescent gold glass with gold Papillon decoration, 9”w x 5.5”h, minor chips to foot
700-900
417. Early Loetz vase, ca. 1895, footed shell form in iridescent gold glass with red, green and platinum Astglas decoration, 11”h
600-800
418. Loetz vase, three handled form in iridescent gold glass with Phenomen decoration Nr. 1/473, 7”h
3500-4500
419. Loetz vase, large form with four spiral handles, Phenomen decoration Nr. 1/473 over a pink ground, 12”h
9000-12,000
420. Loetz vase, ca. 1902, dimpled form with Aeolus decoration in amber colored glass with applied iridescent threading, 10”h
700-900
421. Rare Loetz vase, ca. 1918-1925, Tango design, blue with four windows of yellow cut glass and applied tendrils in black, 4.5”h
400-600
422. Loetz vase, attribution, purple and blue pulled decoration against an opaque yellow ground, 8.5”h
700-900
423. Loetz vase, large form with four handles in gold glass with iridescent Astraä decoration, signed Loetz Austria, 10”h
4000-6000
424. Loetz vase, ca. 1925, footed form in Iris Blue glass, 5”h
600-800
425. Loetz vase, made for Rindskopf, gourd from with contoured bubbles at base in purple glass with striped and spotted design in blue, 6.5”h
800-1100
426. Loetz vase, attribution, clear spiraling glass with pulled design in blue and green, stamped Czechoslovakia, 8”h, minor manufacturing flaw to rim
600-800
427. Loetz kerosene lamp, attribution, bulbous base with Astraä decoration and applied medallions of bronze and iridescent glass, broad flattened shade with applied threading, original fittings, original patina to all bronze parts, shade is 13.5”dia., 13.5”h, minor chips to top rim of shade, minor scratches to bottom of base, minor loss to threading
5000-7000
428. Loetz vase, tapered form with a gold Papillon decoration, 10”h
550-750
429. Good Tiffany Studios lamp, bronze base with two arms supporting bronze and linen fold glass shades, signed Tiffany Studios New York #318, 28”w x 26”h, great original patina, exceptional lamp
17,000-27,000
430. Rare Tiffany Furnaces lamp, bronze base holding a tapering shade with metal mesh having applied drops of molten glass in different shades of red, blue and clear, shade signed Louis C. Tiffany Furnaces, Inc. Favrile #893, base signed Louis C. Tiffany Furnaces, Inc. Favrile #26, good original patina, 12”dia. x 21”h
5000-7000
431. Unusual Tiffany Studios desk lamp, three-light lily, bronze base with incised designs holding three shades in favrile glass with white opalescent stripes, great original patina, base signed Tiffany Studios New York #320, shades are signed L.C.T., 8.5”h, probably the rarest of lily shades
5500-7500
432. P. Merite (French 1867-1941) sculpture, bronze bird with fine detail, covered in an excellent original patina and mounted on a marble base, 5”h x 6”w, quite nice
500-1000
433. Sanger (German) sculpture, bronze stalking cat, good original patina, mounted on a marble base, signed, impressed foundry mark, 13”l, good detail
500-1000
434. Antoine-Louis Barye (French 1796-1875) sculpture, attribution, bronze, nicely detailed ostrich, signed, excellent original patina, mounted on a marble base, 9.5”w x 6”h, well known for animal sculptures
500-1000
435. Fine and decorative Bronze sculpture, nicely detailed antelope, artist unknown, initialed, great original patina, mounted on a marble base, 14”h, good Art Deco work, striking design
1000-1500
436. Bronze sculpture, unusual subject matter of a buoy at sea, original patina, unsigned, mounted on a marble base, 6”w x 4”h, nicely made
400-600
437. Striking Art Deco sculpture, bronze, two lifelike giraffes, excellent original patina, 9”h x 8”l, nice design and well executed
500-1000
438. Antoine-Louis Barye (French, 1796-1875), “Tigre Marchant”, c. 1870; bronze with green patina, 8.7” x 14.8” x 3.9”, mounted on a 3” high green marble base, signed, founder’s mark (F. Barbedienne); minor chips to marble. Barye was a realist who depicted romantically humanized animals as the subjects of his sculpture.
8000-10,000
439. Nice Tiffany Studios desk lamp, bronze adjustable base with its original patina, favrile glass shade with Damascene decoration in gold covered with an overall iridescence, shade signed L.C.T Favrile, base signed Tiffany Studios New York #1077, 12”h
8000-11,000
440. Good Tiffany Studios floor lamp, favrile shade with Damascene decoration, shade is 10"w and signed L.C.T., bronze base with original patina signed Tiffany Studios New York 678, overall height 55.5"h
12,000-17,000
441. Unusual Tiffany Studios floor lamp, leaded glass shade with leaf and vine decoration, shade is 12"dia. and signed, five footed bronze base with original gold doré patina signed Tiffany Studios New York 423H, overall height 57.5"
15,000-25,000
442. Burdick trivet, round form in hammered copper with inlaid iridescent mosaic tiles attributed to Tiffany Studios, original patina, signed and dated 1908, 5.5”dia.
900-1200
443. Tiffany Studios inkwell, bronze pine needle design over green and white slag glass, original patina, signed Tiffany Studios New York 847, 6.5”w, glass insert is missing
700-900
444. Unusual Hubert Krumeich-Remmy vase, German, nice shape with raised windblown tulips in gray, green and brown against a deep blue ground, marked, 11"h, striking decoration
550-750
445. Exceptional Wilhelm Schiller and Son vase, organic form with four open swirling handles covered in a green, red and brown glaze, marked, 12.5"h, great design
600-800
446. Good Eugene Baudin vase, organic form covered in a red, turquoise and blue matt glaze, marked, 7"h
800-1100
447. Lenormanch vase, French, cylindrical form in a multi-toned brown glaze encased by a wonderful carved bronze frame with an Art Nouveau design, great original patina, marked, 7"h
700-900
448. Exceptional Mettlach vase, gourd form with incised stylized floral design, impressed mark, 10.5"h, beautifully glazed, designed and executed
700-900
449. Exceptional Zsolnay vase, round form with two feet and four handles, elaborately enameled decoration of a bird among poppies with gold highlights, marked Fischer Budapest, 11"w x 14"h
900-1200
450. Exceptional Pierrefonds vase, slender tapered form covered in a deep red and purple metallic glaze and an orange and red drip at top, marked, 16"h
1000-1500
Sale Date:
Dec. 5, 2004