On-Line Condition Reports for Session Two - Fine Paintings & Session Three - 1950s/Modern
Sale Date:
Dec. 5, 2004
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Lot Numbers and Descriptions
Estimate
351. Armand Rassenfosse poster, printed in Liège by Auguste Bénard, 11”w x 14.5”h, Maîtres issue 56, July 1900, framed
300-500
352. Good Royal Doulton ewer, elaborate design of birds and flowers, marked, artist initials, 12.75”h
600-800
353. European Art Pottery vase, large form with three cut out organic handles at top, in a pink, blue, black, brown and white drip glaze, signed, 11.5”h
250-350
354. G. Chevalier (French, 20th century), “Cycles Rochet”, c.1930; poster, 60” x 42”, unframed
1000-1500
355. Howsons vase, English, bulbous bottom and long neck covered in a deep red and green glaze, signed, dated 1914, 9”h, minor flakes
200-300
356. Eugene Grasset print, colorful women and flowers, signed, matted, framed, overall size 15.5” x 20”
150-250
357. Unusual Hellosine Ware vase, four handled form with an iridescent crystalline glaze, marked, 7”h; with a Hellosine Ware vase, (not shown), organic form with a good iridescent crystalline glaze, marked, 8”h, chip to rim
300-400
358. WITHDRAWN
.
359. Loetz vase gourd form with unusual twisted top in green glass with iridescent oilspot design, signed Loetz Austria, 10.5"h
650-850
360. Loetz vase, gooseneck form with a gold iridescent Papillon design, 13.5”h
1000-1500
361. Loetz vase, unusual form with bulbous foot and indentations to neck, green glass covered with an iridescent oilspot design, 13"h
900-1200
362. Steuben glass with saucer, attribution, set of two, Verre de Soie glass with gold aurene interior, glass is 4”h, saucer is 6”dia.
250-350
363. Loetz vase, squat form in green glass with applied threading, 5.5"h
300-500
364. Good Loetz vase, broad form in green mottled glass with a white pulled decoration, 5”h
400-500
365. Loetz vase, large form in cobalt glass with Pampas decoration, 12”h
800-1100
366. Le Verre Francais vase, attribution, long slender ribbed neck plunging into a bulbous foot in clear glass with enameled red stripes, 23”h
650-850
367. Loetz vase, flaring form in clear crackle glass with two applied amber glass buttresses, 8”h
700-900
368. Pal (Jean de Paleologu) poster, printed in Paris by Paul Dupont, 11” x 14.5”, Maîtres issue 9, August 1896, framed
400-600
369. Manuel Robbe poster, printed in Paris by Bourgerie, 11” x 14.5”, Maîtres issue 36, November 1898, framed
500-700
370. Firmin Bouisset poster, printed in Paris by Camis, 11” x 14.5”, Maîtres issue 12, November 1896, framed
400-600
371. Maurice Denis poster, printed in Paris by Edw. Ancourt, 11” x 14.5”, Maîtres issue 35, October 1898, framed
450-650
372. Edouard Duyck and Adolphe Crespin poster, printed in Brussels by Van Buggenhoudt, 11” x 14.5”, Maîtres issue 7, June 1896, framed
450-650
373. Etienne Moreau-Nélaton poster, printed in Paris by Charles Verneau, 11” x 14.5”, Maîtres issue 41, April 1899, framed
350-450
374. Georges Meunier poster, printed in Paris by Chaix, 11” x 14.5”, Maîtres issue 8, July 1896
400-600
375. Eugéne Grasset poster, printed in Paris by Malherbe, 11” x 14.5”, Maîtres issue 5, April 1896
500-700
376. Jules Chéret poster, printed in Paris by Chaix, 11” x 14.5”, Maîtres issue 39, February 1899
400-600
377. Unusual Decorchmont lamp, angled and ribbed shade in mottled yellow and purple glass held in a copper frame with its original patina atop a clear and frosted glass triangular base, shade signed, 21.5”h, striking example
4500-6500
378. Good Gallé night light, cameo carved landscape in blue, purple and green against a yellow ground, cameo signature, original metal fixtures, 7"h, quite nice
1500-2500
379. Good Gallé vase, cameo cut landscape in multiple shades of green and brown, cameo signature, 5”h, well done, nicely executed
1000-1500
380. Excellent Gallé vase, beautifully detailed cameo cut design of daisies in light and dark green, unusual shape, cameo signature, 11”h, very nice
2000-3000
381. Unusual Val St. Lambert vase, round form with cameo design of 24 stylized squid in blue against a frosted and yellow ground, cameo signature, 9”h, very nice
900-1200
382. Early and nice Gallé vase, fire polished cameo design of irises in purple against a frosted and purple ground, Oriental cameo signature, 7.5”h, has a bit of hammering to surface
1000-1500
383. Fine Quezal vase, miniature jack-in-the-pulpit in gold iridescent glass, signed, 6.75”h, great surface iridescence
2000-3000
384. Durand vase, shouldered form with flaring rim in opaque pale yellow glass with pulled feather design, applied gold threading, signed, #1812, 7.75”h
900-1200
385. Nice L.C. Tiffany vase, flower form in gold favrile glass with overall iridescence, signed L.C.T., W6727, paper label, 7”h
1200-1700
386. L.C. Tiffany vase, small slender form in gold favrile glass with pulled green design and overall iridescence, signed L.C. Tiffany, 3734J, 6.25”h
700-900
387. L.C. Tiffany bowl, footed form in green and opalescent favrile glass with veining at rim, signed L.C. Tiffany Inc. Favrile, #1561, 6"w
800-1100
388. L.C. Tiffany vase, folded and indented form in gold favrile glass with brilliant iridescent and platinum highlights, signed L.C. Tiffany Favrile, 8381B, 5”h
600-800
389. Good L.C. Tiffany glasses, set of eight, gold favrile glass with iridescent highlights, all signed L.C.T., all 7"h, matched sets like this don't come along often
6500-8500
390. Unusual Quezal vase, organic lily shape in gold and amber iridescent glass, signed, 15"h, great design
2000-3000
391. Good L.C. Tiffany vase, squat form in favrile glass with unusual and elaborate pulled designs, signed L.C. Tiffany Favrile, 4"h, very nice
3500-4500
392. Rare Quezal vase, flower form in green glass with pulled designs in iridescent gold, bowl of double gourd shape with gently ruffled lip, foot in clear and white with pulled design in green, signed #B69, 9.75”h, stress fracture to foot
5000-10,000
393. Good Loetz vase, graceful tapered form with pinched sides and flaring rim with pulled design in blue, platinum and yellow, applied silver overlay decoration of flowers, 8.5”h, fine example
2500-3500
394. Nice L.C. Tiffany Tel el Amarna vase, large footed and tapered shape in butterscotch favrile glass, panel at top with pulled designs in green and purple, signed L.C. Tiffany-Favrile, #9338M, 11.5”h
5000-7000
395. Taxile Doat plaque, footed form in ivory with cameo scenes in white and pink against a blue ground on each side, signed DOAT 1907 Sévres, 6.5”w x 6”h, minute flakes to edges
1200-1700
396. Taxile Doat vase, slender form in ivory matt and high glazes with colorful enameled and carved designs along side cameo profiles, signed, 10.5”h
2000-3000
397. Exceptional Rene Buthaud vase, bulbous form with a sandstone finish under an iridescent green "indochinois" decoration, signed J.Doris (pseudonym), 12.5”h, well done
2500-3500
398. Interesting Taxile Doat vase, bulbous form covered in an ivory and green drip glaze, signed, 6.5”h, nice
900-1200
399. Exceptional Longwy Primavera vase, elaborate Art Deco design in black against a blue ground, marked, 12.5”h
750-950
400. Good Wiener Werkstatte vase, designed by Josef Hoffman, faceted form in deep blue cobalt glass, marked, 6”h, great design
2500-3500
Sale Date:
Dec. 5, 2004