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Unsold Lots from our 20th Century Art & Design Auction
December 7th, 2003 ALL ITEMS ARE SUBJECT TO PRIOR SALE! |
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For more information on lots listed below, contact:
Arts & Crafts items: Don Treadway/John Toomey - 513.321.6742 or 708.383.5234 Painting items: Thom or Jim Pegg - 314.727.6249 1950s Modern items: Lisanne Dickson - 708.383.5234 |
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10. Fulper vase, two handled form covered with a Famile Rose crystalline glaze, faint stamped mark, 8"h, minor stilt chip under base 200-300 |
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12. Gustav Stickley armchair, similar to #2639, early form with original hard leather back over a horizontal slat and original leather seat, lightly cleaned original finish, small hole to seat, unsigned, 27"w x 23"d x 39"h, very good condition 1500-2000 |
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25. Rare Gustav Stickley chairs, #1299 & 1299A, set of six, two arm and four sides, early Thornden design has two wide horizontal slats at back over a new rush seat, arm chairs have an exceptional original finish, signed with early decal, side chairs have a restored finish to match armchairs, an important design that rarely is offered as a set, arms 21"w x 22"d x 37"h, side 18"w x 17"d x 36"h, very good condition 16,000-18,000 |
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87. L & JG Stickley game table, similar to #572, cut corner top over a cross stretcher base, refinished, unsigned, minor roughness to feet, 30"w x 30"d x 29"h, very good condition 900-1200 |
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94. Rare Jarvie chamberstick, Xi form in bronze with applied handle and original Bobeche, excellent recent patina, 10"h 4500-5500 |
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104. Gustav Stickley umbrella stand, double handled form in hammered copper, some touch-up to original patina, 25"h, signed very good condition 2500-3500 |
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116. Gustav Stickley hall mirror, #68, triple mirror under an inverted V- top with original iron hooks, original finish, signed with red decal, 42"w x 5"d x 28"h, very good condition 3000-4000 Provenance: Stephen Gray collection |
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122. Gustav Stickley vanity, #907, good form has a single drawer over kneehole compartment with two drawers on each side with full strap copper hardware, adjustable mirror at top supported by frame with butterfly construction, refinished, minor separation, signed with red decal, 48"w x 22"d x 55"h, very good condition 2000-3000 |
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123. Gustav Stickley bed, #912, Harvey Ellis influence, panelled form with inverted V-top rails, fine original finish, signed with red decal, 59"w x 80"l x 51"h, excellent condition 5000-7000 |
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131. Rare Gustav Stickley chandelier, similar to #540, large willow form with original copper chains and fitting, original natural finish, cleaned patina, signed, 22.5"dia., replaced silk liner, very good condition 3500-4500 |
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144. Gustav Stickley floor lamp, #500, single pole with open arched supports on a cruciform base, hammered copper harp support at top with impressed signature supports a Japanese basket shade with replaced silk liner, recoated original finish, 16"w x 16"d x 57"h, very good condition 3500-4500 |
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145. Gustav Stickley table lamp, #504, corbelled wooden base with three original sockets and pull chains with switch at top, supports an original Japanese basket shade with replaced silk liner, fine original finish, minor breaks to shade, unsigned, 18"dia. x 23"h, excellent condition 4000-5000 Provenance: Stephen Gray collection |
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156. Early Gustav Stickley desk, single drawer over a kneehole compartment flanked by four drawers on each side with early iron strap hardware, v-board sides with keyed-tenon construction, nicely replaced leather top, refinished, unsigned, 48"w x 30"d x 31"h, very good condition 4500-5500 |
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158. Limbert high chair, #1935, t-back form with saddle seat and foot rest, cleaned original finish, branded, 19"w x 19"d x 39"h, very good condition 900-1200 |
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159. Gustav Stickley child's rocker, #343, three horizontal slats to back over an old leatherette seat, lightly recoated original finish, signed with red decal, 18"w x 19"d x 25"h, very good condition 600-800 |
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248. Good L & JG Stickley magazine stand, #47, four shelves above an arched toe board supported by slab sides with thru-tenon construction, fine original finish, signed with Handcraft decal, 18"w x 15"d x 42"h, excellent condition 2500-3500 |
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249. Good L & JG Stickley china cabinet, #761, single arched door with original hardware above an arched toe board with glass at sides, original finish, signed, 36"w x 16"d x 60"h, excellent condition 4500-5500 |
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291. Important Limbert art glass window, leaded glass with elaborate pierced and hammered copper overlay design depicting Limbert's signature windmill motif in a landscape, metalwork fabricated by Forest Craft Guild, original oak frame, patina and glass, frame refinished, 32"w x 30"h, excellent condition. This window and the following lot are two of the only four known examples of Limbert windows. 9,000-11,000 Provenance: Don Marek collection, Grand Rapids, MI. This window came from the Boathouse/Guest Residence of the Limbert estate on Fisk Lake, East Grand Rapids, MI. |
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292. Important Limbert art glass window, leaded glass with elaborate pierced and hammered copper overlay design of sailboat on a lake with landscape background, metalwork fabricated by Forest Craft Guild, original oak frame, patina and glass, frame refinished, 32"w x 30"h, excellent condition 6000-8000 Provenance: Don Marek collection, Grand Rapids, MI. This window came from the Boathouse/Guest Residence of the Limbert estate on Fisk Lake, East Grand Rapids, MI. |
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378. Important Frank Lloyd Wright rendering, 1954 presentation drawing of the Neuromuseum for the Wisconsin Neurological Foundation done in colored pencil, shows the view of the upper floor plan, signed and dated in red monogram, 18" x 16.5", excellent condition 5000-7000 |
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381. Huge Grueby vase, broad sculpted and applied leaves with stems and buds in-between, covered in a green matt glaze, 13"w x 10"h, some restoration 3000-4000 |
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389. Frank Lloyd Wright dining chairs, manufactured by Heritage Henredon, set of six, four sides and two arms, upholstered back and seat with carved Taliesin design at edge, refinished, recovered, some looseness, arm chairs, 23"w x 25"d 32"h, side chair 19"w x 23"w x 32"h, very good condition 1200-1500 |
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474. Elizabeth Nourse (American, 1859-1938), "Belgian Maid", c. 1882; oil/canvas, 22" x 16", signed and dated; label verso from Cincinnati, signed again and titled on stretcher. Nourse studied with Mary Spencer in the mid 1870s, and then with Thomas Noble. In 1887, she left for Paris to study, but ended up making that city her home. She gained a reputation for her figure paintings almost immediately, both in the United States and in France, especially her depictions of mother and child. Nourse was a member of the Society Nationale des Beaux-Arts, Cincinnati Women's Pottery Club, National Association of Women Artists, and the Women's Art Association (Paris). She exhibited internationally from the 1880s-1910s, and her work is in the collections of the Cincinnati Art Museum, Art Institute of Chicago, Luxembourg Museum (Paris), and the National Gallery. 15,000-25,000 |
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486. John Olson Hammerstad (American, 1842-1925), a pair of oils, one pictured: "Sailing Vessel along the Coast", c. 1880; oil/canvas, 10" x 13.5", signed, original frame; with another work by the artist, "Sunset along the Shore", oil/canvas, 12" x 15.5", signed (not pictured). Expatriate Norwegian painter. Hammerstad studied in Oslo at J.F. Eckersberg's Academy of Painting. He emigrated to the U.S. in 1869 and settled in Chicago. 800-1200 |
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498. Henri Vignet (French, 1857-1920 ), "View of Paris in Winter", c. 1900; oil/canvas, 21" x 27", signed and inscribed, "Paris", good contemporary carved frame. 2500-3500 |
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502. Anna Wood Brown (American, active 1890-1920), "Woman at Her Dressing Table", c. 1915; oil/canvas, 21.5" x 18", signed. New York City painter of portraits, genre, and women. She exhibited at the National Academy of Design, Pennsylvania Academy of Fine Art, Salon des Independents (Paris), and the Salon d Automne (1920). She was a member of the New York Women's Art Club. Related literature: Dictionary of Women Artists, Chris Petteys. 1500-2500 |
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508. Stephen Reid (British, 1873-1948), "The Carpet Seller", c. 1920; oil/canvas, 16" x 20", signed. Reid worked as an artist and illustrator, and was known for his figurative works. 2000-3000 |
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512. Ernest Fredericks (American, early 20th century), "Mother and Child on a Path", c. 1920; oil on canvas, 24" x 30", signed. Chicago landscape painter. He exhibited at the Art Institute of Chicago (1924-26). It is rare to find an example of this artist's work with figures. 1500-2000 |
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517. Francois Martin-Kavel (French, 19th-20th century ), "Woman Reading", c. 1900; oil/canvas, 32" x 24", signed. 6000-9000 |
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525. E. Raimondi (Italian, 20th century), "Italian Harbor", c. 1940; oil/board, 14.25" x 20.5", signed. 300-500 |
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526. Carl Bohnen (American, early 20th century), "Portrait of a Man", c. 1920; oil/canvas, 28" x 22", signed; label on verso reads, "Thirty-Third Annual Exhibition, 1920", with artist's name (most likely from the Art Institute of Chicago). Bohnen worked in Chicago and St. Paul, Minnesota. He exhibited portraits of peasants and religious figures at the Art Institute from 1919-1928. 1000-1500 |
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559. Louis Alexander Neebe (American, b. 1873), "Autumn Trees along Lake Michigan", c. 1920; oil/canvas, 22" x 30", signed. Chicago landscape painter. Neebe studied with C.F. Browne and W.J. Reynolds. He was a member of the Chicago Society of Artists, Business Men's Art Club, and the Society of Independent Artists. 2000-3000 |
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570. Hedley William Waycott (American, 1865-1938), "Forest Stream", c. 1935; oil/board, 26" x 32", signed and dated. Waycott was a landscape painter from Peoria, IL. He was a member of the All-Illinois Society of Fine Artists and the Peoria Art institute. His work is in several public collections in Peoria. 1000-2000 |