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Lot 530 530. Walt Disney (American, 20th century), "Bambi, Thumper, and the Butterfly", c.1940; lithograph, 8.5" x 6.5", signed, "Best Wishes to Patsy, Walt Disney". 1000-2000 Not Pictured:
531. Reynold H. Weidenaar (American, 1915-1985), "Last Run", c.1945; mezzotint, 7.5" x 11", signed and titled in pencil, AAA print, original frame and label. Scene depicts a locomotive and people working. Important printmaker from Grand Rapids, MI. He studied at the Kansas City Art Institute and was awarded a Guggenheim fellowship. 500-700 |
Not Pictured:
532. William Gropper (American, 1887-1977), "Sweatshop", c.1940; lithograph, 10" x 12", signed. Important social-realist painter and printmaker. Image depicts male figures working in a New York sweatshop. Strong W.P.A. style. 200-300
533. American School, "Bather", c.1935; oil/canvas, 16" x 14", unsigned. Interesting version of allegorical subject. 300-500 |
534. Will Barnet (American, b.1911), "My Wife", c.1940; blockprint, 17" x 13", pencil signed and titled. Barnet taught at the Art Students League and the Cooper Union School. Important printmaker. 300-500
535. Arts & Crafts style bookplates, two: the first, after Bradley, "The Inland Printer, Christmas, 1895", 8.5" x 5.75"; and after L. Rhead, "Mourning Journal", c.1895, 6" x 7.5". Interesting images from the turn-of-the-century. 300-500 |
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Lot 536 536. Morris Topchevsy (American, 1899-1950), "Mexican Street Scene", c.1928; oil/canvas, 20" x 30", signed and dated. Chicago modernist painter. He studied at the San Carlos Academy in Mexico, and painted scenes from this area throughout his career. He exhibited at the Art Institute of Chicago and the National Academy of Design (1940s). 500-700 |
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