20th Century Auction May 4, 1997 Text Version of Catalog
Treadway Gallery, Inc.
818 NORTH BOULEVARD OAK PARK, ILLINOIS
900 Lots
Arts & Crafts ... Italian Glass ... Art Deco
1950s/Modern ... American and European Paintings
A PRESENTATION BY TREADWAY GALLERY, INC. OF CINCINNATI, OHIO
IN ASSOCIATION WITH THE JOHN TOOMEY GALLERY OF OAK PARK, ILLINOIS
Sale Items - Text Version
Paintings, Drawings, Prints
No's 439 - 599
439. Alexis Jean Fournier (American, 1865-1948) "Hillside Path", c.1915; oil/board, 5" x 7",
signed, excellent condition, in Arts & Crafts oak frame. Roycroft artist. Landscape painter from East
Aurora, NY; exhibited: Hoosier Salon, Roycroft Salon, Art Institute of Chicago, etc. (1900-1930s). An
exceptional example of his work, fine detail. 2000-3000
440. Alexander John Drysdale (American, 1870-1934), "Bayou Scene", c.1900; kerosene
wash/paper, 6.5" x 20", signed, excellent condition, oak frame. New Orleans painter. He specialized in
atmospheric scenes of the Louisiana swamp. His works are highly complimentary to an Arts & Crafts style
interior. 600-800
441. Rudolph Ingerle (American, 1879-1950), "Midwestern Landscape", c.1924; oil/board, 14" x
10", signed and dated, under glass, exceptional original carved frame, partial label on verso,
excellent condition. Well known Chicago impressionist, landscape painter. Studied at the Art Institute
of Chicago, and exhibited extensively from the 1910s-30s. His work is in the collections of the Art
Institute of Chicago, Gary College, Highland Park Library, etc. Ingerle painted in the Missouri Ozarks
with Carl Krafft, and in Brown County, Indiana, as well as the Tennessee Smoky mountains. 1000-1500
442. George Howell Gay (American, 1858-1931), "Marine", c.1901; watercolor/board, 13" x
31", signed and dated, excellent condition. New York watercolorist. Specialized in marines and
landscapes. This panoramic composition is typical for his work. 800-1000
443. Joseph Adamek (American, early 20th century), "Missouri Summer Landscape", c.1938;
oil/board, 34" x 42", signed on verso, excellent condition, fine hand-carved frame. Adamek was active
in St. Louis, 1920s-50s ) and exhibited at the St. Louis Artist Guild. Colorful impressionist work.
800-1200
444. George Howell Gay (American, 1858-1931), "Ships at Sea", c.1921; watercolor/board, 16"
x 40", signed and dated, excellent condition, original frame. Presentation plate on frame reads,
"Awarded to J.C. Stienhans by Osborne Company in recognition of his leadership in the marathon race of
1921". New York artist. He painted primarily watercolors of landscapes and marines. An outstanding
example of Gay's marine watercolors. 1000-1500
445. Charles William Dahlgreen (American, 1864-1955), Arts & Crafts style landscape, 22" x
27", painted in a tonalist palette. Dahlgreen painted in Chicago and exhibited at the Art Institute of
Chicago and the Hoosier Salon. Examples of his work are in the collections of the Smithsonian, Museum
of Science, History, Art (Los Angeles), and the Library of Congress. 1000-1500
446. Frederick Fursman (American, 1874-1943), "Michigan Dunes", c.1925; oil/canvas, 30" x
30", signed, excellent condition. This impressionist painter studied at the Art Institute of Chicago,
and then later taught there. He also taught at the Wisconsin School of Art three days a week beginning
in 1910. Fursman and Walter M. Clute formed the Ox-Bow Summer School of Art in Saugatuck, Michigan. He
was joined by Arthur Krehbiel, another Chicago artist, after the death of Clute, and this school in
Saugatuck became the official summer school of the Art Institute around 1919. Fursman painted the
figure and landscapes with bold broad brushwork. A very fine example of Fursman's landscape painting.
2500-3500
447. Ernest Watson (American, early 20th century), "The Harbor", c.1920; color woodblock,
9.5" x 9.5", pencil signed, titled, and dated, good condition. Boston area artist. Member of the
Prairie Printmakers. His work is in the collections of the Smithsonian, Library of Congress, Boston
Museum, etc. Arts & Crafts style in pastel colors; scene depicts a harbor with a sailing ship.
300-500
448. Ethel Crouch Brown (American, b. 1890), "Illinois Farm Scenes", c.1930; pair of
paintings, both oil/board, 12" x 16", signed, excellent condition, fine frames. Chicago painter. Member
of the Women Art Salon and the Chicago Gallery Association. Exhibited at the Art Institute of Chicago.
400-600
449. Fremont Ellis (American, 1897-1985), "Mountain Landscape", c.1925; oil/board, 10" x
14", signed, excellent condition, fine period carved frame. Ellis worked in Los Angeles and was also a
Taos founder. He exhibited at the California Art Club, Los Angeles County Museum of Art, Oakland Art
Gallery, etc. This is an early example of Ellis' work. 2500-3000
450. Kasparides (Barbizon School), c.1900; oil/canvas, 23" x 18", signed indistinctly,
excellent condition, fine original frame. Well painted tonalist work. 300-500
451. G. Sether (Norwegian, active 1900), "Cabin in Winter", c.1900; gouache/paper, 9" x 13",
signed, excellent condition, nice oak frame. 300-500
452. Manley Butler (American, 20th century), "Doorway of Lafayette House in Marblehead,
Mass.", c.1944; oil/board, 14" x 10", signed and dated, excellent condition, fine carved frame.
Impressionist painter, specialized in landscapes and town scenes. 500-700
453. Karl Ouren (American/Norwegian, 1882-1943), "Winter in Svolner, Norway", c.1920;
oil/board, 31.5" x 39", signed, very good condition, original wide frame, label on verso from Chicago
Palette and Chisel Club. Ouren studied art in Copenhagen and at the Art Institute of Chicago. He
painted primarily landscapes. He also exhibited at the Norwegian National League and the Chicago
Gallery Association. A major example of this artist's work and a dramatic image. 2000-3000
454. Tom Calkins (American, early 20th century), "Winter Landscape", c.1920; oil/canvas, 30"
x 32", signed, excellent condition, fine carved frame. Well painted impressionist landscape.
1000-1500
455. Henry Howard Bagg (American, 1852-1928), "Mountain Camp", c.1920; oil/canvas, 30" x 24",
signed, excellent condition. Nebraska artist. Bagg specialized in western subject matter, and was
commissioned by calendar companies for images of western landscapes. He worked with Thomas Moran on the
color illustration for Thomas D. Murphy's Seven Wonderlands of the American West (1925). He taught
art in Lincoln. REF: Art Across America, William Gerdts; Samuel's Encyclopedia of Artists of the
American West, Peggy and Harold Samuels. 2000-3000
456. Hildegard H. Hamilton (American, b. 1906), "Town Scene", c.1942; watercolor/paper, 16"
x 11", signed and dated, excellent condition. Exhibited in Florida, Cincinnati, Indianapolis, Boston
,etc. 1930s-40s. Scene depicts a small town with figures seated on porches. 200-300
457. Joseph Rustling Meeker (American, 1827-1889), "Mountain Landscape", c.1871; oil/canvas,
30" x 42", signed and dated, good condition. Meeker studied at the National Academy of Design, 1845-46,
with Asher B. Durand. Meeker was in the U.S. Navy during the Civil War, and then went to St. Louis to
establish his studio. He painted landscapes, river scenes, and bayou scenes. He exhibited at the Boston
Art Club (1877), St. Louis Sketch Club, Tennessee Centennial Expo (1897), National Academy of Design
(1867), etc. A major example of Meeker's Hudson River School style landscape painting. 3000-5000
458. Glen C. Sheffer (American 1881-1948), c.1938; oil/canvas, 24" x 29", signed and dated,
excellent condition, Chicago artist exhibited landscape paintings at the Art Institute of Chicago,
Chicago Gallery Association, (1920s-40s) 2000-3000
459. Mathias J. Alten (American, 1871-1938), "Sunset, Lake Michigan", c.1910; oil/board,
6.5" x 10", signed, excellent condition. Grand Rapids, Michigan artist. Allen made his living as a
portrait painter, but did landscapes and still life as well. In 1911, he went to Old Lyme, Connecticut
to paint, and in 1927, he visited Taos. 700-900 460. Harry Haviland Osgood (American, b. 1875),
"Pacific Inlet, Oregon", c.1930; oil/board, 16" x 20", signed and titled, excellent condition. Chicago
painter. Studied at the Art Institute of Chicago and the Academie Julian, Paris. He exhibited in Brown
County, Indiana and at the Art Institute of Chicago. He specialized in colorful impressionistic
landscapes. 500-700
461. Carroll C. Child (American, active 1890-1910), "Midwestern Landscape", c.1891;
watercolor/paper, 10" x 15", signed and dated, excellent condition. Known primarily as a watercolorist,
working in the St. Louis area at the turn of the century. 250-350
462. Raymond O. Fischer (American, active 1920s-50s) "Sunlight Solitude, Altadena", c.1930;
oil/canvas, 23" x 28", signed, excellent condition, period carved frame. Painter in Los Angeles
specializing in colorful landscapes. Fischer worked also as a commercial artist, 1931-36. 600-800
463. George Herbert Baker (American, 1878-1943), "Ohio River, Bladen, Ohio", c.1915;
architectural style drawing/ grid paper, 10" x 17", signed on verso, titled on front, good condition.
Landscape artist from Richmond, IN. He exhibited at the Hoosier Salon, Richmond Art Association,
Indiana State Fair, etc., (1910-30). Baker studied with T.C. Steele, and although he was primarily a
painter, he was a talented draftsman, and his skill in this genre is revealed in this work. 200-300
464. George Herbert Baker (American, 1878-1943), Arts & Crafts style pastel, c. 1910, 8.5 x
5.5", signed, excellent condition. Indiana artist active 1900-30. Scene depicts winter landscape with
evergreens casting purple shadows upon the snow. 500-700
465. George Herbert Baker (American, 1878-1943), Arts & Crafts style pastel, c.1910, 5" x
6.5", signed, excellent condition. Indiana artist active 1900-1930. Scene depicts summer landscape with
purple and white flowers in foreground. 400-600
466. Svend Svendsen (American/Norwegian, 1864-1934), "Mountain Landscape", c.1900;
oil/canvas, 30" x 22", signed, excellent condition. Chicago's most talented Scandinavian landscapist.
Svendsen moved from Norway to Chicago around 1893. He exhibited in Chicago and nationally from
1890s-1920s. His paintings reveal his artistic concern with light and shadow effects. REF: Art Across
America, William Gerdts. An outstanding example of his work. 2000-3000
467. Sarkis Erganian (American/Turkish, 1870-1950), "River Landscape", c.1920; oil/board, 10"
x 14", signed, excellent condition. Trained in Paris with Gerome and Constant. He exhibited at the
Paris Salon, 1897-98; St. Louis Expo, 1904; Portland Expo, 1905, etc. He painted primarily small oils
of landscapes and marines. 300-500
468. Marion Boyd Allen (American, 1862-1942), "Mountain Lake", c.1930; oil/canvas, 40" x
30", signed, good condition. Boston artist. Studied with Tarbell and Benson. Exhibited at the
Connecticut Academy of Fine Art, New Haven Palette and Chisel Club, etc. in the 1920s and 30s.
Impressionist landscapist. 2000-3000
469. Charles Morgan (American, b.1890), "Entrance to Private Cottages, E.H. Turnock and
Sons, Architect", c.1910; architectural drawing, 12" x 14", signed, "Chas. Morgan", very good
condition, fine original Arts & Crafts style wood frame. Morgan studied architecture at the University
of Illinois. He exhibited at the Art Institute of Chicago, Chicago Society of Etchers, etc. Authored
and illustrated several books. 500-700
470. Olaf Wieghorst (American/Danish, b. 1899), "Profile of an Indian", c.1925; watercolor,
4" x 3", initialed and dated, excellent condition. Known as the "Dean of Western Art". He specialized
in western subject matter, especially portraiture. He worked as a ranch hand on the Quarter Circle 2C
Ranch in the 1910s, and its brand became his artist's device. 750-1000
471. I.D. Shepler (American, early 20th century), "California Landscape", c.1930; oil/canvas,
24" x 30", signed, excellent condition, original carved frame. Finely painted plain air landscape.
800-1200
472. Wilton Charles McCoy (American, 1902-1986), "Mountain Landscape", c.1940; oil/board,
16" x 20", signed, excellent condition. McCoy studied in California and painted in Long Beach until
moving to Palm Springs in the 1940s. He specialized in desert landscapes painted in the Yucca Valley
and scenes of the Grand Tetons, in Wyoming. He was a member of the Palm Desert Palette Club, and
exhibited at the Palos Verdes Library, San Diego Art Institute, etc. 500-700
473. Lorena Daeschner Hall (American, 20th century), "Pueblo Scene", c.1940;
watercolor/paper, 14" x 20", signed, excellent condition. Colorful image and quality work. 300-500
474. Marion Brooks Jenkins (American, 1885-1944), "Street Scene", c.1926; gouache/board,
14.5" x 24", signed and dated. Architectural style rendering. Costa Mesa, California artist, studied
with J. Harwood. 1000-1500
475. Dawson Dawson-Watson (American, 1864-1939), "Spring in the Grand Canyon", c.1925;
oil/canvas, 29.5" x 23.5", signed, fine hand-carved frame, excellent condition. Dawson-Watson's
paintings of the Grand Canyon and his Texas landscapes are his most important and well-known works. He
was born in London and studied in England and France. He came to the U.S. in 1893 and painted in New
England. He also painted in Woodstock, NY, St. Louis and then in San Antonio after 1926. 7000-9000
476. George Herbert Baker (American, 1878-1943), "Big Creek Valley", c.1915; architectural
style drawing/grid paper, 12" x 17", signed on verso, titled on front, excellent condition. 200-300
477. Andrew Thomas Schwartz (American, 1867-1942), "Bathers", c.1915; oil/canvas, 32" x 35",
signed, very good condition, fine original frame. Louisville, Kentucky painter, studied with Duveneck
at the Cincinnati Art Academy and at the Art Students League. He worked in Rome from 1899-1902 on the
Lazarus Scholarship and was a member of the Circolo Artistica of Rome. He exhibited at the Salmagundi
Club, National Academy of Design, Louisville Art Association, etc. He also worked as a muralist,
executing works in Kansas City, Cincinnati, and New York. Later in his career, he painted decorative
landscapes, but his more important earlier work is frequently figurative. An outstanding example of
this artist's work, the finest painting we have seen offered at auction by him. 10,000-15,000
478. Fred Matzow (American, early 20th century), "Rocky Shore and Surf", c.1919; oil/canvas,
14" x 28", signed and dated, very good condition. Handel artist and painter. Examples of his work are
illustrated in Handel Lamps, Painted Shades and Glassware. 800-1000
479. American School, circle of Joseph Henry Sharp, American, c.1910; oil/board, 16" x 12",
unsigned, fine new carved frame, bears initials "JHS" on verso. Finely painted Indian portrait, similar
in style to western painter, J.S. Sharp. 3000-5000
480. H. Herget (American, early 20th century), "Columbus' arrival at the New World", c.1920;
gouache/board, 14" x 21", signed, excellent condition. Western artist and illustrator. 800-1200
481. Harry Haviland Osgood (American, b.1875), "Old Wild Cherry, Nashville, IN", c.1930;
tempera/board, 36" x 30", signed and titled verso, very good condition. Chicago painter. Studied at the
Art Institute of Chicago and the Academie Julian, Paris. He exhibited in Brown County, Indiana and at
the Art Institute of Chicago. He specialized in colorful impressionistic landscapes. 1500-2000
482. R. Schade (American, early 20th century), "Portrait of a Woman", c.1907; oil/board, 10"
x 8", signed, and dated, excellent condition. 400-600
483. Roy Gamble (American, b.1887), "Portrait of a Women", c.1920; oil/canvas, 36" x 30",
signed, excellent condition. Detroit impressionist painter, specializing in portraiture. He exhibited
at the Scarab Club, Detroit Institute of Art, Pennsylvania Academy of Fine Art, etc. (1920s-40s).
1500-2500
484. Louis Aston Knight (French/American, 1873-1948), "Sunset Glow, Normandy ", c.1900;
oil/canvas, 18" x 22", signed, numbered, 22, excellent condition, fine original ornate frame. Important
impressionist painter, born in Paris. His father was Daniel Ridgeway Knight. He exhibited at the Paris
Salon and the Paris Expo, and his work is in the collections of the Luxembourg Museum, Musee des
Colonies (Paris), Toledo Museum, Newark Museum, etc. Knight's serene canvasses of cottages and colorful
flowers alongside a lazy river brought him tremendous recognition in his lifetime, and are now highly
collected. 6000-8000
485. Hans Frank (German, 20th century), "Two Swans", c.1920; original color print, 12" x
14", pencil signed, excellent condition. Colorful Arts & Crafts style woodcut, depicting two white
swans with blue water. 300-400
486. Joseph Tomanek (American/Czechoslovakian, b. 1889), "California Coastal Scene", c.1920;
oil/canvas, 20" x 30", signed, very good condition, fine original ornate frame. Chicago area artist,
studied at the Art Institute of Chicago. He was a member of the Bohemian Art Club, Association of
Chicago Painters and Sculptors, etc. Tomanek frequently painted figurative works and landscapes, his
style being a little tighter than the impressionists. A beautifully painted example of this artist's
work. 3500-4500
487. Mattie Lietz (American, b. 1893), "Figure by the River", c.1935; oil/board, 16" x 20",
signed, excellent condition. Chicago artist, exhibited at the Art Institute of Chicago, Hoosier Salon,
National Academy of Design, etc. (1930s-40s). 400-600
488. Florence White Williams (American, 18??-1953) "City Scene", c.1930; gouache/paper, 9" x
8", signed, excellent condition. Chicago area artist, studied with Carl Krafft and G. Ames Aldrich.
Exhibited extensively in the 1920s-40s in Chicago and illustrated children's books. Commonly worked in
watercolor. 500-700
489. Harry Haviland Osgood (American, b. 1875), "The Well", c.1930; oil/board, 20" x 27",
signed on verso, very good condition. Chicago painter, studied at the Art Institute of Chicago and the
Academie Julian, Paris. He exhibited primarily landscape of Brown County, IN and Illinois. 500-700
490. Donald Deskey (American, b. 1894), "Figures in a Landscape", c.1930; oil/board, 6.5" x
7.5", signed, excellent condition. Designer and painter. Studied in California and in Art Institute of
Chicago. Exhibited at the Metropolitan Museum of Art, Detroit Art Institute, World's Fair New York,
Museum of Modern Art (1920s-30s). 600-800
491. William C. Emerson (American, b. 1865), "Woodland Nymphs", c.1910; tempera/board, 25" x
30", signed, excellent condition. Born in England and moved to the U.S. He was a painter and architect,
and was a member of the New York Watercolor Club and the Westchester Art Institute. He specialized in
atmospheric landscapes, sometimes with allegorical figures. He also worked in the Chicago area. A
superior example of American tonalism. 3000-5000
492. Oliver Dennett Grover (American, 1861-1927), "Harem Girl", c.1899; oil/board, 11" x 9",
signed, excellent condition. This painting relates to a larger work done in 1899, titled, "Harem
Scene", also known as "The Finishing Touch", which depicts a harem girl in an elaborate interior
(collection of the Sheldon Swope Art Museum, Terre Haute). These works reveal Grover's contribution to
American Orientalism. Grover studied at the Academy of Fine Arts, Chicago before going to Munich in
1879, and then Paris in 1883, to complete his training. He taught at the Art Institute of Chicago from
1884-1889. 2000-3000
493. Walter Emerson Baum (American, 1884-1956), "West Philadelphia", c.1930; oil/canvas, 27"
x 35", signed, excellent condition. Important Bucks County, Pennsylvania impressionist. Baum was one of
the youngest members of the New Hope Landscape painters, a group which included Edward Redfield and
Daniel Garber. He studied at the Pennsylvania Academy of Fine Art with Thomas Anshutz. Baum painted
landscapes of the Delaware Valley and city scenes of Allentown and Manayunk, PA. He founded the Baum
School of Art in the 1930s in Allentown and maintained a studio in Pennsylvania all his life. His work
is in the collections of the Allentown Museum of Art, Bucks County Council on the Arts, Philadelphia
Museum of Art and Syracuse University. This is a major example of his work, which beautifully
illustrates his painting approach to the urban scene. 6000-8000
494. Dooley Dionysius (American, b.1907), "Landscape", c.1935; watercolor, 5.5" x 2.5",
signed, excellent condition. Born in St. Louis and studied at the St. Louis School of Fine Art. He
moved to Los Angeles in 1930, and illustrated books such as Mother Goose Rhymes in addition to
painting. He exhibited primarily watercolors at the Los Angeles County Museum and the California
Watercolor Society. Scene depicts a Spring landscape with rocks, very delicately drawn and colored.
150-250
495. Walter Emerson Baum (American, 1884-1956), "Sellersville", c.1930; oil/canvas, 24" x
30", signed, excellent condition. His brushwork was dynamic, and he liked to outline colorful forms in
black to create a more dramatic, slightly more modern image. An excellent example of his work.
5000-7000
496. F. Lehnis/Continental School c.1900, oil/panel, "European Riverport", 12" x 18.5",
signature is distinct, but unknown to us, fine period frame. Very well painted, colorful work.
700-1000
497. David James (British, active 1880s-90s), "Fishing Boats", c.1887; oil/board, 24.5" x
24.5", signed and dated, excellent condition, ornate frame. Well known British marine painter. This is
a strong example because of the number of vessels and the detailed figures. 5000-7000
498. Francis Van Vreeland (American, b. 1879), "The Morning's Greetings", c.1920;
watercolor, 21" x 28", signed, excellent condition, original ornate frame. Painter and decorator for
Rookwood Pottery. Worked in California and specialized in watercolors. 800-1000
499. Carl Graf (American, 1890-1947), "Winding Road, Autumn in Brown County, Indiana",
c.1920; oil/canvas, 23" x 30", signed, good condition, titled on verso. Important Hoosier artist.
Specialized in landscape painting, and exhibited throughout the 1920s-40s at the Hoosier Salon, Herron
Art Institute, Brown County Gallery Association, etc. 1800-2200
500. Bertha Rockwell (American, b. 1874), "Landscape", c.1909; oil/canvas, 22" x 18", signed
and dated, excellent condition. Impressionist painter from Kansas. Painted in New York City in the
1910s. 400-600
501. Otto Stark (American, 1859-1926), "The Ideal", c.1910; oil/canvas, 21" x 12", unsigned,
provenance, label verso, very good condition. Important member of the "Hoosier Group". Landscape and
portrait painter from Indianapolis. Studied with Chase and Beckwith. In 1894, there was an exhibition
in Chicago, "Five Hoosier Painters", which included Stark, T.C. Steele, J.O. Adams, R.B. Gruelle, and
W. Forsyth. The work of these five painters became the most sought after Indiana art. REF: Art Across
America, William Gerdts; A Grand Tradition; Art and Artists of the Hoosier Salon, Newton and Weiss.
3000-4000
Exhibited: "The Best Years", Indiana State Museum,
October 1985 - March 1986
502. School of Barend Cornelis Koekkoek, "Landscape with Figures", Dutch, early 19th century,
oil/canvas, 18" x 24", unsigned, very good condition 2000-3000
502A. Arrah Lee Gaul (American, 1888-1980), "Chinese Temple" c.1930; oil/canvas, 30" x 24",
signed, very good condition. Philadelphia artist. She was a member of the National Association of Women
Painters and Sculptors and the American Watercolor Society. She specialized in colorful impressionist
works. 700-900
503. Anna Winegar (American, early 20th century), "Flower Garden", c.1920; oil/canvas, 17" x
21.5", signed, very good condition. New York impressionist painter. Exhibited at the National
Association of Women Painters and Sculptors. 500-700
504. George Laurence Nelson (American, 1887-1978), "Rapids on the Housatonic (at Still
River)", c.1930; oil/canvas, 26" x 30", signed, excellent condition, fine carved frame. Connecticut
artist. Studied at the National Academy of Design and in Paris. He exhibited extensively from the
1920s-50s ) at Los Angeles Museum, Connecticut Academy of Fine Art, Montclair Art Museum, Art Institute
of Chicago, etc. Taught art at the National Academy of Design (1915-41) and the Cooper Union Art School
(1915-23). 2000-3000
505. Emile Albert Gruppe (American, 1896-1978), "Winter Light", c.1925; oil/canvas, 30" x
36", signed, excellent condition. Son of artist Charles Gruppe. Well known for his impressionistic
landscapes and harbor scenes. He studied at the National Academy and the Art Student's League. He was a
prolific artist, and exhibited extensively from the late 1920s-50s ) at the Rockport Art Association,
National Academy of Design, Art Institute of Chicago, North Shore Art Association, etc. His work is in
the collections of the Los Angeles County Museum, White House, Wash. D.C., San Antonio Museum, etc. An
excellent example of this well known American Impressionist. 8000-12,000
507. Oskar Gross (American, b. 1871), "Best Friends", c.1920; oil/board, 14" x 14", signed,
excellent condition. Chicago impressionist painter. He was a member of the Cliff Dwellers, Chicago
Palette and Chisel Club, Chicago Gallery Assn., etc. His work is in the collections of Northwestern
University and the University of Chicago. 500-700
506. Oskar Gross (American, b. 1871), "Boy Hunting with his Dog", c.1920; watercolor/paper,
13" x 9", signed, excellent condition. Chicago artist. He exhibited throughout the 1920s and 30s, at
the Art Institute of Chicago, Chicago Gallery Assn., Cliff Dwellers, etc. His work is in the
collections of Northwestern University, University of Chicago, American Conservatory of Music, etc.
Impressionist painter. 400-600
508. Otto Stark (American, 1859-1926) , "Mother and Child", c.1900; pencil drawing, 7" x
4.5", signed, fair condition (some staining). Important Indiana figure painter. Member of the "Hoosier
Five". Exhibited at the Hoosier Salon, John Herron Art Institute, etc. 300-500
509. Louis Aston Knight (French/American, 1873-1948), "Country Stream in France", c.1900;
oil/canvas, 18" x 22", signed, excellent condition. Important impressionist painter, born in Paris. His
father was Daniel Ridgeway Knight. He exhibited at the Paris Salon and the Paris Expo, and his work is
in the collections of the Luxembourg Museum, Musee des Colonies (Paris), Toledo Museum, Newark Museum,
etc. Knight's serene canvasses of cottages and colorful flowers alongside a lazy river brought him
tremendous recognition in his lifetime, and are now highly collected. 8000-10,000
510. Winfield Scott Clime (American, 1881-1958) "Fuel for Winter, Old Lyme, Connecticut",
c.1915; oil/board, 12" x 16", signed, excellent condition. Impressionist painter, exhibited at the Old
Lyme Art Association, Art Institute of Chicago, Pennsylvania Academy of Fine Art, Pan-Pacific Expo
(1915), etc. His work is in the collections of the Los Angeles County Art Museum, Montclair Museum,
etc. 4000-5000
511. Carl Wuermer (American, 1900-1983), "Early Autumn Landscape", c.1930; oil/canvas, 25" x
30", signed, excellent condition. Studied at the Art Institute of Chicago and the Art Student's League,
and exhibited extensively in the 1920s-50s ) at the National Academy of Design, Art Institute of
Chicago, etc. Wuermer also worked in Woodstock, New York. 4000-6000
512. Albert Herter (American, 1871-1950), "Spring Sonnet", c.1900; gouache and
watercolor/board, 17" x 21", signed, very good condition. Important American symbolist painter and
muralist. Frequently worked in watercolor. He studied at the Art Student's League with Beckwith and in
Paris with Laurens. He was a member of the American Watercolor Society, National Academy, New York
Watercolor Club, and the Architectural League. He exhibited at the turn of the century at the Paris
Salon, Paris Expo, Pennsylvania Academy of Fine Art, Pan-Am Expo, etc. His work is in the collections
of the Metropolitan Museum of Art, Brooklyn Institute Museum, etc. His paintings are usually figurative
and romantic in nature. 6000-8000
513. Lawrence McConaha (American, b. 1894), "Portrait of a Woman", c.1940; oil/board, 22" x
18", signed, excellent condition. Indiana modernist painter. Exhibited at the Hoosier Salon, Richmond
Art Association, John Herron Art Institute, etc. (1920s-40s). 1940s style portrait of a young woman
wearing a pink sweater. 400-600
514. Frederic M. Grant (American, b. 1886), "California Flower Garden", c.1920; oil/canvas,
29" x 29", signed, excellent condition. Studied with Chase and Miller. He specialized in landscapes and
still life paintings, and exhibited at the Chicago Artist Guild, Art Institute of Chicago, Palm Beach
Art Center, Chicago Artists Club (1915-35). His work is in the collections of the Metropolitan Museum
of Art and the Illinois State Museum. This is one of the finest works by this artist we have seen
offered at auction. 6000-8000
515. Pierre Nuyttens (American/French, b. 1885), "Chicago Street Scene", c.1940; watercolor,
14" x 10", signed, excellent condition. Chicago artist. Studied at the Art Institute" of Chicago,
Ecoles des Beaux-Arts, Paris. 300-500
516. Joseph Margulies (American, b. 1896), "Playing on the Beach", c.1969; watercolor/paper,
15" x 22", signed, excellent condition, Salmagundi Club exhibition label on verso. Painter and
watercolorist from New York City. Studied at the National Academy of Design. Exhibited colorful
impressionist works from the 1920s-60s. His work is in the collections of Metropolitan Museum, Yale
University, Boston Museum, San Francisco museum of Art, etc. 600-800
517. Howard Leigh (American, 1896-1981), "City Street Scene", c.1925; charcoal/paper with
white highlights, 14" x 11", signed, excellent condition. Studied in Paris at the Ecoles des
Beaux-Arts. Talented draftsman. His work is in the collections of the Art Institute of Chicago, Musee
de la Guerre (Paris), Boston Public Library, New York Public Library, Smithsonian, etc. He made
paintings and prints, but is most well known for his prints and drawings. 300-500
518. William C. Emerson (American, b.1865), "Landscape", c.1910; tempera/board, 17" x 22",
signed, excellent condition. Born in England and moved to the U.S. He was a painter and architect, and
was a member of the New York Watercolor Club and the Westchester Art Institute. He specialized in
atmospheric landscapes. He also worked in the Chicago area. 1500-2000
519. Charles Henry Richert (American, b. 1880), "Mountain Landscape", c.1920; oil/board,
13.5" x 17.5", signed, excellent condition, fine new carved frame. Boston impressionist painter.
Studied with DeCamp and Major, and exhibited at the Painter's Guild, Boston; Art Institute of Chicago;
National Academy of Design (1910s-40). 1000-1500
520. Tunis Ponsen (American, 1891-1968), "Illinois Landscape", c.1930; oil/canvas, 20" x
26", signed, excellent condition. Chicago artist, studied with K.A. Buehr at the Art Institute of
Chicago. He exhibited at the Pennsylvania Academy of Fine Art, Chicago Gallery Association, AIC, Toledo
Museum, etc. (1920s-40s). Impressionist painter. 800-1200
521. Oscar Brousse Jacobson (American, b. 1882), "Garden of Allah", c.1922; oil/canvas, 40" x
34", excellent condition. Studied with Birger Sandzen, and in Paris. Exhibited: Southern States Art
League, New York World's Fair, Albuquerque, New Mexico, Dallas Museum of Fine Art, Houston Museum, IBM,
Kansas City Art Institute, etc. He taught art at the University of Oklahoma (1914-45). WPA advisor.
Specialized in western scenes thickly painted in a bold palette, not unlike his teacher, Birger
Sandzen. A strong example of this artist's work. 3000-5000
522. Carl Pappe (20th Century), "Ex Converto, Tasco", c.1940; woodcut, 12" x 15", pencil
signed, excellent condition. Mexican village scene with houses and cactus. Black and white woodcut
depicting a street scene in Tasco, Mexico, with buildings and figures, executed in a modern style.
200-300
523. Charles Reiffel (American, 1862-1942), "California Landscape", c.1928; oil/board, 18" x
20", signed, very good condition. Important California painter. Reiffel's work bridges the gap between
impressionism and early modernism in southern California art. He studied in Munich with von Marr. His
specialty was landscape painting, and he exhibited from 1905-1940, at the California Art Club, San
Diego Artist Guild, Salmagundi Club, Hoosier Salon, etc. His work is in the collections of the Corcoran
Gallery, Santa Cruz Art League, Los Angeles Museum, etc. An excellent example of Reiffel's work,
revealing his unique style of painting. 7000-9000
524. Leonard Howard Reedy (American, 1899-1956), "Tripped Up", c.1930; watercolor, 8" x 11",
signed, excellent condition. Well-known western artist, studied at the Art Institute of Chicago.
500-700
525. Blanche Denis Bright (American, early 20th century), "Three Scenes from the Life of
Psyche", c.1910; tryptich/ canvas, overall size, 24" x 62.5", original exhibition label verso,
unsigned, fair condition. Brooklyn, NY artist. Member of the Brooklyn Chapter of the Artists League of
America. 1000-1500
526. Cornelius Hankins (American, 1864-1946), "Autumn Still Life", c.1920; oil/canvas, 21.5"
x 38", signed, fair condition (restored). Nashville, TN painter. Studied with William M Chase, painted
portraits and still life. 500-700
527. Henry Hannig (American, early 20th century), "Teatime", c.1916; oil/canvas, 28" x 20",
signed, excellent condition, signed and dated on verso. Chicago area post impressionist painter. Broad
brushwork and a colorful palette are trademarks of Hannig's work. 1500-2000
528. France Ludgey (American, early 20th century), "The Bouquet", c.1910; oil/canvas, 29" x
24", signed, very good condition, titled on stretcher. Fine impressionist figure painting. 800-1200
530. Emil Armin (American, b. 1883), "River Landscape", c.1941; oil/board, 15" x 22",
signed, excellent condition. Chicago artist, studied at the Art Institute of Chicago, and exhibited
there from 1920s-50s. 300-500
529. Fred Green Carpenter (American, 1882-1965), "Portrait of Miss K", c.1920; oil/canvas,
39" x 31", signed, titled and signed on verso, excellent condition. Important St. Louis impressionist.
Studied with Richard Miller at the St. Louis School of Fine Art. Painted figurative works, commonly
using a palette knife to apply the paint. He exhibited at the Art Institute of Chicago, San Francisco
Expo (1915), Pennsylvania Academy of Fine Art, St. Louis Artist Guild, etc. (1910s-40s). His work is in
the collections of the Missouri State Capitol, Washington University, and the John Herron Art
Institute. A major example of this artist's work. 5000-7000
531. Hal Robinson (American, 1875-1933), "Icy Waters", c.1910; oil/canvas, 31" x 25", signed
excellent condition. Well-known landscape painter from New York City. Specialized in richly-colored
impressionist works. Fine Arts & Crafts style painting, and a good example of this artist's work.
2500-3500
532. Halow (20th century), lot of three oils, one pictured, c.1928. The oil pictured is
signed on verso, "To Max and Irene, X-Mas, 1928", 9" x 12"; the second oil is an impressionist
landscape, 9" x 12", unsigned; the third is also an impressionist landscape, 8" x 10"; all are in
excellent condition. 400-600
533. George Herbert Baker (American, 1878-1943), "Indiana Landscape", c.1920; oil/canvas,
30" x 30", signed, good condition, fine frame. Richmond, In, painter. Exhibited at the Hoosier Salon,
Richmond Art Association. 1000-1500
534. Edmund Henry Wuerpel (American, 1866-1958), "Crepliscule Meadowbrook", c.1927;
oil/canvas, 36" x 22", signed, dated, excellent condition. Important tonalist painter and teacher.
Wuerpel worked with Whistler and Gerome in Paris. He exhibited his atmospheric landscapes from the turn
of the century through the 1940s, and became Dean of the St. Louis School of Fine Art. He won awards at
the St. Louis Expo (1904) and the Pan-Pacific Expo (1915). 2000-3000
536. Francois Gall (French, 1912-1987)," Ballet Dancers", c.1940; oil/canvas, 10.75" x 9",
signed, excellent condition, numbered 417, and "Paris" on verso. Well known French impressionist of the
early-mid twentieth century. He specialized in scenes of Paris and figurative work. He frequently
painted small works. An exceptional example of his work. 2500-3500
537. Louis Dali (French, 20th century), "Paris Scene", c.1950; oil/paper laid down
(original), 8.5" x 10.5", signed, excellent condition. Fine impressionist work. 300-500
538. Stark Davis (American, b. 1885), "Red Macaw", c.1930; oil/canvas, 36" x 36", signed,
excellent condition. Chicago artist. Davis specialized in Art Deco style paintings of animals,
especially birds. He exhibited at the Art Institute of Chicago, Grand Central Galleries, and the
Chicago Palette and Chisel Club (1920s-40s). His painting style is distinct and his works are highly
collected. A rare and exceptional example of Davis' work. 3000-5000
539. Stephan Chizmarik (American, 20th century), "Backyards", c.1951; oil/canvas, 18" x 24",
signed and dated, label on verso, excellent condition. Chicago area artist. 300-500
540. Charlotte Rothstein (American, b. 1912)," The Promontory", c.1942; oil/canvas, 36" x
30", signed, very good condition, label on verso from Art Institute of Chicago "46th Annual Chicago
Artists Exhibition, 1942". Studied with Todros Geller and Rudolph Weisenborn at the AIC. She was a
member of the Chicago Society of Artists, American Art Congress, and exhibited in the 1930s and 40s at
the World's Fair New York, Art Institute of Chicago, etc. 800-1000
541. Carolyn Bradley (American, 1898-1954), "The Train is Due, East Gloucester", c.1945;
watercolor/paper, 19" x 23", signed, excellent condition. Indianapolis modern watercolorist. She
exhibited at the Herron Art Institute, National Academy of Women Artists, Cincinnati Women's Art Club,
etc. 400-600
542. Lawrence Mazzonovich (American, 1871-1959), "Moonlight at Dawn, Moret", c.1915;
oil/canvas, 21" x 25", signed, excellent condition. Studied at the Art Institute of Chicago, and worked
in Chicago around 1910. He then moved to the artist colony at Westport, Connecticut. Arthur Dove and
Karl Anderson also worked in Westport around this time. He specialized in landscape painting, and
exhibited at the Westport Annuals, as well as the American Federation of Arts, Salmagundi Club, and the
National Arts Club (1910s-20s). His work is in the collection of the Art Institute of Chicago. REF:
Art Across America, William Gerdts. 10,000-15,000
543. Pierre Nuyttens (American/French, b. 1885), "Middle East Scene", c.1940;
watercolor/gouache, 11" x 15", signed, excellent condition. Colorful scene of man seated outside of
exotic architecture. Chicago artist, studied at the Art Institute of Chicago and the Ecoles des Bea
ux-Arts, Paris. Colorful impressionistic scene of a Middle Easterner seated facing buildings of exotic
architecture. 300-500
544. Aldro Thompson Hibbard (American, 1886-1972), "Light Across the Valley", c.1930;
oil/canvas, 24" x 32", signed, excellent condition. This well known landscape painter studied at the
Boston Museum school with Tarbell and DeCamp. His work is included in the collections of the Met
ropolitan Museum of Art, Boston Museum, and the National Academy of Design. Hibbard established the
Rockport Summer School of Art in 1920, and taught there at least part of every year. 6000-8000
545. Leon Lundmark (American, early 20th century), "Coastal Scene", c.1931; oil/board, 8" x
10", signed, excellent condition, fine carved frame. 500-700
546. H.T. Gibbs (American, 19th century), "Fly Fishing", c.1881; pastel, 24" x 10", signed
and dated, excellent condition. 500-700
547. H.T. Gibbs (American, 19th century), "Fly Fishing", c.1881; pastel, 24" x 10", signed
and dated, excellent condition. 500-700
548. P. Tercyzczuk vase, bronze, shepherd figurine with ivory face, original gold dor‚
finish, 6"d x 9.5"l x 9"h, very good condition 600-800
549. After Louis Chalon, bronze with original dark brown patina, 11"l x 7"h, signed, marble
base,
very good condition 1500-2000
550. F. Gornik ashtray, bronze, match holder with pheasant figurine, original gold dor‚
finish, 6.5"w x 8.5"l x 4"h, very good condition 400-600
551. James McCracken (American, 20th century), "Egrets", c.1930; oil/masonite, 36" x 36",
signed, excellent condition. Chicago artist. Specialized in Art Deco style images of animals,
especially birds, in a style similar to Jesse Arms Botke. McCracken exhibited at the Art Institute of
Chicago, and also worked in Iowa with Grant Wood. Important example of this artist's work and a
powerful Art Deco image. 3000-4000
552. Terra Cotta sculpture, sitting man with multi-toned brown matt glaze, no mark, 12" x
12", excellent condition 500-700
553. Theodor Charlemont bronze, excellent original brown patina, mounted on carved marble,
signed and marked Austria, 14.5"h, excellent condition 2000-3000
554. Terra Cotta sculpture, man struggling with large boulder, finely detailed, unglazed
light brown clay, H. Bargas, 20"l x 12"h, excellent condition 600-800
555. After G. Pillig "Swordsman", bronze with original dark brown to black patina, 24"h,
excellent condition 5500-6500
556. After Richard Brooks "Boxer", bronze with original black patina, 12"h, excellent
condition 1200-1500
557. After J.C. Coran "Shot Putter", bronze, original brown patina, stamped "Susse Frere,
Paris, Cize Perdue", 24" h, excellent condition 2000-3000
558. After Joseph Epheres "Archer", bronze with original black patina, 23"h, repair to arm,
flake to patina 1500-2000
559. After A. Buschelberge "Runner", bronze with original dark brown patina, marble base,
13.5"h, excellent condition 1500-2000
560. After Sabatino de Angeli "Hercules and the Stag", bronze fountain, original green/black
patina, 24"h, excellent condition 3000-5000
561. After Alan Meyer "Salome", bronze with original brown patina, stamped, "C93", 24"h,
excellent condition 4000-5000
562. After D. Charol "Tennis Player", bronze with original brown patina, marble base, 13"h,
excellent condition 900-1200
563. Bronze "Discus Thrower", original brown and green patina, stamped, "AKT. GES,
Gladdenbeck & Sohn", marble base, 14"h, excellent condition 800-1000
564. Bronze "Wrestlers", original light brown patina, stamped, "Barbereinne Foundry", 12"h,
excellent condition 800-1200
565. After E. Villanis "Hostage", bronze with original light brown patina, 21"h, excellent
condition 1500-2000
566. After A. Bruges "Putto", terra cotta sculpture, unglazed in skin tones, 10"h, excellent
condition 800-1200
567. Harriet Frishmuth bronze, nude reaching skyward, signed and dated 1918, numbered 311,
marked Gorham Co. Founders #0505, finely detailed example with great definition in fine original green
and brown patina, 19"h, excellent condition 8000-11,000
568. Jun'ichiro Sekino (Japanese, 1914-1988), "Girl with Cat", c.1957; color woodblock
print, 24.5" x 12", pencil signed and dated, numbered 61/100, excellent condition. Important modern
Japanese printmaker. Strong image. 400-600
569. Sueo Serisawa (Japanese/American, b.1910), "Head", c.1949; gouache, 10.5" x 9", signed
and dated, excellent condition. Born in Yokohama, Japan. Exhibited at the Art Institute of Chicago,
California State Fair, Los Angeles Museum, San Diego Fine Art Society, etc. His work is in the
collections of the Pasadena Art Institute, Santa Barbara Museum of Art, etc. Strong modern image.
1000-1500
570. Jun'ichiro Sekino (Japanese, 1914-1988), "Portrait of a Man", c.1947; color woodblock
print, 21" x 17", visibly unsigned, however, margins are adhered to mat, fair condition. Important
modern Japanese printmaker. 300-500
571. Reginald Grooms (American, b. 1900), "Beach Scene", c.1940; oil/board, 10.5" x 18",
signed, excellent condition. Cincinnati artist. Exhibited extensively from the 1920s-40s. (World's Fair
NY, 1939; Pennsylvania Academy of Fine Art; Cincinnati Art Club, etc.) Painted primarily figurative
works. This is a fine early example of his work. 800-1200
572. Juan Howard (American, 20th century), "The Seamstress", c.1940; oil/canvas, 30" x 20",
signed, excellent condition. Very well painted, strong image. 300-500
573. Joseph Vorst (German/American, 1897-1947), "Missouri Winter", c.1940; oil/masonite, 27"
x 32", signed, excellent condition. Important regionalist painter. Vorst studied at the Folkwang and
Academy of Fine Art, Berlin, before moving to the United States. He was impressed with the "American
Scene" painters of the Midwest and adopted that style. Thomas Hart Benton said that it was like meeting
himself when he first met Vorst and saw an exhibition of his work. The two became friends and even
shared a studio for a time. Vorsts' style retains an element of German Expressionism that is absent in
other regionalists. He exhibited at the NY World's Fair (1939), Kansas City Art Institute, Pennsylvania
Academy of Fine Art, etc. 2500-3500
574. Edna Reindel (American, b. 1900), "Duet", c.1936; oil/canvas, 40" x 26", signed and
dated, excellent condition. Important Chicago modernist, WPA artist. Studied at the Pratt Institute Art
School and exhibited throughout the 1930s-40s; at the Art Institute of Chicago, Whitney Museum, etc.
Her work is included in the collections of the Metropolitan Museum, Whitney Museum, WPA murals, etc. A
rare and important work by Reindel, revealing her concern with Surrealism. 8000-10,000
575. Alex Katz (American, b. 1927), "Skowhegan Costume Ball, 1969", lithographic poster,
black and white, 31" x 21", poor condition. Katz was a leading figure in contemporary realism in the
1950s and 60s. The image depicts a woman's face. Dark blue and white exhibition poster, depicting the
face of a woman looking through a decorative boundary. 100-200
576. Jean-Pierre Cassigneul (French, b. 1935), "Portrait of a Woman", c.1965; color
lithograph, 21" x 17.5", signed and numbered, framed and matted, excellent condition. French modernist
painter and printmaker. 300-500
577. Bruno Cassinari (Italian, b. 1912), "Portrait of a Woman", c.1955; oil/canvas, 29" x
19.5", signed and dated, excellent condition. Important Italian modernist. Specialized in
portraiture, sometimes burlesque dancers. 5000-7000
578. Donald Mackey (American, 20th century), "The Warwick, New Orleans", c.1954; watercolor
and ink, 13" x 18", signed and dated, excellent condition, unframed. Originally from Waukegan, IL.
Mackey studied in Chicago. He joined the army in 1941 and was stationed in Louisiana, where he sketched
swamp scenes. In the 1950s, he worked in New Orleans and in San Diego. In the 1970s, he worked as a
technical illustrator for NASA in Cape Canaveral. 500-700
579. Georg Ruyter (French/American, 20th century), "Beach Scene", c.1948; watercolor/paper,
15.5" x 11", signed and dated, very good condition. Fine modern work. Ruyter painted in watercolor and
oil, and his subject matter was usually figurative. 500-700
580. Donald Mackey (American, 20th century), "U.S. Customs House, New Orleans", c.1954;
watercolor and ink, 10.5" x 14.5", signed and dated, excellent condition, unframed. 500-700
581. Louis Schanker (American, 1903-81), "Abstract Figures", c.1944; watercolor/paper, 14" x
22", signed, excellent condition, unframed. Important non-objective artist. He was a member of the
American Abstract Artists (NYC), and American Art Congress. Exhibited: Art Institute of Chicago,
National Academy of Design, Whitney Museum, etc. (1940s). REF: Dictionary of Abstract Painters.
1000-1500
582. Jean Arp (French, 1887-1966), "Biomorphic Form", c.1940; color lithograph, 22" x 15",
pencil signed and numbered, XIII/LX, excellent condition. Important figure to Dadaism, he was a member
of the "Blue Rider" group (1912-13), and showed his first abstract works in Zurich in 1915. He
exhibited with the "Circle and Square" group (1930) and the Abstraction-Creation group (1932-34). Both
of these groups were important showcases for the international movement of abstract art. 800-1000
583. Hobson Pittman (American, 1899-1972), "Courtyard", c.1945; oil/masonite, 18.5" x 26.5",
signed, excellent condition. Important modernist painter. Worked in Philadelphia and in Woodstock, NY.
He exhibited extensively in the 1920s-50s at the Museum of Modern Art, Pennsylvania Academy of Fine
Art, Art Institute of Chicago, Whitney Museum, Boston Museum, etc. His work is included in major museum
collections across the country. 3000-4000
584. F.C. Alsberg (American, 20th century), "Mountain Village", c.1951; watercolor /paper,
19" x 26", signed and dated, excellent condition. Fine modernist work. 300-500
585. Carl Theodor Thiemann (German, 1881-1966), "Yellow Irises", c.1910; color woodcut, 17" x
12", pencil signed and titled, very good condition. Vase with bold, brightly colored yellow irises.
300-500
586. James Coignard, attribution (French, b. 1925), "Woman with Flowers", c.1960; oil/mixed
media on canvas, 20" x 24", artist's name and title on stretcher, very good condition. Modernist
painter influenced by Chagall. Painted still life, portraits, genre, etc. Worked in many different
mediums. 600-800
587. Rainey Bennett (American, 20th century), "Hong Kong", c.1953; watercolor/paper, 21" x
29", signed and dated, excellent condition, framed and matted. Quality modern work, influenced by Dong
Kingman. 300-500
589. Lynd Ward (American, b. 1905), "Preachers", c.1943; lithograph, 7.5" x 5", pencil
signed and dated, excellent condition. Morris Museum label on verso. Important graphic artist.
Exhibited: World's Fair New York, American Art Congress, etc. 200-300
588. Carolyn Bradley (American, 1898-1954), "Coal Plant, Akron, Ohio", c.1945;
watercolor/paper, 19" x 23", signed on label verso, excellent condition. Important Indianapolis modern
watercolorist. She exhibited at the Herron Art Institute, National Academy of Women Artists, Cincinnati
Women's Art Club, etc. Her work is in the collection of the Richmond Art Association. She taught in
Indianapolis and at Ohio State University (1932-54). 400-600
590. Dale Nichols (American, b. 1904), "Farm Scene", c.1950; watercolor/paper, 8.5" x 7",
signed and dated, excellent condition. Important regionalist painter. Studied at the Art Institute of
Chicago. He was well known for his stylized scenes of farm life in Nebraska. He also did commercial
illustrations. 800-1200
591. Louis Schanker (American, 1903-1981), "Composition", c.1944; ink drawing, 10" x 9",
signed, excellent condition, unframed. 500-700
592. Donald Mackey (American, 20th century), "Biomorphic Form", c.1958; watercolor and ink,
14" x 10.5", signed, excellent condition, unframed. 400-600
593. Louis Schanker (American, 1903-1981), "Composition", c.1944; ink drawing, 10" x 14",
signed, excellent condition, unframed. 500-700
594. Thornton Utz (American, 20th century), "Boy with Pigeons", c.1960; oil/board, 15" x
30", signed, excellent condition. Fine example of contemporary realism. Utz worked in Florida.
300-500
595. Donald Mackey (American, 20th century), "Roots", c.1958; watercolor and ink, 14" x
19", signed, dated, excellent condition, unframed. 400-600
596. Martyl (Suzanne Schweig) (American, b. 1918), "Northumberland, Great Britain", c.1950;
oil/canvas, 32" x 50", signed, very good condition, labels verso. Chicago/St. Louis artist. Studied
with B. Robinson and A. Blanch. Exhibited extensively from the 1930s-70s, Art Institute of Chicago,
Museum of Modern Art, Carnegie Institute, Corcoran Gallery, etc. WPA artist. 700-900
Exhibited: Feingarten Gallery, NYC
Kovler Gallery, Chicago
597. Tony Agostini (Italian, b. 1916), "Still Life", c.1959; oil/canvas, 10.5" x 14", signed,
excellent condition. School of Paris artist. 500-700
598. Tony Agostini (Italian, b. 1916), "Pichet Bleu", c.1959; oil/canvas, 18" x 15", signed
and dated, titled on verso, excellent condition. School of Paris artist. 500-700
599. Tony Agostini (Italian, b. 1916), "Still Life", c.1959; oil/canvas, 10.5" x 13.5",
signed, excellent condition. School of Paris artist. Exhibited throughout the 1940s-60s in Paris,
Cologne, Tokyo, and his work is in the collections of the Paris Musee d' Art Moderne and the French
government. Specialized in still life. 500-700
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