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| Studio GLASS Provenance - Per lot
1019 prov: the artist, Madison, WI; lit: 11*(#23); 13*(#98); 18*(p.13). Exhibited Renwick Gallery, Washington DC (1984); High Musueum of Art, Atlanta (1984). 1020 prov: the artist, Grand Rapids, OH; lit: 1*(p.18) 1021 Property of another consignor 1022 prov: the artist, Grand Rapids, OH; lit: 2*(p.121); 4*(p.53); 13*(#102); 18*(p.48) 1023 prov: Elizabeth Fortner Gallery, Santa Barbara, CA 1024 prov: the artist, Grand Rapids, OH; lit: 4*(p.50) 1025 prov: Harvey Littleton, Madison, WI; lit: 1(pp.12-15); 2(pp.120-21); 4*(p.49); 6(p.130); 7*(p.18); 8(p.17); 9*(pp.34-36,#23-29); 13*(#108); 16(p.33); 22(p.17,#22-31); 24*(p.20); 25*(pp.12-13); 26(pp.34-35). A similar piece from this series is in the Toledo Museum of Art. 1026 prov: Lundberg Studios, Davenport, CA 1027 prov: Light Opera, San Francisco 1028 prov: Lundberg Studios, Davenport, CA 1029 prov: George Kamm, Lancaster, PA 1030 - 1032 prov: Lundberg Studios, Davenport, CA 1033 prov: Heller Gallery, New York 1034 prov: Lundberg Studios, Davenport, CA 1035 prov: Heller Gallery, New York 1036 - 1040 prov: Lundberg Studios, Davenport, CA 1041 prov: Heller Gallery, New York 1042 prov: Lundberg Studios, Davenport, CA 1043 prov: Orient & Flume, Chico, CA 1044 prov: Orient & Flume, Chico, CA; lit: 3*(p.1) 1045 prov: Orient & Flume, Chico, CA 1046 prov: Orient & Flume, Chico, CA. This is a knock-off of Tiffany "Cypriote" glass.; 1047 prov: Orient & Flume, Chico, CA; lit: 3*(p.5) 1048 prov: Light Opera, San Francisco 1049 prov: the artist, San José 1050 prov: Orient & Flume, Chico, CA; lit: 3*(p.5) 1051 prov: Heller Gallery, New York; lit: 23*(p.105) 1052 prov: Lundberg Studios, Davenport, CA 1053 prov: Orient & Flume, Chico, CA 1054 prov: Orient & Flume, Chico, CA; lit: 3*(p.3) 1055 prov: Orient & Flume, Chico, CA 1056 prov: Light Opera, San Francisco 1057 prov: Orient & Flume, Chico, CA 1058 prov: Orient & Flume, Chico, CA; lit: 3*(p.1) 1059 prov: Orient & Flume, Chico, CA 1060 prov: the artist; lit: 9*(p.37,#31); 16*(p.35); 20(p.12); 26*(p.29). 1061 prov: the artist 1062 prov: the artist 1063 prov: George Kamm, Lancaster, PA 1064 prov: the artist 1065 Property of another consignor 1066 prov: Lundberg Studios, Davenport, CA 1067 prov: the artist 1069 prov: Leo Kaplan, New York; lit: 8(p.19); 9(p.43,#40); 22(#41) 1070 prov: Galeria del Sol, Santa Barbara, CA 1071 prov: Orient & Flume, Chico, CA 1072 prov: Designs Recycled Gallery, Fullerton, CA; lit: 6(p.64); 12(p.11) 1073 - 1075 prov: the artist 1076 prov: Light Opera, San Francisco 1077 prov: the artist 1078 prov: George Kamm, Lancaster, PA; lit: 8*(p.23); 23*(p.105); 30(pp.26-27) 1079 prov: Old Town, Los Gatos, CA 1080 prov: the artist, Grand Rapids, OH; lit: 5*(p.106); 9*(#23) 1081 prov: the artist, Chico, CA 1082 prov: Heller Gallery, New York 1083 prov: Harvey Littleton, Madison, WI; lit: 5(p.105); 9*(#285); 18*(pp.121,123). Eisch made this piece while visiting Littleton in Madison. 1084 prov: the artist, Pacifica, CA 1085 prov: the artist, Madison, WI; lit: 9*(p.41); 10*(p.4); 11*(#16); 18*(pp.12,133). A companion piece was acquired by the Museum of Modern Art, New York, in 1965. 1086 prov: the artist, Madison, WI; lit: 11*(#15); 21*(pp.25-27). Exhibited Art Institute, Chicago, 1963. This is one of Littleton's earliest efforts in glass, imitating Marinot. 1087 prov: the artist, Madison, WI; lit: 11*(#31); 20*(p.5) 1088 prov: the artist, Chico, CA 1089 prov: George Kamm, Lancaster, PA; lit: 23*(p.105) 1090 prov: the artist, Madison, WI; lit: 11*(#19); 13*(#97); 18*(pp.12,40); 21*(pp.26-27) 1091 prov: Eileen Kremen Gallery, Fullerton, CA 1092 prov: Light Opera, San Francisco 1093 prov: Light Opera, San Francisco 1094 prov: Eileen Kremen Gallery, Fullerton, CA 1095 prov: Eileen Kremen Gallery, Fullerton, CA 1096 prov: the artist, Madison, WI; lit: 9*(p.41); 14*(p.7). The outer cup has an annealing fracture, but the work is firmly intact. 1097 prov: the artist, Madison, WI; lit: 10*(p.4); 11*(#53); 15*(cover); 16*(p.35); 21*(p.13). One cup has an annealing fracture, but the work is firmly intact. 1098 prov: the artist, Madison, WI; lit: 2(pp.120-22); 4; 5*(pp.103-106); 6(p.137); 7(p.8); 9(pp.40-42,#30,32-33); 10; 11*(#22); 13(p.114,#97-98,110); 14; 15; 16(p.35); 17(p.86); 18*(pp.13,38-39); 19; 21*(p.6); 22(#35-40); 24(p.19); 25(pp.16-17); 26(pp.22-23); 27; 30(pp.20-21). Exhibited Renwick Gallery, Washington DC (1984); High Museum of Art, Atlanta (1984). This is one of Littleton's first works joined to a base, indicating it is a sculpture, not a vesselthat is, it is a work of art, not utilitarian. 1099 prov: Eileen Kremen Gallery, Fullerton, CA |
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