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| Lot 737 |
737. Hebert Herget (American, 19th-20th century), "The Outpost", c.1900; oil/canvas, 20" x 15", signed, excellent original carved frame. Herget worked with O.E. Berninghaus in St. Louis and painted almost exclusively western subjects. An excellent example of his work. 3000-5000
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738. Elizabeth Muhlhofer (American, early 20th century), "Still Life with Oriental Jar", c.1925; watercolor/paper, 14" x 20", signed. Washington D.C. painter, known especially for her still lifes. She frequently worked in watercolor as well as oil. She exhibited Society of Washington Artists, Washington Watercolor Club and the Corcoran Gallery. 300-500
739. E.F. Timmons (American, b.1882), "Dunes" and "Mountains", a pair of oils, c.1930; oil/board, each 8" x 10", signed. Chicago area painter. 200-300 |
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| Lot 740 |
740. Ralph Davison Miller (American, 1858-1945), "Forest Interior", c.1910; oil/canvas, 30" x 40", signed. Miller was mostly self-taught and lived in New Mexico in the 1880s, before settling in Los Angeles in 1893. He specialized in landscapes and regularly executed dark tonalist interiors, similar to the work of William Keith. 800-1100 |
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| Lot 741 |
741. Rudolph Ingerle (American, b.1879), "The Great River", c.1910; oil/board, 24" x 27", signed. Ingerle was an important Midwestern landscape painter. He worked in Chicago, the Ozarks and in Brown County, Indiana. He received recognition for his tonalist works in each of those areas. He studied at the Art Institute of Chicago and exhibited at the National Academy of Design, Pennsylvania Academy of Fine Art, Chicago Society of Artists and the All-Illinois Society of Fine Artists (1910s-30s). An exceptional example of his work in the tonalist aesthetic. 5000-7000
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742. Gordon Saint Clair, attribution (American, 20th century), "Farm Scene", c.1940; oil/canvas, 24" x 30", signed. Chicago area painter. 300-500 |
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