534. James P. Butler (American, 1893-1976), "Path in the Woods, Hillcrest (Candor, N.Y.)", c.1917; oil/canvas, 20" x 29", signed and dated. Butler was part of the second wave of American painters to work in Giverny, France. His paintings done in France and in the United States, reveal the direct influence of the French post-impressionists. His vibrant palette and bold brushwork defy the traditional American impressionist heritage. 2000-3000

535. James P. Butler (American, 1893-1976), "Cliffs at Port-Villez", c.1922; oil/canvas, 29.5" x 25.5", signed and dated. Butler was part of the second wave of American painters to work in Giverny, France. His paintings done in France and in the United States, reveal the direct influence of the French post-impressionists. His vibrant palette and bold brushwork defy the traditional American impressionist heritage. 2000-3000

536. Kenyon Cox (American, b.1856), "Serenity", c.1900; oil/canvas, 18" x 24", signed. Cox studied in Paris and exhibited at the Paris Expo (1889), as well as the National Academy (1889), Columbian Expo, Chicago (1893), St. Louis Expo (1904), and the Pennsylvania Academy of Fine Art. 4000-6000

537. Walter Koeniger (American, b.1881), "Spring Landscape", c.1925; oil/canvas, 22" x 40", signed. Woodstock, NY landscape painter. 800-1200

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