Treadway Gallery-Toomey Gallery Sale Catalog Web Version

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672. Jane Peterson (American, 1876-1965), "Palm Beach Huts", c.1930; oil/canvas, 17" x 19", signed. Important post-impressionist painter. Her distinct style and palette was immediately well received, and she had her first one man show in Boston in 1909. She also exhibited at the National Academy of Design. Peterson traveled all over the world painting, and her subject matter varied, but her concern with light and color is evident in all her work. 4000-6000

Not Pictured:

673. Joan Miro (Spanish, 1893-1983), "Modern Composition", c.1960; color lithograph, 5.5" x 7.5", unsigned, framed. 200-300

674. Ralston Crawford (American, 1906-1978), lot of two lithographs, the first: "For San Isidro, 20" x 26", signed and numbered, 11/15; with "Dying Toro, No. 1", 20" x 26", signed and numbered, 13/15. Black and white images. 700-900


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675. Bernard Karfiol (American, 1886-1952), "Still Life Composition", c.1925; oil/canvas, 36" x 28", signed, nicely framed. Karfiol was born in Hungary to American parents, and grew up in New York City. He was a youthful prodigy. At the age of 14, he enrolled at the National Academy of Design and a year later went to Paris to study with Jean-Paul Laurens. He exhibited at the Paris Salon, and was highly influenced by the work of Cezanne, Renoir, and Derain. He returned to the U.S. in 1906, and exhibited at the Armory Show in NYC in 1913. He spent the summers in Maine. His work is in the collections of the Carnegie Institute, L.A. County Museum, Museum of Modern Art, and the Whitney Museum. 5000-7000

Not Pictured:

676. Charles Turzak (American, b.1899), group of five woodblock prints, various subjects, ranging in size from 9" x 10" to 3" x 5", all signed, three framed. Chicago WPA artist, well known for his woodblock prints. He worked in a modernist style. 150-250

677. Stanley Bielecky (American, early 20th century), "Tabletop Still Life", c.1940; oil/board, 24" x 20", signed, unframed. Northern Indiana modernist painter. Studied at the Art Institute of Chicago, and exhibited in the 1930s-40s. He taught at Valparaiso University in the late 1940s. 300-500



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